#christopher bruce

This week's "free" video on the BG East Arena is a classic that I've seen many times in the past 2 decades: Mikey Vee vs. Chris Bruce. I think it is a celebration of the Fourth of July given Bruce's starred and striped trunks. I'm glad they posted it because this one brings back memories from my earliest days of ordering wrestleporn videos.

Mikey Vee was a trash talker with hard abs who used his muscular physique to back up his boasts. Chris Bruce was a submissive muscle-jobber who, you can see, filled out those American Flag trunks quite nicely.

James Dean Bradfield des Manic Street Preachers lance une nouvelle série de podcast pour accompagner son deuxième album solo L’épisode un de Inspired By Jara comprend Charlie Burchill de Simple Minds Tom Skinner Continue reading Untitled

James Dean Bradfield des Manic Street Preachers lance une nouvelle série de podcast pour accompagner son deuxième album solo L’épisode un de Inspired By Jara comprend Charlie Burchill de Simple Minds Tom Skinner Continue reading Untitled

if I ever watch schindlers list I won’t be able to not think of this and it will ruin my experience

GCSE Dance Programme Note 

Duo /Trio 

   Name: Lily Taylor                                                                   Candidate Number: xxxx 

Centre Name: nopeity nope                                          Centre Number: xxxxx 

________________________________________________________________ 

Title of Dance: Shadows 

Title of Accompaniment: Theme from Schindlers List 

Composer: John Williams 

Running Time: 3 minutes and 35 seconds 

Names of Dancers: A person, a nother person and meeee

  __________________________________________________________________________________ 

The main idea or theme was to produce a duo / trio to the theme from Schindlers’ list composed by John Willliams and inspired by the subject matter of ‘Shadows’ choreographed by Christopher Bruce. The contemporary trio portrays ‘a family waiting for a knock on the door, because they are going to be on the next train and if not the train after on a way to a concentration camp.’ The trio explores the concept and meaning of a family unit, inspired by portrait photographs of families who travelled to Auschwitz: these structure and form the choreography through still salient positions and tableaux and the idea of leaving and parting is explored as a foreshadowing of the inevitable future. 

The trio is sectioned into 5 parts and we incorporated Flux and Shift specifically into parts 3 and 4. Part three consists primarily of our development of Flux as we have integrated the handstand with one leg bent and we also used the many extended arms in Scoop as a basis for our choreography throughout the piece as primarily it is about a family being torn apart and the extended arms help perpetuate a sense of longing.