#danbaldwin

THE BIG INTERVIEW … DAN BALDWIN

(Originally published Nov 2014)

BRITISH ARTIST DAN BALDWIN RECENTLY RETURNED FROM HIS STUNNING SOLO SHOW ‘END OF INNOCENCE’ IN NEW YORK CITY…AFTER 101 DIFFERENT INTERVIEWS ABOUT THE SHOW & THE NEW WORK, WE CAUGHT UP WITH HIM TO TALK ABOUT EVERYTHING ELSE…

LTD/EDN… Hey Dan, you are so often described, perhaps incorrectly, as an urban artist.  It doesn’t get anymore urban than NYC, so how the hell was New York? Could you ever live there?

DAN…We had that very conversation out there, could we live here? We thought Yes and No .

If we had a massive loft in the Meatpacking District… Yes!

Although the TV Shows, disclaimers and adverts… that was driving us to a No!  One commercial actually announced ‘If your erection lasts for more than four hours, seek medical advice’ and they invent words like ‘ruggedise’ and ‘dramadies’!

So as long as that loft apartment has no TV, you’ll be fine! Did you get to see any more of the City on this trip, or was it just work, work work? Any favourite spots?

Some good friends flew in from Brighton, and we visited all the usual places… Central Park, Liberty Island, Trump Tower, Dakota Building, Times Square, The MoMA, Soho, Cast Iron District, Ground Zero.

The Meatpacking District was the area we liked the most – round by Chelsea market and the historic High Line. I took photos I’m going to use in my new paintings which I’ve never done before – really interesting architecture, great buildings etc.

As for that Urban Artist tag, I guess I’m not easily labelled.

My paintings can be figurative, abstract, landscape, or non-perspective and they move forwards fast –  I make sculpture and paint pots, I didn’t grow up in an inner city – but I’m not from the countryside either. My work may have urban appeal, and that may link back to my passion towards skateboarding and it’s art and music. I grew up in a very exciting time with music, that has inspired me.

When I started in 1990 (or 1996 if you exclude college) there was no Urban tags, until 2006, I guess art movements or chapters need to be boxed into a category.

Like they did with Pop Art – many of the Pop artists weren’t, like Ed Rusche, who was a young exciting painter making eye catching art at the same time as Rauschenberg – who actually wasn’t POP either, but was dating Jasper Johns, who was quite POP. I guess we all just love to categorise.

Brit’s taking and breaking the US has been a UK obsession in music and art for generations. With your management team PMM at your side are you part of a new British invasion?

Hopefully – who knows – what I loved was the response to my art from such a diverse mix of people – and selling art direct to people walking in from Texas, Canada, Australia, Germany and NYC, that doesn’t happen in my experience as much in London.

Can you tell us a little more about how it works with you and PMM Art Projects?

PMM will oversee all aspects of putting a show on for me – Pat, Roger, Richard will agree dates that work best, Roger will scout out venues across the city, Pat will then agree, then employ PR to maximise on Press, Roger will spread the word ‘like a scud missile’, Richard will deal in sales and clients, the hanging of the show, and email enquiries, Chippy will deal in decal, graphic design , show preview, lists, poster and sign, Marta will help deal in all admin, and take care of logistics; like cars, flights, hotel, crates, shipping etc -​ Pat had 700 posters distributed across NYC, and arranged a dinner for special clients and collectors the night before the opening. We all do our bit, I focus on making the art, then photographing it all, packing ready for crates and shippers,​ and I am there to hang it with Richard and a specialist hanger.

Pat and Roger also oversee any specific projects I may be asked to do, other than a show, like the deal with my recent Paolo Nutini project – If I’m approached by a company for example, I will run it past PMM.

It’s like I have a backbone of support and it all will come together on a show.

Do you pay attention to the American art scene? Feel different to London/UK?  Any current artists out there you like? We heard that Shepard Fairey is a collector…

Not really – I rarely get time for other UK shows. I am aware of a lot of artists​ and try to keep my eyes open, but I’m 6 days a week absorbed in my own work so it’s not so easy.

I went to MoMA NYC just to see if there was a Basquiat, but sadly it was in storage. I was thrilled to see my favourite Rauschenberg again ‘Canyon’, I hadn’t seen that since I was about 19. It’s a mixed media collage on canvas with a eagle stuck to the bottom on wood, with paint and cardboard and as a young artist it made me realise you can do anything in art. I also still get a buzz from seeing Warhol like the huge black red Disaster piece/car crash .

I remember going out to a show in London after my LA show and it was so pretentious compared to LA, which is very much dress down laid back in its vibe. NYC was cool, good people.

Shep isn’t a collector of mine as such, but he has a lot of art – he came to my LA show and requested to meet me, which was great as I saw him there and was like Fuck, its OBEY ! . . Weirdly I had bought myself an Obey print when I first went full time in 2006.

We had a good chat about music mainly and my art and the next day he invited us to his downtown Hollywood studio, which was amazing – he was incredibly generous and gave me 12 prints, and two books, so I pasted some onto a canvas and made a Baldwin on top of some Obeys and one was a Martha Cooper, so it’s a one off Baldwin on some Shepard Fairey Martha cooper prints! I then sent it back to him. (pictured above left).

That meeting was a highlight of our LA trip and years later I had no idea it would link up to PMM via Logan Hicks.

You have a number of other celebrity collectors. If you could collect something from a celebrity what would it be?

I think something from the classic car collection of Jay Leno would be a nice one … I don’t know.

​I do want a 50s American car, a 58 Plymouth Fury, after my top 3 favourite movie Christine,​ or some original Westwood punk gear.

I collected badges as a kid… Now i collect stuff for my art – something from Elvis’s Gracelands, perhaps or a bit of James Dean’s wardrobe, or his conga drums. One of Andy Warhol’s striped t-shirts would be cool or a Basquiat scrap of paper or something from his studio – similarly something from Bacon’s studio. A drum kit from Adam Ant was on my childhood wish list… They gave one away on ”Jim’ll Fix it’.

We covet inanimate objects – is it nostalgia? or sentimentalism? There, I invented a word! Or maybe not. I have a cabinet full of objects we collect. Old children’s dice, a dead Bee, a cats whisker, it’s memory and object – I like nostalgia.

Your Cyclone piece was recently used by Paolo Nutini on his album sleeve artwork – if you could design any album for any band through history what would it be?

Album art used to be so important, I never forget the power Frankie Goes to Hollywood had with their first album, and the symbolism they used, the heart, the bullet, the crucifix, the sperm. It made a big impact on me, as did Adam Ant, but that was more his look and that great logo.

So did Santa bring you anything exciting this year? What was on your list to Santa? Did any goodies cross over with your son’s list?

We escaped the misery of Dads Army, Quality Street, the Two Ronnies repeat from 1978 and you know, all the rest of it and celebrated Rome.

Is finding out that Santa doesn’t exist the real ‘End of Innocence’?  

He doesn’t?

Ha, so enough of Christmas, it’s a New Year…What’s up next?

Thursday (Jan 8th 2015) sees the opening of a new print show alongside Peter Blake at the GX Gallery (www.gxgallery.com/exhibition/fame-promise) I have made 5 new works on paper for it.

I also have a lot of loose ends since NYC, some commissions to do, two charity events coming up, and making new art. I am itching to continue my SUBVERT series and make more bronzes.

There will be a lot going on over the next 12 months, we are also planning to move and relocate the studio. Plus I’m already planning my new show! In my head anyway!

Lastly, talking of your head, one question about the Show…. We noticed a splendid hat, move over Pharrell…Where did you get that hat, where did you get that hat?

Ha, I’m not brave enough for ‘Child of the Jago’, yet, but you know, all in time .. but in NYC it was essential.

​I like the look of some of these www.nickfouquet.com

In the 90’s, or earlier, when England was full of casuals and mullets, if I said then imagine if all the young casuals started to dress like it was the 1940’s – braces, hats, cloth caps, brogue boots, beards you would have laughed – but now it’s  true!

Everything comes round in circles. Look at Duchamp, ​putting an urinal in a gallery in 1917, how ahead of his time was he? Anyway you know the old saying ‘if you want to get ahead, get a hat ‘…1934 that slogan was created.