dedicated to: @jjellecubed for always listening to random scenes, dialogue, and everything in between, this series would not be what it is without you. <3
(This work is inspired by my original novel, Throne of Lies. This character is based off of the main characterâ so sheâs a mix of an OC and a reader-insert. For these reasons, I will be tagging this story as x OC and x reader. This means that I will be using a fake language and a country for Cipherâs backstory.)
DISCLAIMER: This work is also inspired by House of Cards, by @marcidstars , which you can find on both ao3 and Wattpad. House of Cards is an amazing story, one which everyone here should definitely read.
YOUâRE THE KIND OF PERSON THE BAU STOPS.Â
You have more blood on your hands than any unsub youâve come acrossâ youâre sure most people who get to read your unredacted file consider you an unsub.Â
HE FOUND YOU WHEN YOU WERE NINE.Â
You ran away from your family, your home, everything youâd ever known to get away from the abuse. When he looked at you, a kid, shivering on the streetsâ he saw potential, not a child.Â
YOU GOT CAUGHT AT SIXTEEN. He abandoned you, took the guns, the weaponsâ left you defenseless and a scapegoat for everything heâd ever done. He knew you wouldnât say anything. Not to the feds, to your parentsâ not to anyone. He was right, and now youâre stuck paying for crimes you did commit, and crimes you didnât.Â
YOUâRE TWENTY FIVE NOW.Â
You had two optionsâ work for the FBI or get the death penalty. You chose the only thing that could keep you aliveâ but youâre still paying for his felonies. Legally, youâre not allowed to have any weapons. Youâre too good at using themâ you could kill everyone on your team in an instant. Realistically, that makes you a liabilityâ but youâre even better at getting into peopleâs heads, which makes you a valuable asset. But, maybe, if youâre docile enough, if they force enough pills down your throatâ youâll get your gun back and be the perfect government soldier.Â
AGENT HOTCHNER KNOWS EVERYTHING.Â
He knows what you see at night. He knows about the itch. He remembers you. The underfed, aggressive, child assassinâ who he made a deal with. Instead of prison, you get to work yourself to death for a Bureau that will look for any reason to put you down like a rabid dog.
SPENCER REID HATES YOU.
From day one, he knew something was off. Youâre emotionally volatile, but youâre obedient. All it takes is a harsh yell, and you comply. It doesnât add up. Of course, your lack of formal education and any footprintâ digital or otherwise, he checkedâ alarms him. You didnât exist before the BAU. How did you get into the FBI? Hotch trusts you, so youâve got credit thereâ but for now, heâs keeping you at arms length.Â
YOU DONâT REMEMBER YOUR NAME.
On your file, it reads âunknownâ. He taught youâ he conditioned youâ to forget everything before him. You donât want to remember. He convinced you that he was your king, that he was the deity you should worship. All you know is that you crave to be on the receiving end of his tenderness again, no matter how badly he hurt you. The bruises, the scars, the wounds that still made you flinchâ would all be worth it if he held you one more time.
HE CALLED YOU REVENANT.Â
He said that it meant you were beautiful, sacredâ and deadly. You believed him. You were too naive to see through his web of lies.
THEY CALL YOU CIPHER.
Youâre a code they canât crack, and technically a spy, so the name fits. Youâre fine with itâ something inside you has longed for a name since you lost your first title. The hungry, disgusting, filthy killer locked deep down.Â
CAN YOU MAKE IT OUT ALIVE?
Youâve decided that you wonâtâ that youâll be dead before thirty, maybe by an unsub, maybe by his hand. Maybe by a bullet from Agent Hotchnerâs gun, if youâre lucky. He had always told you that pretty girls like you donât make it very long.
SECTION A: THE CIPHER
I WAS MEANT FOR RUNNING FAST.
Cipher is hospitalized after being on the receiving end of an unsub's weapon. (2.1k)
I GET MEAN WHEN I'M NERVOUS, LIKE A BAD DOG.
after the stabbing, Cipher is stuck in her hospital bed, ridden with strange dreamsâ and even stranger get well soon cards. (3.3k)
I PRETENDED YOU WERE MINE, IT MADE ME CALM, BABE.
after trying to put up a bookshelf (bad idea), Cipher tears her stitches. Who better to help her (under duress) than doctor-not-doctor Spencer Reid? (2.7k)
I AM CRUEL, I AM GENTLE, I CAN MAKE YOU LAUGH.
a series of murders sends the team to a small town in alaska. (8.1k)
I SLEEP SO I CAN SEE YOU, 'CAUSE I HATE TO WAIT SO LONG.
Alaska leaves Spencer and Cipher in an awkward situation. A strange visitor only makes everything worse. (4.0k)
WOULD YOU KILL ME IN JERUSALEM?
After Alaska, the team heads to Wyoming to investigate murders that seem to be blending animal and human. Meanwhile, Cipher is still plagued with nightmares, and Aaron Hotchner begins to notice that something is wrong. (4.2k)
I WISH I WAS SPECIAL.
Cipherâs fall gives her an onslaught of memories. Memories she thought were long gone. But of course, as all things do, remembering has to come to an end. (5.0k)
I THINK I'M GONNA DIE IN THIS HOUSE.
Cipherâs brush with death sends her to the hospital, then stuck in a shitty motel with Spencer. Who knows, maybe this will force them to get to know each other? (4.2k)
MINIMAL LOSS.
Spencer and Cipher are sent into a cult as child and youth workers. When plans go awry, one of them is forced to reveal their identity. (12.6k)
IF I JUST TURN AND RUN.
Upon returning to her apartment, Cipher finds that sheâs lost her keys. Where else to go but Dr. Reidâs place? (4.4k)
IT'S JUST THAT I FELL IN LOVE WITH A WAR.
After a stress inducing text conversation, Cipher falls victim to the common cold. (5.4k)
BITE THE HAND.
Spencer Reid is given the impossible task of taking Cipher home. Upon discovering the state of her fridge, he is (rightfully) frightened, and finds himself able to get over their feud in order to buy her proper groceries. (4.0k)
AND NOBODY TOLD ME IT ENDED.
After Cipher returns from her sick leave, the team is sent to investigate rather unusual murders in LeClaire, Iowa. Meanwhile, Cipher opens up to a certain someone about another certain someone. (9.0k)
COME FROM WAY ABOVE,
The team continues to make progress on their strange case in Iowa; Spencer comes to a few realizations. (8.5k)
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áŻâ LIFE ON MARS? âââ spencer reid x college bsf!reader
[series masterlist]
When Spencer finds you crouched between the stacks of the college library, blasting Bowie through your headphones, heâs instantly captivated. With little to no information on you, he makes it his job to run into you again.
cw: literally zero! fluff!! Silly Spence!!!
a/n: meet cute anyone?? i'm obsessed with them. cannot wait to share their college shenanigans with you hehehe
The campus library was almost eerie at 5:45 AM. It carried a cavernous silence. Only the faint hum of the bankerâs lamp broke through, its glow pooling over Spencerâs open notebooks. He was already there, of course â vaguely ghost-like, hunched over a pile of books. A pencil was clutched in his fingers, moving in quick, precise scratches that might have passed for hieroglyphics rather than English.
He liked the quiet.
No, he needed it.
Thatâs why the library at this hour was perfect. Rows of untouched books, the soft sigh of the air conditioning, the uninterrupted solitude of early morning. No voices. No small talk. No eyes watching him. There was only silence.
Until there wasnât.
The sound was unmistakable: a thunk, a heavy book hitting the floor somewhere deep inside he stacks. The noise cut sharply through the silence and Spencer froze mid-word, pencil suspended in the air.
He didnât even breathe.
Nothing followed. He thought that maybe heâd imagined it. Maybe it was the pipes in the walls or the building settling â old libraries were always full of strange creaks and murmurs, werenât they? But then it came again: the scuff of boots dragging across carpet, followed by the low clatter of something â another book? A bag?
His pulse stuttered. Because who else would even be here?
It was only the second week of term. Students didnât come here at sunrise unless they were getting paid to shelve books â or were possibly drunk, having stumbled into the wrong building the night before. This was his time. His carefully curated hours of work and focus.
He swallowed, and realized the back of his throat was dry.
Because someone was out there.
His first instinct wasnât to get up. It was to catalogue, to run through the list of possibilities: A janitor? Possible. Another early bird? Maybe, but unlikely. Did libraries like these get rodents?
His mind flicked through news stories, grainy headlines of violence in places meant to be safe. Campus security reports, probabilities, government statistics he shouldnât know by heart but did.
His hand tightened around his pencil. The graphite was worn to a stub from his morningâs work, but he wielded it like a pathetic weapon regardless. His mind conjured the image of trying to stab someone with it, and immediately spun off into calculating the force it would require to break through a jacket. (Not much, technically, but the wood would likely snap before it did any real damage.)
The sound came again, this time accompanied by a low muttering.
Against his better judgement, Spencer rose from his chair. His body felt stiff, all sharp angles and nerves. He should sit back down, ignore it, focus on Clairautâs theorem and leave the strange noises alone. But his feet had other ideas.
He was already moving down the aisles with hesitant steps, pencil still in his grip.
And then, he saw you.
You were crouched low between two towering shelves, a surrounded by a small pile of books. Your boots were scuffed, jeans ripped neatly at the knees, and a faded sweater hung loose on your frame, one sleeve rolled up, the other drooping almost to your fingers.
You didnât look up immediately. You were too absorbed, fingertips tracing the cracked spine of a Soviet-era cipher manual, turning it over like it was a sacred artefact. The way you handed it â careful, almost reverent â struck him. People didnât usually treat books that way.
Spencerâs breath actually hitched, the pencil suddenly feeling unbearably heavy in his grip. At once, the quiet library seemed so alive.
Then you looked up.
Your eyes met his, steady and unreadable, but not startled. You werenât even mildly surprised to find someone watching you.
âHey,â you said simply, voice low and warm, like you were welcoming him into a secret club of early morning library goers. Then you turned back to your book, thumbing through itâs pages like nothing had happened.
Spencer opened his mouth to say something, but the proper words tangled up and fled.
Instead, he blurted: âYouâre loud.â
You blinked and looked back at him, a smile tugging at your lips. Not mocking, but amused. Almost tender.
âLoud?â you echoed, pulling a headphone out from beneath your hair. A faint stream of music bled into the quiet â something upbeat, vaguely 70s. You raised an eyebrow. âSorry. Didnât mean to break the sacred silence.â
âNo, I meanââ Spencer dragged a hand through his hair, painfully aware of how awkward he sounded. His thoughts were tangled, tripping over one another. âIt just⌠startled me. Most people arenât here at this hour and⌠yeah, youâre⌠loud. Not that Iâm trying to chastise you or anything, I justâmaking an observation.â
You tilted your head slightly, and allowed your eyes to drag across his features. The sweater vest, the glasses sitting slightly lopsided on his nose. You were studying him as much as he was studying you. âIâve seen you before, havenât I? You spend a lot of time by the coffee cart.â
Spencerâs cheeks burned. The thought that someone like you had noticed him at all was staggering. His words rushed out in a clumsy jumble.
âYeah, Iâm there a lot. IâI like coffee.â
He wanted to press more. After all, he was sure heâd remember seeing you by the coffee cart, with your messy hair and ink-stained fingers.
You laughed softly. âLucky me then,â you said, still crouched on the ground, âseeing you again.â
Spencer swallowed, feeling heat rush to his cheeks. In a desperate attempt to keep the conversation from dying, his brain scrambled for something â anything â relevant to say.
âWhat are you listening to? The musicââ he blurted.
You glanced down at the headphone dangling between your fingers. âBowie.â
âYou donât know Bowie?â Your tone was incredulous, but not cruel, an eyebrow raising at his revelation.
âI mean, Iâve heard the name, but Iâm not⌠familiar with his music.â
You shook your head with mock despair, rising from your haunches. âSeriously? Youâre missing out. Hereââ
Before he could protest, you were at the end of the aisle, pressing one of the headphone gently against his ear.
Spencer froze, every nerve screaming at once. You were close â close enough that he could catch the warmth of your skin, the scent of coffee and something sweet. Vanilla, maybe. He stiffened instinctively, caught between wanting to lean away (germs, proximity!) and wanting to experience whatever this was.
The first notes floated into his ear â strange, lilting, beautiful.
âWow,â he whispered. The word wasnât even about the music.
You smiled, folding your arms casually. âSee? Told you it was good.â
Spencer carefully removed the headphone. His fingers hovered uncertainly, as if he wasnât quite sure where to put it. Back in your hand? Drape it over your shoulder? He panicked and just held it out awkwardly. You took it back without any comment.
He wanted to say something intelligent, something about Bowieâs voice or musical structure.
âYou liked it?â you prompted, curious, your smile softening into something more shy â like youâd just shared a secret with him and genuinely wanted to know what he thought.
âIâyeah. Itâs good. He has an⌠interesting voice.â
âInteresting? Yeah, Iâll take that.â
He shifted his weight from one foot to the other, knuckles whitening around the pencil as if it would provide him with advanced musical knowledge.
âI just⌠I donât have a lot of references,â he explained. âMy music taste is limited to classical. Andâyeahâthatâs different from this.â
âJust classical, huh?â You nodded and tucked the detail away for later. âWeâll have to fix that."
Spencerâs brain caught on one word: we.
He stared at you, dumbfounded, as you returned to your books and gathered them up with effortless strength. He glanced at the rest of the spines â modern European history, something about linguistics, political philosophy. Heavy hitters.
âWell,â you said, adjusting your grip and tucking one headphone back beneath your hair. âI got what I came for.â
âOh,â Spencer said lamely. âUm⌠good. Thatâs good.â
You gave him a crooked little smile, hugging the books to your chest, unconcerned with how heavy they were.
âYou like that word â âgood,ââ you observed. Your gaze flicked to the pencil clenched in his hand like a weapon, and back up to his face. âYou studying in here?â
âYeah, IâI was justâŚâ He gestured vaguely in the direction of the libraryâs center. âReading.â
âObviously,â you said with a soft laugh. âCome on then.â
And just like that, you started walking toward the front of the library. Spencer hesitated for a split second before instinct kicked in and he followed, a step behind you.
By the time you reached the main hub, dawn light was bleeding through the tall windows. Spencerâs books sat dead-center on one of the tables, a chaotic sprawl of open pages and notes.
You stopped, eyebrows lifting. âYou were sitting there?â
Spencer frowned slightly, confused and caught off guard. âYes?â
âYou know thereâs a better spot, right?â
âBetter?â
âYeah.â You tilted your head toward the far corner of the library. Tucked behind the stacks was a small alcove, which youâd already located on the second day of term. âNobody ever sits back there. I think because thereâs a big spiderweb above the seats â and itâs kind of hidden. Itâs quiet, even during the day. Much better than sitting out in the open. Unless you like that, of course.â
But judging by the fact Spencer was here in the early hours of the morning, you assumed not.
Spencer glanced at his current table, the mess of open notebooks and scribbled margins, then back to you.
âMaybe Iâll try it.â
You smiled, content with the fact youâd provided something useful for him. You shifted the books in your arms again and smiled.
âGreat,â you said, taking a half-step back toward the doors. âEnjoy. Tell me how you get on with it, yeah?â
He nodded. The simple question rolled over him like a strange, warm tide.
âOkay,â he said.
You turned, your boots scraping softly against the carpet again as you headed for the exit.
Spencer stood there a moment longer, his fingers flexing around the pencil. It was only once the door had closed behind you that he realized he didnât have your name. Or your course. Only that you had a fondness for Bowie and a spider-web covered desk in the corner of the library.
He considered running after you, but by the time heâd come to that decision a decent amount of time had already passed. He shuffled lamely back to his desk, staring down at his open notes, his pulse still racing.
And he concluded this was not the last time heâd be seeing you.
Spencer had been at the library for forty-eight minutes and seventeen secods. He was pacing the stacks like a man searching for something heâd lost. Which, in a way, he had.
Library girl.
Thatâs what he had started calling you in his head. It was embarrassing â stupid, even â that he couldnât come up with something better, but what else could he do? He didnât know your name. Didnât know your course. Didnât know if you lived on campus or just had an affinity for early-morning libraries.
All he had was an imprint of that morning: your smile, the worn boots, and the lingering echo of Bowieâs voice tangled somewhere in his brain.
Naturally, heâd gone down a Bowie rabbit hole since then. It had started innocently â a quick search on Bowieâs influence on glam rock â but three hours and twenty-seven google searches later, he was listening to Life on Mars? At 2 AM and wondering if youâd just him for not discovering Bowieâs brilliance sooner.
His roommate had noticed.
The guy wasnât nosy â actually, he was probably the most laid-back person Spencer had ever met â but even he had raised an eyebrow when Spencer started leaving their dorm earlier and coming back later. Spencer, who typically avoided the libraryâs busiest hours, now wandered the campus like someone with⌠plans. Or, at the very least, intentions.
âBig day, huh?â his roommate had once teased, some point during the third week of term, when Spencer shoved books into his bag with uncharacteristic urgency. Spencer, of course, didnât explain. Because how do you explain: Iâm trying to run into someone I barely know because they smiled at me once in the library? Heâd just muttered something about âresearchâ and hurried out the door.
His search hadnât been going well.
He didnât know your schedule, only had that single, stubborn image of you crouched between the stacks. So he staked out the library. Every morning for two weeks, he sat in the same corner (your corner), pretending to study while his eyes flicked to the entrance every few seconds. But the alcove remained stubbornly empty.
On day three of his search, he had been desperate enough to wander back to your aisle. It felt oddly intimate, stepping into that space again. He glanced around like some trace of you might have been left on the shelves.
On the seventh day, he spotted one of the books youâd taken out â returned, spine slightly more worn than before. Proof. You were still here, somewhere. Relief flooded him, followed immediately by disappointment. Heâd missed you. If only heâd come an hour earlier, or later, or â something.
By the second week, his roommate (now friend, reluctant life coach and semi-professional tease) had started keeping a score board after dragging an explanation from Spencer.
âDay nine,â his roommate said, leaning against the wall as Spencer grabbed his bag. âWhat are we thinking today? Library girl: real, or just a caffeine-induced hallucination?â
Spencer muttered something about statistical probabilities and the size of campus enrollment. His roommate grinned and added another tally under âfail.â
So now Spencer was pacing the stacks again, telling himself to stop obsessing because clearly you were one of those fleeting moments life hands you just to take away. Each day, the chances that you had been a caffeine-induced hallucination were only growing, and he was starting to give up hope, untilâ
There you were, at the end of an aisle, chewing on your lip as you perused books on the fourth shelf.
For three whole seconds, Spencerâs brain stopped. Then all his thoughts collided into one big, clumsy word: âOhmygod.â
He stood for a second too long before his feet just⌠moved. Spencer wasnât sure if he walked or floated, but suddenly he was there, walking toward the end of the aisle like an accidental stalker.
You looked up and pulled your headphones off immediately.
âHey!â you said, voice bright with recognition. âLibrary guy! We meet again.â
Library guy.
âYouââ He pointed at himself. âYou remember me?â
âYeah. You wielded a pencil at me.â You tilted your head, amused. âAnd you didnât know Bowie.â
The words tumbled out of him, unstoppable and chaotic: âActually, IâI do now. I mean, a listed to a lot of Bowie, because you said I should â well, you didnât say I should exactly, but you implied it. And I liked what you played me the other day â âChanges,â Right? So I thought maybe Iâd like the rest of his stuff â and I do.â
âWow. You did your homework.â
Spencer froze, realizing the sheer insanity of his words. âHomework?â
âWell, you clearly binged Bowie for, like, a week straight,â you teased, leaning one shoulder against eh shelf. âIâm impressed, Library guy.â
âIâuhâI have a name,â he said, awkwardly half-extending a hand before retracting it to scratch the back of his neck. âSpencer. Spencer Reid.â
âNice to meet you, Spencer,â you said, offering your name to him in return. He repeated it silently, rolling it over in his mind, erasing any chances of it being forgotten.
âIâuh,â he started, and his voice cracked slightly. He tried again, smiling in that lopsided awkward way that made his ears burn. âIâve been sitting at that desk you recommended.â
Your brows lifted. âYou braved the spider corner, huh?â
âYeah,â he said, and rubbed at the back of his neck again with a sheepish nod. âItâs actually great. Really quiet. No one bothers me. So, thanks. For that.â
âYou been studying there a lot?â you asked, hitching your bag higher on your shoulder.
Spencer couldnât exactly admit that heâd been there every day, clocking more hours in that corner than most people spent in their dorms. So instead, he nodded once and mumbled, âyeah, quite a bit.â
âYou know thereâs a whole campus out there, right? Sunlight? Fresh air?â You gestured vaguely toward the tall windows. You gave him a look that hovered between teasing and exasperated.
Spencer blinked at you, like youâd just suggested something absurd. âYouâve been studying⌠outside?â
âYeah,â you said, grinning as you slid a book from the shelf, brushing off the thin film of dust on its spine. âThe lawnâs great for studying. And people watching.â
âThe lawn,â Spencer repeated, like the word itself was foreign, like the concept of studying outside had only just been invented.
He then felt an almost ridiculous wave of annoyance crash over him. Heâd been looking for you in the wrong places this whole time.
âYou should try it sometime,â you teased. âGet some vitamin D, Spencer.â
For once, someone was saying his name like he wasnât just a collection of quirks and equations. Like he was just Spencer. It knocked all thoughts from his brain, and the next words were out before he could stop them, bypassing his brain entirely and barreling into the open air.
âLike⌠now?â
His stomach plummeted. Now? Now?! How desperate could he sound?
Your fingers tightened around the book, head tilting as your grin sharpened with amusement. âNow?â you echoed, as though testing the word.
Spencer opened his mouth, then promptly closed it again, feeling heat climb his neck. âI meanâonly if youâre free, and if itâs not aââ
âYeah,â you interrupted softly, a the edges of your grin tilting into something more gentle. âSure. Why not?â
For half a beat, he just stared at you, wide-eyed and stunned, before nodding dumbly. âGreat. Okay. Let me grab my things quickly.â
The two of you walked to the alcove where heâd left his books, and you watched quietly as he gathered his things and placed them into his bag with methodical precision. He swung it over his shoulder, getting it settled against his side.
Outside the library, a cool burst of mid-morning air washed over you both. It was a lot brighter out here, sharper, and Spencer surveyed the students sprawled lazily on the lawn outside, or moving in loose clusters from one class to the next.
âSo,â you said suddenly, glancing sideways at him as you descended the library steps, âwhat composers do you like?â
âWhat?â
âYou said you like classical music,â you reminded him, brushing a strand of hair from your face as the wind teased it forward. âSo I figure I need to do my homework on it â since you did yours on Bowie.â
For a moment, he just stared at you, your words sinking in. The idea that youâd want to know his favorite composers â his favorite composers â was so unexpected it almost short-circuited his brain.
âOh. Um. WellâuhâBach,â he blurted first, because it was easy. Obvious. Safe. You nodded encouragingly, your eyes fixed intently on him, urging him to keep going. And that was enough to break his verbal dam.
âBut also Rachmaninoff. And Debussy â âClair de Luneâ is actually scientifically proven to elicit emotional responses due to its harmonic progression, which I think is fascinating â and who elseâŚ?â He paused to think, and caught your eye, realizing he had just spoken far too quickly. âSorry.â
You were smiling at him though. Really smiling.
âDonât apologize,â you said. âYouâll just have to make me a list or something.â
You surveyed the patch of grass the two of you had reached, and concluded, âHereâs good.â
You dropped onto the patch of grass, setting your books in a neat little pile beside you, legs crossing as you got comfortable.
Spencer hesitated for half a second, then awkwardly folded himself down opposite you, knees drawn up. He shifted restlessly, like he wasnât sure how a human body was supposed to sit comfortable outside, and clutched at the strap of his bag like it would help.
His pile of books was somewhat more haphazard than yours, the corners of his notes poking out and rustling in the gentle breeze.
You glanced at the stack, eyes narrowing as you read the complex titles. You tapped the cover of the top one with a single finger. âSo⌠what are you studying that requires this amount of notes?â
âEngineering,â he said shyly, picking at a corner of one of his pages before his fingers hesitantly nudged the book closer to you for you to see. âThatâs my⌠focus.â
You picked up the book, gently thumbing through it, brows rising âEngineering? Thatâsââ you gave a low whistle, placing it back down. âIntense.â
âI guess.â He reached out as if to straighten the book youâd placed back down, though it was already perfectly aligned. âIâve been focusing on mechanical systems. Well, mostly. Iâm still refining my thesis proposal.â
You tilted your head, studying him. âThesis? Youâre already doing a masterâs?â
He hesitated, throat working. âNo. A PhD.â Another hesitation. âMy second one.â
There was a beat of silence as you processed that.
âHold on.â You leaned forward, studying him even harder. âThis is your second PhD?â
The tips of his ears flushed pink as you stared at him. You smiled, leaning back on your hands .
âOverachiever much?â you teased lightly.
He flushed more. âIâI just like learning,â he mumbled, as if that explained away the magnitude of his academic achievements, trying to make himself appear like less of a curiosity.
âSo you must be some sort of genius, right? I donât know anyone who already has a PhD at our age.â
Spencerâs throat bobbed as he swallowed. âIâm notâwell, I mean, technically I have a high IQ, but⌠I donât really like calling it that. âGenius,â I mean. Itâs just numbers. And memory. Andââ he paused, realizing himself he was about to spiral into a breakdown of what IQ scores actually meant.
You tilted your head, amused again. âOh, yeah. Youâre definitely a genius.â
His lips parted soundlessly, like he wanted to argue but couldnât think of a single logical way out. Instead, he pressed his fingers into the grass, picking nervously at the blades before finally muttering, âI guess. Yes.â Then, desperately wanting to turn the conversation away from him, he gestured at your pile of books. âRussian?â
âYeah,â you said with a grin. âIâm majoring in linguistics. Double minor in history and Russian studies. Because, you know â why make life easy for myself?â
âAnd you said I was the overachiever.â
You laughed at that. Actually laughed. It caught him off guard. It wasnât sharp or mocking, but light and airy. Like you couldnât help but find him funny in a way that didnât make him want to sink into the ground.
âTouchĂŠ,â you said, winking playfully at him. âBut seriously, engineering? Thatâs brutal.â
Spencer shrugged, though it looked more like a nervous twitch. âItâs⌠structured. Predictable. I like when things make sense.â
You hummed thoughtfully, the sound low and amused. âSee, I think I like when things donât make sense. Languages are messy, unpredictable â thereâs always some exception to the rule. It keeps you humble.â
âBut that would drive me insane,â he said, voice soft but earnest. âIâd want to know why something broke the rule.â
âExactly,â you said, grinning. âThatâs why linguistics is fun. Itâs like trying to have a conversation with history.â You laughed softly and shook your head. âNow Iâm rambling on,â you said, pulling a book into your lap and pulling a pen from your pocket. âYou wanted to study, right?â
What Spencer wanted was for the conversation to continue, but he nodded regardless, grabbing a book and following suit. The shift from conversation to quiet study felt surprisingly natural.
For a while, neither of you spoke. It wasnât the brittle silence Spencer was used to, the kind that pressed on his lungs and made every shift of his pencil feel like a disruption. This was⌠different.
The grass itched a little beneath him, and the sun filtered lazily through the leaves above, but all he could really focus on was you.
You had two books precariously balanced on your lap now, and you were leaning forward, your hair falling into your face as your fingers traced the pages with a careful reverence. Every now and then, youâd scribble something in the margins â a quick note in looping script â or tilt your head in thought, lips parting slightly as you silently mouthed words.
Spencer should have been reading. He knew he should have been reading. The book resting on his lap had been open to the same page for what felt like an hour, the words blurring together as his mind kept drifting away. Yet no matter how hard he tried to focus, his eyes kept drifting back to you.
There was something about the way you focused. The quiet intensity of it reminded him of the way he got when he was caught in the pull of a problem, unable to stop until he solved it. He found himself wondering what it was like to be inside your head â what thoughts and half-formed ideas lived there.
You looked up suddenly, but if you noticed him watching, you gave no sign.
âIâve got a lecture to catch,â you said, snapping him back to the moment. âYou have a list for me?â
âA list?â
âYeahâof your guys. Bach and Debussy and⌠that other one.â
âRachmaninoff,â Spencer supplied. He glanced down dumbly at his notes, then back up at you. âNo. I could email it to you?â
The silence that followed made his heart slam in his chest. He was sure heâd overstepped. But then your lips curved into a slow, amused smile.
âEmail?â
He nodded earnestly, cheeks coloring. âYeah. I use it for most of my research correspondence. Itâs⌠reliable.â
You raised an eyebrow. âThatâs surprisingly formal for sharing music recommendations.â
Spencer blinked, not sure if it was a compliment or an insult.
âIâitâs just easier to keep track of everything that wayâŚâ he explained quietly, trailing off as he watched you tear a sheet from your notebook and scribble down your email.
âAlright. Hit me with your emails then,â you said, and held the paper out to him. He took it from you hesitantly, let his eyes trace over the letters numerous times before meeting your eyes again.
âIâll try not to flood your inbox,â he said with a small smile.
âOh, no. Please do. I think your emails would be the most interesting thing in there.â
Spencerâs cheeks flamed hotter than they had all morning. He stumbled over his words, trying to come up with a response to your words, but you were already smiling and walking away.
âBye, Spencer,â you called over your shoulder.
He barely managed a breathless, âBye,â before watching you disappear around the corner of a building.
Spencerâs roommate was in the dorm when Spencer returned, looking up from his work.
âOkay, so whatâs the verdict? Still no library girl?â he asked, going to draw another tally on the âfailâ side of the board.
âI found her,â Spencer muttered, fishing out the scrap of paper from his pocket. He pinned it to the back of his desk, staring at it in silence for a long moment.
Behind him, his roommate laughed.
âAdding a point to the scoreboard then. One for Spencer â finally making a move!â
a/n: i have PLANS for spencer's roommate just you wait and see *deviously rubs hands together*
also, do you guys get my vision of baby spencer having an epiphany looking at her while "changes" plays i hope you do
RĂSUMĂ: cipher is hospitalized after being on the receiving end of an unsub's weapon.
TAGS: erin strauss can launch herself off of the bau, hotch is a meanie, cipher is cool guys, idk what else to put here
TRIGGER WARNINGS: description of a stab wound, allusions to childhood abuse, non-sexual grooming, hotch is an asshole, mentions/use of conditioning. reader discretion is advised.
WORDCOUNT: 2.1k
A/N: the picture of elizabeth olsen in the header is not an accurate description of reader/cipher, but rather the expression she makes whenever The Voice is used. i'm slowly getting back into writing because i realized that my dad would be so upset if i stopped writing.
DISCLAIMER: This work is also inspired by House of Cards, by marcidstars, which you can find on both ao3 and Wattpad. House of Cards is an amazing story, one which everyone here should definitely read.
commenting etiquette, CIPHER masterlist
CIPHER HAD A PLAN. There was a time, albeit a regrettable period of time, where she had everything figured out. A time where her name wasnât Cipher at all. A time where she actually had access to weapons that could save her life. A time where the injury she was currently sporting could have been avoided. She still remembered the feeling of her skin being torn by the blade. The kid whoâd stabbed herâ yes, kid, had done so in an act of protecting his mother.Â
His mother, who, after everything sheâd done, still had her sonâs undying loyalty. His mother, who had killed herself to escape the blame. His mother, who had forced him to do unspeakable things. Things that she herself remembered doing all too well. Things that would scar him forever. If the higher ups were as harsh and unforgiving as she remembered, his motherâs conditioning might very well send him to prison.
Well, that and the fact that heâd stabbed her, an FBI agent. However, that was the least heinous of his multitude of crimes. There was the obvious (murder), arson, grand theft auto, theft of a service weapon (not hers, because she didnât have one), breaking and entering, driving without a licenseâ and of course, the little mishap heâd had with the knife that ended up in her thigh. Cipher sighed. A long, exasperated sigh. Everything inside her tingled with adrenaline and pain. She still remembered how heâd managed to get to her. He was cryingâ the oldest trick in the book, really, so she should have seen it comingâ and when she knelt down to talk to him, he unfurled like a hedgehog and got her right by her femoral artery. Heâd been aiming for her stomach, but she had faster reflexes than he did. A pro of being in the murder business, she supposed. Cipher gave herself some leniency. At the time, both her and the team still thought that the mother was the one committing the crimes, not him. So really, had she not reacted when she did, she could very well have died. At least, that was what Spencer told her. His voice echoed in her ears. âYouâre lucky he missed your femoral artery,â he had said. "If he hit itâ which Iâm sure was his intention, we profiled that heâll go for the kill no matter whatâ you would have bled out in under sixty seconds.â
âCareful, Dr. Reid,â she replied. âKeep this up and people will think that youâre starting to like me.â
Heâd scoffed. âI donât like you, but my friends do. And as much as Iâd enjoy you being gone, a death in the team would traumatize the people I actually like. So, since you seem to be very keen on making mistakes, I have to prevent your death as best I can.â
Sheâd rolled her eyes. âYeah right. Just admit it; you like me. Itâs nothing to be ashamed about, Dr. I am quite attractive.â Heâd flushed at that, and she took that as a sign to enjoy a moment of Reid-less peace. Of course, he had to run his mouth again, interrupting the glorious silence between them.Â
âDid you know thatâââsheâd tuned out after that, unable to take any more âfunâ facts from Reid. They were never as fun as he made them out to be.Â
Soon after that, Agent Hotchner had dragged Spencer out of Cipherâs hospital room in order to question her. She assumed that he was there to tell her that âokay, youâve proved yourself, you can have a gun now.â But no, of course he wasnât! Instead, he used that voice. The one Heâd used when He wanted something from her. The one she always obeyed, every time. It felt unnecessary, like a breach of protocol. He had been instructed (by her) not to use that unless it was absolutely required for the benefit of a) the team, or b) the case. (Sheâd also made it clear that for the benefit of Spencer Reid didnât count.)
âIâll ask you one more time. You stabbed Tyler. Why?â Oh, right. Tyler. Sheâd stabbed him? She didnât remember much after removing the knife from her leg, but maybe sheâd stabbed him. It was a possibility.Â
âI stabbed him?â She asked, the daze (caused by The Voice) wearing off, just a little bit. It had always done that to her. Cloaked her in obedience and stripped her of all situational awareness. Cipher. Hated. It. Sheâd made that clear from day one. It was the one thing from Revenant left inside her. No matter how much the therapists had tried, they were unable to scrub that trigger from the frame of her mind. Theyâd discovered hundreds of other tiny minefields, had been able to recondition her into forgetting thoseâ but The Voice remained. Once the higher ups had been notified of her lack of progress with that particular part of her conditioningâ theyâd decided to use it. Trained Agent Hotchner until he had it down to a science. That way, if she got out of hand, heâd be able to control her.Â
There was nothing on this planet that she despised more than The Voice.Â
He seemed to notice her discomfort and decided to dial back on his tone, just a smidge. Just enough to lure her back into feeling comfortable speaking again.Â
âYou did,â he said, softer than usual. The whiplash was enough to send her spiraling. âHeâs in the ICU now. You stabbed him three times. Twice in the gut, once in the shoulder. Strauss is calling it an unnecessary use of force against an innocent.â
Innocent. It made her blood fucking boil. It was so typical of Strauss to do something like that. Cipher was to be sent to the gallows, yet this boyâ this boy, who was in the same situation as she was all those years agoâ got a fucking free pass because it would damn her further.Â
âHe stabbed me.â Was all she could manage to say. âAssaulting a federal agent is a serious felony. Or have the rules changed since I joined?â
He gave a dry, humourless laugh. âNo.â He sighed. âThey havenât. But youâre on strict watch, Cipher. Anything that can be used against you will be used against you. You know that.â
âI am very aware of Section Chief Erin Straussâ game of middle school targeting.â
He sighed again, like she was aging him twenty years due to her existence. It made her want to scream. Sometimes, these things happen. Sometimes, she gets hurt and has to fight back. Cipher is goodâ but sheâs not fucking invincible.
âItâs not a middle school game of targeting.â He finally said. âShe has her reservations, and she has reasons for them. Valid reasons, Cipher. You didnât exactly make it easy for her to find you. The search cost thousands of dollars.â He paused, giving her a moment to let that sink in. âShooting her probably didnât help her in deconstructing those reservations.âÂ
âI donât give a damn if she has reservations, Hotchner. I care that sheâs letting her preconstrued image of me get in the way of justice.â She said, leaning back in her uncomfortable hospital bed and pretending that the wince she let out was just a yawn.
âYou could call me Hotch.â He said. âEveryone else does.â
âIâm not everyone else, SSA Hotchner.â
âNo,â he sighed. âUnfortunately, you are not.â
â
CIPHER SPENT THE NEXT THREE DAYS IN A HOSPITAL BED. The whole time, she was getting updated by Hotchner about Tylerâs state. Whether he was going to live or not. Normally, she wouldnât have cared. He tried to kill her, that was damning enough. She really should have had more empathy, considering that sheâd been spared after doing the same thingâ but she wasnât a good person, and sheâd never claimed to be.Â
She cared because whether he lived or died was the difference between a note in her file and a re-evaluation of her deal. Re-evaluations were bad. In the five years sheâd been working at the BAU, it had only happened once. The time sheâd stolen a gun from the suspect and shot him in the head. It had been the only kill sheâd made since her escape from Him.Â
Strauss had been absolutely furious. Sheâd lecturedâ no, fucking had a one-sided screaming match with Cipher about breaching trust and BAU protocol. When sheâd pointed out that Emily had to do the same a few months back, well. She didnât know a face could turn that red. It was a weak excuse, and she knew it. Erin had nearly exploded. Sheâd tried to remind the Section Chief that it was either kill or be killed, but she wasnât hearing it. âI donât care if youâre about to die, the only time you are permitted to use a weapon is if someone elseâs life is in danger!â Someone elseâs life. Cipher knew that she wasnât very⌠valuable, per se, in Straussâ eyes, but she hadnât expected that.
The next week, there was an updated version of her contract sitting on her desk when she came in. Underlined thrice was the new condition. â Under no circumstances is [CODE NAME] Cipher permitted to use lethal force in situations that involve his or her own mortality. In the instance that another agent or victim is in a situation that requires the use of lethal force, [CODE NAME] Cipher may be granted access to a weapon.â
It became clear then, that the FBI did not care whether she lived or died. So, if her actions ended up being what killed Tylerâ then sheâd have broken her contract. At best, sheâd be assigned to another unit. At worst, sheâd be imprisoned or put into WISTEC. God, she didnât know if sheâd be able to handle another identity. Sheâd spent years stripping herself of the obedienceâ of the plain, boring personality Heâd given her. She had built who she was now from nothing. All the sarcasm, the sharpness, everything defensive about her had been carefully curated over a decade. She wasnât about to do that again just because some woman whoâd never had to make the decision to end someoneâs life or not said she was out of line.Â
The rules were ironcladâ and they said that this was a violation capable of destroying her life. Â
â
TYLER FITZ-RAMBEAU SURVIVED CIPHERâS BRUTAL ATTACK, Agent Hotchner informed her. Though thereâd be scarring, heâd survive with no lasting damage. His family had no right to sue the FBI, and technically, while sheâd broken a ruleâ there were no deaths caused by her ârecklessnessâ as Hotchner put it, which meant she was probably in the clear. Cipher didnât care. Reckless meant sheâd stay alive. Reckless meant that she wasnât broken beyond repair. Reckless meant that people would think twice before trying to kill her. But when she pointed that out, he hadnât even looked at her. Heâd just reminded her that being cautious and level-headed was another condition.
âFuck the rules,â she wanted to say. âThe only ones I follow are my own.â
Instead, she nodded like sheâd actually consider changing. Like she was still capable of changing. He glanced up at her then, looking her over once, twice. Taking in her defiant expression, her postureâ all of it, then snorted and went back to completing his paperwork. She should have been offended, but he was right, and she had no energy. There was no way in hell sheâd âgrow from this experience and make better decisions in the futureâ or âtake it as a way to learn and growâ, because fuck that. She hadnât stabbed Tyler because she felt like it, sheâd stabbed him because she didnât want to die. Because the other option was to just lay back and take it, since she couldnât exactly point a gun at him and tell him to get on the ground.Â
Apparently, having control over her meant more than her life to the Bureau. Then again, she wasnât surprised. Her life had always held very little value to the people who surrounded her. Except to Him, her life was valuable. He treated it like it was something precious, something to be preserved. She got high off of the admiration and ârespectâ he had for her, and what ended up bringing her down from that high was handcuffs and a death sentence. It had shattered the illusion, like a rock to a window. Shards of glass, everywhere, and she desperately had tried to put the pieces back together with nothing but her bleeding, trembling hands.Â
It was with those hands that sheâd shaped Cipher. The scars that ran up and down her back told stories of resilience and someone who didnât crackâ didnât break, didnât allow herself to falter under any circumstances whatsoever. She held her future with the very same fingers that had pulled the trigger of a gun too many times.Â
Cipher was His worst nightmare.Â
Cipher was perfect.
a/n: thank you for reading. please reblog and comment all your thoughts if you enjoyed.
RĂSUMĂ: Spencer and Cipher are sent into a cult as child and youth workers. When plans go awry, one of them is forced to reveal their identity.
TAGS: rewritten cm episode, there will be some mistakes with who said what and i am not sorry, i interpreted it as âhmm who do i think would say thisâ âah you there! speak it!â, ci does⌠honestly idk how to describe it, she does what emily did but like⌠in a romantic way kinda, used most of the dialogue from the actual episode, cipher is a fucking idiot, cipher is a badass, SPOILERS FOR CRIMINAL MINDS S4 E03, cipher gets a hug and it Breaks Her BrainÂ
TRIGGER WARNINGS: canon typical violence, cyrus goes WAY harder on ci than he did emily, owie dude, pain, constant pain, a stab wound (kinda), more concussions!
WORDCOUNT: 12.6k
A/N: oh?? OH??? OHHH???? Is this⌠maybe⌠cipher gaining some emotional awareness? wait no who are we fucking kidding
commenting etiquette, CIPHER masterlist
THE 911 CALL MAKES HER SICK TO HER STOMACH. The voice sounds young. Too young to be dealing with whatever is happening at Liberty Ranch. Sheâs no fool; that place is completely godless. All she has to go on is the call. And yet, sheâs already made up her mind about what kind of people run the âchurchâ; sick, twisted individuals that singlehandedly make her hope that hell exists.
Sheâs never been religious. The thought of it, of a God, in her mind, is absolutely ridiculous. If he does exist, well. He abandoned her a long time ago, no regrets. It was only fair she did the same.Â
Of course, so-called âdivine interventionâ can be accredited to dumb luck. She has a plethora of counter arguments to disprove the existence of an all powerful creator. Just ask Reid, he found out the hard way a few months ago.
A voice rings out into her head, snapping her back to the real world. Itâs Spencer, of course, poking her in the thigh and asking her if she was listening. She wonders why his years of profiling hasnât given him the necessary tools to find the answer to his question through body language aloneâ unless, of course, heâs being annoying on purpose to piss her off. Thatâs a valid possibility. Itâs working, too.
She ignores him.Â
He does not ignore her ignorance. No. Ignoring. Whatever. In fact, it only serves to encourage him to continue⌠poking her.
Heâs poking her. Not mentally, though he does that often. Physically.
Jesus fuck, can this man get any more annoying? Apparently, he can. In addition to touching her, heâs making a point to avoid any kind of pattern. One tap. Then two. Then four. Back to oneâ oh wait, now heâs doing it in fives. Absolutely wonderful.
Daily affirmations: You are not going to kill Spencer Reid.
Maybe she will, if it means heâll stopâ
âStop that,â she hisses. âYouâre a professional. Act like it.â
He gives her a disapproving look. âYouâre one to talk about being professional at work. You resort to petty insults that have no effect on a daily basis.â Heâs not even trying to keep his voice down. The state police officer who is driving the car glances back at them with a peculiar look on her face.Â
Cipherâs this close to making good on her threats.Â
âThey have their intended effect.â She says, matching his tone. Usually, she tries to maintain a certain level of⌠âfriendlinessâ (itâs somewhere in between genuinely nice and saccharine nice) with local officers. âYouâve professed experiencing feelings of absolute insanity when prompted afterwards, have you not?â Both he and the officer, Nancy, grimace.
This time, she glares at the officer. Quickly, the brunetteâs eyes divert and refixate on the road in front of her. Thank god, she wants to piss Spencer off in peace. Is that so hard to get nowadays? Last time they were here, Colorado police werenât this nosy. They didnât care if she and Spencer fought, they got on with their jobs and ignored it. Though, she supposed, if she was out in the open, anyone had a right to comment on it.
She just doesnât like being judged, thatâs all.
For the rest of the drive, she remains unseen. Spencer, sensing the tension, decides to remain silent for the remainder of the drive. Cipher just looks out the window, watching the green grass and blue sky blend together as the car accelerates. Branches of trees whip across her eyesight, blinking by in an instant.Â
Sheâs circling back to the call. To the girl, who theyâve identified as Jessica. Likely. The âheâ in question, is rumoured to be a man called Cyrus, a despicable creature who allegedly practices both polygamy and forced marriages. Youâd think that, if he had multiple wives, at least one of them would want to be with him.Â
âIâm only fifteen.â
It makes her sick.
â
SICK IS AN UNDERSTATEMENT. When she sees that manâ hears the way he talks about girls, childrenâ she thinks she might throttle him. But she doesnât, though it takes nearly all of her willpower. She and Spencer are introduced as child victim interview experts. She watches his face intently, eyes raking over his features again and again, just waiting for it to change. For guilt to settle in. For his calm, composed facade to splinter under pressure.
Cipherâs only reward is seeing his lips twitch downwards, his eyes narrowing just a little bit. Defensive. He can see her judgement, knows deep down that itâs undeniably true. This is wrong, and somehow, heâs managed to convince about a thousand people to abandon their morality at the doorstep of a church. Just because some man said it was Godâs will. Had they cracked open a single bible, read a single verseâ theyâd know that the opposite was preached, but manipulation and evil are strong. She knows that much. She always has.Â
As they begin their trek through sun-scorched grass, towards the entrance, Cyrus says something that makes her blood boil. Heâd come to greet them when theyâd arrived, and had even tried to shake her hand.Â
âYou know,â he says, pushing the double doors open to reveal a polished interior. âHow far from Godâs word must we have strayed for there to be the need to invent a job called child victim interview expert?â Heâs trying to sound innocent, she can tell. Cyrus wants to get on their good side, convince her that she agrees with at least some of his views, get his foot in the door to make her someone she sympathizes with. Sheâs seen this before. Men like him try to convince the BAU that it wasnât their fault, that they just couldnât take it. That theyâre sorry, and theyâll do better, they promise.
Theyâre fucking liars, thatâs what they are. Thatâs what this man is, what heâll always be. No amount of anything can change that. People like him, no monsters, will claim they want to change, to be betterâ only after they get caught. They wonât care before, theyâre perfectly fine with claiming victim after victim until theyâre stopped, and only then are they fucking sorry.Â
Itâs bullshit.Â
And now Spencerâs wearing that look, the one that tells her that her emotions have been splayed all over her face for the past minute and a half. Quickly, she schools her expression as best she can.Â
âThe job only exists as a response to people doing inhuman things.â She fixes her eyes on him. She knows. He deserves to know that she knows, he should be feeling all the turmoil heâs capable of feeling in whateverâs left of his disgusting heart.Â
Itâs men like him that want to make her believe in hell. Cipher isnât religious. Sheâs thought about this before, she thinks about it all the time. She canât be, it goes against her nature. Sheâs practical. She can differentiate between truth and stories told to make others feel better about the things they can do and the things they shouldnât but think about regardless.Â
But thereâs no torture strong enough on this earth to adequately punish those who manipulate and mold others into something they shouldâve never had to worry about being.
â
SHEâS COMPLETELY GONE. Jessica Evansonâ a bright, young, fifteen year old child is convinced that it it would be alright to marry a man twice her age. To have his children. To sleep with him. That âGodâs willâ justifies everything and anything. The problem is, anything can be Godâs will if youâre smart enough. Clever enough. Charming enough. Cyrus is one of those people, she spotted that the moment she had the misfortune of meeting him.Â
âWe go to school, we do our chores, and we treat ourselves with the respect that God demands.â And, oh God, does Cipher want to shake her. Yell. Scream that this isnât right, that no matter what god says, this isnât how things are supposed to be. That itâs not God who is telling her anything, but rather a mortal man with a convincing demeanour.Â
âBut youâve never been off the ranch?â Spencer cuts in. Thatâs good, his talking is useful for once. Sheâs not sure she can keep speaking.
âI brought Jessie here when she was two.â Cipher recognizes her face, Kathy Evanson. Jessicaâs mother. She looks her over once, then twice, and feels her body surge with something that feels like rage. How could a mother do that? Bring her child straight into danger, into a place where sheâll be groomed and tormented by thoughts and actions that arenât her own, things that shouldnât be doneâ the streets would have been better.
âOr would they?â A voice in her head says. âLook at what they did to you.âÂ
No. No, this girl is not her. She never has been, and never will be. Their stories differ, intersect for a few moments and then split apart. This girl still has a life ahead of her.
She takes a second, then, to remind herself of the reality that surrounds a cult. They prey on the weak and vulnerable. If she had to guess, sheâd say that Kathy Evanson was a single mother struggling to feed her child. And then a church reached out, offered food, maybe. She just had to go to one Sunday Service.
And that was how they got their hooks in. They promised her something she didnât think she was strong enough to provide on her ownâ a good life for her daughter.
She can respect that. She has to. She cannot damn this woman and paint herself as a saint who did not know any better.
âYouâve talked to lots of children in your line of work. Tell me, are their lives somehow better than ours?â Some of them, yes. Most of them, no. But damn it, Kathy. She thinks. Donât try to justify this.
âWe devote ourselves to God,â Kathy says, clearly noting the expression plastered on Cipherâs face. âThat doesnât mean weâre not devoted to our children.â
âWeâre not here because of your religious beliefs.â Cipher states plainly.Â
âWhy are you here, then?â Jessica asks.
Cipher says the only thing she can think of that isnât shouting at the girl. She doesnât deserve that. Itâs not her fault. âWe received aâŚâ how can she put this. Appalling? Disturbing? Terrifying? Thereâs nothing she can say that wonât convince Jessie not to trust her. âA 9-1-1 call.â Good. Thatâs good. Tread carefully. âTelling us that, allegedly,â she makes sure that she emphasizes the word, performing, making it sound like sheâs not accusing someone who is basically god to this little girl of something despicable. â-someone is abusing some of the younger girls here. Is that true?â Out of the corner of her eye, she sees Spencer tense.Â
âYouâre talking about Cyrus.â Jessie says.Â
âWhat makes you say that?â Cipher asks. Sheâs trying to keep it together, she really is, but she can feel herself pulling apart at the seams.
âJessie,â Kathy prompts. âCome on.â
âIs it inappropriate for a husband to share a bed with his wife?â
Sheâs going to throw up.Â
âYouâ youâre married to Cyrus?â She asks. Fuck, Jessie recoils at her tone. Keep it together. Keep it together. Do not scream. Do not scream. She watches Kathy shrink away, guilty. Guilty.
âCyrus is a prophet. It is an honour to bear his children.â God, no. No, no, no. Sheâs wrong. This isnât an honour, itâs abuse. Sheâs being abused, and she canât even see itâ she sounds grateful? She canâtâ this isnât right, surely she can tellâ
âJessie,â Spencer says her name softly, a stark contrast to Cipherâs accidental half-outburst. âYouâre fifteen years old. The state of Colorado requires parental consent.â
Cipher sees the guilt that covers Kathy. The regret. The shame. She knows it well, itâs an old friend sheâs never been able to shake away. âShe gave consent.â
Just as Cipherâs about to continue, the door bursts open. Cyrus storms in, accompanied by two men. They all have guns. They all look angry, their jaws clenched and their bodies taut. She moves, trying to cover Jessica, but Cyrus is faster. He grabs her arm, pulls her forwards. She lets out a noise, but when the man next to Cyrus raises his gun, she falls silent. Shit.Â
âWe just got a very strange phone call from a news reporter. Is there anything you want to tell me? About a raid, maybe?â He asks her coldly.Â
She can hear yelling outside, she thinks she catches the word âwarrantâ--- oh. She knows this all too well, sheâs seen it play out before, just⌠on a larger scale. Almost a decade ago.Â
The children donât deserve this.Â
âThereâs a raid,â his tone is even. Like heâs been preparing for this, waiting for it all to unfold. He steps forward, eyes flickering across her face. Looking for deception, though she doubts heâll be able to find it.Â
A raid. She just hopes he doesnât interpret the recognition she feels as foreknowledge. He grabs her wrist tighter, and when her whole body jerks backwards, he seems to make up his mind. Spencer takes a step forward, opening his mouthâ
âThey didnât know.â Cyrus decides.
âTake them to the basement with the others.â
Just as they begin to move, the sounds of gunfire begin to ring out around them, muffled by the thick walls of the compound.
Well, fuck.
â
THE BASEMENT IS CHAOS. People are screaming, people are crying. Guns are scattered on the floor, and she sees a mother trying to corral all the children away from the weapons. Theyâre there for anyone to take, literally anyone. The disarray (and danger) of the room is a clear sign to her that this was not planned. Cyrus is a monster, someone who has long since lost any sense of morality. But heâs smart, and he knows that getting anyone killed today will ruin his chances of ever being released from prison. He didnât know this was going to happen. Heâs just as clueless as she is. Theyâre in the same leaking, sinking, fucked up boat.
Wonderful.Â
âWhereâd all these guns come from?â Reid asks, motioning around the room with his eyes.Â
âOh, let me just ask my crystal ball. Letâs see⌠maybe God?â She says. He rolls his eyes, glancing at her quickly with a special look he curated just for her. Itâs a mix of fuck you and I hate you and are you serious? Normally, when she gets him to use it, it at least elicits a smile from her. But not today, not when sheâs still royally pissed off.Â
âI donât know,â she gives him a real answer. âGarcia checked with the state police.â
She watches as Spencer takes a sharp inhale, chewing on his lip.Â
Nancyâs arguing with one of the armed men, she doesnât know why. Cipher steps towards them, hoping to catch their conversation. âItâs the state police,â Nancy says. âIâm an officer of the state. I can talk to them, if youâll just let meââ
âWell, thereâs nothing we can do right now.â Says the man currently blocking the door, blocking Nancy from doing something stupid and possibly getting to experience the feeling of a bullet ripping through her body. For an officer, she seems to be quite stupid; willing to risk her life over a situation of which she has zero control.
âI can talk to them!â She argues. âTheyâre with me. Thereâs no raid planned, so they must have gotten something wrong.â
Spencer dashes forwards, planting himself next to her. He places his arm on her shoulder, concern filling his honey brown eyes. âYou canât do that,â he says. âItâs dangerous. This is a raid; thereâs a 26.87% chance that youâll get hit by a stray bullet.â
Nancy narrows her eyes in determination. âYou donât know that. Theyâll listen to me. Hell, I grew up with half these people.â
âThat doesnât mean anything if they canât see or hear you, Nancy.â Reid pleads. She doesnât listen, though. She wants to be a hero. Cipher can see it now; pretty girl, underestimated all her life. Picked a job with âno real impactâ, like all the boys in her class told her she would. Now, desperate to prove herself, desperate to be a hero. Has anyone ever told her that things donât tend to end well for heroes?
She watches as Nancy bolts past Spencer, past the man guarding the doorâ and as Spencer tries to pull her back, fingertips grazing the fabric of her shirt before she rushes out of his grasp. Spencer strains against the guard, but he doesnât budge.Â
Fuck. Now, theyâve lost her. Now, sheâs gone on a suicide mission. Now, theyâre not sure if theyâll be able to get her back.Â
Itâs only a few more minutes until she hears someone coming down to the basement. Itâs Cyrus, ushering the man guarding the door away as he passes.Â
âWhereâs Lunde?â Spencer asks.
Cyrusâ lips pull into a thin, tight line. âIt wasnât us.â He replies. She grimaces. Now, things have gotten ten times worse. Now, everyone involved with the extraction will also be emotionally involved. She knew this was going to happen.Â
Nancy should have listened to Spencer.Â
But Cyrus is moving again, taking his gun with him. Spencerâs eyes go wide, and he follows the man. âYou canât shoot it out with the cops,â he hisses. âYou have children here!â
âI didnât start this.â He says, glancing at the door. âThey did.â
Double fuck.
â
âTO FOLLOW BY FAITH ALONE IS TO FOLLOW BLINDLY.â
BENJAMIN FRANKLIN.
BEHAVIOURAL ANALYSIS UNIT- QUANTICO, VIRGINIA.
â---WHAT IS CURRENTLY BEING CALLED A ROUTINE QUESTIONS-AND-ANSWERS MEETING BY COLORADO CHILD SERVICES HAS TURNED INTO A VIOLENT AND DEADLY STANDOFF BETWEEN COLORADO AUTHORITIES AND A FRINGE RELIGIOUS GROUP KNOWN AS THE SEPTARIAN SECT.â
JJ stops in her tracks when she hears the news anchor say those words. She does a quick double take, glancing between the screen and her computer. She canât have heard that right. She checked. Double checked, actually. Nothing was supposed to be taking place today, not when Reid and Cipher were inside.Â
âMorgan!â
The brown haired man turns to look at her, cocking his head to the side.
âLook.â
She watches his face fall. Disbelief, horror, panicâ
âHotch!â
âTactical warrant service team forced into a retreat after a thirty minute gun battleâŚâ
âJJ,â Morgan says. âThatâs not the ranch where Reid and Ciââ she nods solemnly, rushing over to his side. âTheyâre still inside,â she confirms.
Hotch exits his office, looking tired. That is, until he sees the TV. The red banner. The news announcer. His face drops.
âIt is believed that at least three of the child service members are still trapped within the compound.â
âLetâs go.â He says. âJJ, get Rossi. Tell him something went wrong at the ranch. Reid and Cipher are in danger.â
She nods.
â
AARON HOTCHNER DOESNâT EVER THINK HEâS BEEN MORE FURIOUS. The state police, it turns out, had not been informed that there were undercover FBI agents in the Septarian Sect today. Theyâd been planning a raid for six months, gathering informationâ but had failed to mention that when JJ had called the ADF to confirm. As it turns out, Jim Wells, attorney general, lied to them. He was challenging the Governor for his position in the next election. Itâs highly likely that he was trying to avoid having his case poached, which was fairâ but itâs also impossible for him to have not known the stakes when he was asked by the ADF. He knew this was a possibility, and decided not to tell anyone anyway. He can already see the charges stacking up. Negligent homicide. The counts depend on if Reid and Ci make it out alive.Â
Aaron can already feel a headache brewing. Heâs put in the order to have Leo Kane, former leader of Liberty Ranch (currently incarcerated for both tax evasion and assault with a deadly weapon) transported to the scene to get an idea of what the compound is like.Â
He thinks he already knows, but heâll have Morgan interview Kane anyway.Â
 â
âWE CALL THIS THE âMINIMAL LOSSâ SCENARIO. EVERY PERSON WE GET OUT IS A LIFE SAVED. WE WONâT SAVE THEM ALL.â Rossi explains. The team of hostage negotiators are listening carefully, trying to commit every word to memory. Aaron can see it on their faces; none of them want to be the reason somebody dies today. He canât be objective, he knows that. Those are his teammates, locked in there. Hisâ his friends, trapped and alone, with no feasible way to escape. Heâd be lying if he said it didnât scare him, but thatâs all heâll allow himself to think. Heâs scared, yes, but there is a time and place for emotions. Now is not it.
âAll of us have to be prepared for that scenario.â
Hotch isnât. He knows heâs not. Realistically, this is a death sentence. Realistically, heâll be lucky if he gets Reid or Cipher out alive, that both⌠It's rare.Â
The phone, the one Rossi had set up to make negotiations, begins ringing. He watches as Dave picks it up, presses it to his ear. He talks, words that Aaron isnât paying attention to, though he knows he should be. He manages to de-escalate the situation, like Aaron knew he would, despite the older manâs reservations. Despite their emotional involvement, though involvement isnât strong enough of a word. Intertwined, maybe. Theyâre emotionally tangled up in this case, tied together, a knot that wonât untangle easily. Itâd be easier to cut it out with scissors, but each strand that gets severed is a life lost. Itâs not an option.
Theyâll just have to wait this out, hope for the best. Personally, Aaron Hotchner is praying that Cipher wonât do something stupid, wonât get herself hurt.Â
When he hears the phone click back into the receiver, Rossi sighs a breath of pure relief. âTheyâre alive,â he says. âReid and Cipher are fine.â Thank god. His entire demeanour shifts, his entire body nearly slumps over in undiluted solace.
He checks out of the conversation after that, allowing his mind to relax. He catches something about mics, planting bugs in the compound.Â
âHow familiar are Reid and Cipher with our playbook?â Aaron asks.Â
âVery,â Rossi replies. âThe BAU wrote the CIRG handbook.â
âSo theyâll know weâre trying to get ears in at all times.â
Rossi nods. âThey will.â
â
âPREPARE THE WINE,â CYRUSâ VOICE ECHOES OUT INTO THE CHURCH, THE LIGHT FROM THE STAIN GLASS PAINTING HIM, MAKING HIM LOOK HOLY. Though Cipher supposes thatâs exactly what he is to these people. Holy. âWe are celebrating.â Cipher and Reid have been placed in the back of the chapel, watching as Cyrus and someone else begin to hand out cups full of red liquid. Wine. Theyâre given to the children, too, which is both a surprise and concerning to Cipher. She has to wonder why. She knows all about the Eucharist, too much for her own liking. But sheâs never really seen wine being given to children during mass before. Itâs suspicious.
âEveryone drinks!â Cyrus shouts. âEveryone rejoices.â He waits a few moments, allowing the people in the crowd to sip from their cups. He watches them intently, narrow eyes flitting across the crowd.Â
âBecause today, we are one day closer to being with Him.â Cyrus says just as Spencer elbows her in the stomach. Hard. It takes everything in her to not whirl around, face him directly. She canât do that, it would draw too much attention to the pair.Â
âLook at Jessicaâs body language,â he comments. âThe way she looks at him.â
Cipher fixates on Jessica. She has her body angled towards Cyrus. Sheâs standing as close as she can get to him, barely giving him enough room to perform. Her eyes are glassy, just a little bit, they remind her of someone she once knew.
She tears her own gaze away, before she can twist open that can of worms.Â
âShe literally worships him,â Spencer comments. âThereâs no way she made that 9-1-1 call.â Cipher knows what that feels like, doesnât she? Believing in someone so wholly, with all of yourself, sincerely, just leads to manipulation. She knows that now, and she wishes she knew it then.
Cipher jerks her head in Kathyâs direction. âLook at how she comes between Cyrus and her daughter,â she notes. âSheâs trying to protect her. Sheâs inserted herself between them. Like a shield.â Reid nods. Oh, look. He can be cordial.Â
âDrink to acknowledge Him, and I will guide our way.â Cyrus booms. Everyone who has a cup, drinks. They tilt their heads back in almost perfect unison, not stopping until nothing remains in the crystalline glasses.Â
âWe drank the poison together!â Cyrus yells. Horrified gasps come out of the crowd. Children, sensing the agitation of their parents, begin to cry. Some stay still. Some look to be at peace. Some panic. Itâs a mixed reaction, probably what Cyrus wanted. Cipherâs eyes widen. This wasnât in the profile. Sheâd assembled something quick in her mind, rushed but hopefully accurate. Clearly not, if sheâd been so egregiously wrong about something like this. Suicide.
No, he was too proud for that. Too proud to go out in such a way, with a method so full of cowardice. He liked to incite fear beforehand; it didnât make sense for him to want to watch all his diehard believers slowly die on the floor in front of him.
âAnd God will wipe the tears from their eyes, and there will be no more death, nor sorrow, nor crying. And there will be no more pain, for all of the former things have passed away.â
âWhat do we do?â Cipher whispers. Some people are openly sobbing now. Gasping for breath, clutching their children close. Others are silently weeping, their hands pressed to their faces to hide their shame. Some are unaffected, sitting docile, arms folded in their laps.Â
âNothing.â
âThese people just drank poison!â She hisses. But even she has her doubts about what was in the glass.
âNo, Cyrus told them they did.â He says calmly. âBut I think he was bluffing.â She stares at him, mouth slightly agape. It would make sense, it would fit her profileâ but if heâs right, then why?
âWhyâ why do you think that?â She asks.
âJust after he told them about the poison, he waited for them to react. Then,â he points his head in the direction of a man, about fifty feet away, standing by one of the stained glass windows. âHe nodded at Cole, who started writing something down.â Heâs right, of course, there is a man writing things down.Â
âHeâs scanning the audience for reactions,â she realizes. âSo he knows whoâll stay with him to the end. Heâs weeding out the âweakâ.â
Another thirty seconds go by. Then a minute, then two. Finally, at the five minute mark, Cyrus raises his hand. âBe still.â He says. Instantly, all heads snap in his direction. Everyoneâs eyes are fixated on him, waiting. Waiting.Â
âThere was no poison.â The criers falter. The ones who stayed silent show no change at all. âInstead, a test of faith.âÂ
He continues. âBecause your adversary, the devil, waltzes about as a roaring lion!â His shout shocks the crowd, several children start crying again when the shrill noise rings out. âChosing whom he may devour.â
âWatch each other for signs of weakness,â he snarls. âYou are your brotherâs keeper.â
With that, he waves his hand, dismissing them. Cipher and Reid share a glance, a glance of worry and concern.
Heâs clearly unstable. Thereâs no telling as to what heâll do next.
â
âHIS NAME IS CHARLES MULGREW. HIS MOTHER WAS FIVE MONTHS PREGNANT WHEN SHE SHOWED UP ON OUR DOORSTEP. HE TURNED OUT TO BE ONE OF THE SMART ONES.â This is said by Leo Kane, former leader of the Septarian Sect. Morganâs talking to him, Hotch is observing. Heâs doing anything and everything to keep his mind off of what could be happening to his team in the ranch.Â
âAmazing memory, that kid had.â Kane reminisces. âAnything he read he could repeat back to you. And he did. Mouthy son of a bitch, that one.âÂ
Morgan nods. âWhy did he leave the ranch?â He asks. Kane takes a while to respond, clearly thinking of a way to explain the timeline of events. This is going to be a long story, Hotch can tell that much from the way Leo makes himself comfortable in the chair heâs sitting in.Â
âWhen he was seventeen,â Leo drawls, âa couple of our⌠younger girls came to me and said that heâd been messing with them.â Morgan looks taken aback. âYou mean sexually?â
âYessir.â He nods. âNow, donât get me wrong. Iâm a libertarian. But these girls were too young for a seventeen year old to be messing with.âÂ
âSo you kicked him out for that, right?â Hotch hopes heâs going to say yes, for both Morganâs sake and the sake of the girls.Â
Leo gives them an incredulous look. âYes sir, I did. His mother took him to Kentucky. Hadnât heard anything from him for years.â He takes a breath, anger now spreading across his face. âAnd when he finally showed up again, he said his mother died, he found God, and he wanted to come home.â
Everyone in the room pauses. Aaron finds himself letting out a sigh of relief, breath he didnât even know heâd been holding. âHow does a kid like that get rid of you?â Morgan asks. Leo takes another inhale, fingers rubbing at his temples.Â
âOne day, he came to me and said God told him I should leave the ranch.âÂ
âAnd what did you say?â Hotch wonders aloud. Leo doesnât even spare him a glance, staying fixated on Morgan. âOh, Iâll tell you what I said. I said; if God felt that way, God could tell me himself.
âAnd then?â
âAnd then he put a gun to my head and told me, âHe just did.ââ
Leo continues. âTook me twenty years to build that ranch. Iâll do anything I can to help you send that seedy sonofabitch straight to hell.â
Itâs then that they hear a commotion. JJ is shouting, saying something Aaron cannot decipher. He steps outside the tent, and nobody is calm. âHotch!â Rossi yells. âYou have to see this!â Instantly, panic shoots through his body. Is Cipher in danger? Dead? Is Reid okay?
He dashes towards the TV at which Rossi is pointing. When he hears what the announcer is saying, his heart plummets.
âThereâs still no word as to why an undercover FBI agent was sent in alone.â
â
âWHICH ONE OF YOU IS IT?â Cipher glances up at Cyrus as his voice echoes into the room. She cocks her head in confusion, eyes flicking to Spencer like he isnât just as bewildered as she is. She doesnât know what heâs talking about, not until he opens his mouth again.Â
Itâs only when he pulls out a revolver, and points it at Reid, does she understand.
âWhich one of you is the FBI agent?â
Fuck. Fuck, fuck. She wracks her brain, trying to figure out how he found out. That doesnât matter, though, right now. She realizes it when she feels a wave of cool panic rush through her body. No. She canât let him die, she wonât. In the haze, one thought becomes clear. Reid is smarter than her. Heâs profiled for longer than she has. He knows how to appease these types of people without being angry. Sheâs already aggravated Cyrus outside, thereâs no way heâll be willing to trust her after that shitshow.Â
She will not let Spencer die. Sheâd sooner let herself be shot and killed.
She will not let Spencer die.
But just as sheâs about to speak, profess her guilt, give him a reason to kill her, Spencer speaks up.
âWhy- why do you think that one of us is an FBI agent? Weâre justââ Cyrus cocks the revolver.Â
âGod will forgive me for what I must do.â
âWait!â Her voice comes out louder than she meant for it to be. His attention diverts to her, wholly, and she sees rage flash across his features before he schools them back to an indifferent mask. She knew it. She knew there was a monster under there; she just needs to figure out how to bring it out, buy the team time.
âI- I donât know what youâre talking about,â Spencer doesnât look at her, but she can sense his panic. What are you doing? He says to her with his body alone.Â
âOne of you does,â Cyrus presses the gun into Spencerâs forehead. The skin around the barrel goes white with pressure. âI sure do hope she tells me before I blow your brains out.â
Fuck.
âMe. Itâs me.â
His eyes flicker with satisfaction, as though heâs just won a game. Heâs suspected something of her from the beginning, she knew that he would after she made the some people are monsters comment. He just didnât think it would be this large of a betrayal. He didnât suspect that she was playing chess on a board he thought was made for checkers.
None of that matters when he presses the gun into her back, shoving her forwards into a secluded room. She can hear Spencerâs faint protests, but heâs silenced quickly. Taken somewhere, probably. She just hopes he doesnât give himself away.Â
âProverbs 20:30 tells us blows and wounds cleanse away evil.â He strikes her then, to the face. Her head snaps to the side, she can feel blood fill her mouth. Pain hits her cheek, and she blinks slowly, trying to clear her vision.
Cipher is just about to speak when she feels him hit her again, this time to the stomach. She doubles over, and he takes this as an advantage. Sheâs pulled back up by her hair, and lets out an involuntary yelp of pain when he yanks hard.
Motherfucker.Â
He grins. She knew he was evil, she just knew it.Â
âExodus 20:13,â she rasps. âDo not murder.â
His fist connects with her nose this time, and it takes everything in her not to scream. She wonât. She refuses. He doesnât deserve the satisfaction of knowing that he hurt her.Â
âIâm not going to kill you,â he laughs. âI need an example to show the others what happens,â he kicks her leg, her injured leg, and her head hits the wall as she loses her balance. â-When you disobey the will of God.â
He pulls her up by the arm, and spins her around.Â
Pain. Everywhere. Itâs all she can feel, the only thing her body can interpret. But she knows something. Through the pounding of her head, she remembers. The BAU. Theyâre going to come in if they think sheâs being murdered. If they think sheâs hurt.Â
She is hurt, but she wonât let others be killed because she canât handle it.
âYou kick like a bitch,â she hisses. âCome on. Try harder.â His rage flares up. Yes. Thatâs exactly what she wanted. He twists her arm, twists it until she feels something give way. But she does not scream. Sheâs learned how to silence herself.
He looks both horrified and furious.
It takes everything inside her not to cry, not to give up, but she stays strong. She holds her ground. She smiles at him, and he takes a step back. She has the upper hand, for a moment. But she canât walk like this, her leg is now oozing blood. Shit. He opened the wound. Sheâll have to get stitches again.
Thereâs a moment where she enjoys it. The rawness of her body, the pulsing underneath her skin. The adrenaline. Itâs sickening, but it feels good.Â
He smacks her across the face. She stumbles, bracing herself on her broken arm. It doesnât work, thereâs no support, so she collapses fully.
âI can take it,â she tries to differentiate the words from her previous attempts to antagonize him, making it clear that these ones are for someone else. Cipher doesnât know if it works. She hopes it does. â-If you start actually hitting me. Come on, do I need to show you how to throw aâ fuck!â
He pulls her up again, and god, sheâs getting tired of the up and down and up and down and then up and down again for good measure.
âI can take it,â She hopes Hotchner will hear, recognize that sheâs talking to him, not Cyrus. âYouâre weak,â she spits. Blood drips from her mouth. âYouâre fucking weak.â
He slams her into the wall. Her hands collide with the mirror, she feels pain screech inside of her as glass imbeds itself in her skin. She nearly slips to the ground again, but for once, he keeps her upright.
She does scream this time, when he drags a shard of glass down her back. Itâs high pitched and annoying, weak as it echoes back in her head. She drags the sound out, spinning it into a bitter laugh at the end.Â
Thatâs it. Sheâs done. She feels blood soak her shirt, sheâll bleed to death if he doesnât bandage the wound.
Now, when he drops her, he doesnât yank her back up. âFix her,â he says to someone she cannot see. âMake sure she doesnât die. Then you bring her upstairs. Tie her up. Understood?âÂ
She feels the room around her start to spin as sheâs brought to her feet once more.
â
âWE NEED TO GO IN THERE.â Hotch says, his voice high and agitated. Theyâve never heard him sound this frantic before, this panicked. Rossi steps forwards, just as Cipherâs voice echoes through the headphones. âI can take it,â she rasps. Sheâs been antagonizing him this whole time, it would be easy to write this off as just that. It would be easy to storm in, arrest Cyrus, get her and Reid out of there. Fix her up, ask her what she was thinking, then forget this ever happened.
But Aaron, Rossi, everyone listening to the audio knows that there are two sides to every coin. Option one, they run in now. Heads: they get Cipher and Reid out safely. Tails: people who shouldnât have to die end up dead. Option two, they wait. Heads: more people get out alive. Tails: Cipher is injured, possibly killed. It should be a simple choice; do what saves the most people.Â
Hotch had already said that they were too emotionally involved for this. He wishes they had listened.
Aaron winces when he hears Cipher yell. Sheâs always been this way; quick to anger, even quicker to start a fight. He had thought she had the common sense to understand when sheâs been overpowered, but apparently, she doesnât. He makes a point to remind himself to yell at her laterâ that is, if sheâs still alive by dusk.
âWait,â Rossi says. âListen to what sheâs saying.âÂ
âSheâs antagonizing him!â Morgan shouts. âWe need toââ
Rossi shakes his head. âSheâs talking to us.âÂ
It takes Aaron a minute to process the words, but when he does, he feels a small, bitter smile pull at the ends of his lips. Sheâs communicating with them. Itâs not much, but it means sheâs okay. For now, at least. âSheâs telling us not to come in,â he realizes.
Morgan tosses the headphones onto the table.
âI canât listen to this.â
Nobody blames him.
â
âWHY DID YOU LIE TO CYRUS?â Cipher winces involuntarily at the volume of the words, looking up as best she can with her current position. Sheâs on her stomach, arms tied behind her back, legs bound together at the end of the bed. Her head is propped up on a pillow so she doesnât accidentally suffocate to death.
Itâs Jessica.
Cipher breathes a sigh of relief. She was worried when she heard the door open that it might have been Cyrus, coming back to finish the job. It wasnât, thankfully, but now sheâs face to face with a little girl who has been completely and entirely indoctrinated into thinking the things that have been done to her are okay.Â
âI didnât lie,â she rasps. âHe never asked me if I was an FBI agent.â
Jessica crosses her arms. âIf it were my decision, I would have killed you. Youâre lucky Cyrus is nicer than I am. God told him to keep you alive, though I canât imagine why.â
Cipher laughs. She canât help herself, she tries to keep it in, but she canât. It aggravates her arm and her back, but she doesnât care. Jessica looks offended now; a scowl painted over her porcelain face.Â
âIt wasnât any God,â she explains. âIt was mortal law. He kills an FBI agent? Then heâs going to prison for the rest of his life. And prisoners donât take kindly to those who harm children.â
Jessicaâs nostrils flare. âHe doesnât hurt anyone,â she says defiantly. âI said yes. My mother said yes. Itâs right.â
âItâs legal.â Cipher replies. âThereâs a difference.â The young girl seems to question that. For a moment, Cipher thinks she might have gotten through to her. Everything that has happened today has definitely made her question things, just like it had done to Cipher nine years ago. Their situations are different, she knows this, but she can use her experiences to convince Jessica that what Cyrus is doing is wrong.
 When Jessica turns to walk away, though, almost all hope is lost. Cipher says the only thing she can think of. Sheâs not sure if Jessica will listen to her, if she still has enough of herself left inside her to think independently at all. But she tries anyway, she has to.
âThat voice in the back of your head, telling you that this is wrong? Thatâs not the devil, thatâs common sense.â
Jessica stops.Â
She whirls around, pointing an accusing finger at Cipher. âHe told us that you were satan, and he was right.â She hisses.
âIâm not the devil.â Cipher tries to make her voice smooth, but it still comes out pained.
âThen how did you know about the voices?â This poor, poor, child. Lead to believe that her opinions made her evil, her brain trying to make sense of her situation made her evil, the warning bells going off in her head made her evil.
âTheyâre not just voices, and theyâre right.âÂ
âWhat do you know?âÂ
âA hell of a lot more than you do, thatâs for sure.â
âIâm a mother. A wife.â
âYouâre also a child.â
That seems to confuse her, if only for a second. In her world, those things can go together. Theyâre not mutually exclusive. Being a wife and a child makes sense, which in turn makes Cipher feel sick again.Â
â...I said yes.â She says, but her voice is weaker now. Exhausted. Worn down.Â
âDid you really say yes if saying no meant you were unsafe?âÂ
âIâm getting my mother. I will not let you insult me, claim that I cannot think for myself, and then turn around and stitch your wounds.âÂ
âYou go do that,â Cipher says as Jessica walks away. âBut deep down, you know Iâm right.â
The door slams shut, silence filling the gaps of the room, thick and heavy.Â
All she can do is pray that she awakened something in Jessie.Â
â
âYOU SHOULD HAVE TOLD CYRUS WHO YOU WERE,â Kathy says gently. Her voice, soft and forgiving, is a stark contrast to the rubbing alcohol-soaked cotton ball currently being dragged down her back. âHeâs a prophet. He predicted Satanâs armies would come and lay siege to us.â Cipher laughs bitterly. Sheâs been doing a lot of that today; laughing when she should be crying.Â
âThereâs a word for that kind of prophecy,â she whispers. She canât raise her voice, it aggravates her throat. âSelf-fulfilling.â She feels the cotton ball press harder, wincing involuntarily at the sting. Kathy pulls back, her expression full of regret and sorrow.Â
âYou donât know how dangerous it is to lie to him,â Kathy sounds urgent, not flat. Cipher realizes something, her words are no statement. Sheâs agitated, trying to convince both Cipher and herself that she had to do it. She had to give consent.Â
Sheâs the one who made the call. Not Jessicaâ sheâs too infatuated with both Cyrus and her life to do something that would put either of those things in jeopardy.
âYouâd have to be brave to defy him. Considering heâs a âprophetâ and all that. Someone strong. Someone who would have motive.âÂ
âYouâre all stitched up,â Kathy says urgently, her voice higher than before. Sheâs figured out what Cipher is implying. âI have to go.â
Kathy flits from the room like a ghost, leaving Cipher tied to the bed. Alone.
Sheâs got the two of them, even if itâs just a hook. She can save them both if she tries hard enough.Â
She just has to try.
â
âDID YOU KNOW SHE WAS FBI?â Spencer doesnât register the question at first; his brain is too busy replaying that scream over and over. Itâs only when Cyrus grabs his wrist, does he respond. âNo,â he whispers, trying to sound confused. In reality, heâs been shaking since she was taken away. His brain has been running wild with every possibility, every infection, every horrible thing that could stem from that scream. Ci could be dead. She could be bleeding out. She could be gone, and it would all be because he wasnât quick enough to come up with a different way to fool Cyrus.
If she dies, it will be on him.
But he swallows his pride, pushes down the sickness that rises as he acts like Cipher betrayed him. âNancy told me that she was a child abuse interview expert from Denver. In the four years Iâve worked with her, Nancy has never lied to me before.â
Cyrus seems to accept his response. Good. The disgust resurfaces as the man next to him relaxes.Â
He scoffs. âAs far as you know.â Spencer forces himself to nod along. Silence stretches between them. Spencer wallows in it, letting the guilt inside of him churn as he attempts to keep quiet, keep from sucker-punching this man in the stomach.
âTheir law says that a fifteen year old girl is a child. Fifty years ago, the same law said that a fourteen year old was an adult.â Cyrus is trying to justify himself, and Spencer has no choice but to go along with it. Sick, sick, sick. He feels sick.
âHave children changed so much in fifty years?â Spencer wants to scream. Donât answer that question, deflect it. He canât tell Cyrus about what a sick man he is, heâll have to settle for undetectable, silent judgement.
âI canât tell you the number of times Iâve investigated abuse charges against small religious groups. Almost all of them turn out to be false.â Lie, lie, lie. Technically true, but a lie nonetheless. The only reason most allegations are declared âfalseâ is because churches have many, many, many ways to make people feel guilty about reporting abuse. Theyâre not necessarily untrue, just rescinded statements or investigations that yielded inconclusive results. If Spencer had to guess, heâd say that only 4% of reported cases were actual false accusations.Â
Cyrus relaxes, just a little. Good.Â
âAnd what do you think of that?â The man asks. Spencer doesnât answer right away, he takes six seconds to respond. He makes it look like heâs questioning himself, like he thinks Cyrus is a philosopher instead of a pedophile. Spencerâs waited too long, the metaphorical timer is going off.Â
âDoesnât really matter what I think.â He replies. Hopefully, there will be more space between their back and forth, more time for him to map out the flow of the conversation, and try to steer it his way.
âIt does to me.âÂ
Spencer tilts his head to the side, looking like a lost puppy. Or at least, thatâs what Cipher tells him he looks like whenever he tilts his head. âWhy?â
âBecause God wants to save you.â When Spencer looks at him quizzically, he continues. âI mean, thatâs why He sent you here. Thatâs the reason.â He can use this to his advantage, though heâs not sure if Cyrus actually believes the words that are coming out of his mouth. Itâs a gamble; guessing whether a cult leader actually believes in their cause. Sometimes, they do. Other times, they donât. He wants Spencer to be convinced that heâs actually committed, so maybe, just maybeâŚ
âYou should test them.â Cyrus cocks his head. âOn the next call. You should test the negotiator. Make sure he isnât a liar.â He smiles. Spencerâs stomach churns again.
âAnd how do you suggest I do that?â Cyrus asks. Spencer already knows what message he wants to send; Cipher is still alive. Spencer is still alive.Â
âAsk for the identity of the FBI agent,â he says quickly. Cyrus furrows his brow, shaking his head. âNo,â he says. âWe already know who she is.â
âBut they donât know that. If they refuse to tell you, or lie to you, then you know that you canât trust them.â Cyrus chuckles. Itâs condescending, like Spencerâs an idiot who has no idea as to what heâs doing.Â
âYeah. The FBI would never give us that kind of information.â Now, for phase two. Phase one was to send a message. Phase two is to get someone out.
âThey keep asking you to release people, right? Tell them that youâll release a kid, and you wonât harm the agent.â He braces himself to hear a laugh, or a scoff, or Cyrus telling him that he has more plans for Cipher. But all that greets him is silence. Sweet, painful silence.Â
âYouâre just trying to get us to release a child. Stop playing the hero. It doesnât look good on you.â Cyrus responds. No. He was so close.
He can keep trying. âItâs one kid,â he pleads. âIf they donât hold up their end of the deal, youâll know they canât be trusted.âÂ
âYou know, he has a point.â Another man says. Heâs been standing next to Cyrus all this time. Listening, but never saying a word. Cyrus glares at him, almost as though to demand to know why heâs being questioned. So heâs got an inflated ego, thatâs information that could be useful for later. Spencer files it away into the back of his mind.Â
âWhat is it, Christopher?â Cyrus snaps. Christopher, the man in question, shrinks at the harsh tone.Â
âSome have been talking about leaving.â
âLeaving?â
â...Yeah.â
A grim smile comes to rest on Cyrusâ face. âAlright,â he says. âWake the baby. Letâs let them meet the orphan theyâve just made.â
â
âIT HAS COME TO MY ATTENTION THAT OUR BROTHERS AND SISTERS HAVE LOST THEIR FAITH IN GOD. THAT THEY NO LONGER LOVE US. THEY WANT TO ABANDON US. SO WHEN I CALL OUT YOUR NAME, PLEASE STAND.â Cipher knows why sheâs here. Her arms are still bound tightly behind her back, the constant friction absolute hell against her broken arm. Sheâs here because sheâs the example. The cautionary tale. This is what happens when you disobey Cyrus, her bruises say. Donât be like me. She hates it, being used in this way. But sheâll stomach it, if it means seeing Reid. Making sure heâs alive. Formulating a plan.Â
âTodd Sutters.â Spencer comes to stand next to her. He looks judgemental, and for a moment, she thinks he might be about to tell her off. Sheâll kill him if he does. Sheâs not exactly sure how, but she will.Â
 A wave of nausea hits her. She can barely stand; can already feel her legs beginning to give way. Spencerâs hand comes to rest on her (uninjured, thank god) forearm, forcing her upright again.Â
âMelanie Sutters.â Cyrus calls out into the crowd. Melanie stands up. Instantly, all eyes are on her.Â
âHe looks pissed.â Spencer remarks. She doesnât say anything. She looks like a disaster, and she knows it. Her eyes are glassy, her hair is messy, and the back of her shirt is soaked through with dried blood. The glass sliced through the material easily, but Kathy had been kind enough to sew it back up as best she could. Spencer notices this, his eyes flicker between her shirt and her face in confusion. She knows what he doesnât want to say out loud; how did this happen.Â
âYouâre not calling me out for stating the obvious.â He looks concerned. âAre you alright?â
She lets her eyes flutter shut, completely ignoring the question. She doesnât think she has it in her to respond, anyway.Â
âIâm sorry,â he tries. Nope. Sheâs not having it; she doesnât know what sheâd even do with an apology right now. Heâs being stupid. Stop being stupid, Spencer.Â
âIâm fine,â she rasps. âNow, will you please take the hint and shut up?â He doesnât recoil like she expects him to. Instead, his concern furthers, with him going as far as to look at her arm.Â
âEvan Radley.â Cyrus booms.Â
âYou donât look fine. You sound awful. Are you sure he didnâtââ
âSpencer,â sheâd raise her finger to shut him up if she could move her arms. âYouâre giving me a headache.âÂ
âThatâs not me,â he says, completely ignoring the fact that she knows itâs not him who gave her a migraine. âDid you hit your head particularly hard? Too many concussions in a short span of timeâ is that glass? In your hands?â
Shit, he noticed. âProbably,â she groans. âCan you please go away? Youâre blowing your cover.â
âBut youâre injured. Severely.â He protests.
âI thought you didnât care about me,â she gives him an exasperated sigh.Â
âI donât! But you could get an infection, or aââ
âSpencer!â She hisses. âCyrus is getting suspicious. Heâs looking at us. Would you like all this,â she nods as best she can, highlighting her injuries, â-to be for nothing?â
He thinks about that for a moment. Then he changes his expression. Anger. She doesnât know why, but she figures he has some sort of plan. His face shifts again, though, when he notices whose names are being called. She comes to the realization at the same time as he does.Â
âTheyâre releasing the people who failed the loyalty test,â he breathes. She nods, trying to hide the wince that comes with any and all form of movement.Â
âWeâll get word from the team soon,â she says. âWait for a sign from outside to indicate what time the raid will come.â
He nods, face returning to the cold and steely expression heâd worn when he first approached her. With that, he turns and walks towards Cyrus, leaving her to stew in her pain alone.
Cipher manages to catch some of their conversation, and what she does hear makes relief flood her body.
âI told her she shouldnât have lied to you like that.â Spencer says solemnly.Â
âTo either of us.â Cyrus agrees. âTake her back.â
â
SPENCER FEELS AWFUL. DEEP DOWN, HE KNOWS HEâS NOT AT FAULT, BUT THE TIDE OF GUILT LAPS AT HIS FEET REGARDLESS. Cipher looked horrible. She was barely standing. Whatever happened to her had knocked her down, which wasnât an easy feat. She took most of her injuries with pride; something Spencer had noticed in the two years theyâve worked together.Â
âThose of you who are standing,â Cyrusâ voice echoes in the silent church. âPlease gather your belongings and report to the front hallway immediately.â Heâs still on the phone with Rossi, arranging the rest of their deal. Their second last call, if everything goes right.Â
âWe will surrender at noon,â Cyrus says into the phone. âI want the press there to ensure that weâre treated fairly.â
âYour agent is fine, Dave.â But thereâs a smirk pulling at the edges of his lips, one that makes Spencer want to punch him. âJust a little beaten up, thatâs all.â
âOh, and one more thing. Could you send some food in? Fried chicken, all the fixinâs.â That makes sense, Spencer knows that Cyrus hadnât exactly planned for all of this to happen. Itâs the beginning of the monthâ the ninth of October, to be exactâ so they probably arenât exactly stocked up on supplies yet. This is a way to get a sign into the compound, Spencer realizes. The bugs. He can ask for a sign. He has to plan it meticulously, or else Cyrus will suspect something.Â
Question him. Thatâll prompt a conversation. Heâs about to start talking when Christopher does that for him. âI donât understand,â Christopher says. âWhy did you let them go?â
Spencer jumps in before Cyrus can answer, fully intending to start a conflict. Inject doubt into this tight knit group. âThey werenât prepared to do what needs to be done.âÂ
âYou arenât one of us,â Christopher snarls. âYou donât know what it takes to be prepared!â His eyes dart between Spencer and Cyrus, waiting for him to tell Spencer that heâs wrong. But instead, Cyrus gives him a chance.Â
âListen to him.â He turns to Reid. âTell him.â
Now. Now heâs going to give Rossi, Hotch, and the rest of the BAU the sign thatâll tell them time has run out. âThey⌠they failed the test.â Cyrus tilts his head upwards unconsciously. Good. Spencer has just bought himself another sentence. âThey already had their chance to prove their faith, but all they did was show that they werenât worthy of being true followers of God.â Another nod. Keep going. âThatâs why he wants the media to bear witness to the final act of sacrifice.â
Christopherâs eyes widen. âHow do you know that?â
Time for the signal.Â
âIâm always looking for signs of things to come.â
He just has to hope the team understands his message.Â
â
âIF YOU CAN HEAR ME, I KNOW YOUâRE COMING.â Itâs not foolproof. She doesnât know what the mics will pick up, and what they wonât. But sheâs already managed to maneuver herself, contort in a way that worked with her bindings. Her foot is pressed up against the window, parting the blinds and allowing a sliver of moonlight to beam through the glass.Â
âI can try to get the women and children to the tunnel,â she coughs. Itâs a horrible sound, one that sends prickles of pain down her body. He probably fractured one of her ribs. âBut I need to know when youâre coming.â
She takes a deep inhale, ignoring the flash of anguish that runs up her spine. âIf you can hear me, I know youâre coming. I can try to get the women and children down to the tunnel, but I need to know when youâre coming.â
Nothing. Shit. They probably canât hear her at all.
Thatâs not going to stop her from trying, though.
âIf you can hear me, I know youâre coming. I can try to getââ
A beam of red pierces the moonlight. A sign. She might cry in relief.
âOkay, I got you. When are you coming?â Three flashes of red. She laughs a little, though itâs half a wince by the end. Thank god. Thank god.
â3am?â She asks. The red beam flicks up and down. Itâs nodding. Now she knows whoâs manning the laser, one Derek Morgan. It makes her giggle, something she regrets immediately afterwards.Â
âReid is somewhere on the first floor with Cyrus,â she says. âDonât leave without him.â Itâs not something that needs to be said, they wouldnât leave without him regardless. But itâs in her mind, and everything she thinks seems to be spilling out lately. âDonât⌠just donât.â
She doesnât know what sheâs saying anymore. But she hears footsteps, so she flips herself back onto her stomach. She nearly cries out, tears prick the corners of her eyesâ
âI have to go,â she whispers, hoping theyâll hear her. âSomeoneâs coming.â
The door swings open.
â
âI KNOW WHAT YOUâRE THINKING,â CYRUS SAYS. âYOU DONâT HAVE TO BE A PART OF THIS.â Unbeknownst to him, Spencer physically cannot exit the premises. He doesnât think his body would let him, not without Cipher. Itâs stupid. He doesnât like her, sheâs standoffish and rude, but sheâs⌠he doesnât know what she is, he just knows sheâs important. Whether he likes it or not, sheâs become part of his life; heâs not about to abandon her here, of all places.Â
âI think Iâd prefer to stay,â Spencer replies thoughtfully. âSomeone has to tell your story.â
Cyrus gives him a smile that makes bile rise up in his throat. âIâm glad itâll be you.â He says the words like he and Spencer are buddy-buddy, like heâsâ like heâs on his deathbed. Like the poisoning that occurred earlier wasnât a test, but rather a trial run. Itâs only when he hears the words that come out of his mouth next is he absolutely sure about what is about to happen.
âNow that the false believers have been cleared from our midst, we make our final preparations.â
Heâs going to kill everyone in this compound.
And thereâs nothing Spencer can do to stop it.
â
âCYRUS IS PLANNING MASS SUICIDE, KATHY. PLEASE.â Cipher has tried reasoning with the woman. Begged. Nearly cried, but it didnât do anything. She refused. Thereâs nothing left to do, nothing else she can say. Cipher hoped that she wouldnât have to resort to this, but all other options have run dry. The pain in her body is making her resolve weaker than it should be, making her more susceptible to desperation.
Kathy just shakes her head. âI have no life ahead of me,â she whispers. Her eyes are full of sadness. Sheâs walking in circles in front of Cipherâs bed, holding her head in her hands.
âAnd you wonât have a life at all if you donât help me! Iâm an FBI agent, for Godâs sake, we can get you a new identity!â
Kathy whips her head around to look Cipher dead in the eyes. âDo you think I want that?â
âI donât care about what you want! I care about getting out of here alive!â Kathy scoffs. She has the audacity to scoff. Cipher knows sheâs exhausted, and emotionally expended, and scared, but for the love of Jesus motherfucking Christ, if she doesnât get her out of these restraints, sheâs going to end up strangling Kathy.Â
She calms herself, somehow. âI know you made that 9-1-1 call.âÂ
âThis is all my fault,â Kathy sobs. âIf Iâ if I had just left it alone, none of this would have happenedââÂ
âYou were trying to protect your daughter. You were trying to do the right thingââ
âThere were other girls before Jessie,â Kathy sniffles. âHeâ he would marry them in secret. After a while, heâd take another, and weâ we werenât permitted to speak of it! So when he asked for my consent⌠I just wanted to take her and run. But I was afraid she wouldnât leave him,â Kathyâs agitated. Sheâs trying to convince them both that she did the right thingâ that Jessie wouldnât have left, even if she tried.Â
âYou were hoping weâd take her,â Cipher realizes. âGet her out of here for good.â
âYes!â Kathy sobs. âI wanted to save her from Cyrus, and now sheâs going to die because I meddled around!â
Cipher glances at the clock. 2:34. Itâs almost time.
âKathyâ Kathy. Look at me. You have another chance.â
âI do?â She says through tears.Â
âYes,â Cipher moves as far as she can, inching her way to the edge of the bed. âThe FBI is coming here at 3am. I need you to get Jessica, the other women, and the children down to the tunnel. Get them into the basement just before 3am.â
âWhy are you telling me this?â
âBecause I trust you. I think all youâve ever wanted to do is the right thing for your daughter. But thatâs hard when everyone around you is telling you that wrong is actually right.â
âThank you,â Kathy whispers. âI wonât let you down.â
â
CIPHER DOESNâT EXPECT TO SURVIVE THIS. Thereâs no time to come back and get her, and thereâs no chance sheâll be able to get to the basement on her own. She tries to count her injuries, just for the hell of it. Something to pass the time. But her brain isnât working the way it should, and now that the adrenaline has worn off⌠everything hurts. Every breath sends pain ricocheting through her chest. God forbid she tries to move her arm, because thatâs broken too. Her leg is still bleeding; neither Jessica nor Kathy seemed to notice the injury in the sea of things there were about her to fix. Thatâs fine, the wound will make bleeding out a slower process. Completely fine.Â
She lays there, eyes shut. Itâs fine. Sheâs fine; there isnât anything left for her anyway. There never was.Â
Sheâs brought out of her misery when she hears the door creak open, slowly. Footsteps. She knows those, she heard them leave about fifteen minutes ago.Â
âWhat is it?â She whispers, voice heavy with sleep.Â
âYou were right,â Kathy says back. Her voice is small. Horrified. No, terrified, for both her life and the life of her child.Â
âTheyâre setting the place to blow up.â If Cipher could sit up right now, sheâd jackhammer upright instantly. Sheâd run. Sheâd make sure everyone was out of the compound and then sheâd fucking leave.Â
Kathyâs eyes flash with guilt. âI told Jessie that Cyrus wanted her to gather the women and children.â She feels a drop of relief spill into her body. Quickly, that relief turns to panic as she realizes that Reid is not a woman, nor a child (though he does act like one), which means he is not safe.
âWhereâs the man I came in with?â She nearly shouts as Kathy cuts the ropes off of her arms and legs.Â
âHeâs in the chapel with Cyrus,â Kathy explains, voice hurried. âItâs 2:45, though. We gotta hurry.â Sheâs in no position to walk on her own, no matter how badly she wants to. Needs to. She has to find Spencer, before itâs too late. Before everything is gone.Â
But she can barely move. Can barely think, everything hurts so badly. Her brain isnât working the way it should, as though someoneâs disconnected it from her body. Sheâs tired. Sheâs so, so, so tired, she canât. She canât. She canât.Â
She doesnât think much at all as sheâs practically dragged down two flights of stairs.
â
âCI, ARE YOU ALRIGHT?â She doesnât hear the words at first, if they even register in her brain as words at all. It takes Derek Morgan placing a hand on her injured shoulder for her to realize that heâs here. She canât think, canât break the barrier between mind and body. She canât move. Her arms are not responding to the signals sheâs sending them, everything is torn apart. The flashes of pain continue, but everything is muffled. Hell, she doesnât even think sheâs blinking.
âCipher!â
âHuh?â
âOh, thank God. Fuck, you scared the crap out of me. Out of all of us.â Morgan breathes a sigh of relief, one she ignores as her new objective becomes abundantly clear. Find Spencer. Make sure he doesnât die.Â
âWhereâ whereâs Reid?â She asks, voice shaky and hoarse. But Morgan shakes his head, already pulling her towards the exit. âWeâve gotta get you out of here,â he says.Â
âIâm not leaving until we have Reid!â She shouts it louder than she meant to, the sound making her wince. Why is she like this? Why canât she articulate herself properly?â
âCipher, I will get Reid. You need to get out of here.â His voice is firm. Heâs stubborn, but sheâs worse. Sheâs always been worse. She will always be worse.Â
âIâm not leaving, I wonât let him die.â She says shakily. Sheâs trying to sound authoritative, but itâs not working. Not right now.Â
âYou can barely fucking stand, Ci. What use are you to him like this?â Heâs right. She knows heâs right. That doesnât stop her, though, from pulling herself out of his grasp. She makes it about two steps before she collapses. âNo!â she splutters as he catches her. âI have to getââ
âYouâre going to get yourself killed if you keep doing this, now come on!â
She canât die, that would be bad. Right? Itâd be bad. It would make some people unhappy. Not Spencer, though. He does say that he doesnât want her to die all the time, so she should probably follow Morgan outside.
Somehow, thatâs all it takes for her to stop fighting.Â
â
THE AIR IS COLD. Thatâs the first thing Cipher thinks as sheâs pulled outside, dragged, actually. It assaults the wounds on her body, seeping into the crevices of her skin and settling there, as though that is where it has always belonged. Morgan immediately runs back inside, and sheâs about to follow, unsure of what to do with her unstable limbs, sheâs shaking, sheâs no goodâ
Suddenly, warmth is all she can feel. She lets go, allows her legs to give out when she feels arms wrapped around her. She smells familiar cologne, she knows who this isâ
Agent Hotchner? No. It canât be. Why does heâ does he like her?Â
Her brain is running a thousand possibilities per minute, all of them confuse her. Heâs broken her brain, you see, the warmth is too much, her soul is too frigid, she doesnât deserve this. Itâs then that she realizes it; sheâs starved herself of affection for too long.
Sheâs too tired to fight. She doesnât know if she wants to fight, either.Â
Cipher is aggressive. Sheâs unlikeable. Sheâs rash, and bitter, and pessimistic, andâÂ
Sheâs human. Thatâs what she is right now, stripped raw of her walls, and her defenses, and her sarcasm, and everything sheâs adorned herself with to protect from the hurt that sits deep inside of her. The ache in the hollow space where her heart is supposed to be. The hurt that fills the cracks of the broken mask, the mask that is Cipher.Â
She isnât nice, she isnât warm, she isnât friendlyâ so why is he treating her like sheâs been something other than a nuisance?
The painful silence is broken by Hotchnerâs harsh, angry voice. âWhat if he killed you?â So? What if he had, mourning would have been easy for them; they donât know the girl beneath the porcelain at all.Â
âHe didnât.â She nearly chokes on the words. Heâs holding her tight, she can feel the pain in her arm and her ribs now.Â
âWhat if he did?â Doesnât Hotchner see how pointless this is? This repetition, this game, this pretend âI'll miss you when youâre gone.âÂ
What if itâs not pretend?
No, it has to be.
âHe didnât, Hotchner.â She says. Her voice is firm, she tries to pull away, but sheâs not strong enough. Sheâs not strong enough. Sheâs not strong at all.Â
âDamn itâ what if weâd lost you? I donât care about how little you think of yourselfâ you are important to us. So if you ever, and I mean ever put yourself in that kind of danger again, I will have no choice but to take formal action.â
You care about me?
âWhat? Of cââ
She said that out loud? Shit. Shit, shit, shit.
The building explodes just as he opens his mouth again. His words are drowned out by the loud, loud, loud loud loud loud noise
It echoes
Itâs so loud. Reid. Spencer was inside. But sheâs paralyzed by the terror running through her veins, injected straight into her racing heart. No, no no no no no no no no no n oâ
She sees a figure. Then two, then three. Morgan, Spencer, Rossi. Her knees almost give out again, Hotchner literally has to catch herâ but sheâll think about that later. Right now, Reid is safe. She is safe. Everything in her body is aching, pain has soaked into her bonesâ
But heâs safe.
Safe.
â
HER ARM IS IN A SLING. SHE HAS A HEADACHE. SHEâS (SOMEHOW) SITTING UPRIGHT. SHEâS FUCKING EXHAUSTED. Of all the things that are wrong with herâ at least her brain is working again. At least sheâs no longer in a position where skin contact makes her vulnerable. Sheâs not sure what was wrong with her, but at least itâs fixed. Sheâs been avoiding Agent Hotchnerâ and Reid, for that matter. The latter of the two, however, is extremely persistent.Â
She feels someone sit next to her. Her eyes are closed, but if she had to guessâ
âYou saved my life.â Hello, pipe cleaner. She tries to ignore him, but thereâs nowhere she can go, not without worsening her condition. So, reluctantly, she turns to face him.Â
â1/10 experience. Do not recommend.â She closes her eyes, noting the absolutely crestfallen expression on his face. Against her better judgement, she pries her eyelids open.Â
âYou saved my life under the stairs,â she offers. âRepaying the favour. Now you canât hold it over my head.â
âI thought you had that one handled?â He says, a small smirk playing on his lips. Oh, fuck this guy. Fuck him.Â
âShut up.â
âI believe your exact words wereââ
âIf you donât shut up, Iâm telling Hotchner about the bullshit you pulled in Miami.â His face shifts to absolute panic. âYeah, didnât think youâd like that.â She replies, giving him a mocking smile.Â
âWhy do you always call him Hotchner?â He asks.Â
âReid.â She faces him. âYou can either shut up, or leave. Iâm allowing you to stay within a hundred feet of me if youâre quiet. Got it?â
He just nods. Hm. Heâs good. The silence actually stretches for longer than six seconds, and when she opens her eyes to check on him⌠she finds that heâs fallen asleep.Â
For once, though, when she begins to lose consciousness⌠thereâs a warmth in her chest. Sheâs warm.Â
Sheâs⌠sheâs okay.Â
Sheâs okay.Â
Thatâs all that matters.
â
âMORGANâ IS HER HEAD ON HIS SHOULDER?â The words are said with such absolute shock, shock that does not quite fit the situation. Allow her to set the scene. In the two and a half years Emily Prentiss has known her, Cipher has never expressed even the slightest bit of warmth towards Spencer Reid. The hatred was reciprocated entirely, the pair loathed one another in a way that made pettiness seem like a professional sport.
  âDamn, she must be exhausted.â Morgan chuckles. âI wonder how he convinced her to let him stay.â
âI have no clue,â JJ giggles. âWhatever he did, it clearly worked.âÂ
âOoh,â Emily cuts in. âWe have to tell Garcia.â
âDefinitely,â the blonde replies. âShe put twenty bucks on them taking another two months for physical contact.â
Emily snorts. But she looks at JJ, really looks at her. Everyone else has gone back to their normal activities, dropped out of the conversation. She says silent, too, biting back all the words she wants to say.
At least Ci and Reid are moderately happy. Though they loathe each other, theyâll be able to be open about it when their relationship shifts.
RĂSUMĂ: A series of murders sends the team to a small town in Alaska.Â
TAGS: made up small town, likely incorrect forensic stuff, likely incorrect takedown stuff, cipher and spencer fighting eeee, you know you want her bro stop lying, everyone is in denial, the slow burn is slow burning guys, uh oh kalon's here
TRIGGER WARNINGS: mentions of blood, descriptions of violence, canon typical violence, descriptions of a dead body, description of a panic attack (kinda)
WORDCOUNT: 8.1k (holy moley!)
A/N: things are happeningâŚÂ
commenting etiquette, CIPHER masterlist
THE PLANE WAS COLDER THAN SHE REMEMBERED. Then again, she hadnât been on the jet in over a week. It felt strange, being back so soon. Agent Hotchner had informed everyone that sheâd be back on the fourth, but sheâd managed to convince him to let her back into the bureau three days early. Emphasis on the bureau, not in the field. Sheâd tried, but Hotchner had insisted. âYouâre already at a disadvantage because you donât have a gun. Iâm not putting you back into the field when you can barely walk up a flight of stairs.â Heâd said. She continued to protest. He told her that it was either desk work with the rest of the team, or desk work with Garcia.Â
Virginia drove her insane, so instead, she chose to travel to Nowhere, Alaska. Now she was paying the price.Â
Nowhere had exactly 37 inhabitants. 1,037 if it was fishing season. Sheâd learned that from a very eager Dr. Spencer Reid, approximately thirty minutes ago. Heâd since moved on to pestering someone else, but that didnât mean she was eager to spend twelve hours stuck inside a pressurized tin can with him. Nevertheless, she persisted, out of sheer fear of dying in her apartment (or in Quantico) of boredom.Â
Spencer Reidâs voice felt like a cheese grater to the ears. Incessant noise, noise, noise, noise. When he was enraged (which happened disproportionately around her) she found his vocal range to be rather⌠impressive. Or shrill, depending on the day.Â
Hearing him drone on for the better part of twelve and a half hours was not ideal, if you asked her. In fact, it was less than ideal. She was quite partial to the idea of using his voice as a torture method. The harshest of criminals would crack under it.
But that was when he was being annoying, so 95% of the time. The other 5% consisted of a tone so even, it could be confused for glass. Or a lake in the early morning, maybe. Clear blue, no disturbancesâ a calming reminder that there was a world outside of the gore, one which she would never properly become a part of.Â
Cipher told herself that she hated absolutely everything about Spencer Reid. His clothes, his hair, the stupid smug look he got whenever he managed to prove her wrong (which, to her dismay, was more often than not)â
But she couldnât bring herself to hate that voice. Not when it was so peaceful, the last remnants of a man touched by endless horrors.
Not when hearing it meant that Spencer was at ease.
She watched closely as Spencer talked to Emily, that voice something she couldnât hear over the roar of the engine. Slowly, she plugged her earphones into her phone, and brought them to her ears. Quiet flooded her senses as she found her playlist for this moment. The Jet. It was one of three, specifically designed to help her cope with her hatred of airplanes. In fact, the first time Agent Hotchner had said wheels up in thirty, sheâd presumed he meant car.
She was wrong.
He meant plane. Private plane. A plane, that she had known about before accepting the job, might have made her turn down the offer entirely.Â
Planes made her nervous. She knew that it was probably because of something that happened to her, likely situated somewhere within the nine years of her life that she could not recall. Sheâd thought about asking her therapist about it, but elected to consult the most knowledgeable being of all, Google. (Sheâd sooner die before she told said therapist anything about her life.) Dissociative amnesia. She wasnât surprised. Everything from nine onwards was a hellish nightmare, so why would her life before be any different? She must have left for a reason.Â
Just as she began to relax, as her anxiety medication began to kick in, she felt her phone buzz next to her leg. She exhaled slowly, watching the screen flash with a number she didnât recognize.Â
Her heart rate spiked.
You have: one new message from: Unknown Caller. Would you like to see the transcript?
Press one for yes. Press two for no.
She almost pressed two. Her fingers hovered over the button, debating whether it was worth interrupting her music and possibly preventing her from getting any sleep, if the message was about the case. Curiosity got the better of her, though, and she clicked one for yes. The transcript flashed across her small screen, and as she read itâ she began wishing she hadnât.
You took everything from me
My pretty face
My pretty life
My pretty mind
Itâs time you repay me
For your sins
For which I was prosecutedÂ
Donât you think?
She felt goosebumps crawl over her skin. This was clearly someone fucking with her, clearly a mistakeâ something sheâd laugh about with Emily, or Hotchner, about wrong numbers and stupid poetryâ
The words replayed in her head, over and over.
My pretty face, my pretty life, my pretty mind.
People didnât just speak like that, no, this meant something. Blurry faces danced across her vision. People blended into each other, she couldnât tell anyone apartâ
Pretty, pretty, pretty.
Face, life, mind.Â
Kalon.
(adjective.)
Beauty that is more than skin deep; the Ancient Greek concept of combining physical, spiritual, and moral beauty.Â
Suddenly, the wording made sense. It was inconspicuous, something that would be written off as a peculiar choice of vocabulary to most. Abundantly clear to the right people.
Unfortunately for her, Cipher fell into the second category.Â
For which I was prosecutedÂ
Kalonâs trial had gone awry, had tilted further and further from her favour with every piece of evidence that came to light. Cipher had let her â------------------Â
She couldnât remember what sheâd done.Â
Itâs time you repay me
Revenge, obviously. But how?
How would she
play thisÂ
gameÂ
dance across
aÂ
stage
full of blood
and
and
and
and?
For your sins
nothing    but       a
traitor         she wears the     mask
of my        face       .
i      cannot     see the     end
of this    tortured             existence      Â
Her sins, her failures, ones she could remember, and the ones that had slipped from her grasp, splayed across the tile of a courtroom, under a name
nameÂ
name
nameÂ
nameÂ
what is your her name?
Is it yours, or is it mine? All mine, taken, stolen, torn to bits and pieces
Names are only for those who are worthy, and she is not worthy.
What is her name?
â
She stayed like that for a while, unmoving. Unblinking. No one could see, they did not see, why couldnât they see? Why didnât he stop her stop her stop her from committing committing committing the end end end end end end end end end end   e   n   d  i  s   n e  a  r   c o m i n g   f o r   m  e i  can  not  r  u n  a n y    lo ng   er
Hands, shriveled, rotting flesh, fingers that were more bone than skin clawed at her, showed her no mercy, dug in, unrelenting, as she writhed beneath them
âAre you okay?âÂ
Words swam in the rot, in the pile of bodies, names she could not recall, faces that slipped, smashed on the floor, she had broken them, and in turn, they had broken herâ a fair trade, aâ
She felt fingers grasp her shoulders. Violently, her body twitched. Once, twiceâ then stilled, as though she had expelled it
Rot, rot, rot, get it out of her she wants it gone pleasepleasepleaseplease set her free
She can be good, she will swear by it, please, she promises that she will be good
But she is not good, she never has been.
âHotch, I think somethingâs wrong withââ
That name. She remembered it. She closed it in her hands, she brought it to the light
â
All of a sudden, she returned to her body.
âIâm fine, Reid. Just a dream.â Quickly, she shook his hands off of her. Cipher was shaking. Little trembles that wrapped around her arms, her legs, her heart. Tremors that ran through her. She couldnât stop it.Â
She wanted to stop it, to prove that she was fine. But she was lying, as she always did. As she always would. The lies, they would pile up on her table, until they collapsed, rolled in all directions of the House, showing everyone the ugly truth that had always laid beneath them.
He gave her a look, one that told her that he could see the way her fists clenched around nothing. The way her whole body would revolt if he so much as shifted an inch too fast. The way her eyes had hollowed since they boarded, plagued with a darkness that normally had armour to protect it from the surface of her irisâ.
âYour eyes were open.â Spencer had always been one to call her out when she lied. Heâd do it publicly, privatelyâ she was sure heâd volunteer to do it on live TV, if he was given the chance. He despised dishonesty more than anything in the world, she thought.
An unshed sob burned in her throat. Like bile, it threatened to rise up, make itself knownâ something she did not (and never would) allow.Â
âThen I was just spacing out. Bad thoughts, Reid.â She couldnât meet his eyes. â-We all have them. Including you, Iâm sure.â
The quizzical look on his face slipped from curious to worried. For someone who disliked her as much as he did, he surely did worry about her quite often. Perhaps hatred and uncaring were not interchangeable, at least not in their case. They danced around the hate, sometimes, something else peeked through the curtains. Sunlight, maybe. Indifference, likely. Progression nonetheless. Hotchner would be thrilled. (She was sure he despised having to break up their arguments all the time.)
He wasnât convinced, and she didnât blame him. She wouldnât believe herself either. Normally, she was a good liar, but today, right now⌠it was different.
Sheâd never had a bout of anxiety so vivid, so unrelenting, in quite some time. Years, actually. There had been a time where it had occurred daily, but she didnât remember that either. Cipher decided that, this time, she wouldnât go looking for things she didnât want to find.
Spencer, being the little shit that he was, sat down beside her. That was how it continued for the remainder of the flight, and surprisingly, she didnât slip any further.
In fact, she drifted off to sleep.
Deep, deep, sleep. Dreamless sleep.
Peaceful sleep.
â
âCIPHER, YOUâRE GOING TO THE MORGUE WITH SPENCER.â Agent Hotchnerâs booming voice rang out into the small precinct. She tensed, just a little bit. She knew that he was displeased that sheâd returned so early, but really, he wasnât the type to be petty or punishing like this. It couldnât be for convenience, because Cipher and Spencer, when paired together, were the embodiment of disorder. They fought. They yelled. (Only on occasion, and when he deserved it, she was not that unprofessional.) They hated each other, that much was obvious to anyone who had the displeasure of witnessing them interact. Sheâd been told that it could be compared to torture, listening to them go at each other. This wasnât like him at all. Normally, he kept the two separated, which was for the greater good of both her sanity and Spencerâs mortality.
Still, she obliged. The pair walked to the car that had been given to them, a government SUV. Standard issue. It had a gun box, radio⌠everything that was necessary for both surveillance and driving in general.Â
The car ride to the morgue was silent. No mention of what had occurred the last time they were alone together. No mention of the one moment in a sea of moments, where there had been quiet between them. That was fine, she much preferred it when Spencer kept his mouth shut.
It was a peculiar fifteen minute drive, but she savoured every second of it.Â
When they arrived, the whole room smelled like dead bodies. It was to be expected, of course, as the main (and only) purpose of a morgue was to store and examine those who have expired⌠yet the stench of it still got to her every time. Perhaps rotting flesh would always have the capability to offset someone, even when they thought theyâd become desensitized.Â
The bodies were as gruesome as the case file had described. Four women, all mid 20s, blonde, stabbed to death. Theyâd been found deep within the woods, but had been so mangled that, at first, no one thought that their legs belonged to humans.Â
It made her sick.
Each woman had an obscure marking on their backs. An âAâ, written in cursive, likely carved with a hunting knife, the mortician told them. She looked about Cipherâs age, probably a year or two older. Her dark hair was twisted into a bun at the top of her head. Cipher glanced at her nametag. Alicia. The markings were presumed to be a brand. When Cipher had heard that for the first time, she thought she was about to throw up. Instinctively, sheâd touched her own stomach, where the reason she never wore cropped shirts lay burned into her skin. A brand. But sheâd survived the experience. These women, on the other hand, were not so lucky.Â
âDo we know their names?â Spencer asked. Alicia paused for a moment, glancing at the body laying on the examination table. âThatâs the thing,â she said. âWe donât know who these women are yet. Theyâre not from here at all. Nobodyâs been able to identify them.â
Cipher tilted her head in surprise. That was unusual. Normally, victims were local. Non-local victims (especially in a place like Nowhere, Alaska, where any and all communication with the rest of the United States was either documented or available to the public,) meant planning. Resources. A highly intelligent unsub.
Things that she was sure no one in this town had. Which meant, of course, that the victims were either tourists, or that the unsub got them to travel there, somehow. There was another possibility; this case could end up taking them to Canada. Or somewhere else in the world. Really, the only thing they could do before progressing in the case, wasâ
âWere you able to get identification regardless?â Reidâs (annoying) voice cut through her thoughts like glass. She nearly turned to glare at him. He stole her question. Was he a mind reader? Perhaps. Oh, heinous are the crimes against her that he doesnât even know he commits. (Exhibit A: wearing insanely attractive suits to court.) (Exhibit B: this moment.)
âNope.â Alicia sighed. âWeâve already interviewed everyone. No one recognizes them.â Cipher did a double take at her words. We?
Spencer glanced at the crime scene photos spread across the table and grimaced. âI wouldnât be able to recognize someone if they looked like that, either.â He said.
Alicia seemed to pick up on her confusion. âIâve been somewhat involved in the investigation,â she admitted. âAfter all, thereâs only thirty seven of us. Twelve cops. Weâve never really needed a mortician, so I occasionally dabble in policework.â She laughed it off, like that was no big deal. Cipher felt her eye begin to twitch; an incompetence-induced headache bubbling behind her eyes.Â
âYouâre telling me,â she said slowly, â-that you donât have any qualifications to be a mortician?â Alicia clearly noticed her anger, shrinking back into herself. Good. Four women were killed, and no one thought to bring in a qualified professional? It would make sense if the women had clearly died of animal attacksâ but they hadnât. These were murders. Violent murders.Â
She felt Spencerâs hand on her shoulder. âSlow down,â he whispered. âShe hasnât done anything wrong. Itâs not her fault that her police chief isnât⌠qualified.â He made a good point. (Not that sheâd ever tell him that.)
Begrudgingly, she listened to him, though not without a pointed look in his general direction.
She sighed, dialing back a little on the obvious anger. The rest of it continued to simmer inside of her. âKnowing how the unsub treats his victims is extremely detrimental to the process of profiling,â she explained. âWithout knowing exactly what he does, we canât figure out why. And without a why, we canât figure out a who, either.â
To both the dismay of her and her headache, Alicia scoffed. âNo offence,â she began, "but Iâm skeptical. Now,â she glanced at Cipher, a small smirk tugging at the corner of her lips. âI am willing to admit that I have a bias. Yâknowââ she waved her arms around. Cipher could see the endless woods outside the window. Of course. The mentality of âmental health is not real, Psychos do Psycho things simply because they are Psychos, thereâs no way we can find the root cause of this issueâ that tended to reside within the residents of small towns was all too familiar. âWe donât exactly have anybody out here to explain how that shit works.â She said it like it was an excuse. (It wasnât.) Cipher knew what she was doing. Spencer knew what he was doing. Normally, she didnât give two shits if someone believed in stressors, or childhood trauma, or the grey space between good and bad. This time? Right now? Lives were on the line. Real people. She didnât have time to debate the validity of her profession. The women who were dying didnât have time for her to hold someoneâs hand through the basics of human behaviour.Â
âWell,â she said coldly, watching Alicia recoil. âI donât care whether you believe in profiling. The woman depending on us to save her right now, because your police force is too small to actually do their jobs correctly, doesn't care if you believe in profiling either.â She felt something sharp hit her in the back. It was Spencer, telling her to back off.Â
She ignored him.
âYou think you know better than us? Thatâs fine. It doesnât mean that Iâm not going to do my job. But people are dying, Alicia. Actually dying. Being brutally murdered, and you donât geââ
She felt Spencerâs hand on her thin white shirt right before it happened. For a few, blissful seconds, she thought that he was just going to poke her again. She was wrong.
Spencer, innocent, shy, Spencer, yanked her hair. Hard.Â
Cipher spun around, face surely red, ready to tell him offâ
âMy colleague and I are going outside for a moment,â he said, his tone screaming at her to listen and go outside. She didnât want to, really, but he was gripping her wrist so tight that his knuckles were white. He didnât even give her time to utter a word before he began to (unceremoniously) drag her to the exit.
Once they got outside, he began his lecture.
âWhat the fuck,â he hissed, â-is going on with you? Donât even try to lie to me, we both know that youâre not normally this much of a bitch.â
âWhy did you pull my hair!â She yelled, probably louder than she should have. Lucky for her, there was no one there to hear her. Shocker.
âOh, so you can pull my hair, but I canât pull yours? Honestly, Ci, thatâs very on brand for you. Iâm impressed. I didnât know people could be so predictable.â
The insult, if there was one, flew right over her head. Like wet watercolour, his words bled into one jumbled mess. Only one thing stood out. What heâd called her.
Ci.Â
Cipher didnât have a nickname. She didnât even have a real name. She was not one for casual, comfortable utterances of her callsign. It was never shortened, manipulated, or otherwise butcheredâ (though she was of the opinion that every word that came out of Spencerâs mouth was automatically butchered.)
Until now. Until now, in this moment, where Spencer threw her professional preference right out the metaphorical window. She didnât like it. It felt wrong, like an invasion, like he wasâ
Close. Like Spencer was close to her in a way that she swore that she would never let anyone be close ever again. Not now, not in a thousand years, and certainly not with him.Â
âHello? Earth toâ oh.â A wicked smirk spread across his face. Sheâd been silent for too long, and heâd read her body language (fuck profilers), so now he knew exactly what was wrong. He knew how to get under skin. He now had a retort for every time she grinned and called him âspencie-babyâ. She amended her earlier statement. She wasnât scared, she was just slightly annoyed at the thought of Spencer being able to piss her off when she pissed him off.
That was all.
âAs I was saying,â Spencer continued, but he elected not to drop the smug look. For a split second, she considered punching him in the clavicle. The only reason she didnât was because she disliked the thought of the paperwork and incident report that would follow.
â-youâre acting like a massive bitch, Ci. Why?â She ignored his childish use of the nickname, and instead turned the anger that had been previously directed at Alicia towards him.
âThat is no way to speak to your coworker.â She snarled. The pure, concentrated rage in her voice did little to deter him.Â
âYou arenât going to be my coworker for very long if you keep doing that.â He sneered. âI know somethingâs wrong. So, either you tell me whatâs going on, or I tell Hotch that I suspect you have a brain tumor.â
She didnât look at him. She couldnât exactly tell him about why sheâd started avoiding her phone, getting strange text messages, and had been (very obviously, apparently) presenting signs of personality changes. The truth was something she could never say out loud, lest she send herself right back to where sheâd been at sixteen. The truth was buried so deep inside her, in a lockbox to which she did not have the key. Nobody had it, not even Agent Hotchner.Â
Not even Him.
Fiddling with her fingers, Cipher glanced back up at Spencer. She plastered indifference on her face, praying that he couldnât see what was underneath.Â
âI donât like small towns.â She sighed. It wasnât exactly a lie, it was part of the truthâ but not really what had her on edge. âTheyâre too judgy, and always woefully ignorant. Did you see how she acted? Like thisâ like our jobâ is a game, and she can ask for a performance whenever she wants.â She thought about insulting him, maybe, just to get him angry enough to not question her.
He spoke before she could even try. âThat doesnât mean you get to treat people like shit. You normally direct that behaviour at me, not random morticians.â
âSheâs not even an actual mortician,â Cipher protested. âThat tells me one thing: whoeverâs running this case doesnât care enough to find out who actually did it.â Spencer rolled his eyes. He furrowed his brow, eyes lingering too long on her hands.Â
Oh. Sheâd picked at a hangnail, and had pulled too hard. A tiny droplet of blood glistened on her finger. âOkay.â He said. âWhat the fuck is wrong with you?â
âItâs nothing!â She shouted, louder than she meant to. Quickly, she brushed the blood off of her hand, smearing it across her fingertip. âJesus, Reid. Do you know how to leave things alone, or is it your lifeâs mission to annoy me to death?âÂ
âWhen you decide to act like a reckless idiot, I end up having to fix it before we both lose our jobs.â Cipher flicked away another droplet. âDo you have a band-aid?â She asked, purposefully clearing her tone of any and all emotion. Blank. No longer engaging in his petty insults.Â
âWhat makes you think that I have band-aids?â
âThatâs a yes,â she said triumphantly. âI knew it.â She held out her (non-bloody) hand for him to deposit the band-aid. It remained empty, with nothing to grace her palm but the September breeze.
âWhat makes you think Iâm going to waste a band-aid on you?â He said it like she was insane for thinking that he, Oâ Great Doctor, would âwasteâ his medical supplies on a lowly peasant such as her.
âWell then. I suppose I have no other option.â She brought her bleeding finger to her mouth, clearly intending to suck it clean. She watched Spencerâs eyes widen. Cipher pulled her finger from her mouth with a wet pop, grinning at the look of disbelief (and mild concern, bless whatever had made Spencer so wary of germs for that) on his face. She just shrugged. Spencerâs hands shook as he pulled out a band-aid, and hurled it at her.
It missed. She watched it catch the wind in front of her, slowly spiraling down and softly hitting the pavement. She pressed her lips into a thin line, trying to keep the laughter from escaping her. Spencer just rubbed his temples.
The two stood there for a moment, before Spencer turned on his heels and rushed back outside. She barely heard what he told her as he was walking back in.
âMake sure you wash that band-aid before you use it.â
She cocked her head to the side, wondering how he expected her to do that, as band-aidsâ susceptibility to water was a well-known trait. But, since it was Spencer she was talking about⌠they were definitely waterproof. Or, as he liked to say, water resistant. If there was one thing sheâd learned after working with him for over a year, it was that nothing is truly waterproof. Phones, laptops, life jacketsâ you name it, not waterproof. In fact, companies tended to have a rather low standard for an object to be considered waterproof. Usually, the label meant waterâresistant, or, in some cases, the product was merely water repellant. Something he liked to remind the team of whenever they dared to even mention the word.
God, she was starting to sound like Reid.Â
Slowly, she knelt down and plucked her (waterproofâ sorry, resistant) band-aid off the concrete. She gave it a quick swipe with her hands, and decided that was an adequate sanitation method.Â
She grinned, thinking of the look on Spencerâs face if he found out what sheâd done as she walked back inside.
â
THE REST OF THEIR VISIT TO THE MORGUE WAS UNEVENTFUL. Cipher dialed back on her snark (reluctantly) as to not raise Spencerâs suspicions, and Alicia didnât test her further. She allowed herself to glare at him on occasion, as penance for the war his bony fingers had raged on the base of her scalp. She supposed it could have been worse, he could have twisted his fingers in and pulled harder, but Cipher didnât care for lessening her retaliation, especially where Spencer Reid was considered.Â
All she could think about was the brand. It was carved, extremely precise. Which meant that the UnSub had time, and pent up rage. The girlâs legs were destroyed, post-mortem (thank god), but they had suffered severe damage before being hacked apart with a knife. Their spines were compressed, from days of being stored somewhere. Likely in a cage, Spencer said. She shuddered thinking about it. Stabbing was a substitute for sexual assault, which meant that he was impotent. Extremely impotent, judging from the sheer amount of damage the bodies had sustained.Â
But the brand⌠it didnât match the rage that had been projected onto the rest of the body. So, why the legs? What did they symbolize for the Unsub? Was it running away? Perhaps he felt abandoned after being rejected?Â
What really didnât make sense was the lack of a suspect. The townspeople didnât have so much as an inkling about who could have done this, sheâd been told. In a place so small, with so few people, that was highly unusual. Socially inept, pent up rage, angry at the world, constantly rejectedâ the people who committed murder like this were always known by name.Â
An idea sparked in her head. Maybe, just maybe, the Unsub had moved on from the Nowhere. Had left with his rejection and rage, but just now was deciding to take ârevengeâ on substitutes for people who had long since grown old and forgotten he had ever existed.Â
Maybe they werenât looking for someone currently causing terror, but someone who had incited it years ago. Someone who had slipped from everyoneâs memories.
â
WHEN SHE PRESENTED HER IDEA TO THE TEAM, THEY AGREED WITH HER. It made sense. The lack of recognition of the victims, the cluelessness of the townspeople, it all pointed to someone who had left long ago. But who, and how was he getting them to Nowhere? Another visit to the mortician was in order, and this time, Cipher had been told to stay back to work on the profile. That was likely for the better of both her sanity and Aliciaâs dignity.Â
Agent Hotchner and Rossi came back with good news. Theyâd gone off her hunch, made a few calls, and had been able to both identify the girls, and get a qualified mortician to fly in from New York.
She knew their names now. They had friends, lives, familiesâ all torn away from them because some guy decided that his trauma was their problem. Theyâd all lived in New York, too, which begged the question: how was the Unsub transporting them?
They had enough, now. There was no more speculation that could be done, now they had to see if her idea matched someone who had left town. Which meant that it was time for her least favourite part of being an FBI agentâ interviews.Â
Cipher wasnât exactly one who enjoyed talking to suspects or witnesses. It was often grueling, like pulling teeth. The Unsubs in particular always had nasty things to say to her. Once, Agent Hotchner had to pull her out, because sheâd towed the line of bad cop and lawsuit. (Twice, actually, but she didnât count the first time.)
Interviewing witnesses was just something she could only handle on a good day. Every time she watched a mother cry, or a father break down, or someone hurt because someone else had decided to brutally murder a person that they cared about, chipped a tiny piece off of her soul. So, she let Reid do most of the questioning. Theyâd (after exchanging not-so-pleasantries) decided to begin by interviewing women who looked the most like the victims. The Unsub was likely the same age as his victims (so about mid thirties, early forties), so they began with that age group.
Cipher and Spencer approached a large, mahogany door. The walkway was littered with round grey stones, little tuffs of sun-scorched grass peeking out between the cracks. The stairs up to the door were old, and a worn welcome mat sat perched in the doorway. A rusty watering can lay discarded by a large rocking chair to the left of the entrance.
Spencer knocked, once, twice. After a few seconds, a woman pulled the door open with a long creak. Brunette waves cascaded over her shoulders, stopping just below her midriff. She had thin lines by her lips, which were rosy and pink, her eyes a muddled brown that sparkled in the sunlight. âWeâre with the FBI,â Spencer said, pulling out his badge to show her, and motioning for Cipher to do the same. She obliged, flipping open the worn out leather of her wallet to present her credentials. âWe were hoping to ask you a few questions.â Spencer continued.Â
âAbout the murders?â The woman asked, her eyes widening in shock. âNo,â Cipher thought, rolling her eyes internally. âWe want to talk to you about the weather.âÂ
He nodded.
She led the pair inside, and to her living room, which was a cozy place. A white fireplace sat in the front of the room, where a large TV sat on top. A potted plant cascaded down the side of the white stones, dangerously close to where a fire would roar during the wintertime. A tasseled rug lay in the middle of the room, clearly worn thin from years of use. âSit,â the woman said, motioning to the long, white couch, the back of it pressed against her living room window.
 âIâm Agent Cipher, and this is my partner, Doctor Reid.â She cocked her head in Spencerâs direction. The woman nodded, glancing between them, a confused look still on her face. âIâm Diane Sullivan.â Diane said.Â
âWeâre here to ask you a few questions about the murders thatâve happened,â Cipher continued. âWe think the man who did this might have been around during your childhood, but moved away.â Diane shook her head. âI canât think of anyone who would do something like that,â she said solemnly. âAnd lots of people leave this town once they grow up. Jobs are very limited here. Itâs mostly either fishing, or opening a stand at the market,â she chuckled, the worried expression still plastered on her face.
âAre you sure?â Spencer asked. âThink about it. He wouldâve been young, uh. Maybe moved away right after high school,â he began listing traits. âVery antisocial, unable to take rejection, very persistent, bullied, had no friendsâŚâ he trailed off when he saw Diane shake her head again. âWe donât treat people like that here.â She said, âWe donât bully them, or ostracize them. Weâre a very loving community.â Something about the tone of her voice made Cipher want to scream. She was so sure of it, so convinced that they treated everyone fairly, when in reality, the moment anyone showed any signs of being different, they were cast out and ridiculed. She knew how places like this functioned.
âAre you positive?â Cipher asked, her voice harsher than sheâd intended. âI know thatâs how you remember it, but weâre talking about the 1980s. Not exactly as friendly as you make it out to be. Especially if you donât fit in.â
âEveryone in this town fits in,â Diane scoffed. âDonât be ridiculous.â Ah. An avid denier. Towns like these were cesspools for what she liked to call selective memory. People remembered the good parts, glorified themâ and forgot all about the people who didnât act right. Didnât behave right.
Spencer took over, sensing both Cipher and Dianeâs growing agitation. âWe just want to confirm, thatâs all.â He said, handing her one of the FBI business cards. âPlease let us know if you remember anything.â Diane nodded, plucking the card from Spencerâs extended hand.
âI will,â she said.
â
âWHAT THE HELL WAS THAT?â Spencer hissed at her, as soon as Diane was out of earshot. Cipher looked at him with feigned ignorance. âWhat was what?â She asked.Â
âYou know exactly what Iâm talking about,â he snapped. âYour acceptance tirade. We need the people here on our side, and we canât do that if you keep criticising them. First the morgue, and now this,â Spencer pointed an accusing finger at her. âAre you feeling alright?â He asked, tone softening in a way that made her tense. He didnât comfort her, that wasnât how this worked.
âIâm just fine,â she snapped back. Liar, liar, liar. âJust tired of people pretending that their homes are perfect. That no one,â Cipher slammed the car door closed after her, sliding into the hot leather seat. Her hand burned from grasping the metal seatbelt buckle, but she was too angry to care. â-steps out of line. We both know that these murders wouldnât be happening if there really was no one who fit the profile.â She exhaled, fingers twisting around the hair tie on her wrist. âSo why lie to us about it?â
âWell, there are numerous factors that partake inââ He started, but she cut him off. âThat was a rhetorical question, Reid.â Cipher gathered her hair behind her head, pulling it into a ponytail. She felt instant relief on the back of her neck as the cool air from the open window hit her face.
âIâm serious,â he protested. âWhat if sheâs just blocked out how bad it was?â She thought, just for a moment. About Diane. About the absence of picture frames in her house, absence of family. Other people. How empty it had felt, drained of colour and presence. She thought of her, much younger, being accosted by a neighbour. About the school doing nothing about it, about him threatening Diane when she said no. About how badly sheâd want to forget if heâd gotten violent. Violent.
Diane had a scar on her wrist. It had taken Cipher until now, until thinking about itâ to realize what it was.Â
An A. In cursive.Â
Just like the victims.
âWe have to go back,â Cipher announced. âThereâs something Diane didnât tell us.â
â
âDIANE,â SPENCER SAID SOFTLY. âI KNOW THIS IS HARD, BUT YOU NEED TO TELL US. WHAT DOES THE âAâ STAND FOR?â Cipher watched with poorly masked anger on her face as Diane sobbed. Sheâd been right, unfortunately. A boy, one who Diane had told them (through tears) was named Colby Sullivan, had accosted her in her sophomore year in high school. Sheâd said no, multiple times, but he didnât take no for an answer. Then, one day, he showed up at her house. Her parents werenât home. When she opened the door, she felt something hard hit her head. Then darkness. When she woke up, there it was. The scar. She hadnât been sexually assaulted, though, something Cipher found odd, but didnât have the heart to question further. Colby was impotent, that much was obvious, so maybe he just didnât have enough time to stab her? All of it made her sick. None of it made sense. Why hadnât he killed Diane? She said that Colby had been furious, so the mark shouldnât have been clean, but it was.
âA-Anderson,â Diane choked. âI-Itâs his family name.âÂ
Why had Diane addressed him as Colby Sullivan, then?
âYou said his name was Sullivan, though,â Cipher said gently, ushering Spencer to stand further away from Diane. âWhy?â She asked.
âB-Because itâs his motherâs name,â Diane said, taking a deep breath to steady herself. âTake your time,â Cipher assured her, brow creased with sorrow. âYouâre doing very well.âÂ
âHe wanted to use his fatherâs name, Anderson,â she explained. âBut he left when Colby was six. Soââ Diane choked on a sob, and Cipher felt her heart crack open for the poor woman. Forced to carry this with her all of her life. âHis mom made him use her name for everything official,â Diane looked up at Cipher, eyes wet with tears. âBut I remember him saying,â she cried, ât-that he couldnât mark me with a womanâs name.â Shame spread across Dianeâs features.
âFuck,â Cipher muttered. âOkay, Diane. I have to leave, but Spencerâs going to stay here and look after you, okay?â Diane nodded.
When Dianeâs breathing calmed, Cipher raced back to the car.
â
FIVE MINUTES LATER, SHE ARRIVED AT THE PRECINCT. âWeâve got him!â She yelled, catching the attention of the rest of the BAU. âColby Sullivan,â she breathed. âHe fits the profile. He already has one previous victim, a woman named Diane. She has- has the marking, and everything.âÂ
Sure enough, Colby Sullivan, or Anderson, had a record. Assault with a deadly weapon, attempted murder, substance abuse, animal abuse⌠all the signs were there. Colby Anderson moved to New York two months after he graduated high school. Heâd come back to Nowhere half a year ago, and gotten a job at the fishing port. Heâd been fired from his job right before the murders began, so there was his stressor. Hotchner, Morgan, Rossi, and the rest of the team had gone to his house to bring him in for questioning. But there was still something off about him. If heâd lost his job, how did he get from New York, to abduct the women, back to Nowhere, to dispose of the bodies? It had been confirmed, Colby didnât own a boat. So how had he managed it?Â
Cipher stared at the whiteboard, a million ideas running through her head. It didnât add up. They were too different. The markings werenât angry. They were calm, preciseâ but the stabbing, that had been full of rage.Â
Their spines were compacted. Almost like theyâd been stored in a cage. But maybe it wasnât a cageâ but rather a shipping crate. It would make sense, how Colby had gotten the women from point A to point B. Drug them, ship them, kill them, mutilate them. The marking was the only thing that had been done premortem, the only thing that didnât match Colby Andersonâs profile at all.Â
Cipher glanced at the white board again. At the top, in Reidâs perfect handwriting, were two words, underlined.
âTwo Unsubs?âÂ
That was itâ she never thought sheâd be saying this, but thank God for Spencer Reid. All she had to do was figure out who the second Unsub was. She pulled out her phone, ignoring the two missed calls from Spencer, and quickly sent him a message.
deCIpher
second unsub. would fit profile. call me.
Spencer didnât respond.
Someone in New York? A brother, maybe? A twin? Someone affiliated with Colby, could be a friendâ
Or, someone who owned a shipping company. Someone who could let Colby borrow his boat to transport women?
Time to call Garcia.
âHey, Garcia?â She said into the phone. âDo you think you can get me a list of people who own large boats, used for transport?â
âIâm on it, sweetness. I just need toâ here. There are two. Anderson Shipping, and Green Transportation. Either of those work for you?â Anderson. Anderson shipping. Reid was right, there was a second Unsub.
âYesâ Garcia, who owns Anderson Shipping?â She asked.
âUh, one Anne Anderson.â That had to be a fake name. There was no one living in Nowhere named Anne Anderson, sheâd gone through the whole list of the townâs inhabitants. There wasnât even an Anne. âThatâs gotta be a fake name, Garcia.â She sighed. âCan you see if you can find out who actually owns the company?â
âI can try, but itâs not guaranteed. Iâll call you back if I find anything, my darling!â The phone beeped in her ear, signaling the end of the call. She groaned, rubbing her temples. She could already feel yesterdayâs headache forming again. To keep herself busy, she decided to look through Dianeâs medical records. Find out if there was anything about the attack that Diane hadnât been able to tell her.
Slowly, she walked out of the small room theyâd been given to work with, and into the main bullpen. There was only one officer left, the rest had either gone home or were at Colbyâs home.Â
âHey,â she announced. âDo you have any records I can look through for Diane Sullivan?â If she had access to Dianeâs medical records, she could find out what other injuries sheâd sustained that night. Maybe a specific doctor who had seen her and could tell her more, orâ
âDiane Sullivan?â The officer asked, taken aback in surprise. âThereâs no one here called Diane Sullivan. We do have a Diane Anderson, if thatâs what you meant.â
âWhat?â She asked. âAre you sure?â Cipherâs heart felt like it was about to burst from her chest. That couldnât be right, that would meanâ
Shit. Shit. Shit. Shit. Anderson wasnât for Colby Anderson.
It was for Diane. Diane was the second Unsub.Â
And sheâd left Reid alone with her.
Shit. Shit. Shit.Â
âI have to go,â she blurted, turning on her heels and sprinting out of the building.
â
IN HINDSIGHT, IT WASNâT THE BEST IDEA TO LEAVE WITHOUT TELLING ANYONE WHERE SHE WAS GOING. She didnât consider that, though, not until she was sitting in her car, outside of Dianeâs house. Diane Anderson. Diane had lied to her, sheâd been working with Colby from the start. Cipher was willing to bet that they had matching âAâ scars, too. It was a brand. She felt sick.
The curtains were drawn shut. All the lights were out inside, and it was getting dark. Reid was smart, maybe heâd figured it out, andâ oh god. Was Diane going to hurt him? Kill him? That wasnât part of the profile, though, Diane had only provided Colby with a boat and done the branding. Fuck. Fuck. Diane owned the shipping company, and Anne was her alias. How had she not seen this? How had no one seen this?Â
Her cell phone was out of battery, Reid was possibly in danger, and she had no way of getting inside. Unlessâ
Diane had mentioned not being able to get her back door to lock earlier. If that wasnât a lie (like everything else) Cipher could get inside through there. That was assuming that Diane hadnât moved Spencer somewhere more convenient.Â
She drove past the house, into the forest, and parked the SUV a considerable distance away from the house. Out of the sight of anyone inside, from any angle. Now, problem number two arose. She didnât have a gun. She had no way of getting Diane to surrender. But that didnât matter, she had to get inside. Likely, thereâd be something she could use to subdue somewhere in the house. If she had the layout right, the backdoor led into the kitchen, which led into the living room. She could get a butcher's knife, and pray Diane didnât have a gun.
This was stupid. She should have waited for backup. But no one knew where she was, and everyone else was apprehending Colby. She was making a mistake, she knew thatâ but Reid was in danger. As much as she disliked him, as much as she wished death upon himâ she wasnât going to let him get killed. Especially not after she was the one who left him alone.Â
It would make everyone sad if he died.
Slowly, Cipher crept towards the broken screen door of the house. The grass beneath her feet was dead. Everything around the house was dead. She couldnât hear Reid inside, or Diane.
The door opened soundlessly. Slowly, Cipher exhaled in relief. She could hear talking, now, two voices. Distinctly female and male. Diane and Spencer. Her voice was high pitched and shaky, but devoid of all emotion. A complete 180 from the woman sheâd been when Cipher had left her house.
She scanned the room for anything, anything she could possibly use as a weapon. Apparently, luck was on her side, because she found both a butcher's knife, and a titanium cutting board. She grasped both objects in her hand. The cool metal was welcome against her hot skin. At the pace of a snail, with her back pressed against the wall, she made her way to the living room, where Diane was still talking to Spencer. She had her back to Cipher, she was only a few feet away. She just needed to distract her.
What was better to hit someone with, a block of metal, or a knife?Â
Metal.
She didnât know if it would work. There was a chance that, if this failed, sheâd kill both herself and Spencer. But there werenât any other options, and she was desperate.Â
Cipher threw the knife across the room. It slammed into the floor with a loud thud. Dianeâs head snapped towards the noise. âWhoâs there!â Diane shouted. âI have a gun, donât come any closer!â
âItâs me, Agent Cipher!â She shouted back. âI knocked on your door, but you didnât answer, so I came in through the back! I just wanted to tell you that we have Colby in custody!â
She watched Diane curse under her breath, as the woman made her way to where she thought Cipher was. As she got closer, and closer, Cipher got ready to hit her. When Diane appeared in the doorway, gun discarded, she struck. Cipher swung the metal cutting board towards her head, the two colliding with a thunderous, horrible crack. She watched the horror spread across Dianeâs face before she crumpled to the ground, unconscious.
Police sirens sounded in the distance. She didnât know how they knew to come to Dianeâs house, but thank god that they did.
It didnât take more than two minutes for the cops and the BAU to swarm the house, kick the door in, and escort Spencer to an ambulance.
She looked at Diane one last time before walking out to join the others.
â
a/n: soooooo guys, you like? Holy shit, i just wrote 5,000 words in one sitting lmao. Comment and reblog your thoughts if you enjoyed!
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RĂSUMĂ: after the stabbing, cipher is stuck in her hospital bed, ridden with strange dreamsâ and even stranger get well soon cards.
TAGS: mean!cipher, spencer pretends to be offended but is really turned on, really really mean cipher, but also like she is a diva guys, cipher is injured, pathetic man x strong woman, cipher suffers from owies and major trauma, not floof, not angst⌠yeah this is angst.
TRIGGER WARNINGS: nightmares, flashbacks (ish), mention of a stab wound, mention of poisoning, verbal assassination
WORDCOUNT: 3.3k
A/N: sooooo how are we feelings?????
commenting etiquette, CIPHER masterlist
SHE HAS BLOOD ON HER COLLAR. Nobody notices. They never do, and they never will. She tells herself that it is what she wants. Red painted across her chest, slashes littered throughout her shell body. Scars that will never heal, wounds that fingers cannot touch.
It does not matter, the fact that her shirt is soaked through with it, for she is the only one who can see the mess. She would clean it up, she really would, but her fingers are scraped raw, and the skin on her knees is frayed. Her mind has been deprived of sunlight for too long.
She has wilted. Like a flower, though she does not think she ever had any petals to let wither. A stem, hidden alone, under a staircase, ridden with thorns and holes. That is more accurate.
Kalon appears in her dreams, sometimes. In her nightmares too. As the anchor in the never ending storm that she chooses to call her life. She corrupts it. She betrays it. Apathy helps. Apathy always helps. She buries that, too, under the waves. Deep beneath the sparkling blue hues of the ocean, beyond the grainy sand, down, down, deeper until no one could possibly find it.
It is a sunny day. Flashes of light dance across her vision. The morning grass, still wet with dew, sparkles back up into the sky. She used to think that it was magical. She thought that it was leftover pixie dust from the faeries that visited at night. Somehow, even that was torn apart. That ideal. The thought that, maybe, there was magic somewhere inside of this tortured existence.
She was wrong.
She does not know how to get home. Nor does she want to, if sheâs being frank. She lies beneath the trees at the park, turning her head towards the distant treeline whenever she sees a police car, lest one of them recognize her face. She doubts it. Though she is young, she knows how the things she calls mother and father behave. It would be a surprise if theyâd even noticed that sheâd back her things and left, much more so had they actually called someone instead of sighing in relief and returning to their daily coffee.Â
Even now, their faces are blurry. Even now, she cannot recall their names, or their voices. Only the ways in which they hurt her, always hurt her. They are the shards of glass strewn across the rooms in her mind. They are the reason she is gone. They are the reason she has nothing but her name.
She is supposed to be approached by a young woman soon. One whom she will befriend. One, who, when names become nothing, is to be called Kalon.
â
KALON IS THE ANCIENT GREEK CONCEPT OF âA PERFECT BEAUTYâ. It is said to combine morality, grace, mortal attractiveness, and nobility. It is a word that, due to her childishness, she misuses. She gives it to someone who could have deserved it, in another life.
Not in this one.
Never in this one.Â
Still, when Kalon comes to fetch her, she obliges. She rises off the vibrant green grass, extends her hand, and offers Kalon her name. They exchange pleasantries (as many pleasantries as children can give) and rush off to play. Names are very important things. They are uttered wordlessly in the night, screamed through stale air, cried out like prayersâ (they say it like a prayer, but is it a blessing, or a curse?)
Names, whether they be common or woefully unique, are the one thing in life that remains ours. As a result of this, when a person is stripped of their name, it is a detriment to their humanity.
However, to give up a name willingly is to surrender.Â
To receive a new oneâ one forged from steel and fireâ is to be reborn.Â
â
CHILDREN ARE OFTEN FOOLISH, AND KALON CANNOT STAY FOREVER. After much adventure, running, laughing, playingâ she must go home. Innocently, Kalon asks her if she has to go home, too.
âNo.â She replies. Kalon looks at her quizzically. Deciding that she must make something up, lest she lose her new friend, she lies. âI live over there,â she says cheerily, pointing towards somewhere far away from the play structure. Somewhere in the forest, past the fences of the parkâ maybe even beyond the horizon, if she pretends hard enough.Â
âOh.â Kalon says. âWill I see you tomorrow?â
She thinks for a moment. It is here, where the foolishness becomes apparent, upon looking back.
âYes.â She says.Â
â
When the dark cascades down, she cannot see. It cloaks her forest in an evergreen glow, little flecks of moonlight dance across the gaps in the treeline. If it were brighter, perhaps she would feel less afraid. Perhaps the shadows would not grow claws, each sound of the woods snarling at her like a monster. Perhaps, when there is a fluorescent hue around you, you do not feel afraid. Streetlights can contrast the shadows, and can brighten her small world like stars.Â
The further she goes, the less she can see.
The further she goes, the less she can see.
The further she goes, the less she can see.Â
The further she goes, the less she can see.Â
â
SHE WOKE WITH A START. Darkness, her greatest enemy, coated the room like grease. Fear hung in the stale air.
Blood. She can taste blood in her mouth. She has a tendency to bite her lips, so thereâs no surprise there, yet it will always be shocking for that to be the first thing she can taste atâ
She checked the clock.
4:38 am.
Itâs far too early to be awake, she knew that. The sun had yet to rise and she is sure that nobody else is conscious, let alone even thinking of waking up. She glanced at the side table, filled to the brim with cards and flowers from her coworkers. Among all the sweet smelling chaos, is one yellow sticky note. She narrowed her eyes on it, but itâs too dark for her to read. However, judging by the fact that it wasâ well, a sticky note, she immediately knew who it was from. Dr. Spencer Reid, the man who had hated her since she joined the BAU. All because sheâd corrected him for a citation. Le Comte de Monte Cristo. âTu n'as pas dĂŠchirĂŠ la lettre, tu lâas seulement jetĂŠ.â He had said. She couldnât even remember what had prompted the conversation, just that it was her first day and sheâd walked in about five minutes earlier. âActually,â She said, âItâs âTu ne lâas pas dĂŠchirĂŠ,â dit Caderousse; âtu lâas seulement jetĂŠ dans un coin, voilĂ âŚââ She trailed off when she noticed his glare, and the small snicker of his coworkers. Well, her coworkers too, but that was neither here nor there. What? He had been wrong. Perhaps it hadnât really been necessary, or something she should have said (to spare him of the embarrassment that tended to come with misquoting 19th century literature), but she wasnât exactly in the BAU to make friends. She was there to repay her (endless) debt.Â
Cipher liked to think that sheâd earned his hatred since then. Every snide comment, every childish remark, every stupid mind game⌠she wore it with pride. After all, sheâd worked hard to curate a neverending feud between them, and sheâd be damned if she didnât get the credit she deserved for what sheâd managed to do.
Spencer Reid. Often described as a sweet, likeable, adorable nerdy genius. Not to her, never to her. She had yet to see anything about him that could be likeableâ well, except for his looks. She supposed that heâd been blessed with effortless blonde curls and honey brown eyes to make up for his atrocious personality.Â
A prime target for her rather harmless games. He was entirely too sensitive, and took everything she said personally. She would feel bad for messing with him, if he hadnât made it perfectly clear that he was entirely capable of reciprocating. And, since sheâd won their last argument (about whether you could touch a cloud) (she was being purposefully obtuse solely for the purpose of annoying him), she was sure that the wimpy sticky note was his retaliation. She wouldnât be surprised if it ended up being a note telling her that he hoped she got sepsis. (Paired with alarming statistics to induce paranoiaâ she really knew his style all too well. Too well for her own good.)
Careful as to not injure herself any further, Cipher slowly reached over and plucked the note off the bedside table. Scrawled in his messy handwriting was what she assumed was his version of a get well soon card.
âIt would really be a shame if you were to get NSTI. If you show signs of the flu, do not let your doctor know. It definitely isnât one of the symptoms.â
â-You know who this is.â
How positively joyful. Absolutely wonderful. She loved that her coworker was praying for her leg to get demolished by flesh eating bacteria. She scoffed. The majority of people who recorded suffering from the treacherous disease tended to have pre-existing health issues. One of them being intravenous drug use. She wondered, for a moment, if pointing that out would be going too far.Â
There was another card on the table, one that hadnât been there when sheâd gone to bed the night before. When Hotchner had come into her room, just to stage cards from her parents. âTo avoid suspicion,â he had said. âWhat kind of parents donât send their daughter something when she ends up in the hospital?â âThe kind of parents I have, Hotchner.â She replied. âThey already know I donât speak with my family, why would they think that Iâd get sent something by people I havenât spoken to inâ hmm. Letâs see. Sixteen years?â He glared at her. âI think they would hope that your parents still care about their child.â There was nothing she could have said that would not imply that her parents had never given a shit about her, so she stayed quiet. Let him think that she was too tired to keep arguing.Â
The new card stood out from the rest. It was plain white with no design on the front, like something youâd buy at a craft store, not a hospital.Â
Unfortunately for her, it was just out of her grasp. If she stretched a little bit, maybe sheâd be able to reach it, but that could risk hurting her leg. Or ripping her stitches. Or a myriad of other things that would result in having to change the sheets again. (The nurses didnât take very kindly to her insisting that bloody sheets were fine for her to sleep in.)
Who brings a blank card to a hospital?
If she shifted a little bit to the left, maybe she could grab it. Really, sheâd do anything but ask the nurses for help. Her therapist would probably tell her that it had something to do with being too independent when she was too young, and now she didnât trust anyone to do things that she thought she could do herself.Â
Cipher sighed. Option one. Potentially injure herself and set back her recovery. Option two. Press the call button. Surely, there would be someone able to help her.
To the surprise of no one, she chose option one. Slowly, she shimmied towards the edge of her bed, ignoring the white hot pain that shot up her leg the moment she moved it. Upon extending her arm, she was able to catch the corner of the card, and pull it into the safety of her hospital bed. She turned it over in her hands. It felt like it was made of cardstock. There wasnât a hint of colour, or wording anywhere on the outside.
Strange.Â
Cipher opened the card. Inside, there was one word. A word she hadnât thought of in yearsâ one sheâd worked very hard to hide beneath layers and layers of indifference.Â
Kalon.
She stared at the wall, heart racing. That was all she could do. Kalon was in prison, so how would sheâ how did sheâ whyâ
This wasnât possible. Hotchner was playing a prank on her, or someone happened to know what Kalon meant and had decided that it would do in place of a get well card, orâ
Or someone knew, and they were going to use it against her.
Someone knew.
Someone could someone could they would ruin it could everything and she would be nothing nothingnothingnothingnothingÂ
For dust you are, and to dust you shall return.
- Genesis 3:19
â
THE HOSPITAL ROOM QUICKLY FILLED WITH NURSES. Apparently, upon reading the card, Cipherâs heart rate had spiked, which instantly alerted them of a possible medical emergency, and after being unable to calm her down, theyâd given her both heart rate medication and pain meds. After thorough questioning, âWhere does it hurtâ, âis there any bloodâ, âon a scale of one to ten,â blah blah blah. Sheâd managed to stammer through a âleg, no, and ten.â Somehow, though her voice was hoarse from disuse and far too high pitched for her liking. Once the pain meds hit her system, she was gone.
She despised feeling so⌠loopy. Incompetent. Unable to work, unable to focus. Unable to stop her eyes from shutting, her brain from driftingâ her body from dipping under the waves, and returning to sleep.Â
âGoodnight, dear.â The sound rang out somewhere, either in her head or in her room. She didnât know.
âKalon is waiting for you.â
â
WHEN THE DARKNESS ENCOMPASSES HER, SHE CANNOT SEE. She has wandered too far into the depths of the woods, past every path, beyond the twinkling of the stars, and under a canopy of leaves so thick that it blocks out every speck of light imaginable.Â
Treasure hunter, you are dead, the light of the world is fading.
She does not stop there, for she has yet to comprehend the idea of lost, of missing, of gone, of nothing. She cannot be lost, or missing, or gone, or nothing if she does not have a home, and no one remembers she exists.
Everything is black, invisible, so she does not notice the large tree stump.Â
Down.Â
Down.
Down.
Unceremoniously, she hits the ground. Hard. The dirt tears at her hands, her clothes, her shoesâ she feels it on her face, in her nose, her mouthâ her eyes.
If a child shrieks in the forest, but no one is there to bear witness, does she make a sound?
She can feel the blood pooling beneath her face. Crimson, fresh, slowly spreading out further and further. She does not rise.
You cannot see the other end, your bodyâs lost all feeling.Â
A snarl rings out into the otherwise silent forest.Â
Those creatures of your woken mind, donât fear them or their hunger.
Footsteps, coming closer towards her. Human or animal, she does not know. Either way, she is going to die. She opens her mouth into the dirt, but no sound comes outâ
A firm hand grasps hers, dragging her to her feet.Â
Forgive the sea, follow the tide, with the monsters on your shoulder.
â
âYOU WERE SCREAMING, SO I WOKE YOU UP.â Cipher let the question sit between them for a moment. One, silent moment.Â
âI was screaming in joy.â She said flatly. âWas on a rollercoaster. Thanks for ruining that for me, Reid.â He scoffed. It was a lie, they both knew it. Neither of them said anything about her obvious deception.
Pearl diver, dive, dive deeper.
He looked at her, really looked at her. Like he actually wanted to see what was underneath. Like he actually thought he could, if he tried hard enough. It almost made her roll her eyes, but she refrained. Hotchner would be very proud of her if he was there to see it. The lies were stacking up faster than she could keep track of them, plastered on top of each other, blending into one giant disaster.
âWhatever. I made you soup.â He handed her a container of what she assumed was chicken noodle, still warm.Â
Pearl diver, dive, dive down.
Now it was her turn to scoff.Â
âYou sure you didnât poison this?â She asked. He had the audacity to look offended.Â
âDo you really think I would be that stupid?â He took the container from her hands, placing it on the only empty space beside her. He scrunched his nose at the flowers like they personally wronged him. âIf I poisoned you, I wouldnât deliver the poison myself. Iâd probably lace your car door handle, seeing as you never wash your hands.âÂ
This time, she actually rolled her eyes. âI just donât wash my hands seventeen times in an hour. Because Iâm not a paranoid germaphobe like you. Because I actually have enough common sense to realize that washing so frequently can damage your skin.â
âIâd rather have cracked skin than pink eye.âÂ
âNobodyâs actually gotten pink eye from touching a door handle, Spencer.â As soon as the words left her lips, she wished she could suck them back in. She saw the way his eyes lit up in the way that they always did when he was about to prove someone wrong.Â
âActually, 4.8% of cases originate from touching a contaminated communal surface, which, unfortunately for you, includes doorknobs.â
âOnly 4.8%?â She scoffed again.
âLast year, there were 41,514 reported cases of pink eye.â He said, a smug look coming to rest on his face. She wished she had something she could throw at him.
â-which means that 1992.672 people who contracted pink eye got it from touching contaminated communal surfaces.âÂ
She scanned the room for things she could toss at him. Just to test his reflexes. (And to hopefully break his nose.)
âWhat are the chances that I will throw something at you and smash your face in?â She asked. He sighed dramatically.
âAbsolutely zero, because Iâm not doing the math for stupid questions. Plus, thereâs no way you could throw something at me and hit me hard enough to break my face in your⌠current condition.â He glanced down at her injured leg, a flicker of worry crossing his face.Â
She pretended she didnât see it.Â
Pearl diver, dive, dive deeper.
âItâs not a stupid question. Itâs a real probability. Your ugly face is making my heart rate go up. Itâs⌠disturbing. You should probably get that fixed. You know, one of my friends is a plastic surgeon.â She put on an exaggerated concerned face. âI could get you a discount, if youâre too broke to pay for it yourself.
He glared at her. Good. Much better.Â
âI donât believe that for a second.âÂ
âWhat, that youâre ugly and broke? Rest assured, itâs definitely true. I have eyes, you know. I have to deal with it every day.â She gave him a wide, satisfied smile.
âNo, that you have friends.â
Back to frowning.Â
âYou really know how to make a girl feel good about herself.â She said, sitting up as much as she could without wincing. âIf this is how you treated all the girls in high school, then I get why youâre still a virgin.â
Jackpot.
âYou are infuriating.âÂ
âAnd youâre using your brain to overcompensateââ she glanced down into his lap, furrowing her eyebrows. â-for something.â
âOh, fuck you!â
âYou wish I would fuck you. Then youâd have something to brag about besides your brain.â It was then that Spencer decided heâd had enough ridicule for one day.
Before he left, she noticed that he gave her leg one final look.Â
Pearl diver, dive, dive down.
a/n: please reblog & comment your thoughts if you liked this!!!!! also, my requests for what should happen next are open!
RĂSUMĂ: The team continues to make progress on their strange case in Iowa; Spencer comes to a few realizations.Â
TAGS: literally a direct continuation of âand nobody told me it endedâ, so all those tags apply here!!!
TRIGGER WARNINGS: implied passive suicidal ideation, cipher puts her life at risk, aaron hotchner and cipher have a conversation about her recklessness, reader discretion is advised.Â
WORDCOUNT: 8.5k
A/N: uh so wow, somebody fucking kill me because this is my least favourite chapter, i hate almost all of the writing so yay!!!!
commenting etiquette, CIPHER masterlist
SPENCER REID TRIES NOT TO THINK ABOUT CIPHER ALL DAY. He spends the majority of his time avoiding her in a desperate attempt to regain some of his dignity. It doesnât take very long for the embarrassment he felt upon being discovered in a rather compromising position with her to fade away and shift into anger. Was this her retribution? If so, truly, sheâll have to try again. Her goal of humiliating him was not met, the bell at the top of the high striker remains silent.
And, should he join her childish, petty, idiotic game of revenge, he will win; thereâs no doubt about it. He will make her regret the day she joined the BAU. She would be a formidable opponent, but in the end, she would fail.
Right?
As though he submitted a query into a search engine, his brain expands the search to find more results. He sifts through reputable sources and trashy magazines, scouring every⌠strange interaction theyâve had over the years that would imply she even had a chance of besting him.
To his surprise, the majority of the articles do not favour him. They favour her.Â
Exhibit A: The Stitches incident.
Exhibit B: Miami.
Exhibit C: 12PM, October 26th, 2008.Â
Fuck.
Itâs infuriating. How has she managed to do this, worm her way under his skin and make a home there. A home built out of sticks and dry leaves, one heâd be capable of knocking down if he so pleased.Â
Spencer could just tell her to go fuck herself, chase her away until he fully repairs his shield. Until any and all ideas of kissing someone he does not like wither and die. Until he is back to 100%--- and she stands no chance.
But this game, this dance, the pull, the pressureâ
It excites him.
The chance of winning a complex game like this, the thought of beating her in any competition at all? Itâs too good of an opportunity to deny.
And so, he begins to formulate a plan.Â
Eventually, she will be forced to admit defeat, because Spencer Reid does not lose. Especially not when sheâs involved.
â
SO FAR, ALL OF SPENCERâS IDEAS HAVE BEEN SHIT. Comically so, and while Spencer has never considered himself one to underestimate an opponentâ unfortunately, even he is capable of making mistakes. He has underestimated her up until nowâ until his mental search revealed things he regrets not having found sooner.
So far, she has the upper hand. He's made a tally chart of their scores.
CIPHER
I- Miami.
II- Her win in regards to the Stitches incident.
III- Her act of salvation at Liberty Ranch.
IIII- Her first act of salvation in Diana Andersonâs living room.
IIIII- Their fight in her hospital room back in August.
IIIII I- This morning.
SPENCER
I- When he pulled her hair in Alaska.
II- When she put her head on his shoulder after Alaska/when he managed to get her to go to sleep without ending up dead due to carbon dioxide poisoning.
III- His act of salvation under the stairs in Wyoming.
IIII- The bucket of water on top of the door yesterday.
There are a couple instances between them that he considers to be entirely neutral, including everything that happened while she was sick because she was most certainly not in her right mind.
She is ahead, yes, but only by two points. Three, really, because Miami should probably earn her some extra credit. Which would make the official score 7-4, with her in the lead, and him trailing behind hopelessly.
Not if he decides to do something about it.
All Spencer would have to do is rile her upâ which is not an impossible task. Itâs quite simple, really, heâs managed to do just that hundreds of times before. To the dismay of the bau, their rivalry is going to return full-force, and he is going to win it.Â
Thereâs something alluring about the thought, something that makes him want to dive deeperâ heâs aware that there may be some warmth beneath the curtain of their room in his mind, though the stream that curls in the air can be attributed to the hot coals everyone on the team has tried to extinguish before.
But in Miami⌠she won. She made it entirely clear that she was capable of outsmarting him.
He cannot let that happen again.Â
Yet, the chance that he might lose is enough to suck him back into her web of intracies, enough to make him rent a room in her house of cards just so he can be the one to topple it.
Spencer Reid does not like Cipher, Cipher does not like Spencer Reid. Their hatred is so pure, so visceral, that it might as well be Newtonâs fourth law. And the excitement he feels upon imagining winning a game that she thinks he doesnât know about is almost enough to make him want to abandon the case.Â
Brutal reality slams into his chest, the embers of his high extinguished immediately upon the realizationâ they have a killer to catch.
And this is why the odds are in her favour.Â
She does not allow him to occupy her mind like this.
He does.
A formidable opponent, indeed.
â
THE DAY DOES NOT REVEAL ANYTHING ABOUT THEIR UNSUB. He manages to pry his mind away from thoughts of Cipher, of retributionâ even ignores it when one of the female detectives attempts to flirt with her. Either she doesnât notice, or she doesnât care, because her face remains neutral the entire time, despite the fact that Detective Laurant is being extremely touchy. He wants to walk over, tell this poor woman not to get entangled with someone like Cipher. Someone who can only make her life worse. Thatâs the only reason heâd want to get them to stop conversing.Â
âŚIs he jealous?
No sooner than the thought enters his mind does he dismiss it. You cannot be jealous when the person youâd be jealous of in the equation is attempting to flirt with the object of your boundless hatred. He watches the interaction unfold with a schooled expression, or at least that is what he believes his expression to be until a hand on his shoulder yanks his eyes away from the two women.
âDamn kid, who pissed in your cornflakes?â Morgan is standing next to him now, leaning against the countertop behind him with an easy, yet charming smile. Spencer does not let the sight of those pearly white teeth fool him, he knows of the malice and teasing that lies beneath that effortless smile.
âItâs nothing, Morgan.â
âNothing? Really? Oh, are you jealous of pretty girl?â He watches Morganâs eyes drift to Cipher, noticing the obvious flirting that Cipher still seems oblivious to. Spencer curses himself for being on a team of profilers.Â
âI pity that detective. She doesnât know what sheâs getting into.â Spencer ensures that his tone is flat and even, betraying none of the sizzling enticement that lays dormant beneath his icy voice.
âInteresting.â
Spencer turns to face him. âWhat is there about what I just said that you deem interesting?â He asks boredly, tilting his head towards Morgan with a not-so-impressed look on his face. Morgan just grins wider, his new smile reflecting his true intentions.Â
âI said you were jealous. You defaulted to talking about Laurant instead of our girl.â His heart slows to a stop. Not a true stop, the feeling is caused by an adrenaline rush inducing a premature heartbeat, followed by a more forceful beat, which can cause the illusion of oneâs heart stopping and restartingâ â...Which would make me think that youâre not jealous of Ci, youâre jealous of Laurant.â
âBut if a doctor were to tell him that heâd flatlined for a split second? Heâd believe it.
His heart anomaly is followed by soul-crushing dread, and a cooling sensation draping over his body. A warm rush shoots up to his face and neck while the rest of his body remains cool to the touch.
âThereâs a rule against trying to profile your coworkers.â He snaps, his voice harsher than he meant for it to be.Â
Morgan just chuckles. In that moment, he can see what the man beside him is talking about. Someone had mentioned it about a year ago, he still remembers what theyâd said.
âNo one goes after me because you look like someone tried to shoot your dog when they do.â
It was what sheâd said in Miami. About him.
She was wrong then, and Morgan is wrong now. The sentiment behind the words have not changed, though what is being said itself has fundamentally shifted.
Morganâs (incorrect) observation is not an accusation. Hers was. That was why heâd gotten so defensive andâ
Heâs not thinking about Miami right now.
âIâm not jealous,â he sighs. âI just think itâs gross.â
Morganâs eyebrows nearly shoot to his hairlineâ or where his hairline would be, if he still had hair. â...Woah.âÂ
Instantly, Spencer realizes what his words implyâ that he is uncomfortable because Laurant and Cipher are both women, not because he believes that every lover Cipher takes is a victim, not a romantic partner.Â
âI didnât mean it like that!â He exclaims defensively, gesturing towards the pair. Laurant is still trying, but given Ciâs body language, he can tell that sheâs not having it. Sheâs tense and dismissive. Whatever Laurant is attempting to do isnât working.Â
How can he explain what he did intend without sounding like a jealous ex-boyfriend? How is he supposed to make their sick, twisted game make sense to Morgan, who would likely ask Hotch to give Spencer a psychological evaluation if he even began to try? It doesnât even make sense to Spencer yet, and thatâs saying something.Â
âSheâs very clearly uncomfortable with Laurantâs advances.â Spencer decides to play it safe, explain his discomfort with a simple behavioural observation instead of⌠whatever is making him uncomfortable. âHer posture is rigid, she does not appear to be very relaxed, and her responses seem to be curt. Sheâs fiddling with the vanilla lip balm she keeps in her right pocket. The one she uses when sheâs not having a good day.â
Morgan gives him an incredulous look. âYeah, I picked up on all that.â Spencer mentally kicks himself. He does this often; getting so used to explaining things that he ends up making people who do know what theyâre talking about feel insulted. â-Except for the lipstick.âÂ
âLip balm.â Spencer corrects.
âPotato potato."Â
Spencer rolls his eyes, relief rushing through him. Heâs managed to avoid Morganâs questioning for nowâ thereâs no guarantee that he wonât try again later. âThe differences between lip balm and lipstick are actually quite vast. For example, lipstick can feel waxy when you have dried lips, whereas lip balm would soothe that dryness. Thatâs actually probably why she prefers it.â Her lips tend to be at their driest from November, something heâs noticed over the two-almost-three years theyâve worked together.
âSo you just happen to know everything about Cipher, then?âÂ
Spencer is about to answer that he probably knows more than most people, given the fact that he is the only one in the BAU to have stepped foot in her home. Itâs merely a technical observation, but he stops himself before responding. This is a trap. Morgan is trying to manipulate him into admitting that he âlikesâ Cipher, or whatever absurd assumption heâs made about their rivalry. He doesnât want to take her out on dates, buy her flowers, bring her to fancy restaurantsâ no, he wants to ruin her. He wants to get back at her. He wants to pull all the shit sheâs pulled on him, tenfold. Whateverâs going on between them is the furthest thing from a whirlwind romance.
âI am a profiler.â Spencer shrugs.
âOh, so then youâd know that I like to read case files online instead of on paper because the small font gives me a headache. Right?â
He hadnât noticed anything of the sort, nor had he made any significant observation in regards to Derek Morganâs reading preferences.
âAs a matter of fact, I have.â Spencer is lying through his teeth. He just has to make it through this conversation withoutâ
âWell, thatâs interesting, because Iâve never loaded a case file to a computer in my life.â âMorgan using lies of his own in an attempt to trick him.Â
Shit.
Play it safe. Spencer tells himself. Donât give him any other reason to think youâre lying. âAre you having a dry spell?â The fact that he notices things about her but not anyone else isnât out of the ordinary; the same thing happened with Elle before she left. It was because she sat in the desk across from him, not because he liked her.
Morgan tilts his head to the side, eyebrows furrowed in confusion.
âYou havenât⌠erâŚâ heâs regretting his decision to bring sex up now that he actually has to talk about it. â-Gotten laid in a while, so now youâre obsessed with my sex life.â
Morgan lets out a soft chuckle, placing his hand back on Spencerâs shoulder. âSure thing, pretty boy. You keep telling yourself that.âÂ
âThereâs nothing more to it.â Spencer tries to convince him, but he can tell that Morgan isnât going to change his mind. All he can hope for is that he wonât recount this interaction to anyone else.
âIf you say so.â
âYouâre being purposefully obtuse. You know what youâre implying. I know what youâre implying. And I am telling you that youâre wrong.â Spencer argues, but itâs fruitless. Morgan isnât going to believe him, no matter what he says.Â
âAnd if I tell you that itâs raining cupcakes, does that make it true?â Typical Morgan, using exaggerated idioms in order to prove a point.Â
âThe expression is raining cats and dogs.â Spencer corrects him again, the second time heâs had to do so in one conversation.
âTomato tomato.â Spencer doesnât even have to look at Morganâs face to know that heâs wearing a shit-eating grin. Heâd almost forgotten how infuriating Derek Morgan could be. Spencer sighs, pressing the back of his hand to his forehead. He doesnât dare look at Laurant, or Cipher, and thatâs just because he intends to keep his sanity intact.
Itâs not because heâs jealous, he really isnât. Morgan suggesting that he might like her? That is entirely absurd.
And something he intends to prove by winning a game.Â
â
THE FIRST THING CIPHER NOTICES ABOUT DETECTIVE LAURANT IS THAT SHEâS PRETTY. The second thing she notices is that this woman either adores conversation, or she finds Cipher attractive. It becomes clear that the sentiment behind the words that seem to flow endlessly from Laurantâs mouth is, indeed, the latter of the two when she engages in a simple five-word exchange with one of her coworkers.Â
Detective Vivian Laurant is, objectively, an attractive woman. Her hair, soft and brown, curls into loose waves that stop at the tip of her chin. Sheâs rather tall too, if Cipher had to guess, sheâd say 5â10 with heels. 5â8 without. Her eyes are the kind of colour that makes you do a double take, because you couldâve sworn that they were brown a second ago.
Green. She asked. Detective Laurant said green with a laugh that couldâve made a faerie jealousâ which, upon further consideration is probably not a good thing.Â
It doesnât matter. Sheâs gorgeous, Cipher is intriguedâ but her face is familiar in a way Cipher cannot place until late at night, when theyâre having one of her extra long conversations. Sheâs inquiring about how Cipher came to be called Cipher, and Cipher is trying to think of a reason that wonât violate about 100 rules in the FBI code of conduct when it hits her.
She looks just like Spencer.
If Spencer were a woman. Which, decidedly, he is not, but their resemblance is quite uncanny. Now that sheâs really looking for similaritiesâ she can see his face in the sculpt of her cheekbones, in the messiness of her hair, the shape of her shouldersâ even the shade of her lips. She canât help but get lost in their closeness, and undoubtedly, that is what makes Detective Laurant think Cipher is interested.
Guilt hits her like a freight train, so powerful it almost makes her double over. In that moment, all she can see is Kallyâ her face, her smile, her laugh, her, her, her, her everything. The details swirl in her head, but sheâs unable to catch them as they spiral past her face and hit the ground softly, like scraps of paper.
It takes a few seconds for her to figure out how to breathe again, but once she does sheâs taking in too much air, choking on oxygen. She stands up straight, and Laurant seems confused at the sudden shift. She reaches out to touch her armâ Cipher is not having it, she canât. She just canât.
Itâs not fair to this woman. What does she want out of this? A date? A night spent together? A relationship? A house? A wedding? Kids? A future?
Wants shift whereas needs remain the same. Food, water, clothing, shelterâ those are all needs. They never cease, never buckle and bend and warp as their meanings change over time like wants do. Cipher, if she had to be placed in a category, dropped into one of those two boxes in someone elseâs life, sheâd be a want. Not a necessity.Â
Wants change, like perceptions. And where she is concerned, when someoneâs perception of her changes, so does their want for her presence in their lives. A fact that she has learned over time.Â
People find out the truth, and they no longer want her. Itâs happened time and time again. She scared off Carsonâs friends because they were afraid of her. The nurses at the facility started giving her the cold shoulder when they found out.Â
This detective will be no different. Sheâll find out, and she will recoil, and her wants will change.Â
Cipher is an idiot for even thinking about it.
The conversation continues, but sheâs no longer paying any attention to the words that flow out of Detective Laurantâs mouth. All she can think about is the guilt. Her hand drifts to her right pocket, fingers tracing over the letters of the vanilla lip balm that resides there, trying to bring herself some comfort, something to latch onto, lest she delve headfirst into her guilt. Itâs less of a journey and more of a cliff in the night. She cannot see the depth, only that she is standing at the edge, risking her sanity by watching as the rock crumbles beneath her feet. Should she jump off, thereâs no way to tell if sheâd live to tell the tale.Â
So she stays. Teetering on the tightrope of feeling and not feeling, if she tilts either way sheâll never be able to go back.
âThereâs this coffee shop Iâve always wanted to go toââ
Now she has to stop it. As nice as indulgence has been, human relationships are a ticking time bomb, a singular leaf dropped into a hole in the ground in an attempt to cover up something that is a hundred times larger than itself.
âI should go.â Cipher watches detective Laurantâs face change from anticipated to confused, then to hurt. Thatâs not fair. She never meant to sound interested, she justâŚ
Sheâs running away, like she always does.Â
âItâs getting late,â she continues, and Detective Laurant doesnât respond. Laurant glances at the ground, not at Cipher, and she hates doing this, but she has to.
Lying will only make the guilt increase tenfold. Gritting her teeth and telling little fibs in order to keep her name out of the mud.
Cipher really does feel bad for leading her on.
âRight.â At least she isnât pushing it.Â
She gives Laurant an apologetic smile. Laurant does not return her pleasantries, which is fair enough. Out of the corner of her eye, she can see Morgan and Reid talking to each other.
They exchange awkward goodbyes, and Cipher returns to her motel room.
â
THE EVENING PASSES AS ANY OTHER; LONG, YET SIMULTANEOUSLY DRAGGING, as though it wants to present her exhausted body to the stars like a prize. It must keep her alive, of course, she is no use to anyone if she is dead.
Despite her rather lengthy rest, exhaustion has made a home in her body, claiming every crevice as its own. It cannot be expelled, no matter how many times she tries. Cipher has learned to live alongside it, giving it just the corners of herself so it can fester. As long as it stays behind the barrier sheâs created, as long as it does not infect her eyes and force them shut forever, it can stay.
Itâs now half past ten, and she has yet to fall asleep. She is not going to. She canât, physically, not right now. Itâs not the right time. (Itâs never the right time, is it, though?)
She has to hold the memories back. They play anyways, infinitely on loop in the darkest corners of her head, repeating over and over again until the words warp and the record player slips off the table.Â
The ache is back again. She has a journal to contain it, but she has not opened it. (For fear that the pages will fill up far too quickly, spill off the paper as their ink coats her skin like grease.)
(For fear that she is nothing but a word, and once the page where she is printed has been read, she will cease to exist.)
(A common word, unimportant. Unnoticeable.)
She does not remember walking (running) back as the pages of her journal curled as though they were on fire.
They might as well have been on fire.
She poured the gasoline, she lit the match, because?
Expression is useless, no one cares. There are six people who know of her existence and want her to live. Five.
Four.
Three.
Two.
One.
None.
That is what will happen when they find out.
That is why she cannot stay.Â
(But if she leaves, they will kill her. Shoot on sight. Flight or fight, but if she dares to fly she will be deemed a threat and she will be shot. Killed, her body will decay and she will be nothing. Nothing does not hurt as much as something, she thinks.)
By twelve, she feels nothing, nothing at all.
Not in her dreams, or in her nightmares.
Not as sheâs awake, and not as sheâs asleep.
Nothing.
Nothing at all.
A nice change.
â
THE DAYS HAVE YET TO BLUR TOGETHER IN CIPHERâS MIND. They feel monotonous, like endless repetition. By the time morning comes, nothing has grown cold. She reaches out with ice-tipped, frozen fingers, grasping at something to replace it. Any emotion will do, for nothing is not just the absence of something, it is a void. Rien, complètement abandonnĂŠ. Il nây a rien quâelle peut sentir dans ce vide, dans cette obscuritĂŠ. Les ĂŠmotions sentent les graines du sable, elle est incapable de le saisir comme elle veux. Le vent frĂ´le sa main au lieu de ses rĂŞves. Et ses cauchemars, ils percent sa peau comme ĂŠclats de verre, mĂŞme s'ils n'ĂŠtaient pas un ĂŠclat physique.Â
She does not get out of bed when she wakes up.
â
ACTING LIKE NOTHING IS WRONG IS EASIER SAID THAN DONE. Especially with Agent Hotchnerâs newfound yet incessant hovering, which is undoubtedly being caused by an order from someone higher on the food chain than both of them. The only thing about this arrangement that she dislikes specifically is his reluctance to tell her the truth. Cipher knows that something has changed; Hotchner knows that something has changedâ hell, she works with a team of profilers, thereâs no way they havenât yet noticed the oddness of his behaviour, with or without the âdonât profile your coworkersâ rule that nobody seems to be capable of following. In short, everyone knows that something has changed.
For fucks sake, he isnât even trying to hide it.
In fact, no one is trying to hide it. The air has shifted since Emilyâs discovery yesterday, one that she has undoubtedly told the others. Cipher expected as much, sheâs prepared a list of answers should they decide to question her.Â
Cipher tries to distract herself with the case like she has many times, but she simply cannot ignore the feeling of two sets of eyes burning holes in the back of her skull. Two. As if one overly attentive human hyperfixated on her behaviour wasnât enough.
If this is still going on by lunchtime, sheâll be throwing Spencer Reid off of the tallest building she can find in fucking Iowa.
Sheâs just starting to read the case file when a thought slams into her at 200mph.Â
You were attracted to Detective Laurant.
Yes. Thatâs true. But sheâs not thinking about that right now, for godâs sake, she is thinking about the psyche of a man who took it upon himself to use liquid nitrogen as a means to shatter womenâs heads.
Because she looked like Spencer.
What an absurd implication. Her brain is deliberately torturing her, doing anything and everything to keep her from her objective, which is solving. The. Damn. Case.Â
Sheâs not having it. Like a hostage negotiator, sheâll have to make a deal. Cipher will address her thoughts later, not now. For now, the case is her primary focus. Sheâd sign a contract if the person who kidnapped her capacity to think straight wasnât her own mind.
So. In order for someone to have access to that much liquid nitrogen, theyâd have to work for a lab. Her eyes scan one of the photos, grimacing at the chunks of half-thawed flesh scattered across blood stained white tile. The contrast of the colours makes the scene even more sickening, the whites and the reds and the skin tones plus the pinkish tint of the actual flesh all blend together to create a rather disturbing effect.
The FBI should pay her extra for having to look at something this gruesome.Â
The Unsub would have to be strong to submerge someoneâs head in any sort of substance for over forty five minutes. Sheâs already come to this conclusion, so why is she still dwelling on details that have already been confirmed?
The feeling of being watched is still lingering over her, but she tries to ignore the intense sensation.Â
Combine force with the knowledge of how to properly turn liquid nitrogen into a murder weapon, then add opportunityâ
A lab assistant, maybe? There is a lab in the entire town; one that is both underfunded and understaffed. Hotchner spoke with the person who owns the building, and he said that the majority of people who go there are scrawny, high school kids.
So the killer would stand out. A point in favour of the BAU, since there are no leads other than this⌠suspicion. Hunch.Â
Opportunity. The M.E put the time of death for all six women at somewhere around ten to midnight. Plus, there were no signs of forced entry, which would indicate that the person doing all this has a key.
Cipher makes a mental note to ask Morgan to call Garcia and have her compile a list of everyone who has keys to the lab.Â
â
âWEâRE LOOKING AT SOMEONE WHO IS WHITE, IN HIS LATE TEENS. MALE. He doesnât strike you as the type of person who would commit murder. He helps out around the town but nobody really notices him. A little too pushy when he talks to women.â This Unsub is nothing new, the only thing unique about him is the way he kills. The profile remains the same; a misogynistic, white asshole who thinks he has a right to kill innocent women because mommy didnât hug him enough and daddy told him not to cry.
Itâs bullshit, in her humble (correct) opinion. From what she can remember, her parents were horrible, and she didnâtâ
Well, technicallyâŚ
And thereâs that question again, the one that everyone asked her in the hospital, and in the police station, and in pristine officesâ
âDid you have a choice?â
She thinks she can hear Morgan giving the rest of the profile as her own paper joins Kallyâs shred on the cold, hard tile.Â
Did she have a choice? Itâs a question sheâs had on her mind for years, ever since March of 2000. Ever since everything fell apart. If youâd asked her ten years ago, sheâd say yes. Absolutely. Everything she did was autonomous, she chose to hurt people of her own accord. She picked out her future with the same two hands that she uses to save people nowâ quite ironic.Â
So many things have happened since then.Â
Itâs still true, what she told Aaron Hotchner back in â00. âI couldâve said no.â
âAnd you didnât?â
She had laughed. âOf course not.âÂ
There had only been two choices, and she hadnât entirely understood what she was signing up for that day in the parking lot.
But lack of knowledge only covers one of her choices, the rest she made knowing what she was doing. So. Did she have a choice? Yes.
And she chose the option that resulted in human lives lost each time. And for what? Why did she choose to do all of thisâ she still doesnât completely understand the rationelle behind her decisions. She supposes that trying to decipher why a nine year old girl would choose to entrust herself to a stranger is worthless; she wonât be able to find an explanation that justifies her behaviour.
Cipher could have said no.
But she didnât.Â
That gives her fullâ or at least near-complete responsibility for her crimes. Itâs a rational conclusion, it makes sense, but thenâ
âThereâs been another murder.â
â
âHER NAME IS JANE.â The room smells heavily of rot. The scent clings to everything in the room, seeping between the tiles and the cracks in the walls that are spattered with blood. As usual, chunks of flesh are scattered across the floor almost lazily, yet deliberately, like the person who put them there admired their original formation too much to change it. Itâs coated in a thick layer of precision.Â
Itâs sick.
Jane, according to one of the officers, was a twenty five year old woman, about to leave the town to pursue a degree in medicine. A deviation from the Unsubâs normal; all the other victims have been prostitutes. Add the fact that the time between kills is supposed to be four days, not twoâ and itâs confirmed when she glances knowingly at Emily, who nods.Â
The Unsub is escalating.
â
âDO YOU THINK THERE ARE MULTIPLE UNSUBS?â Morganâs voice cuts through the heavy silence draped between members of the BAU. Seven women are dead, and they have no leads as to who could have done it. Garciaâs search for people who had keys to the lab revealed nothing; none of the employees in the lab matched the physical profile.
Cipher thinks about it for a moment. That could make sense, yes, but the manner of the crime scenes have suggested so far that there is one culprit, and heâs been profiled as controlling. The odds of him being willing to âshareâ his kills with someone who he has deemed âbeneath himâ are very, very low, but it could beâ
Sheâs snapped out of her train of thought when she feels a harsh smack to her knee.Â
âWould you stop that?â Reid hisses. She ignores him, continuing to bounce her knee under the table, chewing on her lip. He taps her again, an action to which she pays no mind. Then, he smacks her.
Sheâs going to kill him as soon as her knee stops stinging, sheâs actually going to fuckingâ
âI know who the killer is!â He shouts.
â
SCOTT JONES IS A GOOD KID. Straight Aâs, plays basketball, goes to church every Sunday. Heâs a good kidâ or at least, his shell is. Whatever is actually inside of his body could be more accurately described as a monster.
And Cipher is currently staring down the barrel of his gun. Itâs a revolver, and there are bullets scattered across the tile beneath his feet. His hands are shaking. His eyes are feral and darting across the room rapidly, like a caged animal willing to do anything to escape a bear trap, even if it means clawing its own leg off. Or someone else's.
The only reason they are here is because Reid remembered a kid hanging around the lab. After a couple of questions to one of his friends (who happened to have a key to the lab), the kid cracked and admitted that he had a copy made for Scott.
After that, everything began to fall apart. His room was searched. Trophies were discovered. Bloody clothes. Now sheâs in the very same lab where heâs been killing people; risking her own life to stop him.
Her eyes flick back to the bullets resting on the ground. One. Two. Three. Four. Five. Six.
Six.
A revolver can only hold six bullets. Which means that the gun in Scottâs hand is empty. She could be wrong. He could just have more bullets in his gun. But itâs too strange to be a coincidence, his scared demeanor and the bullets on the floor point to one thingâ he is armed with a facade.
Cipher doesnât think as she steps towards him, signaling to Morgan, whoâs pointing a gun at Scott to lower his weapon.
âIâllâ Iâll shoot you!â Scottâs hand is resting on the trigger as she steps closer, but she knows that nothing will happen if he fires. There are no bullets in his gun.Â
âYouâll shoot me?â She parrots. He narrows his eyes. She can see the anger behind his eyes, piercing through his âgood kidâ mask and splintering it into pieces.
And then, in a fit of confidence, she grabs for the gun.
â
âSTRAUSS WANTS YOU OFF THE FIELD.â The words echo in the silent hallway, though thankfully, there is no one here other than her and Hotchner to hear them. Cipher thinks she misheard him, she has to have misheard him, thereâs no way Strauss is this fucking incompetent.
â...What?â
âShe thinks you are a danger to yourself and others.â
âA danger to myâ thatâs bullshit! Since when does she care about my life?!â Since it would bore Cipher out of her mind, increase her chances of doing something stupid. After all, all sheâs wanted since Cipher joined the BAU was to get rid of her.Â
âI donât make the decisions.â Heâs calm, coldâ how can he be this⌠expressionless? He sounds bored, almost, meanwhile her entire life is about to collapse. Itâs been teetering on the edge of a fucking sinkhole for weeks, yes, but she didnât expect Erin Strauss of all people to be the rain that eroded the soil beneath her feet and pushed her in.
âSheâs decided that not having a firearm makes you an unnecessary liability on the field. Combined with your rash decision making, she believes that youâre not fit to travel with the rest of us.â But it had all worked out just fine, she was right, the gun had been empty and Scott Jones ended up in handcuffs within five minutes. âAs of now, your position on this team is not in question, but whether you will or will not be joining us on our next case is.â
âThatâs bullshit and you know it!â Why is he acting like thisâ like he doesnât care at all? Why did she expect anything more when he knows who she is.
That was the real liability. Believing he cared.Â
âThereâs nothing I can do about it now,â Oh, for the love of god. Heâs the unit chief, he has to have some say in which of his agents go with him on cases. Strauss is not the only problem, heâs complicit.
Hotchner straightens, his posture reflecting the image of someone calm and collected. Poised to deliver propositions for unnecessary protections phrased as necessity. âWhile I do not agree entirely with her position,â he says carefully, eyes flicking across her body because heâs assessing her. Heâs sanitizing the news because he doesnât think she can take it. The prosecutor in him is shining through his polished BAU personality.
Sheâs going to scream. â-I do believe that you put yourself in unnecessary danger too frequently for it to be coincidence. The⌠incident that occurred at Liberty Ranch is not something I find a proper example of that behaviour. But it is concerning. You could have died today.â
Cipher canât do this right now. Heâs obviously worried or something, but heâs wrong, the only times sheâs ever willingly put herself in danger has been to save other people. Itâs a clause in her contract, for fucks sake. She is not allowed to use deadly force to protect herself, only other people. Theyâve made it abundantly clear; her life does not matter to them. Why, then, does Hotchner seem to care so much?
âWhat are you saying.â Itâs not a question, itâs a statement. She knows exactly what heâs implying, that sheâs one of those agents heâs seen cycle through the bureau time and time again. That sheâs just waiting for a stray bullet to kill her. That she would not care if she died, which is an assumption nothing short of absurd.Â
More bullshit. Heâs a profiler, really, he should know better.
âThat you have not seen a counsellor or therapist in years.â He notes the expression she has on her face before he continues, âThis isnât because of your past. The job we do affects people in horrible ways, and you are no exception.â Heâs lying, sheâs never once seen him tell anyone to go see a therapist because he thinks they want to die before. Not once has he ever spoken to her colleagues like this; she is the exception to almost every rule Aaron Hotchner has. He thinks that, because he has a profile on her, he doesnât need to be professional. Itâs bullshit, everything is bullshit, sheâs going to burst a blood vesselâ
âI think you should seek professional help.â He says plainly.
âSo you think Iâm crazy.â She spits.
âI never said that.â
âIt was implied!â
âMore often than not, when someone talks about an implication, their assumption reflects the thoughtsââ She doesnât even let him finish, heâs not going to profile her, she wonât let him. Heâs only treating her like this because he thinks her past gives him some sort of special connection with her. He can save her. Heâs wrong. Sheâs beyond saving.
âGod, you sound like Reid.â She gives him a bitter laugh, but his face does not change. Cipher is going to die. Just keel over. Goodbye, fuck life, why does she even try.
âLetâs talk about Reid, then.â No. Heâs trying to piss her off, he has to be.Â
âI donât want to talk about Reid!â The words come out too loud, she shrinks away from their impact. He notices this too, she can see the gears in his head turning as he files away every bit of her body language into his profile.
Cipher has known that Agent Hotchner profiled her since the beginning of their first interrogation. He told her so. He read parts of it to her, parts that made her laugh in his face. His response to that? He figured sheâd do something of that nature, that sheâd deflect. âAn art,â heâd said, âyouâve perfected over the years.â It isnât fair. He knows things about her that she doesnât even want to know.Â
Why does he get to crawl into her brain? Make a home there, claim a space for himself, for science, for a profile, like sheâs an interesting creature he brought back to a lab. Like he has any right to do this now, pick her apart as though sheâs nothing more than a criminal.
It makes her want to claw her skin off. Get all the black gunk out from beneath her flesh, go into surgery and have them remove it. Then, sheâll be stitched back up, and will be sent home with nothing left to worry about. Healed. Fine. Happy, maybe.
Never going to happen.
âThen what do you want to talk about? You donât seem very keen on discussing your health. So, letâs discuss your feud with Reid. Is that on the table, or are you going to lie to me about that too?â
âDonât talk to me like that!â Her anger, no, her desperation gets the better of her, spilling out onto the concrete between them in the form of a snarl.
âLike what? Like youâre lying to me when all Iâm trying to do is get you out of the disaster you created?â
âLike Iâm an unsub you need to profile.â
âDonât act like one and I wonât have to.â
âThatâs not fair.â She sounds like a petulant child, and she knows it.
âYou walked towards an unsub who was pointing a gun at you. A gun that, at the time, we all thought was loaded. How am I supposed to interpret that?â
âI saw the bullets on the floor.â Her protests are useless; she can see the hardness of his features. Heâs already made up his mind about her intentions in that basement. Heâs curated an entire narrative around itâ and heâs decided she is guilty of each count of reckless endangerment heâd be prosecuting her for if he were still a lawyer.Â
Except the only person sheâs ever put in danger was herself. No disregard for the life of others, only her own. The charges would be dropped. There would be no conviction.Â
âThere were five bullets on the ground. Not six.â
What? Sheâd counted six, seen six, she knows there were six, thatâs why sheâÂ
This canât be happening. She did not miscount, thatâs not possible. She made sure that there were six bullets on the ground, if there hadnât been, she would not have risked her teammateâs lives.
âYouâre lucky that gun wasnât loaded.â No, she isnât. If the gone had gone off, she would be dead. Itâs a simple calculation, a bullet plus the life she lives equals tranquility, not luck.
But she doesnât want to die, Agent Hotchner has it all wrong. Abolition, please free me from the sinner that lies deep within, abolition, please free me from the sinner that lies deep within, abolition, please free me from the sinner that lies deep withinâ
She is not religious, she never has been, it isnât feasible for her to beâ
Abolition, please free me from the sinner that lies deep within, abolition please free me from the sinner that lies deep within, abolition, please free me from the sinner that lies deep within, abolition, please free me from the sinner that lies deep within, abolitionâ
The voice is so alluring. Are you sure you donât want to obey?
Hotchner is just staring at her, moving his lips in an awkward fashion. Itâs awkward because there are no words coming out. Why is he moving his lips if he doesnât intend to make a sound? Why? Why is sheâ
Pain flares beneath her skin, and immediately, she knows why. He is speaking.Â
She just canât hear it.Â
It takes everything within her not to yell, even as the pain begins to overtake her, itâs too much, she canâtâ
Answer and itâll go away. Obey and you will not be prosecuted. Obey and they will not nail you to a cross, the blood that seeps from your wounds will not drip into their chalice, they will not call it wine when your body grows cold and rigid.
You are no god. You are not even good.
Anguish cleaves her wrist open, delving into the branching veins of her palm, flickering under her skin, wrapping around that vein and squeezing until it feels like every blood vessel in her arm is bursting.
Obey.
Obey and you will be senseless. The divine will intervene and that pain will leave you, perhaps it will leave behind a hollow shell, too, but your vivacity is not for you to judge.
ObĂŠir, ma belle, et tout le monde ne serait rien dans tes mains, câest pour vous Ă dĂŠtruit ou saveur.Â
You are no god. You are not even good.
Ces dÊlires seraient tout ce que tu es, il n'y a rien dans ton corps si la lumière te frappe vraiment.
Obey.
âWhat?â The posture of her response makes no sense; itâs built on shaky ground, just like her.Â
âDo you want to die?â He repeats, his word-posture just right, stable, stable stable stable stable
He is stable.
You are weak.
Your mind is a frayed rope, one tug and it will disintegrate, turn to dust between well-meaning fingers. Intent does not matter if the end result is destruction.
Please, someone get her out.
âDo you want to die?â It plays on repeat repeat repeat repeat until the words finally register, slide themselves into a crisp, neat file folder titled A. Hotchner.
Do you want to die?
No.
Yes.
No.
Yes.
No.
Yes.
No?
Yes?
âNo.â Unstable, unready, unmade, nothing and everything all at once, a supernova and a void. Light and dark. It all pales in comparison to silence, to repetition, to everything she will be and everything she already has been.Â
Life or death, russian roulette, hopscotchâ everything is a game and nothing is a game because games are tricks of the mind and we are all falsehoods on shaky ground; a house built of lies and built to collapse.
To death, life does not matter.
To life, death is everything.
The gilded lilies of life are tarnished by death, with the intent to improve, of course, because people only ever want more more more more. Intent does not matter if the end result is destruction.
Mildew fills the cracks of her open would, sealing it shut with rot. Itâs fixed, but itâs still broken.
Blood spits like a fountain out of the holes in her corpse; the mildew is effective but it cannot fix so much destruction.
Mold is left to fester until health is a wispy memory, a soft exhale on a cold day, destined to reappear with each heaving gasp as she chokes on herself, as a reminder of what could have been. A glimmer of hope on the horizon of the moor of despair.Â
âStop.â
Everything is quiet. The haze lifts as quickly as it descended upon her, dripping off her frigid corpse body. Slowly, Cipher remembers how to move her arms, then her legs, then the blood that had poured out of her is thrumming through her veins again, as though it had never left.Â
âYou should get some rest.â Hotchnerâs voice breaches the barrier of silence and sound, reaches the parts of her that are still half submerged in the dirt of the graveyard.Â
âOkay.â
As quickly as she became something, she returns to nothing.
â
CIPHER HAS AN ITCH BENEATH HER SKIN. Sheâll try to scratch it, but it resides deep in her flesh, so she canât, not without tearing her skin off.
Sheâs unsettled. Agent Hotchner threw her off guardâ her mind spinning and she canât stop it.
But she can try. She can try. Anger helps to pacify the burn of her nails fruitlessly scraping against her reddened skin, not her angerâ someone elseâs.
Someone like Spencer.
Spencer is the perfect target.
All she has to do is figure out how to make him feel everything sheâs feeling.
â
SPENCERâS NOT SURE WHY HEâS IN THE BASEMENT. He wants to go home. He should go home. He shouldnât be listening to her like thisâ she does not hold any real power over him, so why is heâ
All she had to do was ask, and he couldnât help but oblige.Â
In another life, Cipher would be comparable to an angel. A divine creature, innately inhuman in the best of ways, flawed yet iridescent. But hereâ on this earth, itâs like sheâs here against her will. A fallen angel. Something that once held otherworldly power in her palms, now forced and contorted into a human-like shape.
Divine. Absolutely divine. In every life, she is divinity incarnateâ there is no questioning that. She is divine and he is humanâ destined to fall for her lies every time.
She has her hands on his tie. It was too easy to convince him and he knows that. He places the burden of his acceptance to her whims on his dreary nature, perhaps exhaustion is what has made him so naive and pliable.Â
Infuriatingly divine is all he can see when her eyes catch the fluorescent light, their pigment sparkling like kaleidoscope glass, melting every single colour under the sun into one, perfectly imperfect, inhumanly human shade.
How does she do this?
Divine. Spencer Reid has always refuted the idea of an all-powerful creator, something who controlled everythingâ an inexplicable explanation for every wrong and right of the universe rolled into one impossible ideal.
And yet, looking at her⌠perhaps divinity was beside him all this time.
His back is pressed against the wall. He can see her up close, now, and god, sheâs looking at him like sheâs going to devour him. Like sheâs going to show him her true form and he will be nothing but ashes on the floor, swept up into her presence and trailing behind her forever, despite being completely and utterly worthless.
Divine.
Is she going to kiss him?
He is supposed to say no. He is supposed to be logical. He is supposed to push her away and tell her that sheâs an idiot for thinking he wanted anything to do with her.
And yet, he isnât doing anything. Heâs paralyzed. Lost. Gone. Completely destroyed. He canât even remember pi, for fucks sakeâ thereâs nothing keeping his thoughts anchored to his body, the screws are stripped raw and he canâtâ
Her lips are about to touch his when it hits him. Quite literally.Â
Water.
Of course. Retribution. Spencer shouldâve expected as much, but clearly his confusion is displayed on his face for her to see because she laughs and itâs the most aggravating, beautiful thing heâs ever heardâ
âI donât know whatâs more pathetic,â she drawls, and the sound is borderline intoxicating, momentarily sweeping away all of his anger just so he can pay attention to every inflection and bump in her tone, memorize itâ
âThe fact that you thought I wanted to kiss you, orââ her nail is scraping across his chin now, and he canâtâ
Divine. There is no other explanation.
âThe fact that you were going to let me.â And then, as quickly as it was there her touch is gone. And she turns away from him. She walks away, andâ
He lets her. He doesnât even try to stop it. He lets her walk away, he doesnât try to kiss her, he does nothing as anger and a sickening sense of enticement fester deep within him.Â
One thing has been made clear. He does not hate Cipher.
He despises her. He wants her.
And he will do everything in his power to ruin her the same way she has ruined him.
a/n: please comment your thoughts and reblog if you enjoyed!!!
RĂSUMĂ: Upon returning to her apartment, Cipher finds that sheâs lost her keys. Where else to go but Dr. Reidâs place?Â
TAGS: fluff, oh dear, more fluff, happiness!, gasp who knew i was capable of making my cipher happy, banter, cireid typical shenanigansÂ
TRIGGER WARNINGS: some self-loathing thoughts, pain, mentions of past trauma, canon typical shit
WORDCOUNT: 4.4k
A/N: @jjellecubed making up for the shit i put you through with minimal loss <3Â
commenting etiquette, CIPHER masterlist
âIF YOUâRE GOING TO BE AN ASSHOLE ABOUT THIS, IâLL JUST SLEEP IN THE HALL.â Cipherâs voice echoes in the hallway of her apartment complex, far louder than it should, considering the time. 4am. The plane had landed an hour and a half ago, Emily drove her home because, as she had put it, âYouâre in no condition to drive, Cipher.â She was right, of course, but that didnât stop her from trying to argue with the woman for another five minutes. Upon entering her home, trudging up five flights of stairs (carefully, she only had one arm in use and one leg working properly), finally reaching her door (at the end of her hall), did she realize something that made her want to tear all of her hair out.
She was no longer in possession of the keys to her apartment.Â
And so, having nothing to do, no one she was willing to bother with her troubles, she sat down and contemplated crying. It took her ten minutes to come to a conclusion, ten minutes spent slumped against too-thin drywall painted an ugly mustard yellow. She decides, now, to blame her incompetence on the head injury sheâs surely sustained. She did break a mirror with her skull, so thereâs that.Â
She decided to call Spencer Reid, one of the only people she knew would both pick up, and not elicit a feeling of guilt within her for calling at such an ungodly hour. Now, five minutes later, here she is. Justifying herself, like sheâs in a courtroom.Â
âIâm not being an asshole, Iâm merely questioning you. You claim to have lost your keys. Where did you last see them?â She sighs.Â
âI donât remember, before we left for Colorado?â Itâs not a question, itâs a statement. She doesnât know, canât recall when sheâd gripped the worn leather on her metal keychain. Did she lock them inside? Sheâll have to ask for another set if she canât find these; something she really hopes wonât have to happen.Â
âHow irresponsible. Though I suppose I shouldnât have expected anything more from you.â Mentally, she curses him. She feels her uninjured arm twitch; nearly causing her to drop the phone. Fuck, fuck, fuck. Just what she needed; another reminder. Another reminder of how imperfectly perfect she is, shaped and improper, half-baked but fully bitter, never sweet. Itâs a gift she was given, the unpredictable pain. Left over from Him and the experiments, things she didnât even realize were happening to her body, she was just happy to please. She used to be happy to please; sheâs worked hard since then to shake that nature off of the wretched thing living inside her.Â
âYouâre so good. One more time, okay? I know it hurts. I know.â Another prick with a needle, then an order, rinse and repeat. It doesnât end. It never ends.
Focus. Focus.Â
âJustââ she grits her teeth, trying not to yell in frustration as the phone slides from her ear and into her lap. She has one of her hands braced against the wall, the other in a sling. Normally, when this happens (it hasnât in over a month) sheâs able to ignore it and continue on with her day. Today, however, one of her arms is useless. Which means that the other one is actually needed. With trembling fingers, sheâs able to retrieve the phone, cramming it between her ear and shoulder. â-Can you help me, or not?â
âOh, Iâm already in the car.â He laughs. âIâll be there in fifteen minutes.â Motherfuâ
Fuck you, Spencer Reid. Fuck you.
â
SURPRISINGLY, SPENCER REID HAS GOOD TASTE IN HOME DECOR. His apartment is decorated in shades of sage green, crawling across the open space like ivy. He has decorative pillowsâ hell, his home looks nicer than hers.Â
She feels out of place, like a speck of dust in a pristine display case. Like an outlier, like sheâs singlehandedly contaminating his life just by being in it. His gaze catches on her left arm, fist clenched, wound up like the rest of her body. Sheâs stiff as a board, very clearly uncomfortable. She watches as he furrows his brow, allowing himself a moment of contemplation before enough is enough, stop looking at me. Do not perceive me, I wish to remain unseen.
But the confusion remains etched across his features, sculpting his face into curiosity like a statue. She tries not to let it bother her, his need to understand every single thing that crosses his vision. She doesnât want to be understood, she prefers sheathing herself in curtains of mystery, allowing her contradictions to come to light only when she thinks it will benefit her. Manipulation, yes. Her emotions exist to confuse, she was never made for anything more.
Cipher braces herself, expecting to hear questions pour out of his mouth before he can stop him. Let me lie to you, she thinks. I always will. You can count on that.
He manages to keep his curiosities shut inside of him, something that surprises her greatly. Wordlessly, he gives her his hand, though she cannot take it, not without allowing herself to continue twitching. She wonât do that, wonât let him see this part of her, the part that never fully healedâ will never fully heal. Â
Spencer leads her to the couch, no physical contact, sheâs refused that already. It didnât hurt him like sheâd expected it would, hoped it would. We are not cordial, she wants to scream. Say something. Anger me. Hurt me, please.
Perhaps heâs just too tired, she doesnât blame him for that. Sheâs exhausted too, but sheâd never do this to him, at least not on purpose. Pretend to be nice, lure him into a false sense of security. Itâs downright cruel. Kindness is cruelty, it always has been when directed at her.
âYou can sleep here.â He points at the couch, at the decorative pillows, and she scans the room, taking it apart in her mind. The ceiling light isnât on, and judging by the lack of wear on the strings that connect to the bulb, he doesnât use it frequently, if at all. Interesting. Most of the light comes from lamps, antique ones, if she had to guess.
âThanks.â Thatâs it, leave him nothing to work with. Do not show anything.Â
He nods. Pointing towards a door, Spencer continues to speak. âThatâs my room. If you need anythingâŚâ His snark has disappeared, abandoned at the doorstep. She permits herself to copy his action, nodding back at him. âI have some blankets in the closet.â He offers. She doesnât respond.Â
She wonders why he hasnât taken advantage of this yet, used her vulnerability as an excuse to pick her to pieces, analyze her, and put her back together haphazardly. He wouldnât be the first profiler to do so, no, Agent Hotchner fills that role.Â
Kindness makes her restless.Â
Do something. Provoke him. Sheâll work with what she has, anything to get rid of the panic that cuts through her. Cipher picks something that she knows will upset him, play on the exposed skin underneath all of his armour. The sliver of flesh that he allows people to see, that he trusts will not be taken advantage of. She wants to laugh at him, really, she does. His first mistake was trusting her with anything. Heâs seen her tear apart witnesses, prod and poke at them until their skin gives way beneath her nails. Until their confessions write themselves, spilling out like blood across white tiles. Sterile tiles.Â
Why would he ever trust her? Itâs stupid, she has to stop him from being an idiot. Thatâs why sheâs doing this, to pry apart the pieces of the puzzle heâs assembled. He knows too much, sheâs given him too much.
She feels exposed.
So go on, Cipher. Force it. Make him break, you know how. Unless⌠you donât want to? You want him to know you? You donât, but if you did, poor thing. Too bad he hates you. Heâll always hate you, just as he should. Heâs right to suspect you, after all. Donât pretend you enjoy, nor deserve, his kindness. The voice mocks her, she doesnât stop it.Â
Bring up something that will make him uncomfortable, It suggests. She thinks for a moment, deciding between Miami and stitches. Stitches is more recent, raw, in fact, if she tries hard enough, she can still feel the needle pulling her back together. The needle which belonged to a pair of hands which belonged to a personâ a person standing right in front of her.Â
âSo,â She asks when she sees him appear in the doorway, an empty smirk pulled across her face. âYou still have surgical sutures?â She emphasizes the last two words, ensuring he knows exactly what sheâs talking about as his eyes go wide. âWe agreed not to speak of that,â he whispers, face red, but she can see that sheâs gotten under his skin. Heâd let go that day, unleashed something he didnât know was there. She always brought out the worst parts of him, he could count on that.Â
âWe did.â She tilts her head to the side.
âYouâre trying to start a fight.â
She freezes for a split second. Shit, he can see right through her. She hadnât expected him to notice so soon, she supposes her exhaustion is what has done her in.
She scoffs, rolling her eyes. âAnd what makes you say that?â Heâs right, she knows he is. He knows that she knows he is. But she has nothing, no defense, thereâs little she can do to divert his attention from the obvious.Â
âIâm not going to start with you,â he says quietly. Reprieve. Heâs giving her a chance to collect herself. âI know what youâre doing. Iâm not going to let you provoke me this late at night.â
âPerhaps,â she suggests, a sickly sweet smile plastered over her lips. âYou know youâre too tired to win?â She doesnât know when to stop, she just doesnât. She always pushes too far, always.Â
He narrows his eyes. âNope,â he pops the p. âIâm not falling for your bullshit. Not right now.â
âItâs not bullshit.â
âRight, and the sky is bright green.â
âActually, sources have reportedââ
âThat was a rhetorical question.âÂ
âI know.âÂ
She gives him a shit-eating grin when he doesnât reply, but instead rubs his temples, as though sheâs given him a migraine. Itâs fake, of course, sheâs truly feeling nothing, no satisfaction when he retaliates. Itâs like sheâs nothing but a shell, devoid of all purpose and meaning. That would make sense. She had potential, and sheâs thrown it away for this. Quite idiotic of her, really.
âIâm going to bed, lest you give me an aneurysm.â Now heâs backing off, he canât let himself get too close to the truth, she thinks. Thatâs fine, the real girl that lays beneath the mask would make him recoil in horror.
She gives him a dark chuckle. âGod, I love it when you pretend that youââ
âGood, you love something other than yourself. So youâre not a narcissist, interesting.â She rolls her eyes, ignoring the pointed comment.
âWe both know that thereâs more to narcissism than that.â He sighs. For a moment, she thinks heâs about to cave. Sheâs right, of course she is. Cipher has memorized his behaviour for the sole purpose of annoying him. She enjoys pissing him off, the thrill of it. The unbridled rage sheâs able to elicit.
âLook, Ci.â That name again. Itâs become a staple in her life since Alaska, bleeding out into other parts of her life, other people she knows. She hated it at first, but has (begrudgingly) come to⌠tolerate it. âIâm going to bed.â He tosses the blanket at her head, giving a little chuckle when it hits her square in the face. She doesnât react, refuses to give him the satisfaction of emotion. âYou should get some sleep.â For a moment, the look on his face is genuine. Concern, maybe, amplified when he sees the way her arm is still stiff at her side.Â
She leans over the couch, careful as to not hurt herself, and flicks the light off.
â
IT DOESNâT TAKE LONG FOR HER TO FALL ASLEEP. Less time than it usually does, when sheâs home alone, in her loft, too tired to chase away the thoughts that plague her daily. Maybe itâs the new environment putting her at ease, maybe thatâs why she sleeps better in a motel than in her own home. Maybe change, unpredictability, something to distract her is what keeps everything sheâs holding back at bay. That would make sense, really, it would.Â
Cipher hates going to sleep. She loses control, whateverâs left of Lanie takes over and steers her towards a life that she misses, that, if sheâs being honest, Cipher misses too. She misses it in the depths of her heart, the reminder of what she had constantly pressing into her ribcage, threatening to break through when she feels too much sorrow. Itâs always too much.
Itâs then that she thinks it, a damning thought that she knows will send her spiralling, it always does.
She misses Kally.
She genuinely, actually, misses her. With all of her heart and soul, every piece of herself she can gather into something coherent. Kally is the missing piece, the thing that could help her glue her life back together. It would be messy, a disaster, but sheâd have someone who genuinely cared. Kally is the only one left who still cares, at least she hopes she does, her voicemails say otherwise, but she canât take those seriously, not unless she wants to perish from genuine heartache.Â
The voicemails. They make her want to curl up into a ball and die. Let herself rot, let the outside finally match the inside of her body. There was a time where she was good, at least she hopes there was. Kally made her good, made her into someone who could have deserved love if she tried harder. But now that illusion has been shattered, in fact, itâs long gone. But the voicemails reflect a woman who no longer loves her, perhaps regrets loving her at all. The thought makes her sick.
She longs for a warm embrace she does not deserve. Damn Hotchner, for making her think like this. For reminding her of how affection truly feels, genuine or not. She would have expected such tricks from Spencer, but not Agent Hotchner. He, for the most part, has been truthful with her, something she admires about him.Â
There she lies, on the couch. On the couch that is not hers, in the home of a man she hates, closer to voluntarily crying than sheâs been in the last decade.
Sheâs not only lying on the couch, but to herself, also.Â
â
THE NIGHT PASSES RATHER UNREMARKABLY. Cipher dreams of things, she always does, but upon waking up, she does not remember them. She does not want to remember them, and the fact that she canât makes her unfathomably grateful to her own mind. For once, itâs doing its job correctly.Â
She doesnât jolt awake in the morning, in fact, she doesnât even stir until 10am. Until Spencer rushes out of his bedroom, clearly having forgotten that she was there, muttering to himself about being late for work. She blinks slowly when she sees him dart across the kitchen, fixing himself food. She could wait until he notices her, then tease him relentlessly about it later. Maybe even vaguely do it in front of the team, just to make him red in the face.
The thought appeals to her. Itâs easier this way, less of a headache for her later when she inevitably tries to untie the strings of their interactions, dissect them like she always does. Sheâs tried before, to see why Spencer has yet to freeze her out, stop talking to her entirely, or simply refuse to let her bother him. Heâs given her the silent treatment for stretches of time before, of course, when she steps too close to whatever weight he carries inside of him. Not once has she managed to come up with a sufficient and satisfactory conclusion.Â
âHello, pretty boy.â
âJesus fucking Châ oh, itâs just you.â She watches, glee spread across her face, pure childish joy taking hold of her as she giggles at him. He jumps upright when he hears her voice, then braces himself against his refrigerator, like sheâs taken away all of his balance. She tries to control herself, but her body refuses, forcing more unsolicited laughter out and into the air. It takes seconds for Spencerâs demeanour to convert from surprised to pissed off.
âI let you stay in my house, and this is how you repay me?â He presses a hand to his forehead. âJumping out of the dark like aâ I donât know, vampire? Blood sucking creature who wants to murder me?â He trails off, muttering a mix of curses and insults at her. Her blood surges at his reaction, sheâs still grinning ear to ear. This was exactly what she needed.
âIf I wanted to murder you,â she replies, still giggling, âIâd have done it a long time ago.â
âOh, so I was right! Your death threats are empty! Ha!â He says it like heâs won, which, in turn, makes her burst out laughing again. God, she hasnât felt this⌠whatever she is in a very, very, very long time.
âNope! Still willing to do the job, Iâd probably do it if someone dared me to.âÂ
âHow incredibly mature and perfectly sane of you.â He retorts.
âI never said I was sane,â she gives him a look. âYouâre putting words in my mouth.â
âYouâre right,â he sighs. âIâve always known you were crazy.â
âGood job, finally putting two and two together. Do you want a cookie?â She mocks. He rolls his eyes, looking her over once, then twice. Instantly, concern flickers across his features.
âDid you sleep in that?â He asks. She looks down at her (previously) white blouse, still stained with blood.Â
âI canât get to my clothes, Spencer. What do you think?â She looks at him like heâs stupid, which, to be honest, is a good assumption, considering the raw idiocy of his question.
âIâll get you a new shirt.â He decides.
âNo, you will not.â
âI am going to, or else I will tell everyone what you did.â She pales. In the heat of the moment, she seems to have forgotten that she was equally implicit in the stitches incident as he was.
â...Fine, but donât make it obvious. If you give me one of your nerd shirts, I will end you.â
Now, itâs his turn to smirk. âYou can try,â he says. Then, he gestures to her arm, which is still in a sling. âBut I doubt youâll be very successful.âÂ
â
âWHAT THE HELL ARE YOU DOING?â Spencer looks confused, but most of all, absolutely horrified. Cipher doesnât understand what sheâs done to offend him, but knowing Spencer, sheâs probably just breathed wrong. Theyâre driving to work, finally. Almost three hours late, but she doesnât think Hotchner will mind much.Â
âThat.â He whispers it like a curse, one of his fingers shakily pointing at the thing sheâs holding in her hands. Itâs not much, just a snack for the road. She keeps them in her go bag, a pack of three cadbury creme eggs. Nothing fancy; itâs sugar to prevent her from snapping at people when sheâs hungry. She still ends up yelling, but itâs the thought that counts.Â
âThe egg?â
âNo, the spoon.â She looks down. The creme egg is propped up against the side of the box. Normally, sheâd hold it in her hands, but she doesnât exactly have many at the moment. Spencer slows to a stop at a red light.Â
âI donât get it.â She sighs. âYouâre being ridiculous, Spencer.â
âYouâre scooping the cream out with the back of a spoon like a heathen,â he mutters. This is new, she didnât realize he had preferences for how she chose to eat food that she bought.Â
âI didnât know I was religious at all.â Cipher hums. âYou learn something new every day.â
âOh, you know what I meant.â He scoffs. Cipher stares him down as she dips the back of the spoon into the egg, pulling out a glob of creme and sucking it into her mouth. He just shakes his head, returning his focus back to the road.
âThat is downright blasphemous.â He notes when she takes another scoop.Â
âYou really are a fan of religious terminology,â she mutters, involuntarily shrinking away from his judgement. Itâs not like she canât handle itâ but fuck, she canât seem to do anything right. Everything still hurts, though she doubts that will change any time soon; sheâll have to get used to it. Her back burns where it's pressed against the leather seat, but sheâs too worn out to even attempt sitting up straight (or at all) without any support.Â
He rolls his eyes. âI think itâs fitting, given your unholy personality.â
She can feel the headache beginning to brew behind her eyes. Cipher dips back into the box for another scoopâ but comes up empty, a sign that sheâs finished all the cream. Carefully, she pulls the hollow shell out of the box with two fingers, popping it into her mouthâ whole.
He shakes his head, his eyes wide with faux (or real) disappointment and disgust.
Whatever, she doesnât care about what he thinks.
â
THE BULLPEN IS UNCHARACTERISTICALLY SILENT. For a moment, Cipher actually thinks Hotchner gave the team the day off, neither she nor Spencer have checked their emails yet, so itâs entirely possible. It would be nice of him, given the circumstances, but he has not, which is made abundantly clear when she sees the man himself walking towards her at a rushed pace. Concern is written across his face, he steps towards her quickly and grabs her uninjured arm. She curses herself as sheâs pulled away, curses the FBI, curses anything and everything she possibly can when she catches Spencer pulling his phone out of his pocket, his expression mirroring Hotchner's as he follows them. Thereâs only one explanation for this, theyâve caught a new case. A bad one, judging by the looks the pair of men are sporting.Â
She groans.Â
âIâve already briefed the team,â Hotchner mutters. âWeâll catch you two up to speed on the jet.â He pushes open the door to the conference room. Cipher steps forwards, expecting to be greeted with the usual sight. Case files, frowning team members, a bubbly but melancholy Garciaâ except thatâs not what she sees.
âSURPRISE!â The entire team says it in unison, loud and cheery.
She gasps. The room is decorated entirely in oranges and purples. There are balloons everywhere, the BAU has foregone their usual charcoal coated miserable decor for the time being. She feels a light, girlish excitement when she realizes exactly who this ordeal is for.Â
Her.
Itâs almost comical, the pure glee rushing through her body. She didnât realize she could still enjoy things like this, things she thought sheâd left in the past. Things like parties, things that are supposed to be for children. Cipher is sure her emotions are spread across her face, something she should care about, but doesnât. Not right now. She can deal with the fallout of that later.
âI thoughtâ donât we have a case?â She stammers. Derek Morgan walks forwards, a bright grin on his face, shaking his head slowly.
âNope,â he says, popping the p.
âBut Hotchnerââ
âDistraction.â Morgan explains. She feels her phone buzz in her pocket, the vibration against her leg a far away sound in the sea that is her emotions. Whoeverâs texting her can wait.
âHowâd you know?â Her voice doesnât sound like it usually does, her tone has changed, inflicted with something that sounds dangerously close to genuine.Â
âA little birdie,â he looks at Garcia, who raises her hand sheepishly. âTold us that it was your birthday. And youââ he pokes her, an action she normally would smite him for, but today gives her a small bit of warmth in her chest. âKept it a secret.â
âOh no.â She mutters. She hadnât intended for this to happen, really, she hadnâtâ
âOh yes, pretty girl.â
âbut sheâs glad it did. Selfish as that may be, sheâs⌠happy.
âWeâre a few weeks late,â Emily offers, her tone apologetic. Cipher doesnât know why, itâs not her fault, sheâd made sure not to tell the team about her birthday on purpose.Â
Cipher looks at Hotchner, suspicion written into her furrowed brow. Heâs smiling. Motherfucker. She curses him with fondness, though.Â
Both he and Garcia were the orchestrators behind this, she can tell by the mischievous looks on their faces. She doesnât mind the party, though, not as much as she thought she would.
Not at all, if sheâs being honest.
â
âTHATâS A REALLY NICE SHIRT,â Emily scoffs. Itâs been great. What theyâve done for her has been extremely nice, made her feel all warm and fuzzy inside, like someone draped a sweater over her ribcage. Protected, maybe? No, thatâs not the right word. The day is finished, everything is wrapped up, in fact, sheâs leaving with half a cake. A cake. Thatâs breakfast for the rest of the week, at least. Cipher doesnât notice the words at first, so she doesnât respond at all. It takes Emily tapping her on the shoulder for her to finally turn around.
âYour shirt,â Emily repeats, snickering. âI think itâs really nice.â Cipher almost rolls her eyes at the statement. God forbid she doesnât wear fancy clothing every day. She wasnât even going to come in at all, her arm is still in a sling, but sheâs grateful that she did.
âWhat?â She asks, glancing down at her worn t-shirt and pants. âI have a life outside of work, you know.â
âOh, I know.â Emily shoots Cipher a small, smug smile.For a moment, Cipher is confused as to why sheâs emphasizing that word. Then, her heart all but stops. Shit.
This isnât her shirt, itâs Spencerâs.
âItâs fine, you two are good together. Sharing clothes already, isnât that romantic?â Emily begins to walk towards her car, but not before giving Cipher a nod. Sheâs about to protest, her mouth drops open, but no words come out.
Sheâs going to say something, fight her on her assumptions, but her phone buzzes again. Itâs been doing that all day. Emily is nearly in her car, and Cipher really, really doesnât have the energy to make a good argument.Â
She pulls her phone out of her pocket, frowning when a text message from an unknown number flashes across her screen.