Three Minutes to Eternity: My ESC 250 (#29)
#29: Ofra Haza -- Hi (Israel 1983)
“שמעו, אחיי, אני עוד חי
ושתי עיניי עוד נישאות לאור
רבים חוחיי, אך גם פרחיי
ולפניי שנים רבות מספור”
“Listen, my brothers, I’m still alive
And both my eyes still look into the light
Many are my thorns, but also my flowers
And I have countless years ahead of me”
Like with Kan (#31), Hi might be seen in bad taste if it was released today. However, unlike the former, Hi firmly celebrates the Jewish people's survival, and it's in more than just the vivacious and hopeful lyrics.
For the contest in Munich, where a lot of events relating to Nazi Germany occurred (the Beer Hall Putsch, the first concentration camp in Dachau just outside the city, the Munich Agreement of 1938), Ofra Haza and her backing vocalists strolled on stage and happily exclaimed that they were still alive despite all the bad the world has done with them. You wouldn't tell with the minor-key composition--the Israeli national anthem also has this combination--so you could hint at the pain hidden through the song.
Though already brazen in the studio cut, the orchestral version just amplifies it, from the brass to the string section. This happens through a lot of the 1983 songs (including #246 and #97 on this countdown, for example), but for Hi, it adds the sprinkles to a beautiful honey cake. The piano intro is emphasized a lot, followed by the verses, in which it keeps up the momentum. When it gets to the chorus, it just brings Hi to life! You could hear the musical punch it gives, especially compared to the studio cut.
And of course, Ofra's vocals gently carry the song, albeit with a certain bite. She sings of the Jewish people's determination to survive, telling how her grandfather sung this song to her father, and then to her now. Beyond the contest, she showed off her connection to her Yemenite roots; a year later, she released an album of Yemenite Songs which would be her breakthrough. The remix of Im Nin'alu was her biggest hit, though for a long time, I only knew her through her rendition of Yerushalayim shel Zahav (Jerusalem of Gold). It's absolutely beautiful.
Ofra Haza was not the first Yemenite Jew on the Eurovision stage, nor was she the last (three of Israel's four winners were of Yemenite descent) but was probably the most notable of them. Her career afterward mixed parts of her cultural heritage with modern music, which allowed a bridge between her two worlds. Ayelet Tsabari would later write this about her in The Art of Leaving (which I highly recommend):
"...in a world where the actors on TV and the singers on TV were Ashkenazi and the models in magazines were Ashkenazi, there was Ofra, the simple Yemeni girl from Ha'tikva neighborhood whose star shone brighter than anyone's, who made it against all odds, and who looked like me, or like one of my own prettier cousins." (39)
Basically, a lot of reasons why Hi should've won--rousing song, talented singer, beautiful orchestration and a clear connection to the country it's from. I have two more runners-up on this 250, but no other deserves to take the crown more.
Personal ranking: 1st/20
Actual ranking: 2nd/20 in Munich
--1983: Germany's first hosting didn't showcase their world-famous efficiency, as the production was less than ideal. Marlene, their host, went over everything in English, French, and German, which extended the contest to the three hour mark for the first time. Plus she called the Norwegian conductor "Johannes Skorgan", haha. #allora.
But what the production lacked, the song quality more than made up for. I like just over half the songs; even the ones I didn't fancy had their charms (except Opera, haha). The German concert orchestra does a good job in interpreting them--if I did a personal list of favorite orchestrations of all time, I fear that I might overloading on this year when it came to the top.
The glaring flaw was with the winner--Si la vie est cadeau is a descent song on its right, and the verses were especially strong. It just falls flat by the chorus and doesn't convince itself after that (though Michel Bernholc did the orchestration). And as much as I iike French ballads, this one set the contest back quite a bit, which took until the mid 1990s to recover from.
--Israel: Just like their international reputation, Israel seems to be quite polarized in Eurovision. When they send good entries, like Hi, they are really good. But when they send bad entries, they are really bad. Of course, they have some average songs, but they don't stand out as much as those at the extremes. What I can say, regardless, is that they add a bit of spice to the Eurovision party, and we can all appreciate it for doing so.
