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To stand among so much intention and still feel unaddressed is its own kind of silence.
(Photo: d.)
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That's not a Rondo Form, that Sonata Rondo Form. Haha. Ha. Geddit???
-my music professor, obviously.
When theory gets real
Sonata Form Analysis - Exposition (Mozart Symphony No. 40 in G minor) - 1/14
A Theme (0:07 - 0:36)
Closing/Transition (0:36 - 0:54)
B Theme (0:54 - 1:15)
Closing/Transition (1:15 - 1:57)
Development (3:51 - 5:02)
Recapitulation (5:02 - 7:35)
B Theme in Recapitulation (6:11 - 6:32)
A Theme & B Theme = Verse
They are very similar but still sound different and individual. Themes are repeated throughout the sonata much like a verse. They are often used right before a buildup in the music.
Closing/Transition = Verse Prime
The transitions come right after the A or B themes, and they pull directly from those themes to use those melodies in making a buildup, growing intensity, repeating strings of melodies, and leading to a climax in the music.
We've begun studying classical form in music theory, which means that now there are variables.
N indicates the number of Notated Measures, while R indicates the number of Real Measures. So far, we have R=1/2 N, R=N, and R=2N.
At first I was exasperated and confused by this, but now I am interested and kind of excited.
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