Vintage Paperback - Burial Of The Fruit by David Dortort
Avon (1951)

seen from China
seen from Bulgaria

seen from Türkiye
seen from China
seen from Canada

seen from China

seen from Lithuania
seen from China

seen from Türkiye

seen from United States

seen from United States
seen from Hungary

seen from Türkiye

seen from China

seen from China

seen from China

seen from Türkiye

seen from United States
seen from Türkiye

seen from Hungary
Vintage Paperback - Burial Of The Fruit by David Dortort
Avon (1951)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
The Lusty Men premiered in San Antonio, TX on 1 October 1952.
Based on Claude Stanush’s 1946 Life magazine article on cowboy Bob Crosby, screenwriter Horace McCoy spent 5 months on the rodeo circuit, and co-writer David Dortort was a former cowboy.
Due to Susan Hayward’s schedule, filming began before the script was finalized and Robert Mitchum and director Nicholas Ray wrote scenes as they went along. Producer Jerry Wald, along with writers Alfred Hayes, and Andrew P. Solt were also brought on to write, all uncredited.
After seeing the original ending, Wald ordered a “happier” version filmed and legend has it that Mitchum had his assistant steal the film can of the new ending and burn it.
David Dortort's 1948 paperback Burial of the Fruit
The cover artist is Ann Cantor
The Lusty Men
The Lusty Men (Nicholas Ray & Robert Parrish, 1952).

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Watch from 02:10:00
“Michael came from a family that was not functional. It was a dysfunctional family. And he bore the scars of that. He was a wonderful, very handsome young man and a great athlete. But psychologically he had been wounded, he had been scarred.
And the most marvellous thing in the world to watch was scenes between him and Lorne Greene: the compassion and the understanding and the love.
You know on a motion picture and television set the crew has seen everything in the world, right? And yet they were struck silent by the relationship that developed between these two.
Michael had found his father.”
(David Dortort begins to cry.)
A wild west, faced only by those who have the courage to not give up ... absolutely violins and a guitar in the background, monitoring of metals. 'The High Chaparral Theme' David Dortort, for 'The High Chaparral', the NBC series, 1967-1971.