Falling Animals was discussed on BBCs Between the Covers, it had me starting the novel with an advantage. I knew the novel was a collection of different perspectives, some characters recurring on the background in the perspective of other ones. I had also been told that the novel was lovely, a precious insight into people’s lives.
Falling Animals starts off with the discovery of a body on the…
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Owned: No, library
Page count: 226
My summary: A man is sitting, dead, on the beach. Nobody knows who he is, how he got there, or how he died. But searching for the answers uncovers a long, long history of death and tragedy on the small island where these events unfolded. But who was the man, and what led him to the beach that fateful day?
My rating: 3.5/5
My commentary:
This was an odd duck. Recommended to me by a borrower at work, I had absolutely no idea what to expect going into it, other than the slightly surreal, dreamlike experience that she described. The story centres around a dead body found on a beach - a man who, by all accounts, just went out there one day and died sitting down, serene and at peace, with no marks of injury or signs of duress at all. He just sat down and died. The story chronicles the finding of the body, then winds back the clock and widens the scope to hint at just who this man was, how he died, and the larger questions around the whys and wherefores of his eventual demise. It was an interesting book. I can't say that I wholeheartedly enjoyed it (or even that I completely understood it), but I'm certainly glad that I gave it a try, at least.
Armstrong had only published short stories before this novel, something that is readily apparent from the framing device. Each chapter is a short story from a different point of view - no person narrates twice, but some of the point of view characters appear in other people's chapters. On their own, the chapters are about a single thing, not immediately related to the wider story - it's only when you take them as a whole that the picture begins to properly form. I really admired Armstrong's ability to build a strong character in such a short space of time. I always felt like the point of view character for each chapter was a full person, that they had a full life outside of the brief glimpse we got of them in the story, which is really impressive when you consider just how many of these characters show up over the course of the narrative.
As for the wider story, it unfolds with these smaller pieces of the puzzle as the chapters progress. Honestly, while I love ambiguity in a work of fiction, I did find some of the pieces to come down too heavily on the side of being a bit too obtuse. Some of them, their relevance was revealed as the story went on - some of them were only barely connected to the wider puzzle, and just felt like they were there to drive up the mystery in the story rather than to add anything to the plot. That's not a dealbreaker for me or anything, it's just an unfortunate side-effect of this style of writing. On the other hand, I really did love the ambiguity that was present in the story. There were no easy answers, no gathering together of suspects in the study building towards a big reveal. The reader was invited to draw their own conclusions, particularly when it comes to the smaller details of what exactly occurred that day, and that's both an interesting and mature style of fiction. I enjoyed this book, and despite some hiccups, I think you might too!
Next, witches convene to once again alter the fate of the world.