VISUAL COMPONENT: COLOR.

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VISUAL COMPONENT: COLOR.

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VISUAL COMPONENT: TONE. Brightness of an object on a tonal scale from black to white.Â
VISUAL COMPONENT: LINE.Â
Lines have direction and quality (e.g. straight, curved).
Visual intensity. A film in which every frame is gray would be low intensity. A film in which ever other frame as white, then black would be high intensity. The first may bore an audience, the latter may disturb an audience.
AFFINITY = SAMENESS. In this case with have AFFINITY of TONE within a picture. Because the TONES are similar.

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Free to watch • No registration required • HD streaming
CONTRAST = DIFFERENCE. In this case, we have a CONTRAST of TONE. Because the TONES are different.
VISUAL PROGRESSION. is fundamental to building visual structure in cinematic arts. Simple > Complex
Overlap depth cue. When two objects overlap, an illusion of depth is created.Â