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((Saw this comment on my fic (linked here) and went to reply then realised it was such a MASSIVE response so I wanted to make it its own post.))
"I think you did well with the request! Reader must be wicked smart to get through med school and be an attending..wonder what Robby would think of usđ§"
Comment by @the-ultimate-librarian on âItâs a Process || Jack Abbotâ
Ya know.. that comment made think.. and (if I were to add to this fic) I'm like pretty sure Robby might not get along with the Reader/(Y/n)... like it is going to be a whole Al-Hashimi sort of situation all over again.
I feel like Robby looks at reader and is intimidated/dislikes them because this is a young capable attending and he can't help but feel annoyed/pissed off at them because maybe a part of him recognizes that if he was better off (emotionally speaking) that he might be handling the ED as well a way that Reader is. At least from his point of view anyway, because he thinks the reader is doing it SO WELL; fully not knowing that Reader had break down in the call room like... 3months in into joining the Pitt and getting the job.
This never appeared in this specific fic, but I always had in mind that reader came into this hospital also three months ago (from the present time of the fic), and was given the option to be an attending in it.
Reader is simply isn't in the other hospital because of budget cuts and that hospital shutting down cause they couldnât keep the doors open, and either prior to the shutdown or around the shutdown time he was basically snatched by the PTMC with the promise to continue being an attending there.
So, that is to say, this is more of a Al-Hashimi sort of situation than anything. "A capable doctor that is serving well as an attending coming from a different hospital?" Thereis no way Robby wouldn't make that comparison as well.
Alternatively; If I am going to write a bit more adjusted Robby than what is depicted in canon than he will still be intimidated by Reader, and impressed, but like a whole LOT OF intimidated; think his reaction to Joy in season two. With at least SOME level of insecurity that Reader is going to snatch up his job as a chief attending, But not to the point of him actively snapping at them or doing anything about it. Itâs very internal rather than an external reaction. (Only if Robby was more adjusted though.)
--
honestly, I wrote so much that yall can think of as a light addtion/continuation of that main fic.
@brewingcoffi I'll get to the second part of your comment later, that one feels more like a full piece plus another mini comic so it'll definitely take some time.
Quartermaster and Ford are talking about the multiverse and their experiences with the unnatural. Both are most certainly leaving out big pieces of personal information while doing so.
Stan is weary about Harrison due to his likeness to Bill Cipher, but not outright hostile. He is also a lot more subtle than the rest of his family about his mistrust when actually interacting with Harrison. (Harrison can't hear what they're saying in this btw)
I'll have to draw a "first meeting" thing later, gotta decide if I want to do one big one or a few separate ones that focus more on each character.
The way I'm doing this au so far is just bits and pieces all over the timeline. I might do a full linear comic at some later point in time but this is a lot more fun haha (gotta chase the happy chemicals)
Speaking of timelines, this au takes place in the first summer of Camp Camp (so no season 5) and a year after Gravity Falls so Dipper and Mabel are 13, almost 14. The Pines probably come in sometime after season one of Camp Camp? I need to rewatch both shows and take notes to be sure on the exact timeline.
Oh, also my friend wanted me to mention that I draw all my things on my phone? And that I sometimes draw on my laptop with a mouse on Animal Jam (haven't posted any of that on here tho). They think it's insane that I do that and that I only somewhat recently switched to using a pen instead of my finger. It is a lot easier and quicker with a pen tbh
Anyways, feel free to comment or use the ask box! Not everything will result in an art response but I'm always happy to talk more about this silly little crossover :]
tommy takes care of joel as best he can, and you try and make a break for it.
a/n: yâall I am having way too much fun writing this story. part 7 earlier than planned, and tbh Iâll probably post part 8 tomorrow if I can. the inspo is REAL and thank you all for the comments and reblogs and messages and general love and support - you have no idea how happy it makes me!! đ€
word count: 4.6k
warnings: MY BLOG IS 18+, MINORS DNI, angst, canon-typical violence and injuries, death, blood, near-death experiences, questionable decisions on the militaryâs part
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Tommy watches his brother fall apart.
Itâs one thing after another, and he canât blame Joel. The worldâs ending; everything else is falling apart, it only makes sense that he would too. But still, it hurts. Watching his big brother â the only constant in his life for as long as he can remember â break down, it makes Tommy hurt in a way he canât fully comprehend. Itâs not fair.
He thinks about the soldier, in the days that follow. Heâd come up the ridge just as the gunfire sounded, already looking for his brother and niece, never expecting to find them the way that he did. Joel was pleading, already hurt, his hands in the air, as good a white flag as any, and the soldier just didnât care. It went against everything in Tommy, but when the soldier lifted the gun again, Tommy fired first.
But thenâŠSarah.
There was so much blood. He should be used to it, being who he is, seeing what heâs seen. But itâs different, it feels different, it sits in the back of his mind and haunts his every step. She was so young. So bright, so good. And then just, gone.
âTommy, help me!â
Heâd never heard Joel like that, so desperate, so lost. The only moment that rivalled it was when theyâd been in the truck, Tommy driving, Joel with his cell phone pressed to his ear. Talking to you, asking where you were, if you were safe.
âItâs everywhere,â Joel had said, and Tommy had felt a distinct feeling of helplessness wash through him. Whatever was happening, it wasnât just in Austin. He focused on the road, tried not to look too closely at the chaos in the distance. Shit was hitting the fan, in every sense.
He tightened his grip on the wheel as Joel continued talking to you. You were hurt, Joel telling you to patch yourself up. âIâm not hanging up until you do.â
Tommy could hear the ache in his brotherâs voice. Joel had never let you go, not completely, and Tommy knew it. He didnât blame Joel for it; having you around was the happiest heâd seen his brother in a long time. He liked you, too, liked your laugh and your sense of humour, the way you looked at Joel like you were seeing him for the first time, every time.
He had to swerve the truck as another car barrelled down the road in the opposite direction. Joel grabbed for the dashboard, phone still glued to his ear. âIâm gonna find you, you hear me? Just get out of Boston and I swear to you, Iâm gonna find you!â A pause, and Joel stared at the phone. Tommy could see his brotherâs hands shaking. âItâs dead.â
A moment later, the radio â which had been spewing news reports since Joel had picked Tommy up â went silent. Joel tossed his phone onto the truck floor, slammed his fist into the dash a moment later.
âFuck!â
âShe okay?â Tommy asked, and Joel scrubbed a hand over his face. âJoel?â
âBoyfriend attacked her,â Joel grumbled, rubbing his forehead again. âTried to fuckinâ bite her. She said heâs dead.â
Tommy had balked. âShe did that?â
âDunno,â Joel had replied, and huffed a humourless laugh, the noise almost flat. âIs it fucked up if I say I hope she did?â
Tommy had pressed the gas a little harder, the truck speeding down the road. âEverythingâs fucked up, seems like.â Silence hung over them only for a moment, punctuated a moment later by the loud whoosh of flames as a car down the road collided with a telephone pole. Joel cursed under his breath, Tommy kept on driving. âWhat are we gonna do, Joel?â
âWe get Sarah, and we go,â his brother replied, and despite the waver in his voice, he sounded sure. Surer than Tommy felt. âEast.â
East, Tommy thought. Boston. You. Like heâd expected anything different. âYou really think you can find her?â
âI can sure as hell try.â
The conversation feels like a year ago, instead of the handful of days it has been. Maybe a week; heâs starting to lose track, already. Theyâve been holed up for a few hours now, tucked in the garage of an abandoned house. They crossed the state line a few hours back, and so far, Arkansas looks the same as Texas: fucking ravaged. Joel sits on the floor, knees up to his chest, face buried in his arms. Tommy feels antsy.
âIâm gonna go look inside, see if thereâs anything worth taking. You good?â
âYeah.â
Seems like every neighbourhood they come across has been evacuated, the houses all empty. They have guns; he already had his own, and heâd swiped the rifle from the soldier that had attacked Joel and Sarah. Though he was quick to give Joel his, take the soldierâs for himself. Something about Joel touching the weapon that had killed Sarah made Tommyâs gut twist. He didnât like it either, but it was out of necessity.
The house has obviously been picked through, toppled furniture and broken glass as far as he can tell, but they get lucky: a first aid kit, a mostly full bottle of whiskey, and some cans of beans. Tommy grabs it all, heads up the stairs. Clearly an older couple, but thereâs a few menâs jackets in one of the closets, a pair of work boots, plain t-shirts. He takes the lot, offering the boots to Joel when he gets back to the garage. âThese your size?â
His brother takes the boots with a flat expression, pulling the laces to peer at the sole. âAbout there, yeah. Donât need âem though.â
âTake âem with us, for when you do,â Tommy counters, offering Joel one of the t-shirts next. âYou should change.â
âMâfine.â
Tommy hooks the gun over his head, setting it on the ground beside him as he crouches in front of Joel. âYouâre covered in blood,â he says, and his brother snatches the t-shirt. âNeed to change your bandage, too.â
âAnd what exactly do you want me toââ Joel starts, but shuts up when Tommy tosses the first aid kit to him.
âNeed help?â he asks as Joel gets to his feet, pulls his stained t-shirt off, tosses it aside. Theyâd found a half empty kit in a cafe back in Austin, dressed Joelâs wound before they took off completely. Joel was lucky, just a graze, but Tommy knows it must hurt like hell, and itâll leave a scar, a reminder of that night, of what was lost.
Joel winces as he pulls of the old bandage, tossing it in the same direction as the t-shirt. âDonât suppose you found any water in there?â He digs through the first aid kit. âNo antiseptic.â
âNo water,â Tommy confirms, but holds up the bottle of whiskey. âJust this.â
Itâs not ideal, using the alcohol to clean the graze â and Joel nearly puts his fist through the wall despite the healthy sip he takes before Tommy wipes a piece of gauze damp with the whiskey over the wound â but itâll work. They have to make do.
Joel sinks back onto the concrete floor once the wound is redressed, the new t-shirt pulled over his head. He takes the whiskey with him, and Tommy sits beside his brother, both of them with rifles in their laps. They sip the bottle in turn, and Tommy savours the burn as it slides down his throat, warmth spreading through his chest. It loosens his tongue, makes him regret the question the second itâs out of his mouth.
âYou think she made it?â He knows he doesnât have to call you by name. Not now.
âI have to,â is his brotherâs only response.
+
They stop you at the gate.
You donât know what youâre thinking, but after staking out the giant metal fence for a few hours, you at least know that trying to sneak over is only going to result in a bullet finding a home somewhere it shouldnât. The soldiers were firing at anything that made a break for the gate, and running full-force didnât make you brave, it made you stupid. It made you look like one of them. Infected. Mindless. Blood-thirsty. A few have come sprinting up to the post youâve been watching, and the soldiers have put them down without batting an eye.
As youâve watched, a few groups of people have approached the post. All the same, their hands in the air, desperation in their voices, carried to you on the smoke-tinged breeze. Please help us. Youâve watched them get directed away from the post, towards a still-standing building a few yards from the gate, where a military-issue tent is set up. Some of them walk back out, are directed towards an armoured truck parked along the gate, and then the truck disappears, only for a new one to reappear in its stead a few minutes later. Itâs like clockwork, but only some end up in the trucks.
Others are carried out the back of the tent, bodies dumped into one of the pits left by the bombing. It makes your skin crawl.
It takes a while, lacking the confidence to put yourself in the line of fire when you could just keep hiding in the city. The soldiers might find you eventually â if the Infected didnât find you first â but if you could just keep going, maybe there was a break in the fence somewhere, a way out besides what lies ahead of you. But finally, after a few hours of squatting in the rubble, your limbs aching from staying pressed against brick, you step out of the alley, and put your hands in the air. Youâve pulled down the sleeves of the hoodie youâre wearing, letting it cover the bandage around your arm, and you grip the cuffs with your fingers as you raise your arms.
âIâm not infected!â
A flash of movement, and the barrels of at least ten rifles are pointed directly at you. The hair on the back of your neck stands up, bile rising in the back of your throat. A suitable reaction, you think, and you swallow back the fear that makes you want to run. Itâll only get you killed that much faster.
âName!â one of the soldierâs shouts. You canât tell who; theyâre all wearing helmets, visors covering their faces, turning it into a sea of darkness staring back at you. Your fingers flex, and you call you name back.
âI need to leave.â
One of them starts laughing. Another two look at each other, sharing a look you canât suss out. A few lower their guns, and the prickle along your spine fizzles slightly. A visor lifts, revealing a soot-streaked face, a grim expression. âWhy on earth would you wanna do that?â
âMy family is in Texas,â you say, your voice surprisingly strong, if not a little thready from the smoke. âI have to go find them.â
âYouâre gonna walk halfway across the country,â a faceless voice asks, âwith a baseball bat? Girl, you donât have a hope in hell.â
âBeats sitting around here, waiting to die,â you throw back, and the soldier that had lifted his visor lifts his brow. âLet me pass.â
âCanât do that,â he replies, and steps up in front of you. Heâs got a strange face, eyes a little too dark, hair hidden by the helmet, a scar on his mouth. Something about him reminds you of Dean, but a much harder version, his face more angular, the voice slightly deeper. âNo one gets out of the city, we have orders.â
âYou canât hold me hostage here,â you start, stepping towards him. Your hands are still in the air. âMy family is out there, I need toââ
âNo one gets out,â another soldier interrupts. âFEDRAâs orders.â
Your brow creases. âFEDRA?â
âFederal Disaster Response Agency,â the strange-faced soldier answers.
âSo the military is taking over?â
âI never said that.â
You sigh, rolling your eyes. âJust let me go, please? I canât stay here, my familyââ
âIs in Texas,â the soldier replies, nodding along. He hefts his gun slightly, adjusting his grip, and you donât miss the meaning, the silent threat behind it. âAnd youâre here, in Boston. Now you donât have a car, or any real weapons, and we have orders. Youâre not going anywhere.â
You bite back the protest that crawls up your throat. If youâre getting out, itâs not through here. âThen where am I supposed to go?â
âThereâs a shelter,â he tells you, âin the mall. Thereâs food, water, beds. Itâs temporary, but itâs safe.â
âTemporary, like the gate?â
He gives you a long look, then gestures towards the tent youâve been watching them shuffle people through. âLetâs get you checked out, and then weâll get you there.â
You match his stare, setting your jaw, digging your heels in slightly. The muzzle of his rifle dips just slightly, and his eyes pinch, narrowing at you.
âIâll only ask nicely once.â
Heart in your throat, you drop your hands, and when he gestures towards the tent again, you go. Every single part of you is shaking as you head for the canvas structure, and once youâre inside, itâs no different. Itâs shockingly clean, a metal table in the middle, a smaller one to the side. âPut your bag there,â the soldier orders, that familiar stern military tone, pointing to the bigger table. âThe bat, too.â
You do as youâre told, seeing from the corner of your eye that heâs still got both hands on his gun. âIâm keeping the bat,â you say over your shoulder, pulling it out from where youâd slid it between the straps of the bag, resting against your lower back. The metal rings when you set it on the table. âFor the record.â
âNever said you couldnât keep it, did I?â
âYou want me to go to that shelter in the mall,â you say, sliding the bag off your shoulders, placing it next to the bat, and then turning back to the soldier, âwith every other terrified person in this city, and you expect me to believe youâre gonna let me walk in with a weapon?â
The soldierâs jaw goes tight, eyes even tighter. âStrip.â
âExcuse me?â
âTake your clothes off,â he says, clearly getting exasperated. âI might let you keep the bat, but thereâs no way Iâm letting you into the mall shelter knowing youâve been bitten. Strip.â
âBitten?â you repeat, your mind sparking at the new information. âIs that how this is spreading?â To appease him, hoping heâll give you a bit more information, you pull the hoodie off, disentangling your arms slowly. âThatâs whatâs turning people into thoseââ
The hoodie comes off, revealing your bandaged shoulder and forearm, and the gun is pointed back in your face again, a soft click reaching your ears. âYouâre injured.â
âYâknow, I usually like to at least know a guyâs name before he sees me half-naked.â
He ignores you. âYouâre injured.â
You heave a breath, tucking the edge of the gauze around your arm back into place. âYou dropped bombs on this city. I dare you to find someone out there who isnât injured.â
The soldier just stares at you. You just stare back.
âTake the bandages off,â he orders, and your hands curl into fists. âI need to see.â
âTell me your name first,â you counter, still holding his gaze.
âThis isnât a negotiation.â
âIâm aware; youâre the one holding the gun. But I also know youâve been taking bodies out of this tent more than youâve been sending people to the shelter. So, again, tell me your name.â
He leans back slightly, takes a deep breath, eyes darting to the side before meeting yours again. âCorporal Nicholas Cowan, maâam.â
âMaâam?â you repeat, almost laughing. âThatâs a bit much, butââ
âThe bandages.â
âOkay, okay.â
Carefully, you peel back the gauze on your shoulder. It wasnât deep enough to need stitches or anything, and youâd slathered it with some kind of ointment in the first aid kit. It still looks pretty awful, and the tape along the edge of the bandage has left little indents in your skin, but itâs definitely healing. Your arm is next, that wound fresher, and it starts to bleed as soon as you pull the gauze away. Cowan gives you a new piece of gauze a moment later, tossing it onto the table between you rather than handing it right to you. âWhat happened?â
âI was in the bookstore, down on South Street, when you all decided to start dropping bombs. Fucking lucky a bookshelf didnât fall on my head.â
He still has the gun pointed at you, though the grip is slightly more relaxed, and he circles you slowly, eyes glued to your shoulder. âThose look like claw marks.â
âThatâs because they are.â
âSo that happened before the bombs.â
âIt did.â
âIâm supposed to shoot, the moment I see anything like that. I have orders.â
âItâs not a bite.â
âI know that.â He swallows so hard you can see his throat bob. âThey havenât figured it all out. The bite seems to make it happen faster, but I donât know ifââ
âIâll tell you what, Corporal,â you interrupt, reaching for your bag, pulling the first aid kit out and fishing out new bandages, âI start to turn into one of those things, and I give you my full permission to blow my fucking brains out.â Cowan balks, his eyes widening for a moment as he stares back at you. âBut for the record, itâs been seven days, and Iâm still here, faculties intact. So, politely, go fuck yourself, and just let me through the gate.â
+
He doesnât.
Cowan lets you redress, once your bandages have been hastily rewrapped; youâd protested and he told you theyâd give you proper treatment at the shelter. Once that was done, you grabbed your pack â and the bat, which Cowan barely seemed to notice â and he grabbed you roughly by the arm, dragging you out of the tent and steering you towards one of the armoured trucks parked at the fence.
Youâre all but stuffed inside, and Cowan gets into the passengerâs seat, a masked soldier behind the wheel. âThe mall,â he says simply, and the soldier just nods, and the engine rumbles to life, pulling away from the chain link and heading back into the city.
You keep the bat in your lap as they drive, your eyes glued to the window, to the mess that now only partially resembles Boston. Youâd seen enough of the destruction running through the streets, but the truck takes a few pathways you hadnât. Some roads arenât as destroyed, obviously not targeted by the bombs, and the asphalt is even, still intact. Thereâs no getting past the bodies, however, and that pulls your eyes away, staring down at your bruised and dirty hands, wrapped around the bat.
When the truck stops outside the mall, the driver doesnât get out. You lift your head then, taking in the space around you. Itâs more of the same, but the mall looks mostly undisturbed, except for the broken windows, the burned displays. Cowan slides out of the passengerâs side, pulls open your door a moment later. âLetâs go.â
There are three more soldiers standing at the entrance, and as Cowan starts to lead you through, one of them stops you, lifting a hand. âYou canât take that in there,â the soldier says, pointing to the bat. âGive it here.â
âNo.â
Cowan sighs, turning back to you, waving off the soldier. âCâmon, justââ
âNo,â you say again, your voice harder. âYouâre out of your fucking mind if you think Iâm walking around this city without it.â
âYouâre safe in the mall,â Cowan says, nearly rolling his eyes at you, but you just lift a brow. âItâs a shelter, and weâre patrolling from the outside.â He points over his shoulder, and sure enough, you see a few more armoured trucks rolling across the street, armed soldiers trailing behind it. Like it makes a difference.
You almost laugh. âNowhere is safe anymore.â You tighten your grip on the bat. âYou really think your chain link fence is gonna save us from those things?â
He gives you another one of those hard stares, but relents, waving off the other soldiers and grabbing the handle on your bag, all but dragging you through the entrance. âIf she attacks someone, itâs on you, Cowan!â one of the soldierâs shouts, and he just grumbles under his breath.
âDo me a favour,â he says to you as he releases you, making you stumble a step before he falls into step beside you, âdonât be more trouble than youâre worth.â
âAnd what am I worth, Corporal?â
âYouâre alive, and youâre not one of them,â he says, and you donât miss the thread ofâŠis that hope, in his voice? âSo that makes you worth something.â
Heâs quiet, the rest of the way. Thereâs no electricity, the overhead fluorescents dark, and Cowan clicks on a flashlight, lighting your path deeper into the mall. Thereâs the whir of generators, as you get closer, big lights that looks like they were taken from construction sites. You see the food court has been turned into a makeshift hospital, and Cowan tells you the big department store on the main level is where youâll sleep, for the time being.
There arenât that many people, which makes your throat go a little thick. How many people have died, how many have turned, how many made it out of Boston before they put up the fence?
Cowan takes your arm again as you walk towards the food court, calling for someone as you get closer. âDeanna! I got one for you.â
An older lady, maybe late fifties, pokes her head out from behind one of the triage curtains. Her face is both kind and harsh at the same time, bright green eyes, grey-streaked hair pulled into a long ponytail, blood-stained scrubs and a tool belt around her waist thatâs filled with medical instruments instead of actual tools. It almost makes you laugh.
âMust be special,â she says, her voice a little gravelly as she approaches you, wiping her hands on her pants. âYou donât usually escort them all the way down here, Nicky.â Her eyes drop to the bat in your hands and her brows raise. âOr let them come in armed.â
Once sheâs close enough, Cowan releases you and takes Deanna by the arm, steering her off to the side. You stand there awkwardly, the bat banging against your leg. Your forearm is a little sore, and youâre half-sure itâs soaked through the bandages youâd haphazardly retied after Cowanâs inspection. You glance over at the pair a few times, seeing them both shooting you looks before turning back to each other. Deanna looks confused, then upset, then almost forgiving. You canât quite figure out Cowanâs expression.
After a few minutes, she just nods, and Cowan turns on his heel, heading back in the direction you came, leaving you alone. Deanna gives you a once-over as she walks towards you again, putting a warm hand on your back and starting to steer you towards one of the curtains. âLetâs get you cleaned up, honey.â
She leads you behind one of the curtains, then another, and once youâre in the little makeshift room, she pulls another curtain into place. âNicky said we need to be quick about this,â she says, leaning up on her toes to peer over the curtains, assumedly to see if anyone is coming. âAnd quiet.â
âOkay.â
You let her take your bag, set it on the chair thatâs set to the side. Youâre reluctant to let go of the bat, but when you finally let her take it, she puts it beside you on the cot. âYouâve been out there this whole time?â she asks, her voice just above a whisper. You nod. âEven the bombs?â Another nod. âShow me where youâre hurt.â
You hold your breath as you peel off the hoodie. You were right, your arm has bled through the bandage, and your shoulder aches with the movement. Deanna doesnât say a word at first, her brow furrowed as she looks you over.
She tends to your arm first, wiping the blood from your skin, using some sort of glue to close the wound before she wraps it in fresh gauze. She circles you slowly, just like Cowan had, and you hear her sharp inhale when she sees your shoulder. âWhat have we here?â She wipes at more of the blood, and the sting makes you tense, your hand twitching towards the bat at your side. âWhat did that?â
ââŠboyfriend.â
You look over your shoulder to see her staring at you, a look that toes the line between sympathy and fear on her face. âWas heâŠâ
You give a slight nod. âHe was.â
âAnd is heâŠ?â
âNot anymore.â
Her brows raise. âYou did that?â
Another nod. âI did that.â
She blows out a breath, shaking her head side to side. âDamn, girl. Remind me not to get on your bad side.â
Itâs the first time youâve actually laughed since your birthday.
They give you some clothes, stuff that actually fits, pilfered from one of the stores. Toiletries even, and you spend far too much time brushing your teeth. No showers, unfortunately, but the pack of baby wipes youâre offered instead makes up for it. It nearly makes you cry to see your skin clean of the dust and ash and blood.
They give you food, too. A grocery bag filled with non-perishables, more granola bars and cans of soup and whatnot. You try not to chug an entire bottle of water when they give you a second bag filled with drinks; not just water, but sports drinks, random cans of pop, clearly raided from the mall vending machines. And a hot meal, courtesy of one of the food court hot plates. Itâs some kind of stew, noodles and meat and veggies, and for a moment, all you can think about is the Thai food that was waiting on your kitchen counter.
Feels like a lifetime ago.
Deanna walks you to the department store, gives your name to one of the soldierâs standing guard. He points you in the right direction, and she goes with you, a steady hand on your back, until you find the cot youâve been assigned, tucked in the corner of the section where all the towels would have been, the displays still up on the walls. âWe took them all already,â she tells you, giving you a half-grin as she picks up the blanket on your cot, unfolding the fabric. âThose extra-plush suckers make great bandages.â
Youâre quiet, tucking your bag and your food and clothing under the cot. Theyâd refilled your first aid kit, too. Your knees are almost shaking as you lower yourself onto the edge of the bed, and the relief that washes over you is almost overwhelming. Tears spring in your eyes, but you donât have the energy to wipe them away.
âGet some sleep, honey,â she tells you, and puts a soft hand on your shoulder as you slip sideways, collapsing onto the pillow. âYouâll be safe. Sleep as much as you need.â
She pulls the blankets over you, and itâs silly, but you clutch the bat to your chest. Youâd wiped it down, too, cleaned the blood and dirt from the metal. Sleep takes hold as soon as you let your eyes close, and you pray no nightmares follow.
I think? We're at least friendly. They were all on a sleepover so one number got me all of them, and I listened as they talked, and they listened when I did.
I even told them about the blog. Not the link, but the general idea. And Eddie thought that was cool so he asked if I could do everyone's profiles, so I might do that in the next few days.
Maybe even with my old friends too if they allow it.
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Kimâs character is another one that requires more than surface level analysis to figur
Wasnât sure if you were asking about autism in general or this characterâs presentation on the spectrum.
Iâll summarize both: folks with autism essentially just process incoming and outgoing information differently than neurotypical people (often more thoroughly and at a significantly faster or slower rate). Because we live in a society that is not particularly friendly or accessible for people who are different in this way, we have to develop strategies to compensate like the ones I discussed in this post: masking, personas based on social context, etc.
The flow of a ânormalâ social interaction is not intuitive to us and when we respond slowly or in a manner that isnât what people are expecting, they get offended or they treat you like youâre slow or stupid. So itâs easier to memorize a bunch of scripts than it is to flounder your way through every social interaction. -I imagine that this is even more intense in a culture that has very strict social rules and sensitivity to politeness (and what specific behaviors define that) based on a number of hierarchical variables.
Kimâs presentation is different based on each specific type of social situation and the calculated expectations within that situation. What heâs doing is following a script to appear ânormalâ. And heâs really good at it. Youâll notice he often pauses before he reacts to incoming information and often he lets someone else react first. Itâs also why he doesnât really know how to react to Chayâs cute little romantic gestures because it didnât occur to him to add this possibility to the script. (Unknown variables! Unknown variables!) đ
The other clue we get regarding Kimâs neurodivergence is how he processes and expresses emotions. He does NOT like being cornered into expressing what he feels on someone elseâs terms (or timeline). And he prefers to express himself through actions (or music) than verbally. Outgoing information is harder and Kim is unable to effectively express himself verbally. Also his facial expressions are not usually particularly animated (this changes based on which mask heâs wearing).
And what is implied, but that we donât explicitly see, is both the preparation and the recovery time from doing all this work. There is so much going on under the surface; the analysis of every interaction in order to adjust the future ones, the time spent working out where you miscalculated and correcting it, the rehearsals, the planning for every variable possibility you can think of, etc. There is a reason Kim is essentially a hermit. He lives alone and he spends a lot of time alone because thatâs the only time he doesnât have to put effort into mere existence. Thereâs also a significant level of stress and anxiety that all of these things produce - which also requires masking to maintain the ânormalâ facade - and adds to the downtime.
What Jeff portrayed well in this character is the idea that almost every interaction is a performance (and it gets exhausting). And the intensity of the emotions he doesnât know how to express in a socially acceptable or expected way.
Kimâs character captured the isolation of neurodivergence and the grief of continually finding yourself alone because everyone thinks youâre broken and wants to change you to match their own emotional experience of the world instead of being willing to meet you where you are and how after a while, itâs just too painful to keep opening yourself up for the same result.
Even the lyrics to Why Donât You Stay seem to be saying âstop trying to force me to express how I feel on your terms, I donât know how. And why donât you want what I can offer you?â
I am so happy you liked me using the term "congressional idiots", and I am back to let you know I am thinking about them ALL. THE. TIME. Can't read the news without asking myself "what would the congressional idiots do?" Also can't look at any Narcos gifs where Javi is in formalwear without thinking "he's grumpy about the suggested amendments on the latest bill" or something đ
Haha I love that the congressional idiots are in your mind even when you're not reading the fic. I wonder how the congressional idiots would handle a filibuster, if they can be persuaded to vote for a bill they don't fully like. If they give in to the various lobbyists. I know Javi wouldn't. But he'd cut deals with the devil (see: Los Pepes) How they handle campaign finance and what kind of campaigns did they run to get elected... Maybe they're in a congressional hearing and one of them is eating into the other's time and they fight over it. I'm thinking of it all
Javi in those suits, especially in season three with his neatly comber hair and perfectly trimmed mustache, the weariness in ever facial muscle and his gait from all the years of working this job-- it's peak honest politician who stands by his morals. Oh and the fact that Pedro was beefier in season 3 compared to the first 2 seasons. Fucking arms bulging out of his sleeves. Just a perfect recipe for disaster.