#fictional home

The house in which Dauphin and Leigh Savage lived had been built in 1906; it was a large, comfortable place with generous rooms and careful and pleasing detail in such things as hearths, moldings, frames and glazing. From the windows on the second floor you could see the back of the great Savage mansion on Government Boulevard.

It was rather a nice little room, a bit cluttered up with antimacassars but with a quiet, friendly atmosphere about it that I liked. Every bit of furniture had its own particular place which it had occupied for years. How that furniture shone! No bought polish ever produced that mirror-like gloss. I knew it was Rebecca Dew's elbow grease. There was a full-rigged ship in a bottle on the mantelpiece which interested Mrs. Lynde greatly. She couldn't imagine how it ever got into the bottle...but she thought it gave the room 'a nautical air.'

Each had amazingly big, light-blue eyes behind steel-rimmed spectacles; each wore a cap and a gray shawl; each was knitting without haste and without rest; each rocked placidly and looked at the girls without speaking; and just behind each sat a large white china dog, with round green spots all over it, a green nose and green ears. Those dogs captured Anne’s fancy on the spot; they seemed like the twin guardian deities of Patty’s Place.For a few minutes nobody spoke. The girls were too nervous to find words, and neither the ancient ladies nor the china dogs seemed conversationally inclined. Anne glanced about the room. What a dear place it was! Another door opened out of it directly into the pine grove and the robins came boldly up on the very step. The floor was spotted with round, braided mats, such as Marilla made at Green Gables, but which were considered out of date everywhere else, even in Avonlea. And yet here they were on Spofford Avenue! A big, polished grandfather’s clock ticked loudly and solemnly in a corner. There were delightful little cupboards over the mantelpiece, behind whose glass doors gleamed quaint bits of china. The walls were hung with old prints and silhouettes. In one corner the stairs went up, and at the first low turn was a long window with an inviting seat. It was all just as Anne had known it must be.

The cottage at the end of the road. A white cottage with a grey slate roof and a black chimney and a bright butter-yellow front door. There were yellow roses and honeysuckle growing up a lattice around the door and the leaded windows, and lots of other flowers growing in the big garden. In the middle of the garden was an old twisted tree with big branches bent almost to the ground.

But the sweetest incident of Anne’s sojourn in Bolingbroke was the visit to her birthplace—the little shabby yellow house in an out-of-the-way street she had so often dreamed about. She looked at it with delighted eyes, as she and Phil turned in at the gate.“It’s almost exactly as I’ve pictured it,” she said. “There is no honeysuckle over the windows, but there is a lilac tree by the gate, and—yes, there are the muslin curtains in the windows. How glad I am it is still painted yellow.”

Drogheda was the oldest and biggest property in the district, and had been endowed by its late doting owner with a fitting residence. Built of butter-yellow sandstone blocks hand-hewn in quarries five hundred miles eastward, the house had two stories and was constructed on austerely Georgian lines, with large many-paned windows and a wide, iron-pillared veranda running all the way around its bottom story. Gracing the sides of every window were black wooden shutters, not merely ornamental but useful; in the heat of summer they were pulled closed to keep the interior cool.Though it was autumn now and the spindling vine was green, in spring the wistaria which had been planted the day the house was finished fifty years before was a solid mass of lilac plumes, rioting all over the outer walls and the veranda roof. Several acres of meticulously scythed lawn surrounded the house, strewn with formal gardens even now full of colour from roses, wallflowers, dahlias and marigolds. A stand of magnificent ghost gums with pallid white trunks and drifting thin leaves hanging seventy feet above the ground shaded the house from the pitiless sun, their branches wreathed in brilliant magenta where bougainvillaea vines grew intertwined with them. Even those indispensable Outback monstrosities the water tanks were thickly clothed in hardy native vines, roses and wistaria, and thus managed to look more decorative than functional. Thanks to the late Michael Carson's passion for Drogheda homestead, he had been lavish in the matter of water tanks; rumour had it Drogheda could afford to keep its lawns green and its flower beds blooming though no rain fell in ten years.As on approached down the Home Paddock the house and its ghost gums took the eye first, but then one was aware of many other yellow sandstone houses of one story behind it and to each side, interlocking with the main structure by means of roofed ramps smothered in creepers. A wide gravel driveway succeeded the wheel ruts of the track, curving to a circular parking area at one side of the big house, but also continuing beyond it and out of sight down to where the real business of Drogheda lay: the stockyards, the shearing shed, the barns. Privately Father Ralph preferred the giant pepper trees which shaded all these outbuildings and their attendant activities to the ghost gums of the main house. Pepper trees were dense with pale-green fronds and alive with the sound of bees, just the right lazy sort of foliage for an Outback station.

I went to my room.It was a cupboard compared to my father's chambers, but I preferred it that way. It felt like being embraced by walls. Every place in my room felt safe; there were no unknown corners. Just the bed, the desk, a thick rug, a wardrobe and a couch.