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Creating a Tom on Zebra2
When it came to creating a tom sound, it tended to be a lot easier then creating both snare and hi-hat. Firstly I set the voice mode to retrigger and oscillator one to single. All that I did to the patch was add a second envelope that would control the tuning of oscillator one and put the parameters as a slight attack, fair bit of delay and a little bit of release. This would create the realistic sound of a high tom.
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Creating a Hi-Hat in Zebra2
When it came to creating the hi-hat, this is where I started to struggle as I couldn’t find a tutorial for it online anywhere and so I took the snare patch that I had created and tweaked parameters until it sounded something like a hi-hat. Two envelopes were used for this patch. One to control the tuning of the oscillator and the other to act as the main envelope. A noise module was used in this patch as if set correctly, you can get the right amount to sound like a hi-hat.
Creating a Snare Drum on Zebra2
The next patch that I made on Zebra2 was a snare drum. This took a fair bit longer to figure out as it includes getting the right level of noise and click together to make a snare sound. Again I used a tutorial that I found on YouTube to help guide me through the process and after an hour or so I managed to create a good sounding snare. The difference between the kick and snare drum is that the kick was firstly, simple to make and secondly, it used an oscillator. Whilst the snare sound used a FMO, white noise and a XMF. Something that I haven’t done before was using the MSEG and to create the pattern in which whatever it was assigned to would react. For example, for the snare the MSEG was assigned to the volume which would help create a more realistic snare sound as a snare when first hit is at its loudest and then reduces in volume and so an MSEG is a great way in producing realistic sounds on the computer. In terms of the envelope there was a fast attack, slight delay, sustain and release. The MSEG was also assigned to the tuning on the FMO, which also helped create the sound of a snare, as there isn’t just one frequency in a snare hit. In terms of effects that were used, I used a shaper that would shape the sound better and EQ.
The final element that affects the sound of the snare was the shape that I made the MSEG. The MSEG was connected to the volume of the Noise module and the tuning of the FMO.
Creating A Kick Drum on Zebra2
When it came to creating a kick patch, I had no idea where to start and so I decided to research online and find a tutorial that would help me create the sound that we wanted. As you can see from the picture above I have used one oscillator, two envelopes to create the kick drum. To create the sound I tuned the sine wave so that it produced a bass note and connect this to envelope 2, which was set as a V-slope. In terms of the envelopes, I followed the tutorial video that I found and came out with a very short attack, slight delay and sustain and even less release. The reason that these parameters were used was because a kick drum doesn’t need much sustainment or release, as it is one quick punchy note. Once I was happy with the sound that was created, I then went to add some effects to it, these included EQ and Comp which increased the bass frequency and smoothed it out slightly.
Drum patch :P
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