Words for World Arabic Language Day
The third most widespread languages after English and French and spoken by more than 400 million people worldwide, the Arabic language and the literature it has produced have had an impact well beyond its origins in the Arabian Peninsula. When most people think of Arabic, they are probably thinking of Modern Standard Arabic though there are 32 different…
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re: grid name etymologies its funny bc when i started it i was doing the 2024 grid but specifically aleix was giving me so much trouble that i kept putting off posting it because i wasnt suree about his names. and now its late enough that it just made more sense to do it with the 2025 grid instead and therefore with no aleix anyway. lol
Earlier this month I outlined an Independent Study I am doing with the Head of Special Collections, Max Yela, where I am exploring the European tradition of plant and animal illustrations in books. I named the Summer Series “The Spectacle of Nature." As a refresher, I am investigating illustrated natural history books in the West, starting in the manuscript tradition through the advent of printing in the 15th century. From there I will track how illustrated natural history books have changed over the centuries. My goal is to form a foundation for my thesis research in the popularization of natural history books in the 19th century, when new printing technologies made books cheaper and more accessible to a wider consumer base.
Today I am highlighting the Physiologus, a collection of animal legends compiled by an anonymous author in Alexandria, Egypt around the 2nd century CE. The word “Physiologus” can be translated as “naturalist,” or more accurately, “allegorist,” someone who interprets the hidden meanings of the natural world. The Physiologus was originally written in Greek, with early translations appearing in Latin around the 4th century, and Ethiopian, Syrian, and Armenian around the 5th century. These translations increased the popularity of the stories, which were incorporated into Isidore of Seville’s encyclopedic work Etymologies (ca. 623). Illustrations and stories from Physiologus formed the primary basis of medieval bestiaries (book of beasts).
The Physiologus is a compilation of folklore from various traditions including Indian, Hebrew, and Egyptian legends, that were passed down through ancient scientific writers such as Pliny the Elder. These legends were then filtered through a Christian framework of the world. Natural things like plants, animals, and stones are shown as representing qualities of Christ. For example, the Physiologus describes the serpent growing old and losing its vision. To restore its eyesight, the serpent will fast for forty days and forty nights to shed its skin and renew itself.
My interest in the Physiologus is its visual representations of plants and animals, and how those depictions became iconographic over hundreds of years. The earliest surviving illustrated copy is the Bern Physiologus from around the 9th century CE. I’ve included illustrations of the lion and elephant from the digitized Bern Physiolgus from Europeana.
Many illustrations that first appear in copies of the Physiologus later appear in medieval bestiaries, and even early printed books.
One of my favorite examples is the pelican bird. From Michael J. Curley’s English translation:
“Physiologus says of the pelican that it is an exceeding lover of its young. If the pelican brings forth young and the little ones grow, they take to striking their parents in the face. The parents, however, hitting back kill their young ones and then, moved my compassion, they weep over them for three days, lamenting over those whom they killed. On the third day, their mother strikes her side and spills her own blood over their dead bodies (that is, of the chicks) and the blood itself awakens them from death.”
The illustration shows the mother pelican rejuvenating the chicks with her blood. I included three visual examples of this: A woodcut from UW-Madison's copy of Ortus sanitatis (Latin for The Garden of Health) from the 1490s, a woodcut from the 1587 G. Ponce de Leon edition of Physiologus from the Newberry Library in Chicago (scanned from Michal J. Curley’s book), and the 1953 Book Club of California edition of Physiologus illustrated by Mallette Dean, which we have featured in several Fine Press Friday posts. Francis J. Carmody‘s translation for the Book Club of California is a composite of Greek, Syrian, Ethiopian, and Latin.
I will explore other illustrated natural history books from the manuscript tradition in upcoming posts before moving on to early printed zoological and botanical books.
View more posts in the Summer Series: The Spectacle of Nature.
–Sarah, Special Collections Senior Graduate Intern
Scholarly works that I consulted while researching the Physiologus:
Curley, Michael J. Physiologus: A Medieval Book of Nature Lore. Chicago: University of Chicago Press, 2009.
Kay, Sarah. Animal Skins and the Reading Self in Medieval Latin and French Bestiaries. Chicago: The University of Chicago Press, 2017.
Morrison, Elizabeth, and Larisa Grollemond, eds. Book of Beasts: the Bestiary in the Medieval World. Los Angeles: Published by the J. Paul Getty Museum, 2019.
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Larvas ex hominibus factos daemones aiunt, qui meriti mali fuerint. Quarum natura esse dicitur terrere parvulos et in angulis garrire tenebrosis. |
“They say ghosts [are] demons made out of humans, who might have been of evil merit. Of which it is said to be natural to terrify young ones and to chatter in dark corners.”