Earth, Wind, & Fergie - Septembalicious

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Earth, Wind, & Fergie - Septembalicious

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A few more sneak peeks into the latest episode of Squared Circle Magazine on Perfect Slam's Patreon site. I just think their bodies look amazing and you know I'm a sucker for laced up wrestling boots -- especially when the laces are a contrasting color. Weird? Probably, but I know what i like to see.
DO YOU REMEMBER? THE 21ST NIGHT OF SEPTEMBER?
Gif I made for this same date last year, posting it here now!
Maurice White collapsed in a Los Angeles recording studio in 1974 after pushing Earth, Wind and Fire through another sixteen hour session, then got up and demanded one more take because the vision was not finished. The band sounded joyful. The man driving it was already burning. To the public, Maurice White was serenity in motion. Spiritual lyrics. Precision horns. White linen suits and cosmic optimism. Behind the curtain, he was a relentless architect obsessed with control, discipline, and longevity in an industry that chewed up Black bands fast. Earth, Wind and Fire was not an accident. It was a system. White had learned the math early. Before fame, he played drums at Chess Records in Chicago, backing artists like Muddy Waters and Etta James. He watched singers get paid once while labels owned the masters forever. When he formed Earth, Wind and Fire in 1969, he structured the band around stability. Salaries. Rehearsal discipline. Shared identity. The cost was rigidity. The payoff was survival. The receipts were historic. Between 1975 and 1981, Earth, Wind and Fire placed six albums in the Billboard Top 10, including That’s the Way of the World, Gratitude, and I Am. “Shining Star” hit No. 1 on the Billboard Hot 100 in 1975. The band won six Grammy Awards during White’s active leadership years. The sound blended funk, jazz, African rhythms, and pop without asking permission. The pressure stayed invisible until it did not. In the early 1980s, Maurice White was diagnosed with Parkinson’s disease. He kept it secret. Touring intensified anyway. White masked tremors, delegated choreography, and leaned harder on musical directors. By 1984, the disease was no longer containable. He quietly stepped back from touring and eventually from performing entirely. The decision cost him the spotlight he built. Earth, Wind and Fire continued. Maurice White did not. He shifted into production and mentorship, guiding younger artists and protecting the catalog. He refused sympathy narratives. He refused farewell tours. When he officially retired in 1994, fans did not know why. He let the myth stay intact. Maurice White died in 2016 at age seventy four. By then, Earth, Wind and Fire had sold over ninety million records worldwide. The band outlived trends, radio formats, and the man who designed it to do exactly that. Maurice White is remembered for joy. The deeper truth is control. He understood that spirituality without structure collapses. He built a machine strong enough to survive even his absence, and then he stepped away before the machine destroyed him. Maurice White did not disappear because he lost power. He disappeared because he knew when to let go, and that discipline is why the music still sounds alive.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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ココスのランチ。配膳ロボが停止する時にカップのソースが溢れてフライがビチャビチャになるから、スタビライザーを付けてほしい。
店内でEarth, Wind & Fireの名曲『September』のインストが流れてるけど、今はOctober・・・
They're playing the instrumental version of Earth, Wind & Fire's famous hit "September" inside the restaurant, but it's October now...
I’m pretty sure this is the LAST place I’ve shared these, I always forget to post here 💀
BUT FR THO I want to design each of them with their own personalities and actually have a chance to emote rather than just be zigzags backup. They're the chief advisors to the king and I want them to each be informed, independent, as well as talented. They do follow zigzag around during his travels, but they actually serve a purpose to negotiate trade deals with Zigzag, and they each have their own responsibilities within the kingdom. They won't be just entertainers in the background, they'll kinda have their own arcs and moments throughout my rewrite.
Not like in the original screenplay where they just backed up everything Zigzag says. Even in their solo scenes they're just generally a drag. I really want to take inspiration from EWF for their entire vibe. I've always loved their Afro spiritualism, pride, and just their overall flamboyance like they OWN the show.
They know they’re worth all that gold and they make sure everyone knows it 🌅✨🧡😎🔱