ROBERTO CAVALLI
Spring/Summer 2017 campaign
Stella Maxwell and Jordan Barrett by Luca and Alessandro Morelli
seen from Italy
seen from Türkiye
seen from South Korea

seen from Canada
seen from Malaysia
seen from Russia
seen from Thailand
seen from United States
seen from United States

seen from Japan

seen from United Kingdom
seen from United States
seen from United States

seen from Malaysia
seen from United States

seen from United States

seen from Australia

seen from United States
seen from China
seen from China
ROBERTO CAVALLI
Spring/Summer 2017 campaign
Stella Maxwell and Jordan Barrett by Luca and Alessandro Morelli

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Lindbarg / Air Titanium Rim Sun / Danish Craftsmanship / Eyewear
#musically #eyewar #crewpakistan 🙊🙈
aqui enseñandome a usar #musically #EyeWar porque los ojos cafes tmb estan bien motxos 😍 jajajaja
Ethan Bodhi Robertson for AM Eyewear Campaign.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Eyewar a film by by Root and Thorn - 2013
A history of real-time information technlology, war, politics, commerce and the rise of the idea of organisational cybernetics.
‘’What threads of history bind Manhattan's Ground Zero to those of Nagasaki and Hiroshima? Or connect sight to truth, games to war, or the silkworm to the drone? What does the United States hold to be the role of science in warfare? How has war historically been waged in Buddhist traditions?
These are some of the topics addressed in Eyewar: 80 minutes of found footage which traces the development of the digital image from the maps of the second century to the screens of the twenty-first, and the uses of the field of cybernetics from Japan in the 1940s to Chile in the 1970s and Iraq in the 1990s.’’
David Hockney, circa 1967. (Getty Images)
Gilbert & George