Dmitry Ermak (with Tamara Kotova)
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Dmitry Ermak (with Tamara Kotova)

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PotO Moscow Audio Gifts
A few things I've been sitting on for far too long. My master. Separated into Act 1s and 2s, untracked. September 17, 2015; Moscow (First performance of Ivan Rak as Raoul de Chagny) Ivan Ozhogin (Phantom), Tamara Kotova (Christine), Ivan Rak (Raoul u/s), Oleg Fed'kushov (Firmin u/s), Alexei Bobrov (Andre), Ekaterina Lehina (Carlotta), Oganes Georgian (Piangi), Ekaterina Berdnikova (Madame Giry u/s), Regina Shukina (Meg u/s) Link
July 19, 2015; Moscow Andrey Shkoldychenko (Phantom u/s), Tamara Kotova (Christine), Eugeny Zaytsev (Raoul), Yuri Mazihin (Firmin), Alexei Bobrov (Andre), Irina Samoylova (Carlotta), Oganes Georgian (Piangi), Elena Charkviany (Madame Giry), Valeria Migalina (Meg)
Link
April 5, 2016; Moscow Dmitry Ermak (Phantom), Tamara Kotova (Christine), Eugeny Zaytsev (Raoul), Petr Markin (Firmin u/s), Alexei Bobrov (Andre), Ekaterina Lehina (Carlotta), Oganes Georgian (Piangi), Ekaterina Berdnikova (Madame Giry u/s), Valeria Migalina (Meg) Link Feel free to gift, trade, etc., but please DO NOT share this outside of Tumblr, including posting links to this post on other social media. Please like/reblog if you download! Enjoy! ❤️
Phantom of the Opera Wine List
MOTN Special (Yes, Again) - Dmitry Ermak Edition
Part 1
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💞 Welcome to another episode of "Persie being enterily self-indulgent and overanalyzing things!" 💞
This is also part of "Persie's Birthmonth Special".
Also, @meilas has 0 taste so I was extra-forced to do this.
No I wasn't. LoL This is all my own damn fault.
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This is for you, meilas, you uncultured wench. See the tailoring yet? Huh? Where do you think my banner came from?
Anyway, back to the topic: Mr. Ermak. Though not my favorite Russian Phantom (hi, Mr. Schkoldychenko 💕)... Dmitry is still so damn good. 👌
There! Right there!
Look at that condescending smirk
See, he is a clever masterwork
Also a slave of fashion jerk!
You shouldn't downplay him, no, no way
(I'm looking at you, meilas)
Some gifs are going to look hella faded because I Am Trying To Prove a Point Here. Phants enthusiasts might already have caught up on what.
On a sidenote, this is a nice cape flip, don't you think?
For those who are not Uncultured™ and have already begun to see my point from the previous gifs, let's keep going. <3
Honestly, this part made me laugh a little bit. Tamara is jumpy - if not terrified - around this Phantom and his lair. Why? I'm not sure. Perhaps Tamara's Christine is less under the Phantom's spell here, which can be nice if you look at it by the lenses of "hey so maybe she followed him there a bit more consciously!". But then again, she is kinda... "Why does an Angel live on a basement? Did we just go through a sewer?"
But. You, dear reader, are soon to find out, that Dmitry Ermak's Phantom Cares Not About Such Superfluous Details. No......... This Is A Man With A Mission.
Pay attention to his eyes; they will be important.
I bet you almost didn't notice how fast his approach was; neither does Christine, apparently, because she immediately becomed startled at his sudden proximity.
But then... Smooth. Oh, so smooth. Christine seems to remember, "Oh, this is my Angel", everytime he's close enough. She forgets her fears, doubts, or the fact that they're right under the Opera House.
He's so focused. He's so goddamn focused.
This guy KNOWS what he's doing. There's a beauty to the "Flinching Phantoms", but man... Am I a great wench enthusiast of "You're So Into Me It's Ridiculous".
But he is just as much into her, so is there really a problem?
You'll also notice that his eyes are on fire. Enjoy the Smoldering Gaze™ much? That's the guy for you. Or at least to me. Lmao
His eyes. Never. Leave. Christine. Granted, most phantoms are focused on Christine, but sometimes they glance around, or at her hand; and sometimes the Phantoms remember they should blink, you know, like a human would. Ermak does not.
Or
I'm possibly delusional and imagining things.
Sir. Why are you living on a sewer.
Sir.
I love how Christine is extremely anxious again as soon as he lives her side and then... A little gasp, she swallows thickly, but her expression relaxes. All her Angel needs is to reach that one note, and she subdues again. Love the slight, discreet throat baring she does there.... She probably does not even noticed that she did that.
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This is part one.
Part 2 coming soon. o( ❛ᴗ❛ )o
- Persie
Beautiful photos of Elena Bahtiyarova and Dmitry Ermak.

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Dmitry Ermak and Elena Bahtiyarova (POTO, Russia)
Thanks for the tag, @palas-is-drawing !
In no particular order (except the first 2):
Michael Crawford
Ethan Freeman
Hugh Panaro
Josh Piterman
John Owen-Jones
Dmitry Ermak
Earl Carpenter
Norm Lewis
Anthony Warlow
Honorable mentions: Dave Willetts, Davis Gaines, Mark Jacoby, Peter Karrie, Scott Davies, Ian Jon-Bourg, Ben Forster, Ben Crawford, Jonathan Roxmouth (and probably plenty others)
I tag anyone who wants to do this and hasn’t already!
Reviewing more phantoms and Raouls. As usual, I’m doing both in one post.
Dmitry Ermak had a very good first lair, with a sensual motn and a very strong unmasking. He had a very nice, classic phantom voice that he made rather raspy in his more emotional scenes, which I enjoyed. He was a very...wriggly boy in stydi, I loved it. Very much enjoyed his second unmasking and final lair, he played a very tired, sad phantom who did a very good job reacting to Christine and Raoul.
I’ve said before why I like Hugh Panaro (along with a million other people) but I’ll say it again here I guess. His reputation as a “sexy phantom” is uh not unfounded. His acting really emphasizes the sensuality and underlying darkness of the character. Every aspect of his movement is clearly very well thought out. I know he’s a fan of Susan Kay’s phantom and it definitely comes across in his performance. He can also be very sassy at times, which I’m not always a huge fan of but it definitely works well with his performance.
Cooper Grodin....oh Cooper. His voice is...as others have pointed out, he sounds like he was doing some heavy drinking before performing. His acting is extremely aggressive even for the restaged tour. He barely cared about Christine and it felt like he barely cared about the show.
As with Hugh, it’s been discussed why Michael Crawford is so wonderful, aside from bringing to life the character and creating an iconic portrayal. His acting is truly something else, I suppose it helps that as the first he isn’t influenced by any other actors in the role and truly took the time to make it his own. He has a very smooth, elegant motn, with the whole thing feeling like one very long, deliberate movement with a lot of emphasis on his hands. His more distressed scenes have some very Lon Chaney vibes, with more great hands and great distressed noises. His very light voice works well with his portrayal, making him feel even more ethereal and simultaneously phantom-like and angel-like.
Marcus Lovett has a pretty rough voice. Not necessarily bad, just rough. His acting though...we love to see it. A hypnotic motn, he’s very mature, very in control, knows what he’s doing and is perfectly comfortable leading Christine around his lair. This maturity extends all throughout the show up to the final lair, when he seems old and tired. He’s certainly no man-child yet there’s a real sense of desperation.
As for Raouls...
I wasn’t too impressed with Evgeny Zaytsev at first but he significantly improved when with a decent Christine. Overall he can be relatively boring but he does have quite a few nice touches, and his final lair stands out as very good.
Jeremy Hays was there. He existed. He had a very nice voice, I just found his acting kind of boring, he didn’t do much.
Ben Jacoby came across relatively charming in Little Lotte and got progressively worse from there, culminating in him grabbing Grace Morgan’s ears and dragging her head around the rooftop like that.
Reece Holland has a hell of a voice and he knows how to use it. He has some very interesting infliction and was clearly having fun playing with the notes. He was a very earnest, very sweet Raoul who put a lot of energy into his performance.
Simon Thomas doesn’t really stand out to me in any way other than his good chemistry with Anna O’Byrne. He doesn’t really do much but he does go out of his way to be very gentle and soft with Anna’s more nervous, hysterical approach and they work well together.