#crossbones x reader

DOCTOR DOOM (VICTOR VON DOOM)

- Doom does not love lightly. He does not love kindly. But he loves. His iron will bends for no one, yet for you, it has shifted—an anomaly he cannot ignore, a flaw he will not permit. You belong to him; a sovereign claim written in the air between you, in the way his gloved hand tightens around your wrist, never enough to bruise, but enough to remind. When you question him, his voice is measured, calm, edged with the warning of a storm waiting to be summoned. “I am your salvation. You will not defy me.”

- You are the only one permitted to see beneath the mask. The weight of it, the suffering behind it, the ruined flesh that others would recoil from—he allows you to touch what no one else has touched. But your love is not a healing force, not for him. You do not soften him. If anything, you are his indulgence, the one weakness he refuses to cut out. And if you were to leave—no, you will not leave. Doom does not lose. Doom does not allow.

- There are gifts, grander than you could have imagined. Lavish, excessive, proof of his power and his devotion. A kingdom at your feet, riches beyond measure, knowledge beyond human understanding. But a golden cage is still a cage, and Doom’s affection is a thing of iron, of walls that do not crumble. You once thought his love might free you. You understand now—it only reshapes your chains.

- You are his equal in name, never in power. He calls you queen, but he is still the god of his world, the ruler of all. He will never bow to you, but he expects you to bow to him, to stand beside him as he burns the heavens and reshapes the earth. And if you resist—if you dare resist—his fury is not loud, not wild. It is quiet. Devastating. “You forget yourself,” he will whisper, and you will feel the walls closing in.

- He would never kill you. Not even in his deepest rage. But he will remind you of what you are, where you stand, who he is. You are his. Not his prisoner, no—but not quite free, either. And somewhere in the depths of his ruined soul, where he will never let you see, he wonders if you will ever truly love him back the way he loves you. Or if you, too, only see the mask.

BULLSEYE (LESTER)

- You are the only thing he has never missed. The first time he laid eyes on you, he knew—knew the way a bullet knows its target, the way a knife knows flesh. Obsession came naturally. Love? Love was unfamiliar. Messy. He was always precise, always perfect, but with you, he is reckless. Your laugh hits him harder than a sniper’s round. The way you say his name? A wound that never quite heals.

- He is chaos, and you are caught in the storm. His moods shift like a blade flicked between fingers, unpredictably sharp. One moment, he is draped around you like a lazy cat, lips at your throat, whispering filth and affection in the same breath. The next, his grip is too tight, his eyes too wild, his smile wrong, like he’s deciding whether to kiss you or cut you. “You like it,” he tells you, and maybe the worst part is—you do.

- Violence is his love language. Every scar on his body has a story, and sometimes, he gifts you the same. Not in cruelty—never in cruelty—but in something warped, something dark. A knife against your skin, not breaking, just resting, just waiting. A bullet casing dropped in your palm, engraved with your initials. “Got bored on a job,” he says, but you know better. You always do.

- He does not beg. Not for anything, not for anyone. But the one time you tried to leave, the one time you thought you could walk away, you saw something raw in his eyes. Something broken. He didn’t chase. He didn’t drag you back. No—he simply waited, appearing where you least expected, watching, watching, watching. “You’re mine,” he said, not a demand, not a plea—just fact. And when you came back, he only grinned.

- You love him, and it will ruin you. But what a way to fall. What a beautiful, burning, all-consuming thing you have become, in the hands of a man who never misses.

TASKMASTER (TONY MASTERS)

- He knows you better than you know yourself. The way you move, the way you breathe, the slightest shift of your expression—he reads you like muscle memory, like a sequence he’s learned a thousand times over. It should make you feel safe. Instead, it makes you feel watched, dissected, like a puzzle he’s already solved.

- There is no normal with him. One moment, he’s charming, teasing, almost easy to love. The next, he’s cold, distant, slipping into the void of who he is—who he’s been made to be. “I don’t remember everything,” he tells you, voice low, almost bitter. “But I remember you.” And maybe that should be enough. Maybe it isn’t.

- He does not show jealousy, but you know it’s there. You feel it in the sharpness of his grip, in the way his voice drops when another man looks at you too long. He doesn’t act on it. He doesn’t need to. A glance, a smirk, a quiet, lethal warning—you are his, and the world knows it.

- He is not cruel, but he is not kind. His affection is measured, calculated, a thing given when he decides, when it suits him. And yet, there are moments—rare, fleeting—where he lets his guard down, where you see something unguarded in his gaze. You try to hold onto those moments. They always slip through your fingers.

- He would never forget you. Even if the rest of the world fades, even if his own past crumbles into dust, you are written into him. And that is both a comfort and a curse.

VENOM (EDDIE BROCK)

- His love is not singular. It is him. It is the symbiote. A force that wraps around you, claims you, fills every part of your life until you cannot remember what it was like to be alone. And maybe you don’t want to. Maybe you never did.

- He is protective, possessive, primal. The world is a threat, and he is the shield between you and it. No one touches you without consequence. No one looks at you the wrong way without meeting something dark, something hungry. “Ours,” the symbiote purrs, and Eddie only nods.

- He is rough but careful. His hands are big, his strength overwhelming, but with you, he tries. He tries so hard. But sometimes he forgets, sometimes he grips too tight, kisses too hard, loves too fiercely. “Sorry,” he mutters after, and you wonder if he is apologizing to you, or to himself.

- You are his anchor. Without you, he is lost. Without you, the hunger is too loud, the rage too consuming. He would burn the world to keep you, to hold you. And you—God help you—you would let him.

- You will never be free. But maybe freedom is overrated when love feels like this.

CARNAGE (CLETUS KASADY)

- He doesn’t love like a man. He loves like a fire, like a slaughter, like something that was never meant to be gentle. He loves in blood and laughter, in the gleam of a knife, in the way he whispers your name like a hymn before the killing starts.

- You are not a weakness. No, no, no—you are a prize, a conquest, a thing he has decided is his and his alone. “Ain’t nobody touchin’ what’s mine,” he says, and the world listens. The world fears.

- He is chaos incarnate, and you are caught in the spiral. One moment, he’s sweet—almost boyish, playful, crooning about how good you are, how perfect, how he’s never had a reason to be soft before. The next, there’s blood on his hands, and he’s grinning like the devil himself.

- You will never know peace. Not with him. But you will know passion, madness, devotion. You will know what it means to be loved so entirely, so terribly, that nothing else will ever compare.

- And if you ever tried to leave—well. You won’t. Not really. Not for long.

LOKI (LOKI LAUFEYSON)

- Loving Loki is like loving a storm. He is not constant, not safe, not something you can hold onto without feeling the sharp bite of the wind against your skin. One day, his hands are gentle, lips tracing whispered sonnets against your throat, promises woven in silver and silk. The next, he is a tempest—cold, distant, his voice sharp enough to cut. “Did you think you could own me?” he sneers, eyes burning with something unreadable. But he does own you, doesn’t he?

- He loves in illusions. Words spun like spider’s silk, so sweet, so delicate, so convincing that you almost believe them—until they unravel. He tells you that you are the only real thing in his life, that you are the one person he cannot deceive. But then you wake in an empty bed, the scent of him fading, and wonder if he was ever really there at all.

- He is jealous in ways you do not see. Not possessive in the way of mortal men, not in anger or in violence, but in something deeper, something ancient and godly. He does not rage when another looks at you, does not make threats. Instead, he smiles, charming, effortless. And then, days later, your admirer is humiliated, ruined, their life quietly destroyed by misfortune that does not seem like misfortune at all. Loki never admits to it. He doesn’t need to.

- He will test you, always. He will push, he will deceive, he will break your trust just to see if you will forgive him. “If you loved me, you would know,” he tells you, after yet another lie, another disappearance, another game. You wonder if he is trying to prove something to himself, or to you.

- And yet, he always comes back. No matter how far he runs, how many times he swears he is done with love, with weakness, with you—he returns. And every time, you let him. Because you are just as much a part of this game as he is.

GREEN GOBLIN (NORMAN OSBORN)

- His love is a dangerous thing. A poison, slow-working, seeping into your bones before you even realize it. He is charming, confident, the kind of man whose presence fills a room, whose voice makes you feel like you are the most important person in the world. And for a while, maybe you are. Until his moods shift, until his gaze darkens, until the weight of his temper presses against your throat like an invisible hand.

- He is a man of control. Everything in his life is structured, calculated, dominated by his will—including you. You are not a woman, not a person, not a lover. You are a piece of his empire, a treasure that belongs to him alone. If you step out of line, if you disobey, if you dare to question him—oh, how disappointed he is. And Norman’s disappointment is worse than anger.

- There are moments of softness. Moments when he holds you close, when his fingers brush through your hair, when he murmurs that you are the only thing keeping him sane. You believe him. You believe him even when you shouldn’t. Because those moments are rare, and they are beautiful, and you would rather live in the warmth of them than acknowledge the cold that follows.

- You are not afraid of him. At least, that is what you tell yourself. But when his voice lowers, when his eyes gleam with something manic, when the Goblin lurks beneath his skin—you know better. He has never hurt you. He never would. Would he?

- And yet, you stay. Because Norman Osborn does not lose. And you? You are not sure you would survive being without him.

KRAVEN THE HUNTER (SERGEI KRAVINOFF)

- You are his greatest hunt. Not prey, no—never prey—but something just as thrilling, just as dangerous. He looks at you like a predator watching a storm, something wild and untamed, something that he alone has the right to claim. And claim you he does, with hands that grip too tight, kisses that leave bruises, love that feels more like conquest than devotion.

- He loves you fiercely. Too fiercely. It is not gentle, not soft, not something that can be tamed or reasoned with. His love is obsession, possession, a thing that devours. “You are mine,” he tells you, eyes dark, voice thick with an accent that only makes the words more final. “And I will kill any man who dares to think otherwise.” You do not doubt him.

- He is both man and beast. There are nights when he is human—when he speaks of his mother, his honor, the burdens of his bloodline. He tells you that you are his salvation, his reason. But then, there are other nights—nights when the hunter takes over, when his hands are rougher, his words sharper, when he drags you beneath him with all the primal hunger of a lion taking down its mate.

- You run, sometimes. Not away—never away—but just far enough to remind yourself that you can. That you are still your own. But Kraven always finds you. Always. And when he does, there is no punishment, no anger—just satisfaction. “You wanted me to chase you,” he says, smiling. And perhaps, deep down, you did.

- You wonder if he loves you, or if he only loves the hunt. But does it matter? Because no matter how far you try to stray, you will always belong to him.

DOCTOR OCTOPUS (OTTO OCTAVIUS)

- He is not cruel, but he is not kind. He loves you, of course he does—what fool would not?—but love, to Otto, is not a thing of tenderness. It is logic, calculation, the certainty of possession. You are his as much as his machines, his work, his mind. A brilliant, beautiful thing that he has claimed as his own.

- He is a man of ambition, and you are caught in the storm. He speaks of a future where you will stand beside him, where the world will bow, where he will rewrite the laws of science, of nature, of reality itself. He speaks of your place in it, but never as an equal. You are not a scientist, not a genius, not a mind like his. You are something greater—you are his muse, his reason, his beautiful, fragile thing.

- There is jealousy, but it is cold. Otto does not throw tantrums, does not break things in fits of rage—no, his jealousy is quiet. A lingering gaze, a remark too sharp, a conversation steered into dangerous waters. And if someone else dares to look at you, dares to try and steal what is his? Well. Accidents happen.

- He does not like defiance. Not from you. Not from anyone. And when you push, when you try to remind him that you are your own, his temper is not loud but cruel. Words like scalpels, sharp and precise, cutting in ways that cannot be stitched back together. “Ungrateful,” he murmurs, almost amused. “Do you think anyone else could love you as I do?” And the worst part is—you don’t know if they could.

- He adores you. He does. In his own way. And perhaps that is why you stay—because there is something beautiful in being loved by a man who bends the very world to his will. Even if, in the end, he will bend you, too.

SHOCKER (HERMAN SCHULTZ)

- He is not a good man, but he tries for you. He is a criminal, a thief, a man who has never known softness—but for you, he tries. He buys you gifts, leaves you notes in his messy handwriting, does his best to be gentle with hands that were made to break things. “Don’t deserve you,” he mutters sometimes, eyes dark with something unspoken. But he never lets you go.

- He is rough around the edges. Sarcastic, sharp-tongued, impatient. But when you look at him, really look at him, you see the exhaustion, the fear, the quiet desperation of a man who has never had anything good in his life—until you.

- He does not know how to love without holding too tight. He is not cruel, but he is possessive. He cannot lose you. He won’t. And if you try to leave, if you pull away—he doesn’t threaten, doesn’t shout. He just looks at you with something hollow in his chest. “Please,” he says, voice hoarse. And you stay. Because how could you not?

- He is dangerous, but not to you. Never to you.

- And you wonder if that makes you lucky, or just another thing he refuses to let go of.

MYSTERIO (QUENTIN BECK)

- Loving Quentin is like being lost in a dream. A beautiful, haunting dream spun in golden light and smoke, a world where every word he speaks is poetry, where every touch is a promise wrapped in silk. He makes you feel like the center of the universe, like a goddess sculpted from mist and stardust. But dreams are not real, and neither is Quentin.

- He lies, effortlessly, constantly, beautifully. You do not know if he even realizes he is doing it anymore. “You’re the only thing I see clearly,” he tells you, voice thick with something like devotion. But you’ve seen the way his illusions flicker, the way his masks slip just for a second. You do not know if he loves you or the idea of you—the version of you he has created in his mind, the one that exists only in the stories he tells himself.

- You never know what is real. Sometimes, you wake up in the middle of the night, gasping, reaching for him—only to find an empty bed. A trick. A performance. A cruel game played by a man who needs control over every scene in his life. “Did you think I would leave you?” he asks, amused, when you confront him. “You know me better than that.” And you do. That is the problem.

- He is jealous in ways that are terrifying. Not loud, not violent—no, his jealousy is theatrical. He does not scream when another man looks at you. He does not threaten. He simply makes them disappear. Ruins their lives. Turns them into shadows, forgotten faces in a world rewritten by his illusions. You do not know how many times he has done it. You do not ask.

- And yet, you stay. Because when he loves you, when he looks at you with those dark, endless eyes, when he whispers your name like an incantation—you feel like magic. And isn’t that worth the cost?

THE LIZARD (CURT CONNORS)

- Curt loves you in two minds. One of them is gentle, human, the man he was before. He kisses you with careful hands, calls you his brightest light, tells you that you are the only thing keeping him grounded. But the other—the Lizard—does not know how to be gentle. Does not understand softness, does not understand love as anything but possession.

- There are days when he does not remember what he has done. When he wakes up with your bruises under his fingertips, with your fear still thick in the air, and he does not understand why you flinch. “I didn’t mean to,” he whispers, eyes wide, horrified. And you believe him. Because this is not him. Not really.

- You are afraid, but you do not leave. Because when he is Curt, when he is himself, he is everything. Brilliant. Kind. The man who kisses your fingertips and tells you stories of science and discovery, the man who wants to heal the world. But then the scales come back, the hunger in his eyes, the way he grips your wrist too tight. And you wonder—will there come a day when he does not turn back?

- He begs you to stay. Even when he knows he shouldn’t. “I need you,” he tells you, voice breaking. “I need you more than anything.” And maybe you need him too. Maybe that is why you stay.

- But love cannot fix what he has become. And one day, you will have to decide if you can love a man who is not always a man at all.

CROSSBONES (BROCK RUMLOW)

- Brock does not love gently. His love is bruises, rough hands, the sharp edge of a knife pressed against your throat—not to hurt, never to hurt, only to remind you that he could. He is danger made flesh, violence wrapped in a smirk and a scarred mouth that kisses you too hard, too possessively, like he is afraid you will disappear if he does not leave his mark.

- He is a man of war, and you are his greatest prize. Not a woman. Not a lover. A thing he has taken, claimed, wrapped in his arms and his rage. “You’re mine,” he growls, lips against your skin, voice thick with something darker than devotion. And you know he means it. In the way that means no one else ever can have you.

- He does not understand softness. Not really. But he tries. You see it in the way he pulls you close in the dead of night, in the way he buys you gifts—things he does not know how to give properly, shoved into your hands with a scowl. “Take it,” he mutters, looking away, as if the act of giving is something he is ashamed of.

- He is jealous in a way that leaves scars. Not on you. Never on you. But you have seen what he does to the ones who look too long, who think they can touch what is his. “You don’t need to know,” he tells you, when you ask what happened to them. And maybe you don’t.

- And yet, you love him. Love the way he makes you feel untouchable, love the way he looks at you like you are the only thing keeping him tethered to this world. But love is not enough to save a man like Brock Rumlow. And you do not know if it will be enough to save you.

ZEMO (HELMUT ZEMO)

- Helmut Zemo loves like a king loves his queen. Regal. Absolute. The kind of love that does not ask, does not plead—it commands. He does not need to raise his voice, does not need to threaten, does not need to demand. He simply looks at you, and you know. You are his. You always will be.

- He is not cruel, but he is not kind. He does not hurt you, but he does not comfort you either. If you cry, he does not hold you. If you are afraid, he does not reassure you. “Do not be weak,” he tells you, voice cold. “You are better than that.” And so you learn not to be weak. You learn to be strong. Because that is what he wants.

- He does not trust easily, but he trusts you. And that, perhaps, is the most dangerous thing of all. Because to be trusted by Zemo is to be owned by him, to be a part of his world in a way that cannot be undone. “You are the only one who sees me,” he murmurs, fingers tracing your jaw. And you wonder if that is a gift or a curse.

- He is possessive in a way that does not need words. There are no threats, no punishments, no rules spoken aloud. But you know, without question, that you are his. And if you ever forgot—well, Zemo has a way of making sure you remember.

- And you love him. Because how could you not? How could you not love a man who holds the world in his hands and still chooses to hold you?

MUSE (UNKNOWN NAME)

- Loving Muse is like loving madness itself. He does not speak often, does not whisper sweet nothings, does not fill the silence with promises. He only watches, eyes dark and empty, head tilted in quiet fascination. You do not know if he loves you, or if he simply finds you… interesting.

- He paints you. Again and again. In blood, in ink, in shadows cast against moonlit walls. Sometimes, you wake to find your face scrawled across canvases you do not remember posing for, your likeness stretched and twisted into something almost inhuman. “Beautiful,” he murmurs, fingers stained red, gazing at his work as though it is the only thing that exists. As though you are the only thing that exists.

- You are never afraid. Or perhaps, you have simply learned not to be. You have learned that fear does not matter. That love, to Muse, is not about touch or words—it is about obsession. About the way his hands shake when you are not near. About the way he does not kill when you tell him not to, even though you know he wants to.

- He is not jealous. But he is possessive. He does not threaten those who look at you. He does not hurt them. He simply… removes them. And when you ask, when you demand to know why, he only blinks. “They did not belong,” he says. And somehow, that is enough.

But what had happened mattered very little in comparison to your present predicament. You could catalog injuries once you were definitely safe. It didn’t take long for you to decide that your current location wasn’t that. Straining your ears, you heard nothing. No hum of electricity. No faint whir of a security camera. No chattering from anyone keeping guard. Eerie, you thought, until you decided to stand up…

…and found your arms clamped tightly to a couple of armrests. You had not realized that you were sitting down in an actual chair until you were unable to lift your wrists. Try as you might, no matter what angle you used, the restraints wouldn’t budge. Your ankles were in a similar state. Gritting your teeth, you mentally prepared to dislocate the bones. Nothing you hadn’t done before, but never a pleasant prospect. On the count of three. Three…two–

“Good morning,” came a deep voice from another corner of the room, “sweetheart.”

The sudden appearance of someone in your cell was not what caused you to freeze. No, you only stopped your attempts to get loose because you recognized the voice. You squinted into the dark. Still you could hear no breathing, see nothing further than the pitch black two inches from your nose. But then again, this man should have been a ghost.

“Brock?” you asked, voice raspy. Sounded (and felt) like you’d been smacked in the trachea, too.

A rumble of laughter answered you, but no footsteps. “I don’t go by that name anymore. But it’s good to hear you haven’t forgotten me entirely. Thought you might have, the way you’ve been treating me.”

Those three sentences were all it took to force the shock out of your system and flood it instead with frustration and anger. You clenched your fists into useless balls, rattling your cuffs as you did.

“I haven’t been treating you any way,” you said. “Not since INSIGHT. Not since Hydra.”

You glared in the direction from which Brock’s voice had issued, but still you could see no sign of him. Wherever you were, there were no windows. He had to be there, though; you hadn’t heard him move away or out. Sure enough, when he spoke again, he sounded close by:

“Don’t pretend that you leaving had anything to do with either of those.”

“Oh yeah? And why else would I leave you? Because you’re such a wonderful person, I’d be a fool not to stay?”

This time, the silence that stretched out after your final question lasted long enough for you to start wondering if Brock really was in there with you. He always did know how to stay silent and still–a boon working as the head of STRIKE–but even he had to shift sometimes, even he had to breathe. Maybe he had an intercom rigged up. You tried to hold your breath to listen for him again to no avail. Then you did hear a breath, a long, rattling almost laugh.

“Oh, I don’t know.” A click sounded just before the room was flooded with light. Your eyes snapped shut to avoid the pain that surged through your already throbbing head for what little good that did. “How about this?”

It took you a few seconds to force your eyelids back open. Sure enough, your left would hardly move. Through what remained of your field of vision, you could not see much through the sudden haze of light–not much outside of a dark shape in the corner of the huge room, that was. You blinked, and the figure came into focus: a dark-haired man sitting against a wall of security deposit boxes, and wearing thick, dark armor. As soon as your gaze reached his face, Brock grinned.

“Normally I wear the mask.” He stood, gesturing to a helmet sitting by his feet. It, too, was black, but with a skull blasted across its face in white paint. Then Brock kicked the mask to the side and strode purposely over to where you were clamped to the chair. “But I don’t need to wear it for you. No secrets between us, [Name]. Isn’t that right?”

Up close, you could see his features better even through your damaged eye. However you looked, you definitely looked better than Brock. His face was a twisted mass of reddened flesh. As you took his new appearance in, he drew closer, leering down at you. You shrank away, but all this did was make him chuckle.

“I thought so. Couldn’t stand to be with someone so ugly, could you?”

You swallowed thickly. “I didn’t see that before I left.”

Brock laughed again. “You’re a damn shitty liar. Always have been. You think I didn’t know? You think I was deaf and dumb under all those bandages? You think I had any delusions that my girl would stay by my side after Captain America demolished a building on top of my fucking face?!”

His voice rose in volume and intensity, and with each sentence, he thrust himself further into your personal space. You made yourself stay in place, though your heaving chest betrayed your fears.

“I left because you were working with Hydra, Brock,” you said, willing your voice to stay even. “Because I don’t want to be with a terrorist–”

“Terrorist!” he shouted, and for one blessed moment he stepped away from you. Unfortunately, he was soon back and closer than ever, his nose practically pressed to your own. “I’m a mercenary, sweetheart. I work for the highest bidder, and don’t you go pretending you’re not just the same as me.”

“I’m not like you. I don’t work for Hydra. I don’t work for SHIELD anymore either. I’m doing real work, good work, with the–”

“With the Avengers. Yeah. I heard.”

Despite his claims to have already known about your present employment, Brock appeared put off by the news. He turned away from you, pressed his hand to his mouth, and shook his head. You took advantage of his distraction to again attempt to get at least one hand out of your shackles. Too bad they seemed to be made for someone much, much stronger than you.

And then Brock was back, smiling so widely that his eyes turned to half-moons inside their scarred lids.

“I was good to you, wasn’t I? Brought you flowers, like a good boyfriend. Took you out for dinner. Walked you home from work, cuddled with you at night, bought your goddamn tampons! And what did it get me? What good did any of that do?”

To that you had no proper response. All you could do was stare, captivity momentarily forgotten in the light of the dawning realization that your ex-boyfriend had gone completely insane. Yes, Brock had done all of those things for you, for years. You had been happy with him for all those years. You had thought you’d been lucky to be with the guy that headed STRIKE, one of SHIELD’S golden boys, the most handsome man in the whole organization. All the same:

“I don’t date Nazis,” you snarled.

“Is that what you think I was? A Nazi?” Brock shook his head, but then seemed to drop the subject, his mind wandering as his dark eyes traveled up above your head. “Never let the higher ups take you in, either. Wasn’t like they didn’t want to. Good enough to be an Avenger, Agent [L Name]. Could’ve had you conditioned by someone who knew what they were doing, and we would have never been in this mess.”

“What mess?” you asked, if only to keep Brock talking. A little further, and you thought you might have a chance of dislocating your wrist just enough to slip out of Brock’s restraints.

Brock said nothing.

“Brock,” you said once more, “what mess?”

He seemed to only then remember you were there. His eyes drew slowly down until he was staring right into yours, seemingly oblivious to your desire to get free. “

Tell me you still love me, [Name],” he said, sounding almost normal.

“Excuse me?”

“Tell me you still love me,” he repeated. “Tell me you still love me, and none of this has to happen.”

“None of what has to happen?”

“Just tell me that you’ll take me back! The rest of it doesn’t matter. Just tell me that you still love me!”

You mustered all of your energy, looked Brock dead in the eye, and spat in his disgusting face. He froze.

“The man I fell in love with was just that–a man.,” you said breathlessly. “What are you? Some burnt shell, that’s all that left. Not even enough courage to take me on face to face. You’re pathe–”

One thickly gloved hand shot out viper-fast and put your jaw in a vice grip. Brock’s lips pulled back into a snarl that gave way to another laugh that raised the hairs on the back of your neck.

“Careful, [Name]. I brought you here to kill you. Don’t make my job too easy.” He winked, a gesture that you did not return. His smile faded as his fingers gripped your chin even tighter. “Either you’re leaving here mine, or you ain’t leaving here at all.”

“And what is that supposed to mean? You’ve been babbling since you got me here. Tell me what your plan is, if you’re so proud of it.”

He considered you for a long moment–too long. Your jaw ached; you could feel his fingers pressing bruises into your skin. At last, he released you, then gestured up to where he had been looking only a few minutes before.

“You’re sittin’ in a real special chair, darling,” he said as your own eyes traveled upward.

Your heart gave a great thud as you realized exactly where you were. You’d seen the Winter Soldier’s files, and unless you could get out of there, you were screwed.

“Brock–”

“See, this here bank’s a front for Hydra,” Brock went on as though he couldn’t hear you. Who knew? He was far gone enough that maybe he couldn’t. “But they dropped it like a hot potato after Rogers fucked over Project INSIGHT. Once upon a time, they used to strap Cap’s old war buddy into this and fry the living daylights out of his skull. Only saw it done a few times myself, but how hard could it be?”

“You wouldn’t.”

His new, predatory smile returned. “Wouldn’t I? How do you know I haven’t already done it? That’s what this setup is for, after all. Memory loss. And I want you back pretty damn bad.”

He had a good point. Your head definitely felt like it had been put through the ringer–but unless a lot more time had passed than your body could account for, you still had all your memories. In fact, you had enough memories to know that you weren’t about to beg this man for your life.

“You’re not going to get away with this,” you said in as dangerous a voice as you could muster.

Brock ignored you, walking over to where a very obvious lever had been installed near your chair. Before you could say anything more, he pulled it, and your chair–Bucky’s chair–shifted slowly backwards. The mechanism above your head jolted to life, then drifted down toward your head. Only then did Brock answer you:

“Who’s gonna come for you? SHIELD? Don’t make me laugh. They know about us. They’ll think you were in on it all along. A Nazi terrorist, just like you said. Always spouting the company line. And the Avengers?” Here he did laugh. “Think they got better things to care about than where you slipped off to in the middle of the night. Never got in the habit of staying in one place too long, did you?”

He was right. He was right, and what was worse, begging was beginning to seem a better and better option the longer the whirring in the chair went on. You rattled your wrists, rattled your ankles, arched your back to strain with all your strength against your bonds, but nothing moved or loosened. Of course it didn’t. This machine was built for a super soldier. What were you compared to Bucky Barnes?

Brock Rumlow’s haunting laugh started up again in nearby. His hand reached out to press your shoulder back hard against the backrest.

“Don’t worry so much, [Name],” he said. “I might not have the finesse to pick and choose what you forget, but it’ll all be over soon either way. When you wake up, we’ll either be back together or–well, you’ll believe that we are when I tell you. I’ve got big plans for us. Real big plans.”

You opened your mouth to retort. How, you didn’t really know–but any possibility of a retort vanished the very next second. All that came out of your lips was a scream as the surge of electricity from HYDRA’s brainwashing device slammed into your head. You opened your mouth again, and let out another scream. Brock chuckled one last time before he gave your shoulder a final squeeze.

Brock sometimes got this look in his eyes that let you know exactly what he was thinking. Usually, it was an annoyed expression he’d toss over the shoulder of whoever he was talking to so you’d see it and know how stupid they were being. Occasionally, it was something like worry whenever a mission had been particularly rough; during those times, you always made sure you sat as close as possible to him so that the warm press of your thigh against his helped reassure him that you were fine. Most rare of all were the times when he would look at you with unbridled lust after one of you did something he found particularly arousing. 

It surprised you a little when you looked up from Rollins’ sprawled out body to see your commander/boyfriend giving you that look. You knew that he liked it rough, liked that you could throw your own weight around in a fight, but he usually didn’t show it from a simple sparring match. A pleased smirk crawled its way onto your face. Apparently, the sight of you throwing around a man as large as Jack scratched that particular itch for him.

“You gonna help me up or not?” Jack’s voice pulled your attention back to him.

You snickered. “I didn’t bang you up that bad. Get your own damn self up.”

Grunting, he hauled himself up so he was sitting, an arm lazily slung across his propped-up knee. “Thought you were supposed to be the good sport of the team?”

“Stop your whining, Jack,” it was Brock that spoke up from where he was suddenly standing at the edge of the mats. “Other people need to use this space, so get your ass up.”

“Yes, boss,” he grumbled.

“Go hit the showers.”

As your teammate limped away, you found that your eyes wouldn’t leave your boyfriend’s face. “So, ready to get your ass handed to you, sir?”

“Not this time.” 

Before you could formulate an appropriate response, Brock’s hand was already around the back of your neck to guide you into a searing kiss. You quickly regained your senses from where they were threatening to get lost in him and pulled back enough to mutter, “Maybe we should take this somewhere else? People are watching.”

“My quarters. Scoot.”

You manage a smile and shake his hand, but before you can pull away he presses your hand to his lips. "Pleasure to meet you, ma'am." He allows you to take your hand back, but you're already blushing.

"Nice to meet you too, Steve." You have to remind yourself to breath, you can't believe Captain freakin' America is sitting shot gun right next to you, Steve freakin' Rogers kissed your hand!

"So we're goin' with Steve?" He smiles. "I like that, it's a lot better than being called Capsicle all day.." Your eyes meet and you both laugh shyly.

He's even more gorgeous in person. You think to yourself, trying not to stare. He's blushing! Well...everyone does say he can be shy. You glance at him again, and catch him staring at you. He blushes a deep red and takes advantage of the approaching men for a distraction.

"Looks like the team is here." He says.

The guys pile into the SUV, Rumlow being the last in. You swear he almost glares at Steve as he walks by the SUV. He takes the very back seat and looks out his window, not even glancing at you.

It's a long drive, but you and Steve manage to spend a lot of it talking, you almost forget about your music until one of the guys asks if you can turn the radio on.

"Y'all like Def Leppard?" You ask. The guys seem to light up, so you turn on the music. Pour Some Sugar On Me is the first to come on.

It's not long before Steve's cheeks are red listening to the lyrics, while the guys, all except Rumlow, are singing along at the top of their lungs.

One of the guys reaches forward and nudges your shoulder a little. "Come on! Sing with us!" He urges.

All the guys laugh and you smile, before you start singing along with them and drumming the steering wheel as you drive. You check the rear view mirror as you come to a red light, and catch Rumlow watching you and chuckling. You turn the music up louder and dance along with the music trying to get him to sing along with the rest of you. He shakes his head, smiling, so you nod yours, making him laugh again.

When the next song comes on you recognize it immediately, you break your gaze from Rumlow to look at Steve apologetically. You know he's going to be really embarrassed, but the other guys are excited and start fist pumping for you to let the song play. The music is loud enough, so you're not self conscious about being the only one singing along this time.

You look at Steve, and he couldn't be more red.

Rumlow's POV:

I watch her sing along to Def Leppard with the guys, I had been upset that Cap was the one to ride passenger. He got to sit next to her, where I wanted to sit. Where I should be right now instead of this backseat. Especially when I know she's a huge fan of his.

We lock eyes, and she smiles at me. I can't help but smile back. When she starts urging me to sing along with them I start laughing and shaking my head, but it only makes her smile wider and nod hers. I bite my bottom lip to try and keep from smiling more, but the new song coming on pulls her attention from me.

I don't recognize the song, but the lyrics are interesting to say the least. I raise a brow, She has very provocative taste in music.. I smile to myself, then bite my cheek. Why does that turn me on? I shake my head and look up to see her giving Cap an apologetic look, knowing he won't know what to do with the dirty lyrics. The guys all fist pump, two of which are actually hitting the roof of the SUV, along with the music. But she's the only one singing along, she knows all the words. She glances back at Cap, and earns a few chuckles from him as she makes an attempt to dance in her seat.

I know she's trying to make him feel more comfortable .. But I don't like how he's looking at her. He can't take his eyes off her. Neither can you. I remind myself.

I shake my head and bite my lip again, holding back a smile as I look out my window. Am I actually jealous?... My brows furrow and I lean my forehead against the cold glass of the window, closing my eyes.

(Not my GIF)