#drawingpapers

Enough about me. Here’s a drawing. \\ From my sketchbook \\ Might be something, don’t know yet. #drawing #art #speculative #sketchbook #cornelius #archi #archdaily #archisketcher #drawingpapers #indigenousdesign #concept https://www.instagram.com/p/CT0VuHPru8B/?utm_medium=tumblr

Water sellers - Marker pens Sayed Darwish's songs inspire #Yonan_Fine_Art #yonanfineart #fineartist #fine_arts #drawing #drawingpapers #draw #dessin #bellearti #beauart #egyptians #watersellers #sayeddarwish #sayeddarwich #oldegyptian #old_cairo #markerpen #red #blackpen #blackmarker #redmarker #nileriver #orientalarts #eastern #egypt . (at Cairo, Egypt)

A Page from the #DrawingPapers Archive This page from Drawing Papers 5 features and untitled piece by Nic Hess drawn with charcoal and tape in 2000. The 2000 exhibition “[Together now]” featured an installation in which Hess paired two unlikely materials–charcoal drawings and adhesive tape. Tape-based images slot themselves alongside charcoal ones forming a jumbled assemblage causing the images either flow into each other or jostle for momentary attention. Hess is partial to incorporating widely recognized cultural icons. The thematic presence of sports and animals is prominent among his works, as well as common objects, such as steam irons. These images offer the comfort of the familiar and are instantly readable. In Hess’s installations, the graphic clarity of the tape allows the logos to retain a connection to their day-to-day existence, but the drawn elements rendered in charcoal and, seen close up, the pieced-together aesthetic of the tape itself, provide room for play. The Drawing Papers are a series of publications documenting The Drawing Center’s exhibitions and public programs and providing a forum for the study of drawing. -Kate Robinson, Bookstore Manager #NicHess #Togethernow (at The Drawing Center)

A Page from the #DrawingPapers Archive This page from Drawing Papers 122 features an untitled ink on paper drawing created by Richard Pousette-Dart in the 1930s. The Drawing Center’s 2015 exhibition was the first in-depth consideration of Richard Pousette-Dart’s drawings from the 1930s, a period when the artist pursued directly-carved sculpture, yet also painted, experimented with photography, and created numerous works on paper. These early drawings explore Pousette-Dart’s concerns about sculpture and working three-dimensionally, and many reference the figure through full-frontal or profile views as they consider space, orientation, and volume. His numerous studies allude to dance, animal forms, masks, and heads, and many examples offer an accumulation of abstract and geometric forms. The Drawing Papers are a series of publications documenting The Drawing Center’s exhibitions and public programs and providing a forum for the study of drawing. -Kate Robinson, Bookstore Manager (at The Drawing Center)

A Page from the #DrawingPapers Archive This page from Drawing Papers 114 features “Centricity”, drawn with colored pencil, ink, and sepia wash on paper by Lebbeus Woods in 1987. The 2014 exhibition “Lebbeus Woods, Architect” brought together works from the past forty years by one of the most influential designers working in architecture. Working mostly, but not exclusively, with pencil on paper, Woods has created an oeuvre of complex worlds—at times abstract and at times explicit—that present shifts, cycles, repetitions within the built environment. His timeless architectural drawings are not in a particular style or in response to a singular moment in the field; rather, they offer an opportunity to consider how built forms that impact the individual and the collective, and reflect contemporary political, social and ideological conditions. In his work we can see how one person contributes to the development and mutation of the built world. #LebbeusWoods #DrawingPapers The Drawing Papers are a series of publications documenting The Drawing Center’s exhibitions and public programs and providing a forum for the study of drawing. -Kate Robinson, Bookstore Manager (at The Drawing Center)

This page from Drawing Papers 87 features an untitled pencil on paper drawing created by Ree Morton in 1969. The 2009 exhibition, “Ree Morton: At the Still Point of the Turning World” highlighted Morton’s body of work, remarkably all produced in a single decade between her decision to turn to full-time art production in the late 1960s to her tragic death in 1977. Morton pioneered a body of work that uniquely responded to and challenged the Postminimal and Feminist Art of the 1970s through her use of personal narrative, humor, and poetic imagination. The Drawing Papers are a series of publications documenting The Drawing Center’s exhibitions and public programs and providing a forum for the study of drawing. -Kate Robinson, Bookstore Manager #DrawingPapers #ReeMorton