Tommy (1975, Ken Russell)
seen from TĂźrkiye
seen from Chile
seen from United States
seen from United States
seen from China
seen from South Africa

seen from United States
seen from France
seen from Argentina
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States

seen from United States
seen from Russia

seen from United States
seen from United States
seen from United States

seen from United States
Tommy (1975, Ken Russell)

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A fantastic example of this filmâs use of perception as reality being completely and utterly false, especially considering that, despite Mima and her âreflectionâ being in the same position and area in the room, the lighting for the two of them is totally different. Fucking brilliant, and yet another great use of this filmâs reflection motif.
Also, I fucking love the way this shot transitions, itâs phenomenal.
âSHUT UP, ME!â
Ah, the first time we realize we canât trust what we OR Mima sees.
the jumpscare following this with the train blasting by is also very good
I love Perfect Blueâs attention to detail, and the fact that the Macintosh Performa theyâre setting up is a real computer, and theyâre showing the actual set-up, boot-up process, the user interaction is accurate, and the 1997 details such as having to put in an address manually, complete with the http at the start, is so good.
That being said, Mimaâs, what, 23? How the hell does a 23 year old, fairly successful pop idol not know how to use a computer? You have a PlayStation, Mima, surely youâve SEEN a computer, yet you seem kinda... Confused at the very concept, even saying something to the effect of âOh, yeah, that thing thatâs getting popularâ. Her not knowing much about how it works while the older Rumi does is... Baffling.
One of my favorite shots in the movie, and honestly as someone who fucked up the first time he had fish and accidentally killed them and felt like a monster, I can relate, Mima.

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One of these days I have to do an analysis on how fucking creepy this scene with the fax is, because out of context it doesnât convey the same sense of unrelenting âAAAAAAAAAAâ factor it does in the movie.
''Next time is next time. Now is now.'' - Perfect Days (2023) Directed by Wim Wenders
âThey say that the best blaze burns brightest, when circumstances are at their worst.â â Sophie Hatter
- Howl's Moving Castle (2004) Dir. Hayao Miyazaki