Jul 14
CUZ LEMON HEARTS ARE BITTER 'TIL YOU SWEETEN UP THE SOUL!
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CUZ LEMON HEARTS ARE BITTER 'TIL YOU SWEETEN UP THE SOUL!
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Miss Gumdrop belongs to my bestie @agentkiwi09
I hope you're happy now I've merged dark and light This slope I'm headed down has turned to a slide So I'll throw my hands up high and enjoy the ride You've helped restrain that voice that slumbers inside I'm not quite alright But at least now I'm mine!
What I Read in November
I started off November with a trip to my big bedroom shelf and pulled out the book below. The Gabriel Hounds by Mary Stewart I first encountered Mary Stewart as a child when I read The Little Broomstick. I found out about her adult, gothic-type novels as a teenager and since then have read several, but this one was new to me. I don’t know how to explain Stewart’s fiction. They are first-person…
Why don't we keep it coming back, and coming back? Join if you (wish to) (want it) (wish it) Coming back, and coming back, and coming back
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Summer seasonal depression is killing me badly. Something small
Imagine if this year's ID switch is another hunter Galatea, therefore making the "this year's switch won't be survivor Galatea" technically true.
It's not happening, but I can dream.
Glaucus and Scylla, Agostino Carracci. Farnese Gallery, Rome. 1597.
So I've found other versions of this artwork, with different titles:
Glaucus and Scylla (or Venus and Triton) Maker Pietro Aquila (Italian, c. 1650-1692) After After Agostino Carracci (Italian, 1557-1602) 1677. The University of Chicago.
Ok, so maybe she's Scylla, maybe she's Venus. There's a third option:
Triumph of Galatea, from the fresco by Agostino Carracci. Print, 18th century. ’Schola Italica Picturæ', pl.31.  Victoria and Albert Museum, London.
I can see why people have difficulty identifying her. Scylla and Glaucus paintings usually just have the two of them, not a whole crew. Galatea usually doesn't have someone hugging her, and aside from Cupid, I'm not seeing anything that really suggests Venus here.
