#ezorzi

At the end of Saltland set, we crowd thickens and we all move a little close to the stage. There's a grand piano on the side of the stage and, from the way it is placed, it is clear that Moonface won't be facing us while he plays . Spencer enters the stage with a glass a whiskey and after thanking the audience explains what we are about to listen to: a set of piano songs he wrote that had never played before and nothing more than that. To my pleasant surprise, nobody made a sound of complain at that fact - which is very common to hear, since many of us cherish this and that song and secretly hope to hear it again someday - but having been to other Moonface shows, I know the drill and I instead try to hold on to what is presented in front of me and understand that I might not get a second chance to experience that music live again. From the way me and my men were standing we could see his hands speeding up on keys and, it  was somehow hypnotic and mesmerizing. He talked about himself, confessing memories we all could have shared and yet never fully understand. The songs were nesting melodies driving us to believe we were listening to a different tune and then here he was holding us back where it all started. It was personal and emotional. It was like listening to an old friend telling his secrets and tales after you have not seen him for a long time. 

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#4 (Taken with Instagram at Bushwick Print Lab)

#3