@falconowls replied to your text post
I saw some comments in here, which pointed out that now movies are from businessmen instead of artist, but I somehow disagree about it. In my POV, business needs art, while art needs business. If your movies have no artistic elements (from good storyline, effect,soundtracks, designs etc), no one will like it, or want to watch it again. Then no money will be made.
Perhaps even until now, studios still making a lot of money, while the films are getting disappointing. But firstly, not all films are bad. If there's bad, there's good. Secondly,even heavily criticized films has good undeniable aspects too. It is a fact that Cats is praised for the settings, Dark Phoenix is praised for performances and Hans Zimmer's ost. Art lives as long movies live.
Studios need to work hard in order to gain audiences faith and trust. And as audiences, we should learn to admire good aspects and make constructive criticism. We are capable of pointing out what studios do good and what improvements they need. Just like how we are pointing out Disney's incorrect directions for films.
I kinda said it already in the previous post but what we should expect as normal is a balance between business and art. Of course the movie is a product that should sell, or least get more money than it cost to make (real business is always more complex obviously, there are products that are supposed to make a loss for business reasons but I’m no expert of this). What we’re talking about here is the absolute predomince of one over the other in megacorporations like Disney. It’s the difference between the original movies made by Howard Ashman and their recent live action remakes. It’s the soulless nightmare of the last Avenger movies.
It is not in fact true that if the movie has no good qualities it will not make money. If a single company can dictate that a large portion of movies aired in a theater are their own, if they can leverage on massive brand power and nostalgia effect and - let’s never forget this - can afford to spend billions in advertisement and promotion, things get different.
Obviously almost no movie is either a perfect masterpiece or an absolute pile of trash with no salvageable qualities. But a good cinematography or good soundtrack don’t salvage bad writing. The last season of Game of Thrones had the cinematography, the soundtrack, the costumes, the cast, almost everything except the writing. The good things are still good and deserve praise; but writing is where a story is good or bad.










