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In our last post, we talked about how our vision for the final game has evolved, and while some changes, made by choice, others by necessity. We also outlined our design pillars and defined what kind of game we truly wanted. In that case, what we came up is :
[Firva: Strings of Fate Must be a story-driven action-adventure with cinematic atmospherescenes and set pieces, set in a rich, grimdark world and tone, with engaging combat.
Players will step into the darkest fate as Firva, driven by vengeance and bound to revenge, mastering the precision of parrying or the thrill of dashing through danger.]
With this new identity taking shape, we realized the best place to begin was not with new gameplay features (even due there are a lot to cover there) but with our visual identity. Our old logo, icon, and logotype no longer reflected who we’ve become or the story we want to tell.
Even due Much of our narrative remains intact and, in many ways, improved, but we needed a new symbol that truly communicates the soul of our world: something ancient, majestic, and steeped in legend.
FIRVA is identity reflects a world where threads of destiny bind every being mortal and divine through forged consequence. The visual language balances ancient mythic weight with modern narrative clarity, creating a world that feels eternal, sacred, and beautifully doomed.
Before we move forward with the redesign, we want to take a moment to look back at what our old logo represented, how it shaped our early creative direction, and what we learned from it.
Image of Old Logo Type of Firva (Not in Use anymore)
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1. Typography & Form
Our original logotype was crafted using a sharp, custom font designed to look aggressive and dangerous, as though each letter could cut your hand. The typeface was metallic and stylized, evoking forged steel and weapon edges a visual language that resonated strongly with fantasy and action RPG aesthetics.
The pointed ends and beveled surfaces on letters like F, R, and A suggested strength, tension, and destiny, aligning perfectly with our strings of fate concept.
The varying stroke thickness and subtle curvature introduced a sense of motion and organic energy, balancing rigidity with fluidity symbolizing the clash between control and chaos.
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2. The Red String Motif
A defining feature of the design was the red thread winding through the letters. This was more than decoration it was storytelling.
Inspired by the East Asian myth of the red string of fate, which connects destined souls, (even due in the East Asian myth it is mostly used for love) the thread looped through the (R), with letter (I) highly resembling a sawing needle that was going to symbolize the power of sawing destiny with the theme that everything is connected by unseen strings. And interesting point is that the letter (I) unintentionally, ended up resembling a Japanese throwing knife.
Image of Icon Variant (Not in Use anymore)
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3. Subtitle Design:Â The Strings of Fate
Beneath the title sat the subtitle on a torn red banner, rough-edged and textured to contrast the refined metallic letters above.
The white serif typeface added clarity and poetic rhythm, grounding the design and reinforcing the subtitle as a narrative tagline.
Image of Icon Variant (Not in Use anymore)
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Images is the Main and Final design
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The Weight of a Symbol
When we first revealed Firva: Strings of Fate, our logo the sleek, metallic design entwined by a red thread, it represented everything we thought the project was about. It was sharp, elegant, cinematic.
It looked like destiny forged by human hands precise, intentional, and alive.
But as the world of Firva began to deepen, something started to feel off.
The more we explored its myths, the gods, the rituals, the forgotten civilizations that shaped the Strings themselves, the more the polished surface of the logo felt like an artifact from outside the world, not of it.
So we started digging, both creatively and literally.
From Logo to Relic
We realized Firva should not be a story told by modern hands. It should be an ancient myth inside its own universe to be rediscovered, a world that predated language and memory Our game is identity needed to feel excavated, not designed.
That is how the Relic Coin was born (inspired by Old forgotten Earth empires that told the story of heroes and kings), the circular coin etched with two figures, a bow, and strings of fate connected to it (the bow is a highly important object in our game) It was not drawn on a tablet screen; it was chiseled into stone. It was not meant to be read; it was meant to be remembered.
When we placed the Coin over the cracked Stone, something clicked. It was not a logo anymore, it was a piece of our game-world's truth.
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A World Forged, Not Branded
There is a difference between a logo that represents a game and one that belongs to the world inside it. The first design worked beautifully for marketing; it was modern, cinematic, and precise. But Firva has never been about precision. It is about inevitability, decay, the weight of stories that refuse to die.
The Coin reflects that:
It’s uneven.
It is heavy.
It feels older than language itself.
In abandoning the polished mark, we embraced something imperfect, eternal, and human.
When we updated the logo, the entire art direction shifted with it:
Our color palette darkened into embers and bronze.
Our compositions became wider, slower, and more ritualistic.
Even the UI started borrowing from ancient symbols rather than modern frames.
Firva no longer shines; it glows from within. The fire does not reflect off it; the fire is it.
Art direction is not about what looks beautiful; it is about what feels inevitable. The Coin was not an upgrade; it was a revelation. It reminded us that Firva is not trying to sell a story. It is trying to remember one.
We left behind the thread and found the forge.
And in doing so, Firva finally found its voice.
We thought we were designing a logo.
Turns out, we were uncovering a relic.
The change is not just visual, it is philosophical. The new FIRVA emblem is more than a title screen; its a key.
A door into a myth that doesnot want to be told, only rediscovered.
In those early months, everything was trial and error.
In those early months, everything was trial and error.
Prototypes. Sketches. Scrapped builds. Endless experimentation with mechanics and ideas. The process was frustratingly slow, but it was a messy, chaotic journey to discover Firva’s true heart.
Without a full team, all we could do was build simple prototypes. But even the best prototype is just a shell unless it has a story worth telling.
We wrestled with the same big questions every developer faces:
Does the story grow from the gameplay, or should the gameplay grow from the story?
What about the market? What kind of stories are acceptable or wanted?
How would we even publish this thing?
It was these late-night questions, echoing in our minds, that slowly shaped our thinking and ultimately led us to create the first Firva demo.
After Taliman: Clarity, But Still No Heart
After the Taliman, the team finally had a clearer vision of what Firva could be, but we still lacked a core narrative, the “why” behind the game.
Reza knew what kind of story he wanted to tell: a dark fantasy, something bold and memorable. But how to actually tell that story remained a mystery.
In the final days of Taliman, our team grew by two:
Ahmad Talayi (Technical Artist)
Mohammad Shahabi (Writer)
Mohammad, stepping in as our writer, was handed a stack of scripts from previous freelance writers. But he was determined to create a dark fantasy world that was entirely ours, infusing Firva with his own ideas and voice.
Ahmad, meanwhile, began as a technical artist but quickly became the creator behind many of Firva’s most iconic set pieces.
With the expanded team, everything seemed possible.
Here’s how we were shaping up:
Reza – Project Lead
Sorush – Lead Developer & Programmer
Ahmad – Technical Artist
Peyman – Art Lead
Mohammad – Writer
With only a handful of team members and even fewer resources, we made a pact to focus on one thing:
Making something tangible.
A concept demo, something we could actually share with others.
But just as we were gaining momentum, disaster struck.
Peyman, our Art Lead, the person responsible for Firva’s unique visual style, decided to leave. His departure was understandable. He wasn’t satisfied with the pace of progress, and with Reza also busy with other projects, Peyman felt the time was right to step away. So, in August 2022, he left the team.
For a moment, it felt like this could be the death of the project. Peyman had given Firva its distinctive look. The demo we’d been preparing was built around his vision.
After his sudden departure, we were left with a choice: surrender or push forward.
We chose to continue.
We still had a story, we still had art assets Peyman had created, and most importantly, we still had the will to keep going.
This was a turning point. The team made a bold decision:
Lean fully into the cinematic aspect, finish the demo, and push for its release.
Soroush stepped up to take on the role of Project Lead.
Mohammad became the Director, guiding the narrative vision.
Ahmad took the helm for development, pulling together everything we had.
Together, we finished what we’d started.
And finally, we released the first public demo for Firva.
Looking back, the journey through prototypes, setbacks, and changes in the team wasn’t wasted effort.
Every dead end taught us something. Every frustration pushed us to ask deeper questions about what Firva could be.
And in the end, it was perseverance the decision to keep going that helped us find Firva’s true heart.
