#drifter tkd

"Taekwondo is not a corporation! It's an art!"

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*SPOILERS AHEAD*

Does anyone else remember Ron Pohnel? He had that awesome ring match against Jean-Claude Van Damme in No Retreat, No Surrender (1986) – the one right before the finale. After that, he practically ceased to exist until IMDb informed us last decade that he was finally working on another movie. And not just any movie, but a full-blown vehicle for himself! I didn’t care that it was going to be a very low-budget effort – I just wanted to see the guy again. However, after waiting almost ten years for a release and then only accessing the film through Pohnel’s Youtube channel, my expectations steadied a little. Little did I know that even then I was in for disappointment. Drifter TKD is a micro action flick burdened by a terrible screenplay and the filmmakers’ failure to take advantage of what resources they have. It’s a poor directorial debut for Pohnel and really just a passion project gone awry.

The story: After giving up his taekwondo school to a greedy corporation, Master Harrison Luke (Pohnel) takes on the life of a destitute drifter. Settling in a homeless community, the master takes a stand for the disenfranchised against a golf club owner trying to intimidate them.

Tempting as it is, I’m not going to compare this to the other movie Pohnel did. However, even judging it on its own merits yields little praise. To be fair, there’s no sense bemoaning its lack of budget and shot-on-video presentation: given his limitations, director/producer/cameraman Ron does well enough. And while the fight scenes are definitely in trouble for being too short most of the time and questionably shot/edited, they reveal that Pohnel is still packing some moves. Nevetheless, the movie does everything else wrong. With the exception of ex-Power Ranger Blake Foster as Harrison’s student, none of the supporting martial stars engage in any of the action – not Mel Novak as the evil CEO, nor Ron Hall as his henchman, nor Leo Fong as Harris’ fellow master. The lighting is off in several scenes and the dialogue isn’t always audible over the soundtrack. The dialogue is weak, frequently sounding contrived and unnatural (“To be a CEO, your heart has to be cold and hard") and with characters repeat their backstories multiple times. Some prominent characters are just outright unlikable, with David Fultz as Harrison’s bumpkin sidekick generating some particular vitriol in my notes.

Worst of all, the story ends up going absolutely nowhere. After almost 90 minutes of testing my patience with poor pacing, the movie resolves none of the problems it’s set up. Harrison remains a drifter, his loyal student returns to his heartless father, the corporation maintains a monopoly on local taekwondo schools, the homeless people remain homeless, and even though the leader of the local gang gets beaten up, both they and the evil club owner are left with no curb on their homeless-harassing and human-trafficking shenanigans. The film kind of addresses this with a last-second philosophy about going with the flow and making the best of a bad situation, but it just feels like a badly-planned story. The characters end up in almost exactly the same place they started, making me feel like I’ve wasted my time.

While I’m criticizing, I might as well also point out the film’s social failings as well, beginning with almost every non-white actor with a speaking role being cast as a villain. Also, at least two female characters are martial artists (Sohara Key and Charl Pohnel) but are also depicted as no match for their male aggressors, making their previous training scenes amount to nothing. One of them gets seriously creeped on by David Fultz’s character with no consequence. Seriously, he’s more harshly reprimanded for incorrectly throwing a kick during martial arts practice, which suggests that even in a movie where sex trafficking is a thing, disappointing your male teacher is a bigger faux pas than threatening women.

As eager as I am to promote indie cinema, it’s hard to recommend this one. It doesn’t take itself very seriously, but the grinding pace and lack of engaging content makes it a chore to sit through. Check it out if you really want to see what’s become of Ron Pohnel, but otherwise just skip to the end of No Retreat, No Surrender again.

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