Oct 28, 2023
Christian Lebrat, {1978} Liminal Minimal 1+2
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Christian Lebrat, {1978} Liminal Minimal 1+2
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Agnès Varda
Bord de Mer
2009
Digital HD projection, Blu-ray aspect 16:9
colour/sound video projection, sand, 1 min, looped
Going to the cinema results in an immobilization of the body. Not much gets in the way of one’s perception. All one can do is look and listen. One forgets where one is sitting. The luminous screen spreads a murky light throughout the darkness. Making a film is one thing, viewing a film another. Impassive, mute, still the viewer sits. The outside world fades as the eyes probe the screen. Does it matter what film one is watching? Perhaps. One thing all films have in common is the power to take perception elsewhere. As I write this, I’m trying to remember a film I liked, or even one I didn’t like. My memory becomes a wilderness of elsewheres. How, in such a condition, can I write about film? I don’t know. I could know. But I would rather not know. Instead, I will allow the elsewheres to reconstruct themselves as a tangled mass. Somewhere at the bottom of my memory are the sunken remains of all the films I have ever seen, good and bad they swarm together forming cinematic mirages, stagnant pools of images that cancel each other out.
Robert Smithson, “A cinematic atopia” (Artforum, september, 1971)
Untitled Project: Robert Smithson Library & Book Club [Youngblood, Gene, Expanded Cinema, 1970] Oil paint on carved wood, 2018
Libero in un processo che libera le nostre intenzioni dalle nostre concezioni... ci sono intere parti in cui la pellicola viene ridotta in spezzoni che vengono poi attaccati code di pellicola nere o trasparenti. Ho messo anche una parte della pellicola in forno per cuocerla. L’ho anche immersa in vari acidi e tinture per vedere cosa succedeva. Poi ho ritagliato i dettagli di alcune immagini e li ho ripetuti più volte. Ho lavorato su questo film per tre anni.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Objekt und Abbild in der konkreten Ausstellungssituation im Anscharpark Kiel…
In 1983 legendary experimental filmmaker Stan VanDerBeek spent a few weeks at Kentucky Educational Television in Lexington as “computer artist in residence”. VanDerBeek made several videos which ended up being some of the last work he created before his death in 1984. These videos are showcased in a show I helped organize at Institute 193, which is up until August 12th and will likely have screenings elsewhere in the future.
In my research I was able to track down a nearly lost documentary produced in 1984 by KET that focuses on VanDerBeek’s time spent at the station creating these videos. Entitled “Form Comes Out of Chaos” the film focuses on the artist’s process, the frustrations he faced getting his ideas across to the crew at KET, and features clips from several unrealized works.
The documentary will be screening for what is probably the first time since it originally aired in 1984 at 21c Museum Hotel in Lexington, on Monday, August 7th at 7PM, free admission. Presented by Institute 193, The Lexington Film League, & Electronic Arts Intermix.
The glowing room//2017