#chineselanguage

Studying Chinese language in China is one of the most effective ways to master Mandarin while gaining international academic exposure. Learning directly in a Chinese-speaking environment helps students develop strong communication skills, cultural understanding, and confidence that cannot be achieved through classroom learning alone.

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If you are looking for an affordable and high-quality education path, studying Chinese in China is a smart choice. With rising global demand for Mandarin speakers, this opportunity can open doors to international careers and higher education options.

In written chinese, the character 魔 (mó) can mean : Demon, Devil, Fiend, wicked force, magic.

It is made of two components : - 麻 Hemp, Cannabis and - 鬼 Evil spirit So, a Demon is literally an « Evil spirit of the cannabis ».

Check out Vietnamese and Chinese versions: https://ngocnga.net/distant-dreams/?utm_source=tumblr&utm_medium=social&utm_campaign=quote 💭✍️🏡 The rich see it as a destination, the poor see it as desolation, poets write of it as the distant horizon, while wanderers hold it as their homeland. // Fù rén xiàng wǎng de dì fāng, qióng rén yǎn lǐ de huāng liáng, shī rén bǐ xià de yuǎn fāng, yóu zǐ xīn zhōng de gù xiāng.

In Korean, China is 중국 (joong-guk)

In Chinese, China is 中国 (zhong-guo)

maybe i'm hearing things but it sounds like he combines the two together and says something along the lines of "zhong-guk" and his Chinese accent definitely pops out more

i've never seen anybody call him out on it though (even though he pronounces it like that on variety shows too)

What do you taste when you hear Igor Stravinsky’s Rite of Spring? What colors do you see wisping and waving through the air when Richard Wagner’s Ride of the Valkyries presents itself to your ears? And where do you go when you hear Yu Boya and Zhong Ziqi’s High Mountain and Flowing Water? Stravinsky questioned how we separate civilization from barbarism, and how we might tell the difference between them. His return to Russian folk traditions caused mixed reactions from patrons and critics alike, with the opening night of Rites described later as a “riot” of booms, crashes, and hisses. Wagner demanded domination with the gentle hum that grows into thunderous roars separated by metallic clanks. He demanded synthesis. Valkyries was a song of war, an auditory claim for praxis which has been motivated time and time again. Similarly Yu and Zhong plucked their guzheng strings to the plunk-plunk-plunk of water flowing down a mountain which reflected the harmony of their own friendship. So what shall our other senses make of noise if music represents mirrored synthesis, domination, and perfect harmony?

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