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jordan walls - maddd (2023) 26x40

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February is Black History Month, and we’re showcasing just a few examples from our collections on contemporary American Black artists. More to come throughout this month, so stay tuned!
I'm Roberts, Deborah, 1962- [artist, interviewee] [2021] HOLLIS number: 99156414672603941
Dawoud Bey in dialogue Carrie Mae Weems Platt, Ron, 1959- [author] [2022] HOLLIS number: 99156378937603941
Hank Willis Thomas : all things being equal ... Hank Willis Thomas (Aperture Foundation) 2018 HOLLIS number: 99153724906803941
Spiritualità e femminismo nero nell'arte pubblica di Simone Leigh Salgó, Eszter [author] [2020] HOLLIS number: 99155201738303941
By: Dawoud Bey & Carrie Mae Weems
David Hammons Bliz-aard Ball Sale, 1983 Cooper Square in New York Photograph: Dawoud Bey Courtesy Tilton Gallery, New York
https://publicdelivery.org/david-hammons-snowball/
"There was this big hole," renown Black photographer, Roy DeCarava, told me in 1996. "There were no Black images of dignity, of beautiful Black people — so I tried to fill it. ... I wanted to find in the Black community itself, I was looking for humanity. These are people. Before they're Black, they're people, and this is what I'm concerned about!" - Dawoud Bey Dawoud Bey: An American Project Whitney Museum, NYC. Apr 17–Oct 3, 2021 Run, don’t walk, to see the magnificent photographs by Dawoud Bey, my friend and MacArthur “ Genius Grant” awardee, at the Whitney Museum. In this retrospective Bey chronicles communities and histories that have been largely underrepresented or even unseen, and his work lends renewed urgency to an enduring conversation about what it means to represent America with a camera. Images: 1. Dawoud Bey, Martina & Rhonda, 1993. 2. Dawoud Bey (left) with Salimah Ali. 3. Dawoud Bey, David Hammons, Bliz-aard Ball Sale I, 1983. 4. Dawoud Bey, Two Girls from a Marching Band, 1990. 5. Dawoud Bey, Hillary and Taro, 1992. 6. Roger C. Tucker III and Carmen Wong. #blacklivesmatter #dawoudbey #whitneymuseum #photography #africandiaspora #art #portraiture #whatsupwithart (at Whitney Museum of American Art) https://www.instagram.com/p/CNzULVsFaD6/?igshid=1r5nlwa2qcl1p

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#dawoudbey #harlem #1978 https://www.instagram.com/p/CMAgp6UB_uH/?igshid=1lx3844lh6ev9
Black & White.
Dawoud Bey (b. 1953) is an American photographer, artist, and educator known for his large-scale art photography and street photography portraits, featuring American adolescents in relation to their community and other often marginalized subjects. In this book, Bey shares his creative process and discusses a wide range of issues, from approaching strangers and establishing relationships with subjects, to sensitively representing communities.
“Photographing people can easily intimidate them . . . I keep it very conversation. Even though I’m doing a lot of thinking formally and visually about shaping the picture, it just seems like a casual exchange. ‘Hi, how ya doing? Mind if I take a picture? . . . I’m just out here in the neighborhood making photographs.’ . . . I try to give the subjects their space, while ln this side behind the camera there are all sorts of other things going on.” – Dawoud Bey
Image 1: Front cover
Image 2: Left: “Two Women at a Parade, New York,” 1978; Right: “Mr. Moore’s Bar-B-Q, Harlem,” 1976
Image 3: “A Boy in Front of the Loew’s 125th Street Movie Theatre, Harlem, 1976
Dawoud Bey on photographing people and communities Photographs and text by Dawoud Bey New York, N.Y. : Aperture Foundation, 2019HOLLIS number: 99153846094103941