#cochenille

Cochenille

La cochenille est une teinture rouge brillante extraite des corps écrasés d'insectes parasites qui s'attaquent aux cactus dans les régions chaudes des Amériques. Cette teinture était un élément important du commerce dans l'ancienne Mésoamérique et en Amérique du Sud, et tout au long de l'ère coloniale, lorsque son utilisation se répandit dans le monde entier. Aujourd'hui encore, la cochenille est utilisée dans les produits alimentaires et cosmétiques.

Min tilgang til farvning afhænger meget af lyst og humør. Nogen gange laver jeg sweater kvantiteter – altså 4-5-600 gram ens garn, så der er nok til at strikke en hel sweater i det. Andre gange eksperimenter jeg med mindre mængder af forskellige garntyper i samme farvebad. Og en af mine helt store diller om sommeren er solfarvning, som jeg ofte har skrevet om, hvor man aldrig helt ved hvad der…

When I begin a new design, I always begin with a sketch. New tool or not, that isn’t likely to change. That sketched idea can be inspired by any number of elements like a 1960’s sewing pattern I love, an outfit I saw in a film, a piece of fabric that I just can’t get out of my head. Regardless of its provenance, that sketch is the start. However, up until now, I have only had one approach to getting that sketch off the paper and onto Gloria junior (my fitting mannequin, in case you haven’t met her yet.)

That tool has been flat pattern making. I have a longing to learn draping, and I’ll get to that eventually, but I love the geometry of creating that flat pattern on paper from a variety of numbers and lines (I was that nerd who loved analytical trigonometry in high school and topped the class). Back in January of this year when I shared with you some of the design and sewing-related presents I’d been lucky enough to find under the Christmas tree, I was excited to tell you that I had received Cochenille’s Garment Designer, and this would be my first foray into using computer-assisted design software. Well, I have now finished my first project with this software. Let me begin by saying that understanding flat pattern making makes this particular software far more accessible, and provides you with far more design options. You’ll see why.

One of the things I liked about this program (and the reason I suggested it to my husband as a terrific Christmas present for me), is that the designer’s web site has some very good videos to help me along with getting to know what it can do. I’m not ready for Adobe Illustrator – nor am I prepared to pay the price for it at this point. I just wanted to dip my toe into the water, and this program is a good way to do that. But it does have its limitations. Stay with me here.

This is what I wanted to create a pattern for:

  So, after inserting the USB key which is necessary to actually open the program on every occasion that you use it (keep it in a safe and handy place), I began with inputting my own measurements for a personalized sloper.

The key inserted into one of my USB ports. YOu cannot open the program without it. 

The program comes with standard sizes programmed in, but what’s the point in a custom design if it isn’t a custom size? I found that creating the simple sloper was just that, simple. I took my basic measurements and plugged them into the program. The more accurate one, which has far more specific body measurements, I have not yet been able to master. However, since my first design is for a knit twin set, the simple, personal sloper would do.

How it looks on the screen. I have the grid and sloper lines turned on. 

I started with the simple tank that pops under the cropped cowl neck. That was fairly easy to produce a pattern for after I got the hang of their terminology and figured out how to move lines and points for a more custom fit. You can see on the pattern below that I kept the sloper lines visible at all times so I could get to know the amount of ease they have included for various fits: fitted, versus semi-fitted, versus very fitted, for example. The manual does provide this information, but I’m a visual learner and prefer to see it. That way I can tweak it as I like. You can turn that off so you don’t see the sloper (or the grid lines for that matter) but for me, they are very helpful.

Once I had the simple pattern created, I added seam allowances (you can make them any width you like), rendered it as a final pattern (it automatically adds notches etc. at this point) then set it up as a full-size document and printed it like you would a regular pdf pattern – tiled and in need of being taped together.

Ready to print.

I had a lot less luck with using this program for my cowl neck. I was able to create a pattern for the cropped main body, with all of the correct measurements, and the raglan sleeves, but I could not find a way to use the program to create the cowl. I could have used their funnel neck, but I wanted the cowl to be a separate piece. If there’s a way to do this with the program I don’t know what it is yet. More to learn, I guess. Anyway, here’s where my flat pattern-making skills came into play. I created the cowl the old-fashioned way.

Here are the things I learned about this program on this first go around:

Their definition of “very fitted” is quite different from my definition of “very fitted.” When I chose this silhouette, I found that they had 4 ½ inches of ease at the waist and 5 ½ inches of ease at the underarm. This is far too much for my conception of “very fitted.” Duly noted.

Their definition of a “wide” neckline is very different from mine. It’s not nearly as wide as I would like so this needs alteration. Obviously, this is all within my control (as is the amount off ease – see #1).

The hems of narrow sleeves are not trued. If I didn’t know anything about pattern making, I would have had sleeves that were too narrow at the bottom to turn up. I simply trued them up and added little bits of paper where needed.

When you create the final pattern here, the sleeve notches are the same on the front and the back. And they are not in the standard location (3’ and 3 ¼’). I had to add them.

Although I also received two plug-in design packages that are extra with the software, I still don’t have access to a large enough variety of necklines. Okay, I can create them, but I did hope that separate turtles and cowls would be inclusions. If they’re there, I can’t find them. Yet.

The program is actually very fun to work with. I enjoyed noodling around with a few other designs and have found them to be a very good fit. The program’s designer mounts webinars every so often, and I think that this little program can do a great deal more than I have figured out yet. I plan to take a few of the courses (they are $25 each it seems and come up periodically – you need to be on their email list).

So, at this point, I will continue to play around with it (in fact I already have a mock-up of a princess-seamed, zipper-front jacket which I’ll show you at some point) to see how much more it can do than I have figured out yet. But I still love my flat pattern-making!

Oh…the final reveal…

En dejlig barsel lakker mod enden

På mandag starter jeg på arbejde igen efter en dejlig lang barsel med mit tredje barn – skønne Axeline fra juli 2017.

Jeg har haft tid til at lave en masse i mit hjemmefarveri, dog ikke helt så meget som jeg måske havde håbet. Tre unger tager alligevel en hel del af ens tid, og vi har først fået pasning til den lille her i allersidste øjeblik og er stadig i gang med indkøring- hurra for…