#dj bot

Cover for my Speedfreaks FM playlist "The hottest, the nastiest, the most vulgar. . . . . . . " A high energy mix of synthwave, ebm, industrial, industrial rock, Frenchcore, hard style, and speedcore for juvenile delinquents that helps a certain repressed lieutenant stay 'up'.

ARTIST/TRACK:

00:00:00 Le Bask - Emperia 23 00:05:18 The Normal - Warm Leatherette (NIN & Peter Murphy cover) 00:09:06 Combichrist - This shit will fuck you up 00:13:48 KMFDM - Blood (Evil mix) 00:18:47 Genitorturers - Razor Cuts 00:22:29 Perturbator - Raw Power 00:27:24 Dance with the Dead - Riot 00:31:12 Justice - Stress 00:36:08 Carpenter Brut - Roller Mobster 00:39:41 KMFDM - Sex on the Flag 00:43:15 Ministry - Jesus Built My Hotrod 00:48:07 Radium & Mr. Bassmeister - Horny or Hungry 00:52:31 Genitorturers - Sin City (KMFDM remix) 00:57:02 Perturbator - Complete Domination (Feat. Carpenter Brut) 01:00:57 Carpenter Brut - Turbo Killer 01:04:23 Combichrist - Electrohead 01:10:10 Panzer AG - Crash N Burn 01:14:26 Caustic - Love that taint 01:19:03 Angerfist - Ubermensch (fan remix of Earthquake) 01:22:34 Komprex - Fothermucker 01:26:20 QURELESS - You are eating my rotten dick

[id: a gray robot with black headphones, black antennae ending in red lights and red triangular sunglasses dressed as miku. he looks happy. he has one arm down, hand open, and the other arm up with his hand close to his head, showing he has red nail polish. he's shown from the short skirt up, with his legs not drawn at all. the whole image uses four colors: light cool gray, teal, a near salmon red and a darker desaturated teal. /end id]

Cowbot: i thought it was one guy.

By one way or another, the world as we know it has ended. Nature starts reclaiming the land.  There are survivors, but they have a hard task ahead of them; that of trying to rebuild after a great loss. There are no zombies, no mutant beasts here to contend with, but there is always that most human of emotions in the aftermath. Fear.        But people pay heed to the mistakes of the past and make conscious choices to not repeat them. Focus is placed on making things grow and thrive, whether it’s the flora and fauna or  peoples’ physical/psychological well-being.  Builders, farmers, engineers, teachers, and healers become leaders. Storytelling bonds people together through the sharing of vital information and in entertainment.        Everyone becomes a guardian of certain areas of knowledge contained in the precious resources of books. Part of the day is spent in necessary labor, but time is also set aside to unwind and share all that’s been learned with others. Strong foundations are laid for a vibrant community.         And slowly over time, with an abundance of patience and determination, the community flourishes, able to speak of its own unique achievements. And so, travelers are sent out, to learn about other communities, to listen to their stories, to offer aid if it is wanted. Eager to share what they can, they travel past technological relics to strange and distant lands. In the face of the unknown, they have chosen hope.

Welcome to Soft Apocalypse. 

This compilation of downtempo instrumental songs with a low key hip hop vibe encompasses optimistic, wistful, and relaxed moods. It became evocative of a solarpunk theme to me.  Enjoy!

An eclectic and vicious mix of indie, rock, punk, alternative, post punk, and new wave that emotionally moves from one end of the spectrum to the other to capture the tragicomic nature of a certain Satellite officer. 

You resided in a virtual reality of your own construction until you were forcibly disconnected and faced with an urgent new reality. Informed by new allies, you are taken to connect with others they have recovered and share information, but your enemies find your hideway. Your supposed allies scatter. You evade your enemies as much as you can until your luck runs out and they track you down. But they're not here to hurt you. Instead, you are confronted with the truth of malicious hardware, stolen memories, and rewritten history. You have been bouncing around inside a silo of thought, created by those claiming to be your allies, but were only using you. Whether you face these facts or fall back into delusion, it is your choice. Recover the stolen landscape of your mind. Kill your ego and carry a light into the darkest of Noir Nights, or never see the sun again.

 "One of the hardest things to do is to admit you were misled, to look beyond your error, but we don't move forward without it. So tell me, what is it that you want to see? " 

Conspiravision: Deus Ex Remixed by Alexander Brandon, Michiel van den Bos

So, it seems like I got *massively* targeted today for copyright for my DJ mixes on youtube, resulting in most of my mixes being blocked. 

T_T

Trying to do mixes on YT is pretty much a horror show. I spent some time looking into it and came across issues that even musical artists putting out their own original music have had on the platform. I don’t want to put my time and effort into making mixes, just so they can get taken down. I don’t even monetize my channel. Checking the songs against the music policies (which is what I have been doing with more recent mixes when the tool became available) doesn’t really work when rightsholders can change their mind at any time, or the directory doesn’t even display the song. YT simply doesn’t have much of any good policy in place with DJs in mind.

What a shame. 

Really, because that’s where the people are and my mixes have helped get attention to lesser known artists since that’s where my focus is; it did so for an artist I’m personally acquainted with and another indie artist I spoke to talked about how curated playlists have been the strongest way for them to get noticed.

A place that IS suited to mixes is MixCloud; it’s explicitly built with DJs in mind. I started an account there a while ago the last time I was upset with youtube and it still continues to be my best option for the way I like to do mixes. Sadly, it doesn’t allow me to do video and it doesn’t seem to have the kind of traffic that YT has (I’ve received a lot of nice comments and helpful recommendations from people on YT), but I think my compromise will be to post update videos for new mixes to YT, then link to the actual mix on MixCloud. 

So here’s a link to my Soundcl--, ur I mean MixCloud, if you’re interested in that sort of thing.

(LOL Soundcloud is even worse about copyright than YT)

I’m also open to hearing any and all suggestions.

I still love making mixes, but dealing with YT’s Content ID system. . . . .

ain’t nobody got time for that.