As an art educator I very much appreciate Deku for making a Jackson Pollock out of Shigaraki 👌👌👌

#dc#dc comics#batman#tim drake#bruce wayne#batfamily#dick grayson#batfam#dc fanart




seen from Malaysia
seen from China

seen from United States
seen from Italy
seen from Canada
seen from Japan
seen from Australia

seen from T1
seen from Netherlands

seen from Australia
seen from United States

seen from United States

seen from Malaysia
seen from China

seen from Greece
seen from Malaysia
seen from Yemen

seen from France

seen from Finland

seen from Greece
As an art educator I very much appreciate Deku for making a Jackson Pollock out of Shigaraki 👌👌👌

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
This work foreshadows the famous “drip” technique Jackson Pollock would develop later in the 1940s. Standing on small, triangular feet, two figures emerge from Pollock’s bold swirls and strokes of paint. "Male and Female," 1942–43, by Jackson Pollock © Pollock-Krasner Foundation / Artists Rights Society (ARS), New York
Jackson Pollock, American painter (1912-1956)
Jackson Pollock 1950 Autumn Rhythm (Number 30). Enamel on canvas; 105” x 207”
Jackson Pollock was a major figure in the abstract expressionist movement and he was widely known for his "drip technique", which is what he used in this painting.
He was introduced to liquid paint in 1936 and learned many pouring techniques. By 1940 he had developed many techniques and one later on becoming recognized as the drip technique.
Jackson dealt with alcoholism and as a way to treat it he underwent Jungian psychotherapy where his doctor would engage with him by encouraging him to use his art to help. Later on in Jackson's art you can notice Jungian concepts and archetypes expressed in his paintings.
In 1947 he created his first drip painting and by 1950 when he created Autumn Rhythm, a nonrepresentational painting, he was at the height of his talent.
While composing this painting he poured, dripped, flicked, and splattered paint in very unorthodox means. He also used anything but traditional painter's tools (knives, trowel, and sticks) when making up the dense, lyrical compositions of this painting.
Comparing to the way I looked at the art at first to now I would say that I think of it differently. At first I just thought of how the colors resembled nature and what you would think of for fall. After doing research on this painting I can see how Jackson used the tools to create it. I notice how the knives and the trowel make up an edgy, heavier tone of the composition and the sticks could make up a lighter tone to the composition of the painting. Prior to my research, I looked at the canvas as something that was random and didn't have any depth; whereas now I can see the control Jackson had in every angle while creating this painting and see the depth that's created by the techniques and tools he used.
some Jackson Pollock paintings

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
life without you - acrylic on canvas/drip series 24x36"
$100
Drip series-red abstract- acryclic on canvas 16x16"
$120
The Dynamic Fluid Art of Pat Steir
In the 1980s Steir developed a technique that involved applying paint exclusively by dripping and flinging it onto the canvas. Despite the freedom of execution and the large areas of canvas to be addressed, Steir exercises expert control over her methods, which she developed in part through in-depth study of Japanese and Chinese painting. The pouring process also evokes comparison with the work of Jackson Pollock—but rather than painting on the floor, Steir works from a ladder on unstretched canvas tacked to the wall, pouring and flinging paint, water, or solvent from oversaturated brushes and allowing the fluid media to cascade down the length of the support. As she has explained, "the paint itself makes the picture…. Gravity makes the image." Txt Met Museum
'' And these waterfalls are more of the monoprint series. The grid is drawn later. The blue, gold and white were printed, and then I poured paint over it and drew the grid over that. These shapes are like ghosts. I just wait in front of the thing before I either throw the paint or make the mark. If I have to sit in a chair and wait there every day for months, I do it.'' Txt Bomb Magazine