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On Friday 10th 2017, Hannah Brasier, Nicholas Hansen, Kim Munro and Franziska Weidle hosted their second Docuverse Symposium at RMIT University in collaboration with non/fictionLab. After a success…
Franzi Weidle has posted a summary of the Docuverse Symposium we hosted in early February on Expanded Documentary practices in Australia.Â
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
RSVP via eventbrite.
If you’re in Melbourne Docuverse is hosting our first Snapshots event of the year with Patricia Aufderheide on the 2nd of March.
Final Docuverse Snapshots event for 2016.
RSVP via eventbrite.
Docuverse’s final Snapshots event for 2016 saw the non/fictionLab’s co-director Adrian Miles take Seb Chan through his extensive experiences with the GLAM (Galleries, libraries, archive…
A little thing I wrote on Docuverse’s final Snapshots event for the year. A very lively conversation between ACMI’s Chief Experience Officer Seb Chan and RMIT’s non/fictionLab co-director Adrian Miles.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
As part of their Snapshots bi-monthly forum, Docuverse presents a talk by local Melbourne documentary academic, Deane Williams. Deane will be joined by Grace Russell and Stella Barber to discuss their collaborative research project around Australian utilitarian films.
http://nonfictionlab.net.au/2016/07/docuverse-snapshots-3-the-cinema-within/
As part of their Snapshots bi-monthly forum, Docuverse presents a talk by visiting U.K. academic Judith Aston.Â
Interactive Documentary - a view from the inside
Judith's talk will show the trajectory that she has taken over the years, discussing the various projects that she's worked on along the way. This will include videodisc, CD-ROM, installations and live performance. Throughout this time, a consistent theme in her work has been her belief in the potential for interactive documentary and non-linear forms of representation in helping us to better understand complexity. Ending up with her take on where interactive documentary might be heading, she will argue that it's 'intertwingularity' makes it an important tool for twentieth first century problem solving. She will also make a plea for interactive documentary to remain an open-ended field of enquiry, incorporating a range of forms and processes and not becoming all consumed by current interest in virtual and augmented realities. Judith has provided a prepatory reading for her talk entitled "Interactive Documentary - What Does it Mean and Why Does it Matter?"Â
About Judith Aston
Judith Aston is Co-Founder and Co-Director of i-Docs (i-Docs.org), based in the Digital Cultures Research Centre at the University of the West of England. She is also a Senior Lecturer in Filming and Creative Media, having taught undergraduates, run MA programmes, supervised PhD students and contributed to the development of a thriving research culture within her Faculty. She began her career working with Hypercard in the basement of the University of Cambridge's Social Anthropology Department and has retained her active involvement with interactive documentary ever since. This has led her to studying for a PhD in Interaction Design at the Royal College of Art in London, and to working on collaborative projects with the likes of Apple Computer, the BBC and Peter Gabriel's Real World Design Studios.Â
Please join us in non/fictionLab's Urban Writing House for Judith's talk, alongside some drinks and nibbles.Â
The Urban Writing House is accessed via Stewart st, which runs between A'Beckett and Franklin st, behind RMIT's Building 80.
Interval
Australian based documentary art organisation based in Collingwood.Â
On a local scale, it’s nice to know there are other people interested in expanded documentary projects.Â
Here’s what they say: We are interested in work that experiments formally to question the boundaries of documentary as a practice, a set of conventions and a theoretical construct. Interval engages artists to reflect on their practice with a focus on what is left out, the interval between reality and representation.
