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US Vogue April 1, 1968 Beauty Bulletin | Fantasy Hairkeeping Photographer Richard Avedon Models Twiggy Hair Dynel
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They're Crush Proof!
Botany 500, 1960
US Vogue October 1, 1971
Donna Mitchell wears a long red shirt dress, in Qiana nylon. By Leslie Fay. Short Dynel wig by Halston for Abbott Tresses; arranged by Franklyn Welsh. Barrette, Therese Ahrens, evening clutch, Walborg, red tights, Belle-Sharmeer, shoes, David Evins.
Donna Mitchell porte une longue robe-chemise rouge, en nylon Qiana. Par Leslie Fay. Perruque courte Dynel de Halston pour Abbott Tresses ; arrangée par Franklyn Welsh. Barrette, Therese Ahrens, pochette de soirée, Walborg, collants rouge, Belle-Sharmeer, chaussures, David Evins.
Photo Richard Avedon vogue archive
US Vogue October 1, 1971
Donna Mitchell in a crocheted wool and silk halter dress and cardigan by Adolfo. The head, small and shiny in a short Dynel wig by Adolfo for Abbott Tresses, as arranged by Suga. Earrings, Willie Woo, bracelets, Trifari, black sheer tights, Chadbourn. Beauty note: Max Factor's delicious new Sugarfrost Plums - Shimmer Shadow Duo in Sugarfrost Lilac and Petalfrost Pink for the eyes and lips honed with Candy Plum Ultralucent Whipped Creme Frost lipstick.
Donna Mitchell dans une robe licou en laine et soie au crochet et cardigan par Adolfo. La tête, petite et brillante dans une perruque Dynel coupée courte par Adolfo pour Abbott Tresses, telle qu'arrangée par Suga. Boucles d'oreilles, Willie Woo, bracelets, Trifari, collants voile noir, Chadbourn. Note beauté : Le délicieux nouveau Sugarfrost Plums de Max Factor - Shimmer Shadow Duo de Sugarfrost Lilac et Petalfrost Pink pour les yeux et les lèvres mûries avec le rouge à lèvres Candy Plum Ultralucent Whipped Creme Frost.
Photo Richard Avedon vogue archive
US Vogue August 1, 1962
Deborah Dixon wears a short, fitted, silky gray coat with a clean, belted back silhouette. Coat by Modelia, in Dynel fabric and Sidney Blumenthal mohair.
Deborah Dixon porte un manteau gris court, ajusté et soyeux, avec une silhouette épurée, ceinturée dans le dos. Manteau de Modelia, en tissu Dynel et mohair Sidney Blumenthal.
Photo Louis Faurer vogue archive
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US Vogue October 1, 1971
Lauren Hutton wears a little white mink jacket with natural chamois markings like a jaguar… cut like a riding jacket, smooth on the shoulders, fitted close to the waist. Finnish Jaguar Mink Jacket, made at Reiss & Fabrizio. Dynel Stretch Wig. White Scarf, Handcraft. Lauren Hutton porte une petite veste de vison blanc avec des marques chamois naturelles comme celles d'un jaguar… coupée comme une veste d'équitation, lisse sur les épaules, ajustée près de la taille. Veste en vison jaguar finlandais, réalisée chez Reiss & Fabrizio. Perruque extensible Dynel. Écharpe blanche, Handcraft. Photo Richard Avedon vogue archive
US Vogue March 15, 1969
André Courrèges Haute Couture Collection Spring/Summer 1969. Models in shapely bras, mini skirts and cuffs in gleaming polished metal. Wigs, Dynel by Alexandre.
André Courrèges Collection Haute Couture Printemps/Été 1969. Modèles en soutiens-gorge galbés, mini-jupes et brassards dans un métal poli rutilant. Perruques, Dynel par Alexandre.
Photo Bert Stern vogue archive
US Vogue April 1, 1969
Jean Shrimpton wears a white wool pantsuit by Norell: a long, precisely fitted blazer over a navy blue jersey sweater and perfectly straight, perfectly cut pants. He wears a starry scarf around his neck. Ara Gallant's hairstyle; Dynel hairpiece by Reid-Meredith. Shoes by DeBusschere, earrings by Schreiner.
Jean Shrimpton porte un tailleur pantalon en laine blanche, par Norell : un blazer long justement ajusté sur un pull en jersey bleu marine et un pantalon parfaitement droit et parfaitement coupé. Il porte une écharpe étoilée au cou. La coiffure d'Ara Gallant; Postiche Dynel par Reid-Meredith. Chaussures de DeBusschere, boucles d'oreilles de Schreiner.
Photo Richard Avedon vogue archive
