The opportunity to attend Sacred Bonesā 15thĀ anniversary presented itself pretty quickly. Tickets were released for sale four weeks before the show and I grabbed them right away. I missed out on both Sacred Bonesā 10thĀ shows because of nine months of stay-at-home recovery and now their 15thĀ was a chance to redeem myself.
The build-up was getting heavier as the show drew closer. I had anxiety like never before waiting to attend a New York City show. The 28th came and it started on a dim, greyscale note. Long Island had a string of wet days with Saturday no exception. Rain arrived at the Central Islip station before I had with no telling when itād stop - if it did. Halfway from my home station to Woodside did the storm subside to nothing.
By the time I transferred from the 7 line to the Q39 bus had the clouds open up to welcome in the blinding basking sun and matching sweltering humidity. The Q39 raced, whipped, and turned wide all throughout Sunnyside and ultimately Maspeth to drop me off in a dense neighborhood of hazy, white 75*F temperatures. Iām in the middle of an unfamiliar yet dense neighborhood. I walk a few blocks into a suspiciously silent area of shackled-up factories, closed warehouses, and shipping centers closed for the weekend; all by myself not knowing or worrying about any rogues waiting in the wings to start trouble. I drew closer to the new activity of open businesses, moving vehicles, and the pedestrians walking through the gauntlet to the Knockdown Center.
Nothing that I could ever imagine would conjure up a would-be dream-state that would become a magical reality.
I was in New York City (Queens) associated with preferably some of the best people in attendance. Surreal dreams Iāve always had now become a reality. The way showgoers sat outside the Knockout Center felt like I was on another college campus. People sitting on the floor silently observing Constant Smiles play as the rays peeked through during sundown. A hypnotized crowd witnessing Anika and Spelllingās mesmerizing performances. A super-colorful closing set by Black Marble, and a sit-down lecture about time - at a music festival? Whether Sacred Bones gamed it themselves or by sheer coincidence, this event had some unusual moments that made for a truly unforgettable experience.
The next dayās opening shift was in the back of my mind; more apparent as midnight approached. Regrettably, I leave the Knockdown Center a little earlier than desired and hitched a ride to Woodmereās train home and guarantee six hours of sleep. Iām stunned. Bedazzled. My mind is processing the last five hours of what just happened. Iām organizing and interpreting the swirl of feelings, the sights, the colors, the sounds, the crowd, and the happenstance of everything that unfolded as I wait for the railās arrival. I take a seat facing direction to the Jamaica stop where I had only one minute to race and take the double-decker trainās upper-lever seat for the rest of the way home.
Spring is over. Summer has officially started.
Offset, The: Spectacles: āColourā
Smile, The: āYou Willā¦ā
Black Dresses: āAngel Hairā
Iguana Moonlight: āVā
Antonio Sanchez feat. Nine Inch Nails: āI Think Weāre Past That Nowā
Ritualz: āReintegrationā
Feels Fine: āWashed Out Blueā
Doc Hammer: āCommancheā
Kaputt!: āHighlight!ā
Grimes: āShimigami Eyesā
Muslimgauze: āQomā (edit)
Jade Hairpins: āMary Magazineā
Totally Unicorn: āFilmed Before A Dead Audienceā
Dead When I Found Her: āDry Bedā
Beauty Pill: āAt A Lossā
Kaputt!: āParsonage Squareā
Pink Siifu: āWayans Brothersā
Alchemist: āBroken Bottlesā
Henry Mancini: āMenās Room Rockā
Smirk: āIrrelevant Manā
A Number Of Names: āSharevariā
Daniel Johnston: āIn A Lifetimeā
100 Proof: Aged In Soulā¦
Kae Tempest: āSaltā¦ā