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Youth - THE CITY

One day Dad decided to take us kids out to the city for a family outing. We all got prepared and put on our best clothes, such as our tracksuit pants.

We got to the train station and there was this lady with chewing gum on the bottom of her shoe and when she was walking the chewing gum was going with her. It was Chrissy's chewing gum, she left it on the ground and us girls started laughing.

We were looking forward to our day in the city We got on the train and Autumn said 'Look at all the ... on the train', the old lady heard her and looked at her funny. Autumn started looking at her reflection in the train window and put her hand out of the window because she liked the cool breeze. Donna was panicking because she thought Autumn's hand was going to get chopped off.

We got off the train in the city there were a lot of people around. Donna and the rest of us followed Donna when she went into David Jones and started to look at all the marmalade. Donna likes to look at the food in the city. Autumn was getting hungry and told her mother. Dad and Donna decided to get McDonalds we were very happy about that. Dad got angry at the sales assistant because she kept getting him the wrong food. We all sat in the park and ate lunch there. Autumn fed a couple of her chips and then told the birds off and to go away and called them scabs.

After lunch, we went into the fruit shop and there was a midget lady in there Autumn said she had never seen one before and said something and dad got annoyed and told her not to say that.

We went onto the ferry and Donna was screaming out, 'Help, help help' us girls just started laughing.

The boys took off in the city somewhere and we spent the rest of the day looking for them. Chrissy walked into a telegraph pole because she wasn't watching where she was going. Us girls just laughed. We finally found the two boys. Dad wasn't in a very good mood. Chrissy was walking behind Warren and walked on Warren's thongs. Warren got angry with her.

At the end of the day, we were all tired and angry and tired.

Dad said to us kids, 'I'll never take you kids to the city again'

In Parenthesis was first published in London in 1937. I am proud to share the responsibility for that first publication, On reading the book in typescript I was deeply moved. I then regarded it, and I still regard it, as a work of genius.

A work of literary art which uses the language in a new way or for a new purpose, does not call for many words from the introducer. All that one can say amounts only to pointing towards the book, and affirming its importance and permanence as a work of art. The aim of the introducer should be to arouse the curiosity of a possible new reader. To attempt to explain, in such a note as this, is futile. Here is a book about the experiences of one soldier in the War of 1914-18. It is also a book about War, and about many other things also, such as Roman Britain, the Arthurian Legend, and divers matters which are given association by the mind of the writer. And as for the writer himself, he is a Londoner of Welsh and English descent. He is decidedly a Briton. He is also a Roman Catholic, and he is a painter who has painted some beautiful pictures and designed some beautiful lettering. All these facts about him are important. Some of them appear in his own Preface to this book; some the reader may discover in the course of reading.

When In Parenthesis is widely enough known—as it will be in time—it will no doubt undergo the same sort of detective analysis and exegesis as the later work of James Joyce and the Cantos of Ezra Pound. It is true that In Parenthesis and David Jones's later and equally remarkable work The Anathemata, are provided by the author with notes; but author's notes (as is illustrated by The Waste Land) are no prophylactic against interpretation and dissections they merely provide the serious researcher with more material to interpret and dissect. The work of David Jones has some affinity with that of James Joyce (both men seem to me to have the Celtic ear for the music of words) and with the later work of Ezra Pound, and with my own. I stress the affinity, as any possible influence seems to me slight and of no importance. David Jones is a representative of the same literary generation as Joyce and Pound and myself, if four men born between 1882 and 1895 can be regarded as of the same literary generation. David Jones is the youngest, and the tardiest to publish. The lives of all of us were altered by that War, but David Jones is the only one to have fought in it.

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