#fuzz wah

Fender - Fuzz Wah

Roland - AD-50 Double Beat

"1970s Japanese-made fuzz-wah with switchable gain stages and rocker-style wah"

EKO - Multitone + EKO Crescendo volume pedal

Strepitoso: Wah Wah Treble/Bass Booster: Tone Shaper Distortion: '60s Sounding Fuzz Repeat Percussion: Unique Sounding Tremolo

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Apparently it's the firt multi-effect ever. It has Wah (called Strepitoso in italian), Treble/Bass Booster, Distortion and Repeat (percussion tremolo). So I traced the 4 different circuits, you can find attached the schematics and some pics. FS33805 are npn BJT with 1:C 2:B 3:E pinout. I tested one and hfe was 216. BC208 is apparently an equivalent and if i'm not mistaken 2n3904 could do the job. 4JD5E44 is a UJT (maybe equivalent to 2n2646 ?)"

Shin Ei - Companion - FUZZ WAH PEDAL

“ UNVIVOX-SUPER FUZZ, FY-6 DUAL CIRCUIT PLUS A COOL WAH EFFECT AFTER FUZZ CIRCUIT. ...9VOLT DC DOD 1/8 TRS INPUT “

fender - fuzz wah

treadle with integrated switches

I can’t speak for that particular tone because my Dino Jr. listening is pretty limited. However, it’s important to know two things 1. J is a goddamn wizard and 2. A mix from a record will always sound different than tones coming from your amp. 

Someone might be able to chime in and help you out on this one but I know J uses some pretty big loud marshalls a lot and he has a pretty interesting way of playing. He always looks like he’s effortlessly playing and volume, mics, multitracking, etc... whatever went into that recording is going to have a massive effect on getting the exact tone. 

My thing with fuzz wah sounds is that cranking nearly any amp and just wailing on it sounds awesome. Which is likely why his tone always sounds dope. 

Same with old funk leads and stuff. These guys had less than nice fuzz wahs from the 60s and 70s going into cranked amps and just had chops for days. They could make anything sound good. 

(via https://www.youtube.com/watch?v=JqJ68s6EfLI)

"First, we applied our 3-position voicing option that we used for the Deluxe Mona Wah to the K-Fuzz. Then we added a 3-position diode switch that allows you to choose between germanium (like the original Kay Fuzztone), silicon (like the Custom K-Fuzz), and a specially selected Schottky diode pair. Finally, we added an input gain adjustment pot, just like the newer Deluxe Mona Wah has.

The new K-Fuzz also features a specially designed pot by wah master Joe Gagan. The taper allows for a smoother, more gradual transition between the bass tone and the treble tone. This is a huge improvement in functionality that allows you to create sweeping waves of fuzz or a slow building fuzz tsunami. "