The greatest showman and the erasure of disabled history (cw: historical ableism and racism)
I haven't watched the greatest showman. It watched a review of it. I won't watch it, I won't even pirate it, because watching a movie like that would be deeply upsetting to me.
This movie is about P.T Barnum, a real person, a horrible, ableist, racist, disgusting person, who should not be celebrated.
In this movie, he's a saviour for disabled "freaks", a word that this movie believes he has the right to reclaim for disabled people.
In reality, he exhibited disabled people and people of colour as "freaks" to be ogled and jeered at, to be abused and discarded when the novelty wore off, to exist for the entertainment of non-disabled whites.
This movie is not about the disabled "freaks". It could never be, because that would require showing the truth about freakshows, and it would give the disabled characters too much agency. This is a tragedy in my eyes, that we never see the stories of the actual disabled people of colour.
It's not about the disabled person who joined the freakshow to provide for their family.
It's not about the disabled black person who was lied to and deceived into joining.
It's not about the disabled slave who was sold into the freakshow.
It's always the non-disabled person who profiting off of the humiliation and abuse they subject their disabled workers and slaves to. And this is portrayed as something inspiring, and something the "freaks" should've been grateful for.
It's never about Joice Heth, or Saartjie Baartman, or Charles Sherwood Stratton, or the indigenous people who were tricked kidnapped or enslaved, or the disabled people who never saw their family again, it's about PT fucking Barnum.
I've seen disabled people find empowerment in this movie, and i'm happy for them. But the greatest showman was not made for disabled people to feel empowered by "embracing their differences". It was made for non disabled people who want to be a saviour to disabled people. It's for non-disabled people who feel guilty about objectifying disabled people, to reassure them that disabled people are actually grateful. It shows disabled people succeeding, but only because they cater to non-disabled people. It's made to justify ableism to non disabled audiences.
This movie is disgustingly disrespectful, to the victims of P.T Barnum. Many of the "freaks" where based on real people. Real people who were often sold into slavery, abused, tortured. Real people who this movie turns into puppets who only exist to make P.T Barnum look like a saint, to fufill non-disabled fantasies of being mother teresa to a disabled kid.
This movie will go down as a disgusting, shameful movie, and I hope the true stories of the ableism and racism in freakshows become widely known, until freakshows and their members are given the respectful and solemn recounting they deserve.
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Ever heard the urban legend of a real corpse being hidden among the wax bodies at a carnival funhouse? Well, thatâs not just a legend - it actually happened to the preserved corpse of failed bank robber Elmer McCurdy.Â
McCurdy was part of a long tradition of morticians embalming unclaimed bodies and putting them on display, both to try to find a relative to bury the corpse, and to advertise the morticianâs skill. Many of these bodies became local tourist attractions, eventually being bought up by traveling carnivals.Â
McCurdy perhaps had the most storied afterlife, bouncing around carnivals and being used as promotional props for movies, before finally being laid to rest after his corpse was discovered in a funhouse during the shooting of the TV show âThe Six Million Dollar Manâ.Â
However, he was far from the only famous corpse in American history. The embalmed corpse of Anderson McCrew made headlines when, after decades in carnivals, his body was found in a shed, and caught the attention of songwriter Don McClean.Â
Learn more about the history of roadside mummies in Truth and Scare episode 60!
Behold, the dancy girls! How can I say this? Even though I'm totally against things like freakshows, as well any type of way people who had the misfortune to be born with an inability or deformity would get exploited for the sake of entertainment and money, I can't help but long to hear about the life of these individuals, their stories. In the end, the outcome of a thousand rotten bright-colored posters, a wild search about bizzare victorian street shows, and of course the DAZZLING Evelyn and Evelyn, appears to be the Betsies...
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An Archive of Our Own, a project of the Organization for Transformative Works
Thank you, @blue-means-stopâ. Your prompt was my favorite of the lot, and I had a blast working on this.
Characters: Edge, Rus, and Twist. With a side of Muffet.
Pairings: pre-Spicyhoney, platonic TwistedHoney
Tags: PTSD, 1920s Carnival AU, flashbacks, Rats, permanent injury, mental instability, mental disability, past head injury, period-typical racism, period-typical attitudes, âfreakâshow, disabled characters, disabled people being treated as âfreaksâ, different people being treated as âfreaksâ, disturbing imagery, war is hell, WWI, Hurt/Comfort, angst.
Special notes: If rats upset you, please brace yourself or skip the italicized, lined-out sentence written directly after the word âratsâ. They never come up again after that, but it is pretty disturbing.
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Edge woke suddenly, breathing ragged and soul pounding. Were they under fire? He listened for the whistle of incoming mortar shells, but all he heard was snoring. His bedâno, hammockârocked under him as he sat up, nearly dumping him on the ground. The world seemed to tilt andâ
(âthe sound of gunfire the screaming of men the screech of metal as the guns overheated whistling in the distance, growing louder and louder untilâ)
He tumbled out of the hammock, not sure where he was or where he was supposed to be but he knew he wasnât supposed to be here. Everything was dark, and for a frantic moment, he didnât know how to find the door. Then he saw the crack of light, and he scrambled across the room and threw himself outside, taking deep, heaving breaths.
At first, the disorientation lingered. Heâd expected trenches and barbed wire, only to find himself surrounded by taut canvas tents and colorful trailers. Memory returned to him all at once. Coming home from the warâ(skull split and filled with what felt like broken glass)âbeing unable to find a jobâ(lying through his teeth, saying he didnât have these episodes often, really, only sometimes at night or when he heard a loud noise or if someone started screaming or sometimes for no reason at fucking all)âwandering from town to town and job to job, sometimes working for nothing more than a clean(ish) pile of hay to sleep on and a bowl of soup to eat.
The appearance of the traveling circus had seemed like an Angel-given miracle at the time. In some ways, it still was. He had a bedâhammockâto sleep in every night, and three meals every day, even if one of those meals was often cabbage soup. The work was hard butâmostlyâhonest, though the ring-leader had made it clear there was more money to be had if he was willing to bend his morals just a bit.
Soul still pounding, sweat beaded on his bones, Edge started to wander the carnival. Theyâd rolled into town late last night and were scheduled to remain for a few more days. He was cold in the ragged undershirt he wore, and the press of the rocky ground through his thinning soles reminded him that he needed to find a cobbler while they were close to town. âŚthough he might need to ask Muffet about the chance for extra money, if he wanted something to pay the cobbler with.
A cool wind kicked up, chilling his bones and carrying the scent of stale popcorn and something musky and animal. It also carried a faint melody. He lifted his head and shut his sockets. He knew the song, he realized. Heâd heard it a thousand times as a child...and heâd heard it more than once, huddled in the trenches as some fool tried to drown out the sound of the ratsâ(a dying friendâs face rats crawling over him clawing and chewing and eating and stars he wasnât even dead yet)âscurrying in the dark. Between the rats and the mustard gas, heâd grown to appreciate his lack of flesh.
The music made him grow still, soul pounding in a mix of sudden, wrenching homesickness and soul-churning nausea. As if hypnotizedâ(he had to know where it was coming from had to know if it was real or a hallucination had to know just how close he was to losing his mind)âhe ambled down the carnivalâs fairway, drawn toward the music. The animal smell grew stronger, and he could hear the horses shifting and snuffling in their stalls as he passed. The canvas tents gave way to a canvas labyrinth, the walls painted with leering images of bearded women, conjoined twins, mermaids, unicorns, and a snarling bone dragon.
âThe Last of their Kind!â
âWonders Untold and Unseen for Eons!â
âBrave the Labyrinth and Come Face to Face with Human Freaks and Grotesques Beyond Imagining!â
The messages were painted on the thick canvas, designed to get the audience excited as the labyrinth led them past the bearded woman (her name was actually Gladys, and she was one of the only humans Edge had ever met that was actually at ease around monsters), the conjoined twins (booked as âSiameseâ, though as far as Edge could tell, their manager scrubbed them down with coffee grounds each morning to give their skin a more âexoticâ look), the worldâs fattest man (George, who was really quite friendly and jovial), as well as a dwarf (Luke, who was kind enough to lend Edge a book every now and again), and a âwolfmanâ (Juan, who would always give the laborers a hand during set-up). Lovely people, all of them. The last âexhibitâ, though.... Edge still wasnât sure about him.
The music led him deeper and deeper, and the colorful canvas slowly darkened to pure black. Ahead, faint firelight flickered, and the music beckoned him ever closer, even as his bones started to crawl with unease, his magic prickling. The canvas labyrinth led, at last, to a red curtain. Above, blood-red paint announced that the beast beyond was dangerous and that the faint of heart should turn back here. Stepping through, Edge finally found the source of both the light and the music, and his soul seized.
The clownâanother skeleton monsterâwas swaying in front of the stage. He was still in his full costume, but his makeup was starting to crack and peel. He smelled of alcohol and something sweeter. At his feet rested a lantern. In his hands, he carried an old harmonicaâheld to his teeth and played with an amateurâs enthusiasm. And, Edge had to confess, a good deal more skill than heâd have expected, what with the lack of lips.
He wasnât watching the clown, though. Not really. His gaze was fixed on the skeleton on the stage. He tried to remember the clownâs name, but the single golden eyelight glaring back at him was making it hard to think. Chains clinked as the âdragonâ shifted.
As far as Edge could tell, the skeleton was no more draconic than Edge himself, but someone had cemented heavy ramâs horns to his head. His long, thick tail and the more animalistic features of his skull were natural, though. He growled at anyone that walked past his trailerâmore cage than trailer, reallyâand Edge had been repeatedly warned not to stray too close. Apparently, he had a habit of reaching through the bars and clawing at anyone that came in reach. Nothing the âdragonâ did had given Edge any reason to doubt the claims.
So he was understandably nervous when the clown put away the harmonica and approached the chained âdragonâ. âheya, buddy,â he murmured, âhowâre you doing tonight, twisted?â Twisted? âlemme get a look at you.â
He reached out, hand upraised, and the dragon strained at his chains, trying to reach him. Edge stepped forward, ready to call him back, but the dragon just pushed his skull into the clownâs hand and sighed heavily. The clown smiledâa real smileâand said, âthere you are. how are you feeling?â
He scratched along his mandible and coronal suture, hands sliding down to the collar around his neck. The dragon groaned, and the clown shifted the metal collar up, revealing that several vertebrae had been worn smooth. Gold magic gathered around the vertebrae, the healing matrix never allowed to fully take shape. The clown winced, stepping even closer and sitting down so the dragon could crawl into his lap. He ran his hands over his spine and ribs and down his tail, massaging the bone. He paid careful attention to the areas that had been worn away by the heavy collar and manacles. With a sigh, the dragon started purring, fingers flexing like a kittenâs paw.
âyou can come closer; he wonât hurt you,â the clown said. He never looked up, so Edge didnât realize that he was speaking to him until he turned his head and met Edgeâs eyelight. âor do you just want to stand there, catching flies?â
â...Catchingâ?â
The clown smiled and mimed shutting his mouth with his hand. Edge blushed and lifted his chin, trying to hide his embarrassment. âIn my experience, heâs been less than friendly.â
âyeah?â the clown asked, eyelights gleaming with a kind of bitter amusement. âto be fair, people arenât usually very friendly to him either, are they?â
âHmph.â Edge sidled slowly closer, trying not to move suddenly. His eyelights rarely strayed from the drowsing dragon, but he stole occasional glances at the clown.
âso whatâre you doing up so late, soldier?â
(âthe crack of gunfire the whistle of incoming mortars the screams of dying men and monstersâ)
âCouldnât sleep. Some asshat was snoring.â
The clown smiled wryly. âyeah. little jimâs got a deviated septum. enough to make me grateful we donât have the squishy bits.â Edge just grunted in acknowledgement, still watching the dragon. He came no closer, sure the beast wouldnât be as well behaved if he did. âyou could sleep in my trailer with me. gotta share with the props, but there arenât any fleshy people about, so thereâs no snoring.â
He blinked. â...Are you propositioning me?â
âcould be.â The clownâs eyelights still held that bittersweet glimmer. âif youâre interested. lifeâs hard, soldier. sometimes you take comfort where you can find it. but only if youâre interested. otherwise, itâs just a quiet place to sleep.â
As if to confirm, the dragon sighed and pressed closer to the clown, still purring steadily. â...Twisted?â Edge asked, and that single gold eyelight flicked over to look at him. The dragon rumbled unhappily, but settled back down when the clown continued to massage his worn bones.
âitâs his name. twist or twisted. he wasnât always....â The clown fell silent, then started scratching along the cracks in his skull. âthere was an accident. he hasnât been the same since.â He swallowed hard. âchaining him up. treating him like...like an animal only made it worse.â He looked up at Edge, the bitterness in his grin becoming more prevalent. âsorry. did i ruin the magic for you? did you think miss muffet managed to wrangle a real live dragon for her little carnival?â
Edge was quiet for a moment. âWho was he to you?â
The clown shook his head and turned his attention back to the skeleton in his lap. âheâs a friend. always has been. always will be,â he said it fiercely, like a challenge.
Edge nodded and sat down a few feet away. âTell me about him,â he said.
âwhy?â the clown asked, glaring. âyou donât care. you donât know him and you donât know me; what does it matter to you?â
Edge raised a brow-bone. âWhat happened to taking comfort where you can?â The clown blinked and blushed, looking away. To gentle the chastisement, Edge added. âI may not know either of you, but I do know what itâs like to watch your friends come undone. War doesnât just leave the scars you can see.â He touched his scarred socket, remembering the bayonet and the soldier that carried it. Remembered the mix of blood and magic on his hands and the blinding pain. âSometimes people break in ways you canât see at first.â
(Going home to his family. Being met with strange looks and confusion when a loud sound brought on one of his episodes. Feeling so, so alone among them. Isolated. Freakish.)
The clown was silent. He scratched along Twistâs mandible, then leaned down to kiss him on the forehead, the gesture paternal, protective. âgotta go now, twisted. gotta get some sleep.â More quietly, he said, âone day iâll find a place for us, then you wonât have to sleep in these chains. promise.â Twist looked up at him and, surprising Edge, he hooked his littlest finger around the clownâs. Orange tears welled in the clownâs sockets, but he pushed them back before they could fall. âyeah, buddy. like that. i promise.â
Twist nodded and pulled away, stretching. There was some clean straw on the stage, covered by a blanket. He settled there and closed his sockets to sleep. Edge and the clown stood, and they exited the labyrinth. ârus,â the clown said suddenly, as they walked through the sleeping carnival. He held out his hand, and Edge realized it must be his name.
âEdge,â he said, bracing himself when he took Rusâ hand. The clown was pretty well known for his pranks.
âso? you coming back to my trailer, or what?â
âThat depends. What are your intentions?â
Rus laughed. âdonât worry, soldier-boy. your virtueâs safe with meâunless you donât want it to be.â He winked, and Edge rolled his eyelights. âi wouldnât mind your company, though, and you wouldnât have to put up with little jimâs snoring.â
Edge was quiet for a few seconds as they walked toward the trailers. âItâs not Jimâs snoring keeping me awake,â he finally said. Rus eyed him, waiting for him to elaborate. Edge didnât.
When they reached the trailers and Edge started to walk away, Rus caught his arm. âsoldier.â Edge looked at him, brow-bone upraised. âremember what i said. lifeâs hard. if you ever need a warm bed or a quiet place to sleep or a listening earâŚyou know where to find me.â
Edge eyed the clownâs trailer. ââŚIâll remember that.â He shook his arm out of Rusâ grip and walked away, aware of the clownâs gaze on his back the entire time.
Hack #1 The Others Youtube Clip" height="360" /> Up until the late 20th century, people who had disabilities or were born deformed were considered a curse on the families that these children were born into.