#georgefrederickwatts

Time, Death and Judgment, George Frederick Watts, 1866, Art Institute of Chicago: European Painting and Sculpture

George Frederick Watts exhibited this painting at the Royal Academy, London, in 1865 as Design for a Larger Picture. He later executed a number of versions of the same subject, which was identified by Mrs. Watts as Time bearing a scythe and pressing forward through the stream of life hand in hand with his mate, Death. The figure of Judgment follows behind, holding a sword. In the last half of his career, Watts, a celebrated Romantic painter, favored allegories like Time, Death, and Judgment, which were influenced by his studies of the heroic forms of the Renaissance artist Michelangelo and the warm palette of Titian. Bequest of Charles L. Hutchinson Size: 36 × 28 5/16 in. (91.5 × 72 cm) Medium: Oil on canvas

Drapery Studies, George Frederick Watts, 19th-20th century, Harvard Art Museums: Drawings

Harvard Art Museums/Fogg Museum, Gift of Warren R. Stone Size: 68.4 x 56.9 cm (26 15/16 x 22 3/8 in.) Medium: Black and white chalks on heavy tan wove paper

Sir Galahad, George Frederick Watts, 1860-1862, Harvard Art Museums

Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop Size: 191.8 x 107 cm (75 1/2 x 42 1/8 in.) framed: 217.2 x 127 x 8.3 cm (85 1/2 x 50 x 3 1/4 in.) Medium: Oil on canvas

Orlando Pursuing the Fata Morgana, 1848, George Frederick Watts