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Yoshi! @silalcarin asked me to do Hinata's concept art + Masashi-sensei's inteview (which, I discovered, is not really an interview, but a description of the pictures).
To be honest, I might have misinterpreted your request (maybe you just wanted the part regarding Hinata), but the interview was very interesting and I got carried away (especially after I saw that there was also something about Jiraiya). So...
Some terms youâll meet in this interview:
- èšćź settei. I translated it with âsettingâ, âcreationâ, âdesignâ, âcharacter sheetâ and so forth. Basically, itâs a characterâs or a placeâs concept art, to be used as a reference (it can be both for the artistâs staff, for the animators or for the artist himself, for later uses).
- ć ç sensei. It obviously means âteacherâ, but itâs also the form you use when you speak to artists who became famous in their field: when they say sensei here, they mean Masashi Kishimoto.
- ă€ăĄăŒăž ime-ji. I often translated it with âmental imageâ. Itâs a loanword from the English âimageâ, sometimes used as a verb meaning âvisualiseâ. It has mostly to do with the authorâs imagery of the world.
- äžçèŠł sekaikan. Literally, the âvision of the worldâ (I translated it with various words). Itâs the outlook of the fictional world, how the world of Naruto looks like. In this interview, itâs mostly used with the expression âslightly offâ (when Masashi-sensei decided to discard an idea because it would sound inconsistent/weird in the Narutoverse).
- èȘć yomikiri. âNon-serialised storyâ (though I should have translated it as âone-shotâ or âpilotâ probably), as opposed to the Naruto serialisation. I guess theyâre referring to this one. I think thatâs something a newbie artist draws for manga editors, a sort of letâs-try-and-see-if-the-readers-like-the-story.
- æćăă uchiawase. I translated it as âpreparatory meetingâ, I guess thatâs something the artist and the producers do before publishing stuff. It can also mean âprevious arrangementâ.
- æ ćœ tantou. Translated it with âthe ones in chargeâ, maybe I should have gone with âsupervisorâ or something. But, ah, you get the idea.
There. The numbers correspond to the pictures. Anything between square brackets is something I added up to clarify my translation.
[Sideband:] Character sheets
The Nine-Tailed Mythological Fox Spirit
1
âThis is the non-serialised Narutoâ
The non-serialised Naruto had the appearance of a human, but he was a fox inside.
Though in the present setting the mythological fox spirit is sealed inside NarutoâŠ
Before the serialisation was decided, I changed it in a preparatory meeting with the ones in charge of it.
The demon fox is intense, they said.
No matter if he takes a human shape, heâs a fox really, then the readers wonât be able to sympathise with Naruto⊠they said.
And I also ended up thinking something like⊠âthatâs pretty trueâ (laugh).
2
âThis is the Nine-Tails drawn for the first timeâ
This is the Nine-Tailed Mythological Fox Spirit I drew in the spur of the moment as the image expanded [in my mind].
And then, since I was pleased with it, I used it as it is also in the main event [as opposed to preparatory sketch].
I traced it with a lightbox (laugh).
For this reason, I drew nothing but that after all, the Nine-Tails (laugh).
However, also the appearance of the present world of âNarutoâ spread from it in some respects. Of course, also things like the creation of the characters and the development of the story expanded.
So itâs like the concept art drawn in order to transmit the story and the setting to the staff, when you make a movie.
 [I always rejoice internally when I see an awesome artist being a lazy bum. Because retracing a previous painting is something Iâd totally do.]
The faces on the Hokage Rock [lit: the Hokage Face Rock, though I couldnât find a corresponding term in English â itâs only called the âHokage Rockâ]
1
âThere was a dogâ
Thatâs the only thing that could upset the present appearance of the âNarutoâ world from the root (laugh).
As a matter of fact, the Third Hokage was a dog, at the beginning.
He was the dog the Second Hokage had, an exceptionally awesome dog, so I tried to make him elected as Hokage in the setting.
Though I thought âItâd be interesting if a dog stood at the summit of the village, what would happenâŠâ
However, in the end I thought that it would be slightly off with the appearance of the world, and I gave it up.
Thatâs why the present Third was supposed to be a dog.
So I changed it right before the serialisation, erased only the face of the dog in a hurry and it disappeared in the trash (laugh). I used the other parts as they were though.
Hokage
[Actually Iâve read a post long ago in Tumblr where they answered exactly that question, and my greatest regret is that I havenât saved it and now I canât add a link here, because it was freaking hilarious]
2
âThereâs a heinous face (laugh)â
My mental image of the Hokage wasnât quite settled at first. The first and the Second⊠I had put an x-mark on the First, but they havenât changed much from now since the mental image in relation to these two was good enough; however, the Third and the Fourth Hokage are impressively different.
The Fourth had a rather heinous face (laugh).
Well, I had various things going on in my mind.
Design sketchesÂ
1
âThe Grass Nin looked like a troopâ
The Grass Nin looked like a troop but they couldnât convince me and I changed them. So, I drew them again, but⊠this guy (on the bottom right) suddenly turned into Orochimaru, so⊠finally I was pleased with it and made up my mind about various things (laugh).
2
âLovable pugsâ
They are the ninja dogs I thought about when Kakashi uses the Earth Release: Tracking Fang Technique. Thereâs also Pakkun. I like pugs, because theyâre cute (laugh). When I drew him, while I made them chat about various things in my imagination I expanded the characterâs personality.
3
âThe mental image had almost settledâ
The jĆnin I thought about before the serialisation began⊠I mean, the design sketch of the sensei and others. If you look at them, itâs already clear who was going to become which character. Well, if the mental image came clearly, I kinda made up my mind in one shot (laugh).
4
âI just drew it out of funâ
Thatâs just what I drew out of fun, right (laugh). This was what I drew once to convey my mental image of Hinata to my assistant though. I intended to draw it being aware of the appearance of the world, but⊠it turned into a more modern-style girl (laugh).
Discard
1
âThe huge guy was deletedâŠâ
He reached the level of rough sketch, but the just huge and unattractive guy was likely to be deleted from the moment he appeared already. In the preparatory meeting with the people in charge, we ended up saying âhe doesnât make your heart throb from a readerâs point of view, right?â.
Moreover, it was the scene that shows Gaaraâs first battle, so I resolutely drew it again.
[In the first caption, it says éć€Șéăšăăăăźăă Kintarou to petto no Pochi. Iâm unsure about the meaning, I guess itâs the âpet called Kintarouâ. Apparently, petto no Pochi is  something like âSpotty the petâ (pet with a ridiculously common name).]
2
âI planned to use it in the Land of Waves volumeâ
Originally, there wasnât Zabuza and I had planned to use this character. But I gave it up for the same reason of the discarded character of the page before. (Ah! Itâs the character I had made earlier, hahaâŠ) I think just about the fact of making the enemy characters entry on stage, that is, how theyâre likely to hurt the protagonists. [Twisted sentence here: I guess he means that when he creates villains, he also need to think how theyâll look appearing on the scene and the impact on the protagonists.]
3
âSerious tasteâŠâ
Naruto had just graduated from school so I thought it was okay even if I made him act in a funny way. However, it had turned completely like a story set in a school [ćŠćăăź gakuenmono I think itâs intended as a manga genre]⊠I had forgot about the whole âninjaâ thing.
Sound effects lettering
Appearance pattern
1
âThatâs incredibly unskilfulâ
Thatâs sound effects lettering practice. Theyâve been incredibly poor from the time of the non-serialised story (laugh). I often practiced using various comic strips as a reference. Well, even now theyâre not my strong suit really (laugh).
2
âHaving a mental image of moving picturesâ
Itâs the thing in which I drew some pattern of the production of the scene where a ninja appears, or the scene where they disappear, having a mental image of moving pictures. Once inside your head, the action turns into a moving picture. Then, you draw thinking about the composition you cut out from there.
Signature
[The pictures in which he practiced his signature say (in this order): Masashi (with the ma and sa character written as one), Masashi (all linked together), Kishimoto Masashi (stand-alone characters), Kishimoto (above) Masashi (below, ma and sa together), Kishimoto Masashi (current signature).]
3
âThatâs Narutoâs face together with the signatureâ
When I write my signature, I put the face of the protagonists. Well, that looks like the practice of that. The Naruto I drew here are all smiling, but I often thought what kind of expression I should do.
4
âI decided on the spotâ
When the serialisation was decided, some friends came and saw me. So, make us an autograph, they said. That time, I ended up saying âCrap⊠I havenât thought about my signature!â (laugh). I decided on the spot. Saying âWhich should I choose, letâs do thisâ with my friends.
Jiraiya
1
âAt the beginning, [I decided to] make a fatty middle-aged manâ
I had decided from before the serialisation that Jiraiya would certainly appear even in âNarutoâ, because of his fame in various ninja legends. At the beginning, I decided that Iâd make him a fatty middle-aged man⊠that heâd transform in an unattractive-faced middle-aged man (like the picture at the very top) when he got angry or excited seeing pretty girls. That thatâs why he got stronger when he transformed, but not good-looking. However, I thought that drawing him differently would have been troublesome (laugh). Though he was also supposed to use frogs that are carried on both his shoulders, in the same illustration.
Once, I made them do a two-man comedy act in the character sheet called âHusband and Wife Frogâ (laugh).
However, it was difficult from the prospective of the design, so I also give it upâŠ
 [I love how he dug out his old ideas, years later, to create Fukasaku and Shima and Jiraiyaâs Sage Mode.]
This is the dragon I drew thinking that Iâd make it Narutoâs summoning. In my mental image, Chinese dragons have a thin body. And western dragons are chubby and have big feet. So, that is an overly fat Chinese dragon (laugh). It became fat and looks like a western dragonâŠ
3
âSpeaking of ninjas, thereâs the mental image of frogsâ
Thatâs Gamabuntaâs first design. But in the preparatory meeting, since heâs a toad I added warts and made him a toad. Then, I also decided to make him express himself in the Hiroshima dialect. So, I said âI come from the Okayama prefecture, near Hiroshima, so leave it to meâ (laugh).
Frontispiece
1
âItâs a compilation of ideasâ
Before the serialization, I drew some reasonable ideas for the frontispiece. Iâve almost never used them though (laugh). However, the picture in which [Naruto] is gardening appears (JC vol.3 pag.86).
2
âImagining Naruto that makes graffitiâ
Thatâs what I drew while thinking in what way I could make Naruto paint graffiti on the Hokage Rock.
Itâs also the picture I thought Iâd use in the first chapter, yes.
3
âI discarded it myselfâ
I drew it to use as the first chapterâs frontispiece, but when I thought that to point Narutoâs gaze towards the readers it became unnatural, so I discarded it. It was also slightly off with the appearance of the world (laugh).
Clouds
âAnyway, I love cloudsâ
Thatâs the thing in which I just drew Naruto and clouds imagining a moving picture, not to use or not use it.
Iâve liked clouds since I was a child, and also the sky (laugh). Thatâs why I love things like comics where there are clouds and the sky, and fantasy in which the clouds are whirly like the âNeverending Storyâ (laugh). I think I want to draw something like that once, too, though. Itâd be nice one more whole chapter, a story in which they fly among the clouds (laugh).
...phew, that was long. But very interesting (artistically speaking)~
EDIT (CLARIFYING TRANSLATION)
So, @silalcarin asked me to include in this post something we've discussed about.
Her question was: Were Ibiki, Iruka, Kakashi, Hinata, Anko, etc., were all of these character sketches the earliest concept art? Were these characters the earliest characters Kishimoto created after Naruto himself?
(Apparently, there's a dispute about whether Sakura was created before Hinata or not. Silalcarin also provided me with a translation, made by Koshej back in 2013, which you can read here)
My answer: First of all: yes, they are early sketches. The first line of the paragraph says éŁèŒăć§ăŸăćă«, which is literally âbefore the serialization beganâ. I donât know where that âI have designed the characters at a very early stage." comes from, to be honest: the Japanese raw of the title says ă€ăĄăŒăžăŻă»ăŒæ±șăŸăŁăŠăŸăă, âthe mental image had almost settled/I had almost made up my mindâ. So, the other translation is not *wrong*, content-wise, but itâs not what the text says (more like a free interpretation of it). As for the order of creation, I admit I have no idea. The text doesnât clearly say if theyâre the very first characters, or if theyâve been created early in general. I think itâs difficult to say which characters he created first⊠because I remember Iâve seen other character sketches, which Kishimoto provided at the end of some Naruto chapters (I remember there were Iruka, Konohamaru, Kakashi, Sakura and Sasuke as well), together with some other he discarded in the end. Long story short: 1) yes, Anko and co. are pre-serialized sketches, 2) Koshejâs translation is not wrong in general, but mine is closer to the original one (thatâs why I had a hard time explaining the terms, and sometimes my translation is almost unreadable), 3) thereâs no way to tell which character was created first after Naruto, unless youâre Kishimoto himself I guess (or at least, this databook doesnât clarify it here).
So, uhmm, that's what I have to say on the matter. Silalcarin also gave me this link (in which you can read further thoughts on the matter)
Last but not least, I feel like to add a link to another interview I translated, from the fourth databook, in which they talk about character creation and such (unfortunately, the part about Sasuke's creation was too difficult for me to translate, so once again I can't give an answer to the question "were Hinata and company created before Sasuke and Sakura")