Weird bug

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Weird bug

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Jean-Baptiste Léveillé 1848.
[photo from flickr :: creative commons :: Brad Choi]
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“For the ambitious children of the bourgeoisie, high achievers raised on Adderall, Xanax, and a raft of discreet legal narcotics, drugs are the norm just to get to sleep, to deal with anxiety, to avoid crushing bouts of abjection and the relentless pressures to exceed and excel. In the hood, promethazine, the syrup of Houston, became the fashionable coping agent for those living in the free-fire zones of America, where turf wars regulated with cheap handguns cut down lives in a vicious spiral. From so many points of view, then, one looks out into the Trump era with a prevailing numbness, nihilism, cruelty, ambient anxiety, disarticulation seeping in from all sides. The music records all this. It sounds like this. Future’s lyrics are mocked for their lack of sophistication, but the veritable pharmacopeia in his verses is not dishonest or inarticulate about an affect that is pervasive, or its origins… A preoccupation with depression, mental health, a confused and terrible desire for dissociation: this is a fundamental sensibility shared by a generation.”
— Jesse McCarthy, Notes on Trap