Paper Bullets - Chicago Garage Punk

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Paper Bullets - Chicago Garage Punk

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Chris Ott
Huntertones Bring the Funk to Music Haven
Huntertones Bring the Funk to MusicĀ Haven
Brooklyn brass band heads upstate
Huntertones
7 p.m.Ā Thursday, July 25
Music Haven
Central Park, Schenectady, NY Free to the public
www.musichavenstage.org
(Rain siteāProctors)
SCHENECTADY, N.Y.āJULY 8, 2019āBrooklynās brassy Huntertonesāmaking their Music Haven debut 7 p.m. Thursday, July 25āformed at Ohio State UniversityĀ in Columbus and hosted their first shows at a house on, you guessed it,ā¦
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Shallow Rewards - The Song Remains the Shame: Mr. Robot and Stranger Things
I was delighted to become (I think) the first ever recurring guest on Shallow Rewards, the enormously insightful podcast from music criticismās adulte terribleĀ Chris Ott, to discuss the use of standout pop songs on the soundtracks of prestige television shows. We focus on Mr. RobotĀ and Stranger Things (so watch out for spoilers)Ā but touch on Halt and Catch Fire, The Sopranos, and The Wonder Years, with plenty of digressions into film soundtracks and film in general (Cameron Crowe, Martin Scorsese, SLC Punk, Under the Skin) as well. Chris is one of my favorite critics of any kind and itās a pleasure talking to him. I hope you enjoy the results!
Shallow Rewards: Not Yr 90s with Sean T. Collins, Parts 1&2
I appeared on my favorite music podcast (and my favorite podcast period), Chris Ottās Shallow Rewards, to discuss how the critical narrative of the 1990s has distorted the reality of how the eraās music, āalternativeā and otherwise, functioned, flourished, and failed. There are substantial digressions about the overall state of arts criticism and journalism in there, too. Nobody does a better job than Chris of editing a podcast for maximum impact -- honestly, itās not even close. Moreover his work has been a huge inspiration and influence for me, and it was an honor to be a guest. Please listen!
Download part one
Download part two

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
A few weeks ago I played a show, during which I sang and sometimes played guitar. After it I had a conversation with an intense guy over the idea of writing and releasing music. And a few months before that I had a quite similar interaction with an obviously talented and super-sharp budding artist about just doing art / releasing a part of you out there.Ā
The thing is after ten plus years writing and recording and releasing music Iām still struggling with the wordĀ āartistā, which is really what I am when I am doing these things.Ā
And part of the failure at getting my point across (just doing something and putting it out there isĀ fun and helps you hone your skills, learn what youāre good at, what works and doesnāt) is generational. As Chris Ott states in his essay Period-Correct Pop:Ā
[DJDSās] Jerome [LOL]ās ten years younger than me, and this kind of psychic riftāāāprotecting the developing Self by inventing a more concrete, invincible persona to absorb psychological assaultāāāis common to his age. This is the reason Claire Boucher records as Grimes, and why so many young artists feel like changing names or forming new bands with each record. You want the control of a new narrative, the satisfaction of boxing up an imperfect old oneāāāyou want a clean slate, like the Asian Art Name traditionāāābut on the Internet everyone knows you tried to sail a chicken coop down the Mississippi. As paraphrased by Martin Scorsese in Robert Redfordās flawless period piece Quiz Show, āThe public has a very short memory, but corporations never forget.ā Neither does the Internet.Ā
The paralyzing idea that whatever you do must be perfect on your first try has always existed, but the internet-fueled fear of being judged and quickly and definitively dismissed is making theĀ healthy and necessary try & error phase look like itās disappearing.Ā
Another thing that explains why I ultimately felt like I was of absolutely no help at all, and maybe just ended up reinforcing the above-stated debilitating feeling, is that I failed to mention a crucial information -that you have to write / draw like no oneās watching. As David Foster Wallace wrote in his essayĀ āThe Nature of the Funā:
writing fiction becomes a way to go deep inside yourself and illuminate precisely the stuff you don't want to see or let anyone else see, and this stuff usually turns out (paradoxically) to be precisely the stuff all writers and readers everywhere share and respond to, feel. Fiction becomes a weird way to countenance yourself and to tell the truth instead of being a way to escape yourself or present yourself in a way you figure you will be maximally likable. This process is complicated and confusing and scary, and also hard work, but it turns out to be the best fun there is.
I am not sure whether this can be understood if it has not been felt or just glimpsed, but I feel that it is a most precious piece of advice. Create a space, through anonymity or pseudonym, that enables you to grow and make the mistakes every artist needs to make. Take a long hard look at yourself and write.Ā Put your stuff out. Tape it on walls, leave it sitting around, upload it. Not for feedback, but because it is rewarding in itself and fun.Ā
Fun is definitely part of the appeal of Dilly Dallyās Sore;Ā an album that I canāt help keeping coming back to. An album in which Katie Monks makes it crystal clear that the listener liking her bandās songs is the last thing on her mind --as she shrieks with her fantastic giggle-inducing goblin voice -one she has spent seven years mangling into shape- āDonāt you relate to it?āĀ
choose the bigger aesthetic masterpiece
Chris Ott over at London 1888 gave us a treat this week with this awesome Something To Tide You Over Pin inspired by Creepshow!!