I truly hate the entire concept of “Death of the Author” as it exists in modern fandom culture. Not as a literary theory in its original academic sense, but as this flattened, weaponized slogan that people use to shut down creators and insulate their own head canons from criticism. What started as a critical framework has turned into a moral ideology, and that’s where it becomes nonsense.

Roland Barthes wasn’t writing about fandom spaces, social media discourse, or franchise storytelling. He wasn’t talking about shared universes, canon hierarchies, or collaborative media ecosystems. He was talking about literary interpretation in an academic context. But fandom took that idea and turned it into a blunt instrument: creators don’t matter, intent doesn’t matter, and the only thing that matters is how I feel about the text. That’s not interpretation... that’s entitlement.

The companion idea that “creators shouldn’t interact with fandoms” is even more artificial. This isn’t some historical norm we’ve broken. Creators have always interacted with audiences. Shakespeare did. Dickens did. Comic creators did. Science Fiction writers did. Letters pages, conventions, interviews, fan clubs, serialized fiction, public readings — none of this is new. What’s new is the idea that creator presence is somehow intrusive, as if the people who made the work are trespassing on a space they supposedly don’t belong in.

Creators do have authority over their creations. Not total authority over interpretation or emotional response, but authority over canon, intent, structure, and design. Those aren’t imaginary concepts. They’re part of how art is built. If a creator explains what a character was meant to represent, how a story was constructed, or what a theme was designed to explore, that’s not “invalidating interpretation.” That’s explaining authorship.

You can still feel something different about the work. You can still have personal meaning. You can still connect to it in your own way. But that doesn’t erase the framework it was created within. If Greg Weisman says Demona was written as X and not Y, that isn’t him “policing interpretation.” That’s him explaining authorial construction. You’re free to respond to Demona however you want emotionally, but the architecture of the character didn’t come from fandom. It came from the writers’ room.

And sometimes, yeah, people’s headcanons are lame. Sometimes they’re shallow. Sometimes they’re pure projection. Sometimes they flatten complex characters into comfort characters, self-inserts, or aesthetic avatars. Fandom culture increasingly treats personal interpretation as sacred identity instead of subjective engagement with a text.

What’s especially funny is how selective “Death of the Author” actually is. The author is only dead when they disagree with you. When a creator supports someone’s interpretation, suddenly their word matters again. Suddenly intent matters again. Suddenly authority is real again.

Tolkien is a perfect counterexample to all of this. Not only did he believe in authorial intent, he actively engaged with his audience through letters, essays, and detailed explanations of Middle-earth, its languages, its metaphysics, and its moral structure. The Letters of J.R.R. Tolkien are literally an archive of creator interaction with fandom and readers. He clarified meanings. He corrected interpretations. He explained symbolism. He rejected readings he felt were wrong. And somehow Middle-earth still survived. The books weren’t destroyed. The fandom didn’t collapse. The art didn’t lose its power. If anything, it deepened the mythology and the understanding of it.

No one accuses Tolkien of “violating Death of the Author.” No one says he should’ve stayed silent and let people misunderstand his work forever. Because we instinctively understand that creators explaining their creations is not an attack on art. It’s part of the artistic process.

The real issue isn’t interpretation versus authorship. It’s sovereignty. A lot of people don’t want interpretation. They want ownership without authorship. They want their reading to be unchallengeable, their version to be untouchable, and their headcanon to exist in a vacuum where no creator, no text, and no structure can contradict it.

Art doesn’t work that way.

Interpretation matters. Personal meaning matters. Emotional connection matters. But they exist alongside authorship, not above it. Meaning doesn’t come from nowhere. Stories are built by people, shaped by intent, structure, craft, and design. Pretending creators are irrelevant to that process isn’t progressive or enlightened.

“Death of the Author” as a critical lens can be useful. As fandom doctrine, it’s incoherent. It turns art into pure projection and creators into inconveniences. And honestly, it says more about fandom insecurity than it does about the art that inspired it.