#criticaldebate

2) what would happen if the autonomous communities were not listened to by the government?

The critique of article written by ELIF BATUMAN "On the set of "Magificent Century," a soap opera that depicts intrigues at the court of Suleyman he Magnificent. "Maginificent Century," a soap opera set in the court of Sultan Suleyman the Magnificen, has been breaking Turkish television records since its premiere. Suleyman was known as a Lawmaker and he was renowned for his innovative legal code. He expanded the Ottoman Empired from Transulvania to the Persian Gulf. The plot of "Magnificent Century" focusses more on the life of the harem, and intrigues among Suleyman's wife, concubines, mother, sisters, children, and viziers. It's quite interesting looking behind the scenes through Elif Bautman's eyes as he draws similarities with the characters and the real life events that occurs in their life. Batuman also talks about the relationship between "Magnificent Century" and the Turkish audience and how the show has become a household name and how the show has become a talking point among the Turkish society and the rest of the world. Batuman also reveals how "Magnificent Centruy" has run deep within the consumerist society and how it's become a huge franchise amongst the Turkish social trend called "Ottomanania" themed in trends from the food industry to; home care, weddings, Ottoman Callifraohy, flight attendant uniforms to even graduation gowns. Batuman also talks about the protests against the show by Prime minister Prime minister Recep Tayyip which led to civil unrest and resulted casualties, deaths and detainees. Elif Batuman shows great awarenes of Turkish history from political stand points to religious ones too, In relation to how the show depicted the history of Suleyman and the society's reaction the alleged faux reperesentation of an important part of Turkish history. He talks about the displeasurement of Islamic community and how they gathered and marched to the television station to protest against the way Suleyman was depicted in the show, which played a part in the discontinuation of the television programme. Other stance against the show includes exclusion "Maginificent Century" from the in-flight programming by the Turkish airlines. Elif Batuman also illustrates the history between the producers of "Maginificent Century" Yagmur and Durul Taylan and how they have ventured from different T.V ideas before striking gold with "Maginificent Century." He also looks at the life of the actress behind the character Roxelana and how her German origin brought a unique dynamic to the show which brought welcoming applaude from the Turkish audience, they absolutely loved her attitude on screen including her innability to fluently speak in Turkish and her bright red hair. Batuman also reflects on the struggles of the star behind the scenes and how she had to work twice as hard in order to learn the lines of a different language. Batuman also neatly records her pregnancy and her swift exit from the show, even down to the cosmestic details of her predecessor and how it fitted with the time and dynamics of "Magnificent Century" He also talks of Roxelena made a huge impact within reception of the audience and how she was sorely missed from the show because certain nuances of her charcter and inability to speak proper Turkish was well recieved and her shoes weren't quite filled by the new Roxelena. I enjoyed reading the article because Elif Batuman covers a wide sprectum from looking at the show from behind the scenes with a magnifying glass illustrating the depiction of these characters and peoples protest against the depiction far and wide beyong the Turkish television. He looks at the life of the producers and theur stuggle in the television industry and the life of characters after the show.