Misha Oplev
Visdev and Colorscripting
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Misha Oplev
Visdev and Colorscripting
artstation mishaoplev youtube instagram
More from «Artstation» here

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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No matter who you are or where you are, instinct tells you to go home
Silhouettes | by fishmonkeycow
HK Neon Nights | by fishmonkeycow
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Untitled #15 (Novella) It's getting darker later nowadays, so I'm going to be spending the next few weeks trying to shoot at night as much as I can for the images I have planned! I can't wait for April though because I'm going to start shooting more portraits and hopefully a couple of model tests alongside personal work! 📷😍👌 #photography #fineart #fineartphotography #conceptualphotography #fashionphotographer #menswearphotography #menswear #menstyle #cineamtic #cinematography #nightphotography #newtopographics #fashion #photographyseries #selfportrait
One of the biggest takeaways I've developed from my Novella series is a fascination for nightscapes and wide, open spaces. I love how even the most simplest location can become charged with narrative potential when captured through the lens of a camera. This is one of my favourite images I've ever taken and it surprises me, because the image is so simple yet so ambiguous. Being one of those very rare improvised images I had no intention of shooting, it makes me think that sometimes just shooting without planning can be just as rewarding! #photography #nighttime ##nightphotography #cineamtic #filmstill #fineartphotography #selfportraitseries #novella #cinematography #building #canon #50mm #photographersoninstagram #conceptualphotography #dark #night #photographyseries #nightscape
Shivers Down Your Spine
I've come across Alison Griffith's Shivers Down Your Spine: Cinema, Museums and the Immersive view whilst researching interactive viewing experiences. Within her book Griffiths theorises and gives examples of modern models of viewing that provide an immersive spectatorship. She refers to the cinema model, stating:
“When we think about spectatorship within film and media studies, we are still beholden to models that, while discursively specific (few would confuse Bordwell with Lacan), are nevertheless generally premised upon the idea of an individual seated in a darkened auditorium...While film and television are capable of immersing viewers in the experience, they do not send shivers down the spine...”
She proposes that there is a need for a greater experience of immersion in cineamtic viewing, providing a definition for ‘immersion’ as “the sensation of entering a space that immediately identifies itself as somehow separate from the world and that eschews conventional modes of spectatorship in favor of a more bodily participation in the experience, including allowing the spectator to move freely around the viewing space...”
I feel this explains my own motivation in my recent film pieces where I want to provide a spectacular viewing experience that surpasses conventional cinematic viewing. I want to create a piece that embodies Griffith's definition of 'immersion'.