#fowldom

I finally tried drawing my two babies again

10 years since I first read this series.

This fanart has been a long time coming.

Artemis Fowl, they could never make me hate you Artemis Fowl.

Alternate version from playing around has cool vibes:

I've been thinking about LEP uniforms again, part 2.

A happy, upbeat melody, synth keyboards and lyrics about friendship and crime-y stuff. More crime-y stuff. Everyone gets a dramatic look at the camera moment with their names fading in. Iconic freeze frames with that zoom-in and a smile at the camera moment.

Artemis walks through a hallway of explosions. He’s totally unfazed. He stops to adjust his cufflink, then smirks directly at the camera.

Butler kicks down a heavy door, a tray of muffins in one hand. He nods solemnly.

Juliet punches a baddie in the face, he falls out of the frame. She tosses her hair and gives a cool and slightly exaggerated wink.

Holly jumps out of a shuttle, landing like a superhero. She turns to the camera and gives a dry shrug, before breaking into a laugh.

Trouble dives over a desk to catch a donut mid-air. He lets out a sigh, before spotting the camera and flashing a cool grin. All poster boy vibes.

Foaly is surrounded by a wall of computer screens. He types furiously, then he spins in his swivel chair to the camera and smiles smugly.  

Mulch bursts through the floor in the middle of a fancy dinner party. Everyone screams. He waves.

Commander Root is yelling. He throws a folder on the desk, sees the camera and gives a sour smile.

Final shot before the show's title pops up: Everyone’s crammed in a shuttle, trying to see something outside the window.

So @eyyomayo made a PHM/AF crossover idea, so being the bloodymary trash I am, here's an Iron Lung/Artemis Fowl crossover. Because AF should be crossed over with everything.

Artemis and Butler get to Mars and enter a wormhole, because of course they do. It sends them to an alternate dimension, which Artemis picks up on when they see the new moons with oceans on them. They pick up an SOS from one of the moons, and they find an abandoned ship with a pulley system, the chains still attached to something below the surface. Artemis fixes the pulley system and pulls up a submarine. Butler won't allow Artemis to go in and explores to the sub alone, where he finds Simon somehow alive.

He brings him aboard because Butler is a Good Guy who never leaves a man behind, and they use some of the fairy healing they haven't had to use in their five year journey to heal Simon. He has an interesting reaction to the magic, and it grows back his arm, though with decidedly more monster DNA.

Simon wakes up in a clean, small spaceship with a seven-foot-tall mammoth of a Eurasian man who he immediately clocks as a fellow soldier, and a posh young man who doesn't flinch at his horrifying appearance and is somehow more scary than the big man.

Against all reason, being on this spaceship is the best thing for Simon's mental health. Butler is gentle and understanding of the convict's many layers of PTSD. Artemis is every psychologist in human history in one person, and finally gets to use that knowledge to help someone. Both are the least judgemental and weirdest people Simon has ever met.

Artemis and Butler do decide to go to the COI to see what they know about wormholes. They hide Simon on their ship, but he gets found out and the COI demand Simon the Butcher to be remanded back into their custody. Artemis and Butler refuse, and take on the whole COI by themselves (with the Butcher) and WIN because of course they do. However, no lives are lost and Artemis magnanimously figures out how to open a wormhole for all the COI and other human survivors to return to our universe.