#darabirnbaum

https://www.brooklynmuseum.org/opencollection/objects/189637

https://www.brooklynmuseum.org/opencollection/objects/189637

https://www.brooklynmuseum.org/opencollection/objects/189637

https://www.brooklynmuseum.org/opencollection/objects/189637

🎉Dara Birnbaum ❤️ Very happy this year to offer a carte blanche to Dara Birnbaum. We look forward to seeing you on 7 May for an exceptional screening session on the issues of contemporary media art practices, with a surprise film in dialogue with Dara Birnbaum's early video pieces. Details will be announced shortly. 📍 Saturday 7 May 2022, 8PM, in Paris at the Louvre auditorium and live online. 🔥 Free entry More info ► https://bit.ly/3Lhlmo0 Images : Dara Birnbaum, “Canon: Taking to the Streets”.

🎉 Carte Blanche to Dara Birnbaum ❤️ An exceptional session in two parts: a surprise film followed by a screening of the unique Dara Birnbaum's early works. Details of this session will be announced shortly. We are so happy for you to join us for this unprecedented programme ! 📍 Saturday 7 May 2022, in Paris and live online. 🔥 Free entry. Image: “Technology/Transformation: Wonder Woman”

🎉Dara Birnbaum ❤️ This year, we are so pleased to offer an exceptional carte blanche to Dara Birnbaum, the unique video pioneer behind the iconic "Technology/Transformation: Wonder Woman". A two-part screening session will be announced shortly. 📍 Saturday 7 May 2022, in Paris and live online. 🔥 Free entry More information ► http://art-action.org/site/en Image: Dara Birnbaum

Press alert! Hot @primaryinfo facsimile, 'Dara Birnbaum: Note(s): Work(ing) Process(es) Re: Concerns (That Take On / Deal With)' was recently reviewed by @lareviewofbooks ⁠ ⁠ #GracieHadland writes: "Dara Birnbaum began making her films and video installation in the early ’70s, performances that linked new media with the body and psychoanalytic concepts of gestalt, regression, identification, and memory. 'Note(s): Work(ing) Process(es) Re: Concerns (That Take On / Deal With),' recently published by the Brooklyn-based arts press Primary Information, is a facsimile of Birnbaum’s notebook from this period, with detailed drawings, installation plans, and notes for projects. The publication has even recreated creases in the paper and notes in the margins that appear in the artist’s original text. Including these idiosyncratic details gives the reader insight into what #AlexKitnick refers to in his introduction as 'an artist in formation, attempting to process a new technology.' But rather than investigating this technology on its own terms, Birnbaum’s early work puts it in conversation with what she knows best, what she begins with: the body, focusing on the physical experience of spectatorship in video and television.…"⁠ ⁠ She concludes: "Much of Birnbaum’s work tapped into qualities of new media that are embedded in the fabric of our social lives today. So much of today’s technology seems to put us in two places at once, declaring that one can do anything from anywhere using digital media. We have access to an immediate live connection to another place, constantly receiving dispatches of peers’ and strangers’ lives through social media. This fractured nature of contemporary life can only lead to the kind of loss and apathy Birnbaum anticipates in her early work. While the circumstances of media have changed, the feeling of loss, the melancholy of embodiment, has not. If you’re looking at your phone, chances are you’re missing something behind you."⁠ ⁠ Read the full review via linkinbio.⁠ ⁠ @darabirnbaum #DaraBirnbaum ⁠#PrimaryInformation⁠ ⁠ https://www.instagram.com/p/CZj3uShlj5i/?utm_medium=tumblr