The Birth of Venus, (detail), (c. 1485) by Sandro Botticelli (Italian, c. 1445 – 1510), tempera on canvas, 172.5 cm (67.9 in) x 278.5 cm (109.6 in), Uffizi Gallery, Florence

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The Birth of Venus, (detail), (c. 1485) by Sandro Botticelli (Italian, c. 1445 – 1510), tempera on canvas, 172.5 cm (67.9 in) x 278.5 cm (109.6 in), Uffizi Gallery, Florence

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Charcoal and gravity. Canova's male nude leans. Not resting - just refusing to fall. Antonio Canova is remembered for marble, but he was a draftsman first and always. His "Study of male nude leaning on plinth" shows pure académie discipline: a model holding a pose, one hand braced on his hip, weight planted on the forward leg, every tendon accounted for. The dark mass of the plinth presses in from the right like a wall of shadow the figure hasn't quite stepped away from. This already feels like sculpture rendered in dust. Canova builds volume not through outline but through tonal pressure - the shoulder catches the light and nearly dissolves into the bare paper, while the legs emerge from deep, worked strokes. The paper itself is warm, unprimed, its edges torn and raw. A red collector's stamp at the lower left is the only color on the entire sheet. The private labor behind the polished stone. The part most people never see. Quelle: meisterdrucke.com
Dieter's Art Studio; Contrapposto
Contrapposto (Italian for "counterpoise") is a human posture technique in art where a standing figure rests most weight on one leg, creating an asymmetrical, "S"-shaped curve in the torso. This pose, originating in early 5th-century BCE Greek sculpture, creates a relaxed, lifelike, and dynamic appearance by tilting the shoulders and hips in opposite directions. Here on Tumblr we refer to it as the "slutty knee syndrome". It is a hallmark of Classical art, was revived during the Renaissance (e.g., Michelangelo’s David), and continues to be used in painting and photography.
eucanthos
Medusa’s exquisite corps mutilation 2 & 3
Nicolaes de Bruyn, Fantastic Aquatic Animals, Including a Seahorse, 17th c
Muscles of the Foot and Hand -Hydropathic Encyclopedia 1857
Max Baur Marguerite and grass, 1930s [daisy]
Anonymous body parts

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Hello hello, I'm a big fan of your art. Um, I was wondering, if it's okay to ask, where do you look to for poses to use in your art? I struggle sometimes to come up with or find poses I like, and was wondering if there's any resources you use for that kind of thing? (Hopefully that all makes sense)
i feel like i differ from a lot of artists i know irl bc they all use pinterest to look for pose reference, i personally kinda just fiddle around until a pose looks nice and only seek out reference if im having trouble nailing down the pose im trying to draw
since getting back into art school, i do like 6 hours of life drawing every week and its done a lot to help me formulate poses in my head! cannot overstate how vital life drawing is if you wanna get better at depicting the human figure in various poses, you start to become so intimately familiar with how our bodies and bend and squash and fold in different positions
i feel like the only little tip i have here is, if you're drawing a pose and something about it feels off, consider "contrapposto", which is a term used to describe the balance of weight in a figure. usually one leg will be bearing a bit more weight than the other, and the hips and torso will never be completely parallel to each other. this image kinda showcases what im talking about.
one side of the body will stretch while other squashes, and having a stretch and squash between the torso and hips usually makes for a more interesting pose, and creating an interesting rhythm between the head angle and the torso and hips can help make a pose more appealing. this is not a hard rule of course, just things that automatically run through my mind out of habit now.
here are some midna sketches i made the other day while procrastinating on assignments lol. i drew these poses without referece, they arent like super elaborate or anything but i feel like theyre pretty charming at least
THIS ISNT A VERY GOOD EXPLANATION OF THIS CONCEPT IM SORRY but basically: draw from life, study the human figure an excessive amount and you will start to grasp things pretty well !!
Low-key wanted to buy this doll and the one behind it