#ensembletask

“Helen Worthington.” She had expected stepping out onto the stage to feel more poetic. There was supposed to be sorrow in finality, grief in endings. And this was it. This was the final time she would audition for a play as an Alderidge student - perhaps her final audition all together. Whilst her peers clamoured for the limelight, she would have been perfectly comfortable making this her swan song. A moment passed. “I’ll be auditioning with Cleopatra, Act 5, Scene 2.” She could still hear Zahra’s words of encouragement in the back of her mind, quelling any doubts.

A brief look of surprise crossed Heidi’s face, she glanced down at her paper, as if trying to match the person she saw before her with words on a page. Then, slowly, she nodded. “Alright...am I to assume you’ll be auditioning for Lady MacBeth then?”

It took a moment for Helen’s mind to make the connection. She shook her head firmly. “No - no...no. I could never play Lady MacBeth...she’s...” Too monstrous. Too big a part. Too much like everything I never want to be. Settling on diplomacy, Helen sighed. “I could never do her justice.” 

This seemed to interest Heidi. “Why not? Looking at your previous roles - “ She shuffled the papers in her hand “- you seem to have done a standout job with Celia. Lady MacBeth isn’t such a jump. Lines wise, at least.”

Helen shook her head, adamant that Heidi see what she did. “Playing Celia isn’t hard. She’s soft. Dreamy. And a character in a comedy.” 

Heidi frowned. “So it’s Shakespeare’s tragedies you’re opposed to? Or being challenged?”

She was so unlike Orson that Helen had to blink twice, just to be sure her senses weren’t tricking her. “No. I don’t like tragedies. Everyone dies. I love theatre because it’s an escape - because it’s a chance to live out someone else’s stories. But why would I want to live like...like Lady MacBeth? She’s a terrible person. She’s a monster. I’d hate to even feel an inch of who she is.” Because what if I’m good at it? What if it’s easy to become her? What does that say about me? About what I’ve done? 

“And being challenged?” A dog with a bone, Heidi continued to tug at the remaining loose thread. “Is it a fear of letting people down? Are you afraid that you’re not talented enough?”

Back against the wall, Helen was forced to confront some uncomfortable truths. The purest of which was this: she never had been challenged. Any malevolent thoughts were packed in dusty boxes at the back of her mind, never to be opened. She was practically adored by her peers. Orson had never dragged her out of her comfort zone. She had no idea what being challenged was like. All she knew was that she didn’t want it. “I don’t know.” She conceded, sighing. “I’ve only ever played Celias.”

“And you want things to stay that way?”

Helen closed her eyes. Her mind was awash with a thousand memories - hanging out with Chandler in between As You Like It auditions, kissing Jonah backstage, laughing with Harry, cooking with Julian...she didn’t want things to ever change. That was why she poisoned Orson, wasn’t it? So that they could stay in a glorious summer, where no one ever got hurt. “Yes. Why fix what isn’t broken?”

Heidi shot her a thoughtful glance and opened her mouth as if she was about to ask another question, before shutting it abruptly. “Alright Helen -” She said slowly, nodding. “The stage is yours.” 

Now nervous about her audition piece, about what it said about her and about whether she’d be able to deliver; Helen closed her eyes. She had never been to Egypt, never even left the country - but conjured the sensation of balmy evenings, a heart full of love and a crown weighing you down. “Give me my robe, put on my crown; I have immortal longings in me - “ Perhaps she and Cleopatra weren’t so different. She understood what it was to long for immortality of another kind. You could have even said she was desire itself. It was those parts of Cleopatra Helen chose to emphasise. 

Pretending to shuffle on a robe, Helen stared out into the audience. Cleopatra saw a kingdom.

“now no more the juice of Egypt's grape shall moist this lip: Yare, yare, good Iras; quick. Methinks I hear Antony call; I see him rouse himself to praise my noble act; I hear him mock the luck of Caesar, which the gods give men to excuse their after wrath: husband, I come: now to that name my courage prove my title!” The love between Antony and Cleopatra, Helen had decided, was ugly. It was brutal. It should not be celebrated. But she also thought she understood it - the sensation of being bound to someone, of loving them so intensely you would do unspeakable, regrettable, things in their name. If someone dared lay a finger on Antony, would Cleopatra burn them to the ground? Helen was sure she would. As she came to understand Shakespeare’s heroine, she began to lose herself in Cleopatra’s skin in a way she never had before.

Opposite her, but unseen by Helen, Heidi sat up a little straighter. 

“I am fire and air; my other elements I give to baser life. So; have you done? Come then, and take the last warmth of my lips. Farewell, kind Charmian; Iras, long farewell.” Her kiss brings death. It was a terrifying kind of beautiful. Against her better judgement, Helen’s mind began to wonder...to remember. A wine glass. A toast. Poison. A deceitful smile concealing burning hatred. Who was she to judge Shakespeare’s characters...when she had wrought such destruction...

Lips trembling, Helen paused - momentarily unable to continue with her performance. See, this was why she hated Shakespeare’s dark and decrepit creatures. They drew something carnal out of her...they overwhelmed her, threatening to seize her voice and take it as their own. To be on stage was to be exposed...and this was one reflection she refused to peer into.

Why did Zahra encourage her to use this piece? Did she know something? Or did she just want to see her falter?

Ten seconds later, she regained her composure. Her break did not go unnoticed by Heidi.

Kneeling on the floor, Helen took Iras’ imaginary body into her arms, cradling him as he took his last breaths. Childish and impulsive she may be, but Cleopatra had heart. She wasn’t wholly wicked. Maybe in her performance, Helen could find her a kind of redemption; a thousand years too late.

“Have I the aspic in my lips? Dost fall? If thou and nature can so gently part, the stroke of death is as a lover's pinch, which hurts, and is desired. Dost thou lie still? If thus thou vanishest, thou tell'st the world. It is not worth leave-taking.” Was Cleopatra brave to watch Iras take his last breaths? Was she a coward for letting Orson die alone? Panic’s familiar sensation threatened to take a hold of her. Breath quickening, her last sentence was slightly slurred as she raced towards the end, to the moment she could be done with Cleopatra, toss her aside and never wear her face again. 

Her story was not Cleopatra’s. She and Jonah were not Antony and Cleopatra. She was just a role. It was all make believe. 

“See -” Helen began, gentle, but sad. “There’s a reason I don’t get cast as the Lady MacBeth’s of the world.” 

Wearing an expression equal parts confusion and sympathy, Heidi returned her smile. “It’s not your fault you’ve never had an opportunity to dig deeper with your characters. Now that isn’t to say that his comedic characters don’t have depth - but it’s like the other side of a coin. If you want to excel as an actor, it’s important you learn how to play both kinds. Life can’t always be sunshine and rainbows.”

Why not? Knowing better than to vocalise her disagreement, Helen swallowed her words. Idealism never...carried well with people. They thought she was a child, head in the clouds, living in a world of fantasy. Had she been a crueller person, she would have asked them why they were so adamant to continue living in a world of grey. So instead, she nodded politely. “Thank you for letting me audition.”

"Thank you for coming in Helen. And props for choosing something we wouldn’t expect.” Glancing down at her sheet, she tapped her nails against the paper. “You still haven’t told me who you’re auditioning for.”

Her first instinct was to steadfastly refuse to audition for any of them - and let the chips fall where they may. Or even to ask to be moved down a year, to the third year’s comedy. “Orson would probably cast me as Lady MacDuff.” It was the only character she ever could have volunteered herself for. Domestic bliss, it was something she embodied easily.

“Well - “ Heidi said, inclining her head, “I’m not Orson.”

No, Helen thought, you’re not. May that be a blessing, and not my curse.

“Would you toss your hat into the ring for Lady MacBeth?”

No, Helen thought. Not a chance in hell. But then, betrayed by her mouth, she nodded. “I’d consider it.”