âHe offered me a welcome bonus,â Blue Brown interrupts him. âA hundred percent of profits from my first deal. Donât remember you being this generous,â doesnât let Jake forget about the sharpness of his teeth.
âThatâs decent, considering experience.â
âReally? So I shouldâve said yes and left you to fend for yourself, huh?â
âThatâs decent. For anyone else. You donât have a price tag.â
word of the day: compulsion. Â
@enfantdivine i promised you a sunday update, so here it is!
@luiskeln @happyendhouse here's some food, with all the love in my heartđđđ
p.s.: they don't fuck in this fic... but that doesn't mean i can't add weird sexual stuff (i'm just very confused how to properly tag that shit but i'm sure i'll get there by the last chapter). these fucking freaks i swear to godđ.
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tags: age difference, hand jobs, emotional hurt/comfort, lapslock.
pills from jakeâs pocket came in the blister pack of ten: uranian blue, scored, with the laundry list of side effects, maxed out dose of sedative per serving. he popped one into the palm of blueâs hand, watched it go down his throat with ease.
Tsumiki can't create, but that doesn't mean she can't get creative with her technique. Go around your constraints, make the best of it; she follows in Yorozu's footsteps.Â
...It was always fun to watch her work.
Tsumiki found a way to turn Construction inside out: starting big, narrowing everything down until there was only one point of convergence, an eye of a needle, her domain hidden inside strangers' heads; Yorozu keeping her company while she worked through human bodies turned into anatomical models, reading, searching, memorizing, trying, failing, trying again... long hours stretched from night to day, her dedication making Yorozu nostalgic, almost sentimental.Â
Gentle Death. Quick, painless, inevitable. A fitting name, preserved remains of her kind nature on display...
okay, so from the way things are going, this fic will be like an 8k-long three-parter, so fuck if i know when iâll be done with it fully, but i just finished writing my favorite part (fucky power dynamics my beloved + blink and you'll miss it incest roleplay), so iâm leaving it here.
canât believe that âpeople try to scout blue brown and it goes pretty much as youâd expect it to go (bad, very bad for the people)â premise turned into THIS.
p.s.: @leexmoon If this wall of text feels like a bribe for you to go and finish crossroads⌠thatâs because IT ISđ.
He barges in without knocking, body still hot, buzzing from the half-done stretching session; moves an empty glencairn to the side, carves just enough space for himself on the table, right on top of the papers, âIâm going on a date.â
Jakeâs head is work-busy: he doesnât acknowledge him or the attitude, barely looks at the phone, âI didnât see the file.â
âWell, about that,â Blue Brown pauses, rests his bare feet on Jakeâs lap, makes himself comfortable (unavoidable) before saying, âIâm afraid, you wonât approve of him, Dad.â That finally catches his attention, makes Jake look, makes him tense. âHeâs so much older. Your business partner. Your good friend.â
Stops at that; gives Jake time to weigh the options, lets him decide what will happen next.
Jake can say, I forbid you from seeing this person, ever; Jake can lock him up in the house: youâre not to leave unless I say so; Jake can send him on a six months mission to the other side of the world: keep him away for long enough, the reason why he did that forgotten like a distant dream by the time Blue Brown is allowed to come back home.
Jake can put an end to it, here and now, before anything even has a chance to happen (he doesnât). Â
âWho?â Itâs an executionerâs question: he needs a name to know who to kill.
Jake has lots of friends: most offensively boring for Blue Brownâs taste, all of them useful in various degrees (this one is marked extra in both: extra bland and extra important), so Blue Brown looks at him without blinking - doesnât want to miss a single emotion, a single twisted nerve - when he answers, âThe one with the exceedingly long title.â The reaction is immediate, immense: it strains Jakeâs entire body, like a hit to the gut, because he knows - of course he knows - how bad it all will be, even before Blue Brown adds, âNicholas Clement George Fitzalan-Williams. Our not so blue blooded Duke.â
Face ridden with frustration, fingers rubbing circles over the closed eyes, like heâs trying to contain a brutal headache, Jake asks, âCould you not pick anyone else?â
Itâs a futile question -Â I gave you a chance to abstain; you didnât take it - heâs in a lose-lose situation, arm caught elbow-deep in a bear trap, the only way out is forward, with teeth ripping and gnawing and breaking both muscle and bone.
âI wasnât the one picking. I just took the bait.â Blue Brown slides closer to the edge of the table, uses his own body like a line of taxidermistâs pins: sharp knees solid against his shoulders, toes digging into his thighs; heâs all merciless pressure anchoring Jake down: leans closer, keeps him trapped between indecently open legs, reads the text out loud, âThat Manila job was something. I knew you wouldnât stay in his shadow forever. Itâs time for you to spread those wings.â Sentences replicated with the excitement of the sender - needles jammed into nail beds, one finger at a time. Â
âSpread those wings?â Jake repeats, every syllable from his mouth wrapped in disgust. They both know thatâs an audacity of someone who was keeping tabs, someone who thought about it all not once and not twice. Â
âIâm just as surprised as you.â
(Honestly, Nick deserves to die just for those words alone.)
âAre you?â Jake asks, his forearm pressed along the line of Blue Brownâs leg, from the slope of the bare ankle to the angled bend of the knee, hand covering the outer side of the thigh, palm flat and warm over the soft cotton of the fabric, more an instinct than a conscious gesture of ownership.
âUh-huh,â smiles, hooks their little fingers together, âpinky swear.â Heâs the only one having fun in this situation (thatâs the only way it will ever be).
Blue Brown moves away (lets go of him); gets back to playing a centerpiece, warm body going still, no different from a book or a pair of the perfectly balanced scales, fingers wrapped around tableâs edge to support an upward curve of his spine.
Jake picks a letter opener; lets its weight rest in his open hand; he looks like heâs ready to jam it handle-deep in Nickâs throat (his reaction - predictable, an aperitif of the violence to come - makes Blue Brown excited the same way long hours of observation do when they finally pay-off: be it a first sight of a deer when they hunt or someone brave enough to be the first in line to ask for a gun when he works; it all has the same root, the same emotional weight, the same line of action).
âManila? What were you doing in Manila?â he finally asks, focuses his mind on something more familiar. Tangible. Work-centered. Something he knows how to control.
âEnjoyed the beach. Enjoyed the food,â Blue Brown answers with the earnest, intentional laziness, eyes following the movement of trees outside, head focused on the branches bend under the weight of wind. âSold eighty-five SFARs. Full price.â
âNot what I asked,â frustration seeps through the masses of anger and disdain, nips at Blue Brownâs ankles - ubiquitous, expected. âWeâre not supposed to be anywhere near Manila, full price or not, the number always has to be zero.â
Emotional hue changes to disapointment; Jake doesnât like to go over the rules more than twice - their two by two equals four, their core laws of physics, their Bible teachings (Old Testament edition) all set in stone, same for everyone - itâs double the misery when he has to do it with him out of all people, his brightest, his closest, his most trusted.Â
So Blue Brown makes him do it again, again and again; makes him go back to being the mentor, the one teaching about the structures of power, about the lines of influence, about the limits of control.Â
âYour exclusivity contract, I know.â I donât care. âIt was an one-off deal. Spur of the moment.â Thatâs a lie, but Jake doesnât have to know that, not now when they have something far more important (and fun) at hand. âNo one will track that batch.â
âHe knows about it, so someone already did,â Jake snaps, unable to tolerate Blue Brownâs laxness, âYou know what happens when people start talking.â
âPeople always talk. Who cares.â
Youâre going to kill him anyway, so none of it matters.
Can we meet?
Iâd better keep it on the down low.
Donât want Jake to know.
He might intervene before we even start.
Send.Â
âHow did you even let someone tail you? I raised you better than that.â Thereâs parental scold in his voice; itâs one of those rare moments between them when Blue Brown canât argue and win because Jake is right; he will always be right when it comes to things like this, the ones nurtured and molded by his hand.
âMaybe Iâm just getting old?â
It sounds ridiculous enough to make Jake chuckle, ease the tension in his body, âYes, sure, thatâs what it is.â
âWell, Iâm definitely not getting younger. Time doesnât work like that,â continues to play, leg dangling in the air, back and forth, back and forth like a pendulum bar; heâs a cat lounging in the summer sun. Â
âWell, if she catches you by your retiree ankle, youâre on your own. Iâm not helping.â
She - the queen of arachnids who controls that corner of the world. It will be interesting to meet her in person one day; it will be good for him to learn from someone who makes Jake this cautious.
âOut of fear?â Blue Brown asks the ceiling.
âOut of principle.â So it can be another lesson, an exercise in humility: Jake would never allow suffering go to waste, if you have to feel pain, learn from it. âBe more careful.â Itâs something half-soft, something stuck between an order and a sincere want to protect. âThere are people out there who canât be reasoned with money.â
The ones ruled by their fervid hearts and self-imposed dogmas.
Blue Brown tilts his head, catches Jakeâs eyes, âYes, I know, Iâm sitting in front of one now.â
For a second, he forgets why heâs there; for a second, he forgets about Nick and the game, and the world; then, the phone chimes.
Accor 8. Friday, 11pm.
âFinally.â
Casino is a good choice. Noisy, crowded. One of the places where Blue Brown can still have his fun, even if the guns arenât allowed. Nickâs territory.
And get rid of the phone.
He does as heâs told: turns the phone off, throws the SIM card away - spoils a barely opened bottle of a fifty-year-old whiskey. âAnd done.â They both watch as it sinks down, turns into a dark spot at the bottom, small and useless, a beetleâs forewing snapped in two. âSo, how are you feeling?â
About that. About Nick. About what youâre about to do.
âIâm surprised it didnât happen sooner.â Itâs a non-answer because Jake has already emotionally detached himself from the problem, just like that. To him, Friday will be just another day of making tough decisions, carrying out an execution. Bloodied hands and a fresh body to bury, nothing he hasnât done before, nothing he wonât do in the future.
By Sunday, there will be someone to fill the newly formed vacuum of power before any real damage can be done. By Monday, it will be business as usual. They both will go to Nickâs funeral service, sit through the sermons and goodbyes, put flowers and dirt in his grave, then go back home and move on with their lives.
âSome people like their meals oven-ready,â coaxes the last sliver of irritation out of Jake, officially done for the day. âHeâll be back in States in three days. Want to be my chaperone?â Â
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âAm I being blackmailed right now?â
âNo, no. Itâs a job offer. Youâre clearly unhappy where you are.â Am I? âWhy not try something new? Double what you have. And as a cherry on top: all profits from the first deal are yours, no limit on numbers. The better the deal, the more youâll get. Everyone wins.â Â
âExcept for Jake. Heâs not winning from my absence.â
âWell, heâs not winning from all of this either, but that didnât stop you, did it?â
@leexmoon @happyendhouse & @luiskeln as always withđđđ
p.s.: @enfantdivine the way we both used wolf imagery for jake. lol. lmao even.
"papa once said that the one who knows the future owns the world. let's put his theory to the test."Â
"you want the eyes? i'll gift them all to you. after the voyage is over." just like papa, tserr wants not only a monopoly on her gift but a whole world, to squeeze it in the palm of his hand and crush it like an overripe fruit, make it bleed.Â
"and the head? without it, my collection won't be complete."Â the things you do for the people you love.Â
"if you dance." tserr nudges her. neon's entire life is one endless list of rental contracts; unique gift, a true blessing, priceless on paper, a long-fixed price-tag in reality. miracle for sale.Â
"so that later you could justify a politically motivated murder with my name?" any long-term relationship, friendship especially, with someone like him is impossible without knowledge in art. it's nothing but a lucky coincidence for them both to be interested in a very niche type; private collections formed around humanity's cruel nature, devoted to the darkest corners of the human soul; events, large-scale or not, full of relics ready to be picked up; cold-blooded murders and hunger riots, revolutions and hundred-years-long wars, reformations and plagues, corpses embalmed so skillfully that they seemed alive, fragments of skeletons yellowed by time, all equally valuable, left for them to find and collect, to give the dead a second life. Â
"i don't need justifications for murder." tserr is a fair decade older than her, has enough eloquence to convince even his own brother that his love for art is a reflection of his philanthropist nature, his humanity. the only worthy member of the royal family. a gabon viper hiding among the foliage. "still, just imagine your portrait by the caravaggios of our time."Â
"i prefer the way dolci* saw her." neon has been playing poker since she was eleven; she's perfectly able to keep a neutral expression on her face, especially when she's face to face with someone capable of absolutely heinous doings, especially when she tells him no.Â
"dolci it is then. i'll find you one. there's a reason why kakin is primarily known for advanced technologies and artists." intellectual revolution meets high renaissance, sprinkled with religious persecutions and organized crime. what a country.Â
"i have a better offer: a head for a saved life. trust me, i'm a far better poet than a dancer."Â
*Salome with the Head of St John the Baptist by Carlo DolciÂ