#contructivism

Soviet Design

From Contructivism to Modernism 1920-1980

Kristina Krasnyanskaya and Alexander Semenov. With forewords by Elizaveta Likhacheva and Christina Lodder

Scheidegger & Spies,  Zürich 2020, 448 pages, 257 color and 171 b/w illustrations,  ISBN 978-3-85881-846-1                                                                 In cooperation with Heritage International Art Gallery, Moscow

euro 77,00

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The Soviet Union left behind a vast design heritage that is largely unknown in the West. Unlike Soviet-era architecture and graphic design, interior design from this period has not been thoroughly investigated. For the first time, this book offers a comprehensive survey of Soviet interior design from constructivism and the revolutionary avant-garde to late modernism. Based on extensive research and drawing on archives that were inaccessible until recently, Kristina Krasnyanskaya and Alexander Semenov document seven decades of interior design in the Soviet Union. They demonstrate that, while often discredited as monotonous, the work of designers, architects, and manufacturers behind the Iron Curtain, in fact, comprises a remarkable variety of original styles. The 1920s were marked by bold exploration and experimentation at state-run art and technical school Vkhutemas and by overlapping movements such as constructivism, rationalism, and suprematism. The 1930s brought Soviet art deco and Stalinist Empire style, which produced some of the Soviet Union’s most iconic buildings. In the late 1950s, after Stalin’s death, modernism emerged with functionalist furniture mass-produced to fit small apartments in housing developments. The 1960s marked the Golden Age of Soviet interior design, while most of the visionary work of a new generation of designers in the 1970s remained unrealized.  With some four-hundred illustrations and a wealth of previously unpublished material, Soviet Design will become the definitive reference on the subject.

17/04/20

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The Russian Revolution - Walter Rodney

Konstantin Melnikov, Gosplan Garage, Moscow, Russia, 1934-1936 VS Claude Nicolas Ledoux, Projet de cimetière de la cité idéale de Chaux, 1804

Turbine No. 3. 1927. Stenberg Brothers.

28 3/8 x 42 1/4 in./72 x 107.2 cm