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de[CAM]eron _don’t let me sw/EAT Some photos from performance on the project De(CAM)eron with Francois Roche
photo: Zuzana Pustaiova
The Snake
The Francois strikes back
Obscene was the Venice Biennale of Rem Koolhass On one side the fetishism of the industrial products and components (Italian International Pavilion) and on the other the celebration of the political failure of the world… as a naive agitprop able to wrap the architect with politically correct conscientiousness… self-complaisance for this comfortable dualism.
We are in the pursuit of the diagrammatic hoax he himself promoted 20 years ago, same arrogance of reductionism to avoid embracing and gathering complexity in a productive way, in an aesthetic way, for a critical production, not for a simulation of a critical behavior… sponsored by Rolex.
new-territories.com
Columbia UniversityÂ
(ncertainties2012)

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