Untitled, David Storey, 2004, MoMA: Drawings and Prints
The Judith Rothschild Foundation Contemporary Drawings Collection Gift Size: 30 1/4 x 22 1/2" (76.8 x 57.2 cm) Medium: Charcoal on paper
http://www.moma.org/collection/works/97489

seen from Portugal
seen from United States

seen from Germany
seen from Poland
seen from TĂĽrkiye
seen from Sweden
seen from United States
seen from France

seen from Greece
seen from China
seen from France
seen from Malaysia
seen from Malaysia
seen from Lithuania
seen from Malaysia
seen from Brazil

seen from Portugal
seen from South Korea

seen from TĂĽrkiye
seen from Serbia
Untitled, David Storey, 2004, MoMA: Drawings and Prints
The Judith Rothschild Foundation Contemporary Drawings Collection Gift Size: 30 1/4 x 22 1/2" (76.8 x 57.2 cm) Medium: Charcoal on paper
http://www.moma.org/collection/works/97489

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Nude (Hand to Forehead), David Storey
This painting is one of a series of nudes I’ve made. My paintings generally are an exploration of memory. They offer glimpsed or half-remembered figures and faces – 're-imagined ancestors' recovered from a personal archive of the forgotten. I like to feel that they are physiologically charged and that the image ’stays’ with the viewer. It's on a good thick canvas so no need for framing. Signed on the front.
https://www.saatchiart.com/art/Painting-Nude-Hand-to-Forehead/42171/4299126/view
Visual landscapes of movement come to life in David Storey’s newly installed artwork “Sea City Spin” (2019) at the 20 Av (N/W) station on the Sea Beach Line in Brooklyn. Inspired by the constant change of perspective experienced while on the subway and platforms, Storey created a series of abstract vignettes that weave together references to backyard windows and sidewalk market displays, juxtaposing nature with the urban environment. Fabricated by Mosaika Art & Design, the fourteen brightly colored glass mosaic panels echo a sensory feeling of motion and sequential transition, distilling the essence of the distinctive qualities of riding the Sea Beach Line in Brooklyn.
Untitled, David Storey, 2004, MoMA: Drawings and Prints
The Judith Rothschild Foundation Contemporary Drawings Collection Gift Size: 29 3/4 x 22 1/4" (75.6 x 56.5 cm) Medium: Charcoal on paper
http://www.moma.org/collection/works/97488
Sea Cruise 2, David Storey
My paintings generally are an exploration of memory. They offer glimpsed or half-remembered figures and faces – 're-imagined ancestors' recovered from a personal archive of the forgotten. I like to feel that they are physiologically charged and that the image ’stays’ with the viewer. Signed on the front.
https://www.saatchiart.com/art/Painting-Sea-Cruise-2/42171/4336679/view

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Nude (with cropped hair), David Storey
This painting is one of a series of nudes I’ve made. My paintings generally are an exploration of memory. They offer glimpsed or half-remembered figures and faces – 're-imagined ancestors' recovered from a personal archive of the forgotten. I like to feel that they are physiologically charged and that the image ’stays’ with the viewer. It's on a good thick canvas so no need for framing. Signed on the front.
https://www.saatchiart.com/art/Painting-Nude-with-cropped-hair/42171/3510950/view
Tonight's #criterion viewing: Lindsay Anderson's THIS SPORTING LIFE (1963). Young Richard Harris is great. #criterioncollection #thissportinglife #lindsayanderson #davidstorey #denyscoop #richardharris #rachelroberts #alanbadel #williamhartnell #colinblakely #leonardrossiter #rugby #ukfilm #ukcinema https://www.instagram.com/p/CBhow3zAnFp/?igshid=q8z5xd4a7ygj
'Forest Figures', David Storey
This painting was inspired by watching some young people climbing trees at dusk, they appeared to be hit by a sort of ethereal light. My paintings generally are an exploration of memory. They offer glimpsed or half-remembered figures and faces – 're-imagined ancestors' recovered from a personal archive of the forgotten. I like to feel that they are physiologically charged and that the image ’stays’ with the viewer. Signed on the front.
https://www.saatchiart.com/art/Painting-Forest-Figures/42171/2908078/view